The New York and Springfield train eastward bound stood waiting in the depot at New Haven. There had been a slight accident which occasioned a detention of several minutes, and taking advantage of this delay many of the passengers alighted to stretch their weary limbs or inhale a breath of purer air than could be obtained within the crowded car. Several seats were thus left unoccupied, one of which a tall, dark, foreign-looking man, with eyes concealed by a green shade, was about appropriating to himself, when a wee little hand was laid on his and a sweet baby voice called out,
"That's my mamma's chair, big man, mamma gone after cake for Nina!"
The stranger started, and his face flushed with some strong emotion, while his hand rested caressingly upon the flowing curls of the beautiful three-years-old girl, as he asked,
"Who Is mamma, darling? What is her name, I mean?"
"I can tell that a heap better'n Kina," chimed in a boy of five, who was sitting just across the aisle, and joining the little girl, he continued, 'My mother is Edith, so Aunt Grace calls her, but father says Miggie most all the time.
The stranger sank into the seat, dizzy and faint with the mighty shock, for he knew now that Edith's children were standing them before him—that frank, fearless boy, and that sweet little girl, who, not caring to be outdone by her brother, said, in a half exultant way, as if it were something of which she were very proud,
"I've got an Uncle 'Ichard, I have, and he's tomin' home bime by."
"And going to bring me lots of things," interrupted the boy again, "Marie said so."
At this point a tall, slender Frenchman, who had entered behind the man with the green shade, glided from the car, glancing backward just in time to see that his master had coaxed both children into his lap, the girl coming shyly, while the boy sprang forward with that wide-awake fearlessness which characterized all his movements. He was a noble-looking little fellow, and the stranger hugged him fondly as he kissed the full red lips so like to other lips kissed long years ago.
"What makes you wear this funny thing?" asked the child, peering up under the shade.
"Because my eyes are weak," was the reply, "People around your home call me blind."
"Uncle 'Ichard is blind," lisped the little girl, while the boy rejoined, "but the bestest man that ever lived. Why, he's betterer than father, I guess, for I asked ma wan't he, and pa told me yes."
"Hush-sh, child," returned the stranger, fearing lest they might attract too much attention.
Then removing the shade, his eyes rested long and wistfully upon the little boy and girl as he said,
"I am your Uncle Richard."
"True as you live and breathe are you Uncle Dick," the boy almost screamed, winding his chubby arms around the stranger's neck, while Nina standing upon her feet chirped out her joy as she patted the bearded cheek, and called him "Uncle 'Ick."
Surely if there had been any lingering pain in the heart of Richard Harrington it was soothed away by the four soft baby hands which passed so caressingly over his face and hair, while honeyed lips touched his, and sweet bird-like voices told how much they had been taught to love the one whom they always called Uncle. These children had been the hardest part of all to forgive, particularly the first born, for Richard, when he heard of him had felt all the old sorrow coming back again; a feeling as if Edith had no right with little ones which did not call him father. But time had healed that wound too, until from the sunny slopes of France, where his home had so long been, his heart had often leaped across the sea in quest of those same children now prattling in his ear and calling him Uncle Dick. There was another, a dearer name by which they might have called him, but he knew now that 'twas not for him to be thus addressed. And still he felt something like a father's love stealing into his heart as he wound his arms around the little forms, giving back kiss for kiss, and asking which was like their mother.
"Ain't none of us much," Dick replied, "We're like father and Aunt Nina, hanging on the wall in the library. Mother's got big black eyes, with winkers a rod long, and her hair shines like my velvet coat, and comes most to her feet."
Richard smiled, und was about to speak again, when Dick forestalled him by asking—not if he had him something but where it was.
"It's in your trunk, I guess," he said, as his busy fingers investigated every pocket and found nothing savoring of playthings, except a knife, both blades of which were opened in a trice, and tried upon the window sill!
Richard, who, never having known much of children, had not thought of presents, was sorely perplexed, when luckily Victor returned, bringing a paper of molasses candy, which he slyly thrust into his master's hand, whispering to him,
"They always like that."
Victor had calculated aright, for nothing could have pleased the St. Claires more; and when, as she entered at the door, Edith caught sight of her offspring, she hardly knew them, so besmeared were their little faces with molasses, Nina having wiped her hands first upon her hair and then rubbed them upon Richard's knee, while Victor looked on a little doubtful us to what the mother might say.
"There's mam-ma," Nina cried, trying to shake back her curls, which nevertheless stuck lightly to her forehead. "There's mam- ma," and in an instant Little Dick, as he was called, found himself rather unceremoniously set down upon his feet, as Richard adjusted his shade, and resumed the air of helplessness so natural to the blind.
Edith had been to New York with Marie and the children, leaving the former there for a few weeks, and was now on her way home, whither she hoped ere long to welcome Richard, whom she had never seen since the night of her marriage, when Victor led him half fainting from the altar. He would not join them at the breakfast next morning, but sent them his good-bye, and when they returned from their long, happy bridal tour they found a letter for them saying Richard was in Paris.
Regularly after that they heard from him, and though he never referred to the past, Edith knew how much it cost him to write to one whom he had loved so much. Latterly, however, his letters had been far more cheerful in their tone, and it struck Edith that his hand-writing too, was more even than formerly, but she suspected nothing and rather anticipated the time when she should be eyes for him again, just as she used to be. He had said in his last letter that he was coming home ere long, but she had no idea that he was so near, and she wondered what tall, greyish haired gentleman it was who had taken possession of her seat.
"Mother," little Dick was about to scream, when Victor placed his hand upon his mouth, at the same time turning his back to Edith, who, a little surprised at the proceeding, and a little indignant it may be, said rather haughtily, and with a hasty glance at Richard,
"My seat, sir, if you please."
The boy by this time had broken away from Victor, and yelled out, "Uncle Dick, ma, Uncle Dick;" but it did not need this now to tell Edith who it was. A second glance had told her, and with face almost as white as the linen collar about her neck, she reeled forward, and would have fallen but for Victor, who caught her by the shoulder and sat her down beside his master.
Richard was far less excited than herself, inasmuch as he was prepared for the meeting and as she sank down with the folds of her grey traveling dress lying in his lap, he offered her his hand, and with the same old sunny smile she remembered so well, said to her,
"Do you not know me?"
"Yes," she gasped, "but it takes my breath away. I was not expecting you so soon. I am so glad."
He knew she was by the way her snowy fingers twined themselves around his own and by the fervent pressure of her lips upon his hand.
"Mam-ma's tyin," said Nina, and then Edith's tears fell fast, dropping upon the broad hand she still held, which very, very gradually, but still intentionally drew hers directly beneath the green shade, and there Richard kept it, his thumb hiding the broad band of gold which told she was a wife.
It was a very small, white, pretty hand, and so perhaps he imagined, for he held it a long, long time, while he talked quite naturally of Arthur, of Grace, of the people of Shannondale, and lastly of her children.
"They crept into my heart before I knew it," he said, releasing Edith's hand and lifting Nina to his knee. "They are neither of them much like you, my namesake says."
This reminded Edith of the mysterious shade which puzzled her so much, and, without replying directly to him, she asked why it was worn. Victor shot a quick, nervous glance at his master, who without the slightest tremor in his voice, told her that he had of late been troubled with weak eyes, and as the dust and sunlight made them worse, he had been advised to wear it while traveling as a protection.
"I shall remove it by and by, when I am rested," he said.
And Edith hoped he would, for he did not seem natural to her with that ugly thing disfiguring him as it did.
When Hartford was reached Richard found an opportunity of whispering something to Victor, who replied,
"Tired find dusty. Better wait, if you want a good impression."
So, with a spirit of self-denial of which we can scarcely conceive Richard did wait, and the shade was drawn closely down as little Nina, grown more bold climbed up beside him, and poised upon one foot, her fat arm resting on his neck, played "peek-a-boo" beneath the shade, screaming at every "peek," "I seen your eyes, I did."
A misstep backward, a tumble and a bumped head brought this sport to an end, just as Shannondale was reached, and in her attempts to soothe the little girl, Edith failed to see that the shade was lifted for a single moment, while, standing upon the platform, Richard's eyes wandered eagerly, greedily over the broad meadow lands and fields of waving grain, over the wooded hills, rich in summer glory, and lastly toward Collingwood, with its roofs and slender tower basking in the July sun.
"Thank God thank God," he whispered, just as Victor caught his arm, bidding him alight as the train was about to move forward.
"There's papa, there—right across the track," and Dick tugged at his father's coat skirts, trying to make him comprehend, but Arthur had just then neither eyes nor ears for any thing but his sobbing little daughter, whose forehead he kissed tenderly, thereby curing the pain and healing the wounded heart, of his favorite child, his second golden-haired Nina. Dick, however, persevered, until his father understood what he meant, and Nina was in danger of being hurt again, so hastily was she dropped when Arthur learned that Richard had come. There was already a crowd around him, but they made way for Arthur, who was not ashamed to show before them all, how much he loved the noble man, or how glad he was to have him back.
"Richard has grown old," the spectators said to each other, as they watched him till he entered the carriage.
And so he had. His hair was quite grey now, and the tall figure was somewhat inclined to stoop, while about the mouth were deep- cut lines which even the heavy mustache could not quite conceal. But he would grow young again, and even so soon he felt his earlier manhood coming back as he rode along that pleasant afternoon, past the fields where the newly-mown hay, fresh from a recent shower, sent forth its fragrance upon the summer air, while the song of the mowers mingled with the click of the whetting scythe, made sweet, homelike sounds which he loved to hear. Why did he lean so constantly from the carriage, and why when Victor exclaimed, "The old ruin is there yet," referring to Grassy Spring did he, too, look across the valley?
Arthur asked himself this question many times, and at last, when they reached Collingwood and Edith had alighted, he bent forward and whispered in Richard's ear, not an interrogation, but a positive affirmation, which brought back the response,
"Don't tell her—not yet, I mean." Arthur turned very white and could scarcely stand as he stepped to the ground, for that answer, had taken his strength away, and Victor led him instead of his master into the house, where the latter was greeted joyfully by the astonished servants.
He seemed very weary and after receiving them all, asked to go to his room where he could rest.
"You will find it wholly unchanged," Arthur said. "Nothing new but gas."
"I trust I shall not set the house on fire this time," was Richard's playful rejoinder, as he followed Victor up the stairs to the old familiar chamber, where his valet left him alone to breathe out his fervent thanksgivings for the many blessings bestowed on one, who, when last he left that room, had said in his sorrow, there were no sunspots left.
The first coming home he so much dreaded was over now, and had been accompanied with far less pain than he feared. He knew they were glad to have him back—Arthur and his dear sister, as he always called her now. Never since the bridal night had the name Edith passed his lips and if perchance he heard it from others, he shuddered involuntarily. Still the sound of her voice had not hurt him as he thought it would; nothing had been half so hard as he had anticipated, and falling upon his knees, he poured out his soul in prayer, nor heard the steps upon the threshold as Arthur came in, his heart too full to tarry outside longer. Kneeling by Richard, he, too, thanked the Good Father, not so much for his friend's safe return as for the boon, precious as life itself which had been given to that friend.
When at last their prayers were ended, both involuntarily advanced to the window, where, with his handsome, manly face turned fully to the light, Arthur stood immovable, nor flinched a hair, as Edith would ere long when passing the same ordeal. He did not ask what Richard thought of him, neither did Richard tell, only the remark,
"I do not wonder that she loved you best."
They then talked together of a plan concerning Edith, after which Arthur left his brother to the repose he so much needed ere joining them in the parlor below. Never before had pillows seemed so soft or bed so grateful as that on which Richard laid him down to rest, and sleep was just touching his heavy eyelids, when upon the door there came a gentle rap, accompanied with the words,
"P'eae, Uncle 'Ick, let Nina tome. She's all dressed up so nice."
That little girl had crept way down into Richard's heart, just as she did into every body's, and he admitted her at once, suffering her to climb up beside him, where, with her fat, dimpled hands folded together, she sat talking to him in her sweet baby language,
"'Ess go to sleep, Nina tired," she said at last, and folding his arms about her, Richard held her to his bosom as if she had been his own. "'Tain't time to say p'ayers, is it?" she asked, fearing lest she should omit her duty; and when Richard inquired what her prayers were, she answered,
"Now I lay me—and God bess Uncle 'Ick. Mam-ma tell me that."
Richard's eyes filled with tears, which the waxen fingers wiped away, and when somewhat later Victor cautiously looked in, he saw them sleeping there together, Nina's golden head nestled in Richard's neck, and one of her little hands lain upon his cheek.
Meantime, in Edith's room Arthur was virtually superintending the making of his wife's evening toilet, a most unprecedented employment for mankind in general, and him in particular. But for some reason wholly inexplicable to Edith, Arthur was unusually anxious about her personal appearance, suggesting among other things that she should wear a thin pink muslin, which he knew so well became her dark style of beauty; and when she reminded him of its shortcomings with regard to waist and sleeves, he answered playfully,
"That does not matter. 'Twill make you look girlish and young."
So Edith donned the pink dress, and clasping upon her neck and arms the delicate ornaments made from Nina's hair, asked of Arthur, "How she looked."
"Splendidly," he replied, "Handsomer even than on our bridal night."
And Edith was handsomer than on the night when she stood at the altar a bride, for six years of almost perfect happiness had chased away the restless, careworn, sorrowful look which was fast becoming habitual, and now, at twenty-six, Edith St. Claire was pronounced by the world the most strikingly beautiful woman of her age. Poets had sung of her charms, artists had transferred them to canvas; brainless beaux, who would as soon rave about a married woman as a single one, provided it were the fashion so to do, had stamped them upon their hearts; envious females had picked them all to pieces, declaring her too tall, too black, too hoydenish to be even pretty; while little Dick and Nina likened her to the angels, wondering if there were anything in heaven, save Aunt Nina, as beautiful as she. And this was Edith, who when her toilet was completed went down to meet Grace Atherton just arrived and greatly flurried when she heard that Richard had come. Very earnestly the two ladies were talking together when Arthur glanced in for a moment and then hastened up to Richard, whom he found sitting by the window, with Dick and Nina both seated in his lap, the former utterly astounded at the accuracy with which his blind uncle guessed every time how many fingers he held up!
"Father! father!" he screamed, as Arthur came in, "He can see just as good as if he wasn't blind!" and he looked with childish curiosity into the eyes which had discovered in his infantile features more than one trace of the Swedish Petrea, grandmother to the boy.
Arthur smiled and without replying to his son, said to Richard,
"I have come now to take you to Edith. Grace Atherton is there, too—a wonderfully young and handsome woman for forty-two. I am not sure that you can tell them apart.
"I could tell your wife from all the world," was Richard's answer, as putting down the children and resuming the green shade, he went with Arthur to the door of the library, where Grace and Edith, standing with their backs to them were too much engaged to notice that more than Arthur was coming.
Him Edith heard, and turning towards him she was about to speak, when Richard lowered the green shade he had raised for a single moment, and walking up to her took her hand in his. Twining his fingers around her slender wrist he said to her,
"Come with me to the window and sit on a stool at my feet just as you used to do."
Edith was surprised, and stammered out something about Grace's being in the room.
"Never mind Mrs. Atherton," he said, "I will attend to her by and by—my business is now with you," and he led her to the window, where Arthur had carried a stool.
Like lightning the truth flashed upon Grace, and with a nervous glance at the mirror to see how she herself was looking that afternoon, she stood motionless, while Richard dashing the shade to the floor, said to the startled Edith,
"The blind man would know how Petrea's daughter looks."
With a frightened shriek Edith covered up her face, and laying her head in its old resting place, Richard's lap, exclaimed,
"No, no, oh no, Richard. Please do not look at me now. Help me, Arthur. Don't let him," she continued, as she felt the strong hands removing her own by force. But Arthur only replied by lifting up her head himself and holding in his own the struggling hands, while Richard examined a face seen now for the first time since its early babyhood. Oh how scrutinisingly he scanned that face, with its brilliant black eyes, where tears were glittering like diamonds in the sunlight, its rich healthful bloom, its proudly curved lip, its dimpled chin and soft, round cheeks What did he think of it? Did it meet his expectations? Was the face he had known so long in his darkness as Edith's, natural when seen by daylight? Mingled there no shadow of disappointment in the reality? Was Arthur's Edith at all like Richard's singing bird? How Arthur wished he knew. But Richard kept his own counsel, for a time at least. He did not say what he thought of her. He only kissed the lips beginning to quiver with something like a grieved expression that Arthur should hold her so long, kissed them twice, and with his hand wiped her tears away, saying playfully,
"'Tis too bad, Birdie, I know, but I've anticipated this hour so long."
He had not called her Birdie before, and the familiar name compensated for all the pain which Edith had suffered when she saw those strangely black eyes fastened upon her, and knew that they could see. Springing to her feet the moment, she was released, she jumped into his lap in her old impetuous way, and winding her arms around his neck, sobbed out,
"I am so glad, Richard, so glad. You can't begin to guess how glad, and I've prayed for this every night and every day, Arthur and I. Didn't we, Arthur? Dear, dear Richard. I love you so much."
"What he make mam-ma cry for?" asked a childish voice from the comer where little Dick stood, half frightened at what he saw, his tiny fist doubled ready to do battle for mother in case he should make up his mind that her rights were invaded.
This had the effect of rousing Edith, who, faint with excitement, was led by Arthur out into the open air, thus leaving Richard alone with his first love of twenty-five years ago. It did not seem to him possible that so many years had passed over the face which, at seventeen, was marvellously beautiful, and which still was very, very fair and youthful in its look, for Grace was wondrously well preserved and never passed for over thirty, save among the envious ones, who, old themselves, strove hard to make others older still.
"Time has dealt lightly with you, Grace," Richard said, after the first curious glance. "I could almost fancy you were Grace Elmendorff yet," and he lifted gallantly one of her chestnut curls, just as he used to do in years agone, when she was Grace Elmendorff.
This little act recalled so vivedly the scenes of other days that Grace burst into a flood of tears, and hurried from the room to the parlor adjoining, where, unobserved, she could weep again over the hopes forever fled. Thus left to himself, with the exception of little Dick, Richard had leisure to look about him, descrying ere long the life-sized portrait of Nina hanging on the wall. In an instant he stood before what was to him, not so much a picture painted on rude canvas, as a living reality—the golden-haired angel, who was now as closely identified with his every thought and feeling as even Edith herself had ever been. She had followed him over land and sea, bringing comfort to him in his dark hours of pain, coloring his dreams with rainbow hues of promise, buoying him up and bidding him wait a little—try yet longer, when the only hope worth his living for now seemed to be dying out, and when at last it, the wonderful cure, was done, and those gathered around him said each to the other "He will see," he heard nothing for the buzzing sound which filled his ear, and the low voice whispering to him, "I did it—brought the daylight straight from heaven. God said I might—and I did. Nina takes care of you."
They told him that he had fainted from excess of joy, but Richard believed that Nina had been with him all the same, cherishing that conviction even to this hour, when he stood there face to face with her, unconsciously saying to himself, "Gloriously beautiful Nina. In all my imaginings of you I never saw aught so fair as this. Edith is beautiful, but not—"
"As beautiful as Nina was, am I?" said a voice behind him, and turning round, Richard drew Edith to his side, and encircling her with his arm answered frankly,
"No, my child, you are not as beautiful as Nina."
"Disappointed in me, are you not? Tell me honestly," and Edith peered up half-archly, half-timidly into the eyes whose glance she scarcely yet dared meet.
"I can hardly call it disappointment," Richard answered, smiling down upon her. "You are different-looking from what I supposed, that is all. Still you are much like what I remember your mother to have been, save that her eyes were softer than yours, and her lip not quite so proudly curved."
"In other words, I show by my face that I am a Bernard, and something of a spitfire," suggested Edith, and Richard rejoined,
"I think you do," adding as he held her a little closer to him, "Had I been earlier blessed with sight, I should have known I could not tame you. I should only have spoiled you by indulgence."
Just at this point, little Nina came in, and taking her in her arms, Edith said,
"I wanted to call her Edith, after myself, as I thought it might please you; but Arthur said no, she must be Nina Bernard,"
"Better so," returned Richard, moving away from the picture, "I can never call another by the name I once called you," and this was all the sign he gave that the wound was not quite healed.
But it was healing fast. Home influences were already doing him good, and when at last supper was announced, he looked very happy as he took again his accustomed seat at the table, with Arthur opposite Edith just where she used to be, and Grace, sitting at his right. It was a pleasant family party they made, and the servants marvelled much to hear Richard's hearty laugh mingling with Edith's merry peal.
That night, when the July moon came up over the New England hills, it looked down upon the four—Richard and Arthur, Grace and Edith, sitting upon the broad piazza as they had not sat in years, Grace a little apart from the rest, and Edith between her husband and Richard, holding a hand of each, and listening intently while the latter told them how rumors of a celebrated Parisian oculist had reached him in his wanderings; how he had sought the rooms of that oculist, leaving them a more hopeful man than when he entered; how the hope then enkindled grew stronger month after month, until the thick folds of darkness gave way to a creamy kind of haze, which hovered for weeks over his horizon of sights growing gradually whiter and thinner, until faint outlines were discovered, and to his unutterable joy he counted the window panes, knowing then that sight was surely coming back. He did not tell them how through all that terrible suspense Nina seemed always with him; he would not like to confess how superstitious he had become, fully believing that Nina was his guardian angel, that she hovered near him, and that the touch of her soft, little hands had helped to heal the wound gaping so cruelly when he last bade adieu to his native land. Richard was not a spiritualist. He utterly repudiated their wild theories, and built up one of his own, equally wild and strange, but productive of no evil, inasmuch as no one was admitted into his secret, or suffered to know of his one acknowledged sphere where Nina reigned supreme. This was something he kept to himself, referring but once to Nina during his narrative, and that when he said to Edith,
"You remember, darling, Nina told me in her letter that she'd keep asking God to give me back my sight."
Edith cared but little by whose agency this great cure had been accomplished, and laying her head on Richard's knee, just as a girl she used to do, she wept out her joy for sight restored to her noble benefactor, reproaching him for having kept the good news from them so carefully, even shutting his eyes when he wrote to them so that his writing should be natural, and the surprise when he did return, the greater.
Meanwhile Grace's servant came up to accompany her home, and she bade the happy group good night, her heart beating faster than its wont as Richard said to her at parting, "I was going to offer my services, but see I am forestalled. My usual luck, you know," and his black eyes rested a moment, on her face and then wandered to where Edith sat. Did he mean anything by this? Had the waves of time, which had beaten and battered his heart so long, brought it back at last to its first starting point, Grace Elmendorff? Time only can tell. He believed his youthful passion had died out years ago, that matrimony was for him an utter impossibility.
He had been comparatively happy across the sea, and he was happier still now that he was at home, wishing he had come before, and wondering why it was that the sight of Edith did not pain him, as he feared it would. He liked to look at her, to hear her musical voice, to watch her graceful movements as she flitted about the house, and as the days and weeks went on he grew young again in her society, until he was much like the Richard to whom she once said, "I will be your wife," save that his raven hair was tinged with grey, making him, as some thought, finer-looking than ever. To Arthur and Edith he was like a dearly beloved brother; while to Dick and Nina he was all the world. He was very proud of little Dick, but Nina was his pet, as she was every body's who knew her, and she ere long learned to love him better, if possible, than she did her father, calling him frequently "her oldest papa," and wondering in her childish way why he kissed so tenderly as often as she lisped out that dear name.
And now but little more remains to tell. It is four months since Richard came home, and the hazy Indian summer sun shines o'er the New England hills, bathing Collingwood in its soft, warm rays, and falling upon the tall bare trees and the withered grass below, carpeted with leaves of many a bright hue. On the velvety sward, which last summer showed so rich a green, the children are racing up and down, Dick's cheeks glowing like the scarlet foliage he treads beneath his feet, and Nina's fair hair tossing in the autumn wind, which seems to blow less rudely on the little girl than on her stronger older brother. On one of the iron seats scattered over the lawn sits Richard; watching them as they play, not moodily, not mournfully, for grief and sorrow have no lodgment in the once blind Richard's heart, and he verily believes that he is as happy without Edith as he could possibly have been with her. She is almost everything to him now that a wife could be consulting his wishes before her own, or Arthur's, and making all else subservient to them. No royal sovereign ever lorded it over his subjects more completely than could Richard over Collingwood, if he chose, for master and servants alike yield him unbounded deference; but Richard is far too gentle to abuse the power vested in his hands and so he rules by perfect love, which knows no shadow of distrust. The gift of sight has compensated for all his olden pain, and often to himself he says, "I would hardly be blind again for the sake of Edith's first affections."
He calls her Edith now, just as he used to do, and Edith knows that only a scar is left, as a memento of the fearful sacrifice. The morning has broken at last, the darkness passed away, and while basking in the full, rich daylight, both Richard and Arthur, and Edith wonder if they are the same to whom the world was once so dreary. Only over Grace Atherton is any darkness brooding. She cannot forget the peerless boon she throw away when she deliberately said to Richard Harrington, "I will not walk in your shadow," and the love she once bore him is alive in all its force, but so effectually concealed that few suspect its existence.
Richard goes often to Brier Hill, staying sometimes hours, and Victor, with his opinion of the "gay widow" somewhat changed, has more than once hinted at Collingwood how he thinks these visits will end. But the servants scoffed, at the idea, while Arthur and Edith look curiously on, half hoping Victor is right, and so that matter remains in uncertainty.
Across the fields, Grassy Spring still lies a mass of shapeless ruins. Frequently has Arthur talked of rebuilding it as a home for his children, but as Richard has always opposed it and Edith is indifferent, he will probably remain at Collingwood.
Away to the south, the autumn winds blow softly around Sunnybank, where Edith's negroes are living as happy under the new administration as the old, speaking often of their beautiful mistress who, when the winter snows fall on the Bay State hills, will wend her way to the southward, and Christmas fires will again be kindled upon the hearthstones left desolate so many years. Nor is she, whose little grave lies just across the field forgotten. Enshrined is her memory within the hearts of all who knew and loved her, while away to the northward where the cypress and willow mark the resting-place of Shannondale's dead, a costly marble rears its graceful column, pointing far upward to the sky, the home of her whose name that marble bears. "NINA." That is all. No laudations deeply cut tell what she was or where she died. "NINA." Nothing more. And yet this single word has a power to touch the deepest, tenderest feeling of two hearts at least, Arthur's and Edith's—speaking to them of the little golden-haired girl who crossed so innocently their pathway, striving hard to efface all prints of her footsteps, caring to the last for her "Arthur boy" and the "Miggie" she loved so well, and calling to them as it were, even after the rolling river was safely forded, and she was landed beside the still waters in the bright, green fields of Eden.
And now to the sweet little girl and the noble man who, through the mazy labyrinths of Darkness and of Daylight, have grown so strongly into our love, whose faces were familiar as our own, whose names were household words, over whose sorrows our tears have fallen like rain, and in whose joys we have rejoiced, we bid a final adieu. Farewell to thee, beautiful NINA. "Earth hath none fairer lost. Heaven none purer gained." Farewell to thee forever, and blessings, rich and rare, distil like evening dew upon the dear head of the brave-hearted, generous hero RICHARD HARRINGTON.
THE END.
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Just search by the first five letters of the filename you want, as it appears in our Newsletters.
We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any eBook selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce $2 million dollars per hour in 2002 as we release over 100 new text files per month: 1240 more eBooks in 2001 for a total of 4000+ We are already on our way to trying for 2000 more eBooks in 2002 If they reach just 1-2% of the world's population then the total will reach over half a trillion eBooks given away by year's end.
Here is the briefest record of our progress (* means estimated):
eBooks Year Month
1 1971 July 10 1991 January 100 1994 January 1000 1997 August 1500 1998 October 2000 1999 December 2500 2000 December 3000 2001 November 4000 2001 October/November 6000 2002 December* 9000 2003 November* 10000 2004 January*
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As of February, 2002, contributions are being solicited from people and organizations in: Alabama, Alaska, Arkansas, Connecticut, Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, and Wyoming.
We have filed in all 50 states now, but these are the only ones that have responded.
As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. Please feel free to ask to check the status of your state.
In answer to various questions we have received on this:
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International donations are accepted, but we don't know ANYTHING about how to make them tax-deductible, or even if they CAN be made deductible, and don't have the staff to handle it even if there are ways.
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Michael S. Hart <hart@pobox.com>
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**The Legal Small Print**
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you may distribute copies of this etext if you want to.
To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: hart@pobox.com
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*
