Oh, how Edith yearned to take that sweet young creature to her bosom, and concentrate in one wild, passionate hug the love of so many wasted years; but Nina must not be unduly startled if she would make her comprehend what she had to tell, and conquering her own agitation with a wondrous effort she sat down upon the bed, and said,

"How is my darling? Is her head all in a twist?"

Nina smiled, a rational, knowing smile, and answered,

"There wasn't the least bit of a twist in it till Arthur told me about that in the graveyard, and then it began to thump so loud, but with you sitting here, I'm better. You do me so much good, Miggie. Your eyes keep me quiet. Where do you suppose she is—the other Miggie; and how did she get out of the coffin?"

"Nina," said Edith, "can you understand me if I tell you a story about a little girl who resembled your sister Miggie?"

Nina liked stories and though she would rather have talked of the real Miggie, she expressed a willingness to listen, and by the dim candle light Edith saw that the blue eyes, fixed so intently upon her, still retained the comparatively rational expression she had observed when she first came in. Moving a little nearer to her, she began,

"A great many years ago, nearly eighteen, we will say, a beautiful little girl, eight years old, I guess, with curls like yours, waited one night in just such a house as this, for her father, who had been long in Europe, and who was to bring her a new mother, and a dear baby sister, two years old or thereabouts."

"Didn't I wear my blue dress, trimmed with white?" Nina asked suddenly, her mind seeming to have followed Edith's, and grasped the meaning of what she heard.

"I dare say you did," Edith answered; "at all events this little girl was very beautiful as she waited in the twilight for the travellers."

"Call the little girl Nina, please, I'll get at it better then," was the next interruption; and with a smile, Edith said,

"Nina, then, waited till they came—her father, her new mother
Petrea, and—"

"Beautiful Petrea," Nina exclaimed, "la belle Petrea, black hair like yours, Miggie, and voice like the soft notes of the piano. She taught me a heap of tunes which I never have forgotten, but tell me more of the black-eyed baby, Nina's precious sister. I did hug and squeeze her so—'la jolie enfant,' Marie called her."

Nina seemed to have taken the story away from Edith, who, when she ceased speaking, again went on:

"Eloise Marguerite was the baby sister's name; Eloise, for a proud aunt, who, after they came home, would not suffer them to call her so, and she was known as Marguerite, which Nina shortened into Miggie, Nina darling," and Edith spoke sadly now. "Was your father always kind to Petrea?"

There was a look in Nina's face like a scared bird, and raising her hands to her head, she said,

"Go away, old buzzing. Let Nina think what it was they used to do- -pa and grandma and aunt Eloise. I know now; grandma and auntie were proud of the Bernard blood, they said, and they called Petrea vulgar, and baby sister a brat; and pa—oh, Miggie, I reckon he was naughty to the new mother. He had a buzz in his head most every night, not like mine, but a buzz that he got at the dinner and the side-board, where they kept the bottles, and he struck her, I saw him, and Marie, she was here, too, she stepped between them, and called him a drunken, deceitful beast, and a heap more in French. Then one morning when he was gone to New Orleans, and would come home pretty soon, mother and Marie and Miggie went a visiting to Tallahassee, or somewhere, and they never came back again, though pa went after them as soon as he got home. Why didn't they, Miggie?"

"Petrea was very unhappy here," Edith answered. "Mr. Bernard abused her, as did his haughty mother, and once when he was gone Petrea said she would go to Tallahassee to see a lady who had visited her at Sunnybank. So she went with Marie, and Miggie, then three years old, but did not stop in Tallahassee. They ran away to New York, where Marie's sister lived. Here Petrea was taken sick and died, making Marie promise that Miggie should never go back to her bad father and his proud family. And Marie, who hated them bitterly, all but Nina, kept her word. She wrote to Sunnybank that both were dead, and the letter was forwarded by your grandmother to Mr. Bernard, who had gone after his wife, but who lay drunk many days at a hotel. The letter sobered him, and as it contained Marie's address, he found her at last, crying bitterly for little Miggie, up stairs asleep, but he thought her in the coffin with her mother. Marie said so and he believed her, bringing the bodies back to Sunnybank, and burying them beneath the magnolias."

"And built a great marble there with both their names cut on it," chimed in Nina, fearful lest any part of the story should be omitted.

"Yes," returned Edith, "he raised a costly monument to their memory; but don't you wish to know what became of Miggie?"

"Yes, yes, oh, yes, go on," was Nina's answer; and Edith continued,

"Marie was too poor to take care of Miggie, and she put her in the
Asylum."

"The Asylum!" Nina fairly screamed. "Nina's baby sister in the nasty old Asylum. No, no, it ain't. I won't, I shan't listen to the naughty story," and the excited girl covered her head with a pillow.

But Edith removed it gently, and with a few loving words quieted the little lady, who said again, "Go on."

"It was the Orphan Asylum, where Nina's sister was put, but they didn't call her Miggie. Her dying mother gave her another name lest the father should some time find her, and there in that great noisy city Miggie lived five or six long years, gradually forgetting everything in the past, everything but Marie's name and the airs her mother used to sing. Miggie had a taste for music, and she retained the plaintive strains sung to her as lullabys."

"I know them, too," Nina said, beginning to hum one, while Edith continued,

"After a time Marie went back to France. She did not mean to stay long, but she was attacked with a lingering, painful sickness, and could not return to Miggie, whom a beautiful lady took at last as her waiting-maid. Then Arthur came—Arthur, a boy—and she saw Nina's picture."

"The one in the locket! Nina asked, and Edith answered, "Yes, 'twas in a locket, and it puzzled Miggie till she spoke the name, but thought it was Arthur who told her."

"Wait, wait," cried Nina, suddenly striking her forehead a heavy blow; "I'm getting all mixed up, and something flashes across my brain like lightning. I reckon it's a streak of sense. It feels like it."

Nina was right. It was "a streak of sense," and when Edith again resumed her story the crazy girl was very calm and quiet.

"After a time this Miggie went to live with a blind man—with Richard," and Edith's hands closed tightly around the snowy fingers, which crept so quickly toward her. "She grew to be a woman. She met this golden-haired Nina, but did not know her, though Nina called her Miggie always, because she looked like Petrea, and the sound to Miggie was very sweet, like music heard long ago. They loved each other dearly, and to Miggie there was nothing in the whole world so beautiful, so precious, as poor little crazy Nina, Arthur's Nina, Dr. Griswold's Nina, 'Snow- Drop,' Richard called her. You remember Richard, darling?"

"Yes, yes, I remember everything," and Nina's chest began to heave, her chin to quiver, her white lips, too, but still she shed no tear, and the dry, blue eyes seemed piercing Edith's very soul as the latter continued, rapidly, "Nina came home to Florida; she sent for Miggie, and Miggie came, finding Marie who told her all— told her where the baby was—and the real Miggie fell on her face, thanking the good Father for giving her the sweetest, dearest sister a mortal ever had. Do you understand me, darling? Do you know now who I am—know who Miggie is?"

Edith's voice began to falter, and when she had finished she sat gazing at the fairy form, which trembled and writhed a moment as if in fearful convulsions, then the struggling ceased, the features became composed, and raising herself in bed Nina crept closer and closer to Edith, her lips quivering as if she fain would speak but had not the power. Slowly the little hands were raised and met together around Edith's neck; nearer and nearer the white face came to the dark glowing one, until breath met breath, lip met lip, golden tresses mixed with raven braids, and with a cry which made the very rafters ring and went echoing far out into the darkness, Nina said, "You are—that—that—ba-baby—the one we thought was dead. You are my—my—Nina's—oh, Miggie, say it for me or Nina'll choke to death. She can't think what the right word is—the word that means MIGGIE," and poor exhausted Nina fell back upon the pillow, while Edith, bending over her, whispered in her ear, "Miggie means SISTER, darling; your SISTER; do you hear?"

"Yes, yes," and again the wild, glad cry went ringing through the house, as Nina threw herself a second time on Edith's bosom. "Sister, sister, Nina's sister. Nina's little Miggie once, great, tall Miggie now,—mine, my own—nobody's sister but mine. Does Arthur know, Ho, Arthur! come quick! He is coming, don't you hear him. Arthur, Arthur, Miggie is mine. My precious sister," and Nina Bernard fell back fainting just as Arthur appeared in the room, and just as from the yard without there went up from the congregated blacks, who together with their master and Victor, had listened to Marie's story, a deafening shout, a loud huzza for "Miggie Bernard," come back to Sunnybank, and back to those who generously admitted her claim, and would ere long acknowledge her as their mistress.

The few particulars which Edith had omitted in her story to Nina may, perhaps, be better told now than at any other time. Mr. Bernard, while in Paris, had been implicated in some disgraceful affair which rendered him liable to arrest, and taking the name of Temple, by way of avoiding suspicion, he fled to Germany, where he met and married the beautiful Swedish Petrea, who, being young and weary of a governess's life, was the more easily charmed with his wealth and rather gentlemanly address. Because it suited his peculiar nature to do so, he kept his real name from her until they reached New York, when, fearful of meeting with some of his acquaintances there, he confessed the fraud, laughing at it as a good joke, and pronounced Petrea over nice for saying he had done wrong.

The year which followed their arrival at Sunnybank was a year of wretchedness and pining home-sickness on the part of both mistress and maid, until at last the former, with her love for her husband changed to hate, determined to leave him; and in his absence, planned the visit to Tallahassee, going instead to New York, where she died at the house of Mrs. Jamieson, Marie's sister. Even to the last, the dread of her hated husband prevailed, and she made Marie swear that her child should not go back to him.

"She will be happier to be poor," she said, "and I would rather far that not a cent of the Bernard property should ever come into her possession than that she should return to Sunnybank; but sometime, Marie, when she is older, you may tell her my sad story, and if he has become a better man, tell her who she is, and of the bright-haired Nina. They will love each other, I am sure, for Nina possesses nothing in common with her father, and lest she should think ill of me for having married him, tell her how young, how inexperienced I was, and how he deceived me, withholding even his real name."

This was the point on which Petrea dwelt the most, shrinking, with a kind of pride, from having it generally known, and persisting in calling herself Temple to Mrs. Jamieson, who supposed this to be her real name, inasmuch as Marie had called her so on the occasion of her first visit after landing in New York the year previous, and before the deception had been confessed.

"Don't undeceive her," Petrea said to Marie, who did her mistress's bidding; and as Mrs. Jamieson was sick when Mr. Bernard came, she did not see him, and was thus effectually kept in ignorance that Edith's real name was Marguerite Bernard, else she had divulged it to Richard, when in after years he came inquiring for her parentage.

The rest the reader knows, except indeed, how Marie came to Sunnybank a second time, and why she had so long neglected Edith. She was with her mistress in Germany when Richard saved the child from drowning. She never forgot him, and when from her sister she learned that Edith was with him, she felt that interference on her part was unnecessary. So even after recovering from her illness she deferred returning to America, marrying, at last, and living in an humble way in Paris, where she more than once saw Mr. Bernard in the streets, when he was there with Nina. So many years had elapsed since his first visit that he had no fears of arrest, and openly appeared in public, recognised by none save Marie, who never could forget him. Her husband's sudden death determined her upon coming to America and looking up her child. The vessel in which she sailed was bound for New Orleans, and, with a desire to visit Sunnybank once more, she first wended her way thither, expecting to find it inhabited by strangers; for, from an American paper, which accidentally fell into her hands, she had heard of Mr. Bernard's decease, and later still had heard from one who was Nina's waiting maid while in Paris, that she, too, was dead. How this information was obtained she did not know, but believing it to be authentic, she supposed strangers, of course, were now the tenants of Sunnybank; and anticipated much pleasure in restoring to the so-called Edith Hastings her rightful heritage. Great then was her surprise to find Nina living, and when she heard that Edith was soon expected in Florida, she determined to await her coming.

This was the story she told to Edith and also to the negroes, many of whom remembered their unfortunate young mistress and her beautiful baby Miggie still; but for the missing body they might have doubted Marie's word, but that was proof conclusive, and their loud hurrahs for Miss Miggie Bernard were repeated until Nina came back to consciousness, smiling as she heard the cry and remembered what it meant.

"Go to them—let them see you, darling," she said; and, with Arthur as her escort, Edith went out into the midst of the sable group, who crowded around her, with blessings, prayers, tears and howlings indescribable, while many a hard, black hand grasped hers, as negro after negro called her "mistress," adding some word of praise, which showed how proud they were of this beautiful, queenly scion of the Bernard stock, which they had feared would perish with Nina. Now they would be kept together—they would not be scattered to the four winds, and one old negro fell on his knees, kissing Edith's dress, and crying,

"Cato bresses yon for lettin' his bones rot on de ole plantation."

Edith was perplexed, for to her the discovery had only brought sweet images of sistership with Nina. Money and lands formed no part of her thoughts, and turning to Arthur she asked what it all meant.

Arthur did not reply at once, for he knew he held that which would effectually take away all right from Edith. After Nina, he was Mr. Bernard's chosen heir, but not for an instant did he waver in the course he should pursue, and when the interview was ended with the negroes, and Edith was again with Nina, he excused himself for a moment, but soon returned, bearing in his hand Mr. Bernard's will, which he bade Edith read.

And she did read it, feeling intuitively as if her father from the grave were speaking to her, the injured Petrea's child, and virtually casting her aside.

The tears gathered slowly in her eyes, dropping one by one upon the paper, which without a word she handed back to Arthur.

"What is it, Arthur boy?" Nina asked. "What is it that makes
Miggie cry?"

Arthur doubted whether either of the girls would understand him if he entered into an explanation involving many technical terms, but he would do the best he could, and sitting down by Nina, he held her upon his bosom, while he said, "Does my little girl remember the time when I met her in Boston, years ago, and Charlie Hudson brought me papers from her father?"

"Yes," answered Nina; "there was one that had in it something about straight jackets, and when I read it, I hit my head against the bureau. It's never been quite right since. Is this the letter that made Miggie cry?"

"No," returned Arthur. "This is your father's will, made when he thought there was no Miggie. In it, I am, his heir after you, and Miggie hasn't a cent."

"You may have mine, Miggie. Nina'll give you hers, she will," and the little maiden made a movement toward Edith, while Arthur continued,

"Yon can't, darling. It's mine after you;" and this he said, not to inflict fresh pain on Edith, but to try Nina, and hear what she would say.

There was a perplexed, troubled look in her eyes, and then, drawing his head close to her, she whispered,

"Couldn't you scratch it out, just as Richard did, only he didn't. That's a good boy. He will, Miggie," and she nodded toward Edith, while Arthur rejoined,

"Would it please my child-wife very much to have me scratch it out?"

He had never called her thus before Edith until now, and he stole a glance at her to witness the effect. For an instant she was white as marble; then the hot blood seemed bursting from the small round spot where it had settled in her cheeks, and involuntarily she extended her hand toward him in token of her approval. She could not have reassured him better than by this simple act, and still retaining her hand, he went on,

"When I came to Florida, after Mr. Bernard's death, my first step was to have the will proved, and consequently this sheet is now of very little consequence; but as you both will, undoubtedly, breathe more freely if every vestige of this writing is removed. I will destroy it at once, and, as soon as possible, take the legal steps for reinstating Edith."

Then releasing Edith's hand, Arthur took the candle from the stand, and said to Nina,

"Have you strength to hold it?"

"Yes, yes," she cried, grasping it eagerly, while, with a hand far steadier than hers, Arthur held the parchment in the flame, watching as the scorched, brown flakes dropped upon the floor, nor sending a single regret after the immense fortune he was giving up.

It was done at last. The will lay crisped and blackened upon the carpet; Edith, in her own estimation was reinstated in her rights, and then, as if demanding something for the sacrifice, Arthur turned playfully to her, and winding his arm around her said,

"Kiss me once as a sister, for such you are, and once for giving you back your inheritance."

The kisses Arthur craved were given, and need we say returned! Alas, those kisses! How they burned on Edith's lips, making her so happy—and how they blistered on Arthur's heart, making him doubt the propriety of having given or received them. His was the braver spirit now. He had buffeted the billow with a mightier struggle than Edith had ever known. Around his head a blacker, fiercer storm had blown than any she had ever felt, and from out that tumultuous sea of despair he had come a firmer, a better man, with strength to bear the burden imposed upon him. Were it not so he would never have sent for Edith Hastings—never have perilled his soul by putting himself a second time under her daily influence. But he felt that there was that within him which would make him choose the right, make him cling to Nina, and so he wrote to Edith, meeting her when she came as friend meets friend, and continually thanking Heaven which enabled him to hide from everyone the festered wound, which at the sound of her familiar voice smarted and burned, and throbbed until his soul was sick and faint with pain.

The discovery of Edith's parentage filled him with joy—joy for Nina, and joy because an opportunity was thus afforded him of doing an act unselfish to the last degree, for never for a single moment did the thought force itself upon him that possibly Edith might yet be his, and so the property come back to him again. He had given her up, surrendered her entirely, and Richard's interests were as safe with him as his gold and silver could have been. Much he wished he knew exactly the nature of her feelings toward her betrothed, but he would not so much as question Victor, who, while noticing his calmness and self-possession, marvelled greatly, wondering the while if it were possible that Arthur's love were really all bestowed on Nina. It would seem so, from the constancy with which he hung over her pillow, doing for her the thousand tender offices, which none but a devoted husband could do, never complaining, never tiring even when she taxed his good nature to its utmost limit, growing sometimes so unreasonable and peevish that even Edith wondered at his forbearance.

It was a whim of Edith's not to write to Richard of her newly- found relationship. She would rather tell it to him herself, she said, and in her first letter, she merely mentioned the incidents of her journey, saying she reached Sunnybank in safety, that Nina was no better, that Mr. St. Claire was very kind, and Victor very homesick, while she should enjoy herself quite well, were it not that she knew he was so lonely without her. And this was the letter for which Richard waited so anxiously, feeling when it came almost as if he had not had any, and still exonerating his singing bird from blame, by saying that she could not write lovingly to him so long us she knew that Mrs. Matson must be the interpreter between them.

It was an odd-looking missive which he sent back and Edith's heart ached to its very core as she saw the uneven handwriting, which went up and down, the lines running into and over each other, now diagonally, now at right angles, and again darting off in an opposite direction as he held his pencil a moment in his fingers and then began again. Still she managed to decipher it, and did not lose a single word of the message intended for Nina.

"Tell little Snowdrop the blind man sends her his blessing and his love, thinking of her often as he sits here alone these gloomy autumn nights, no Edith, no Nina, nothing but lonesome darkness. Tell her that he prays she may get well again, or if she does not, that she may be one of the bright angels which make the fields of Jordan so beautiful and fair"

This letter Edith took to Nina one day, when Arthur and Victor had gone to Tallahassee, and Mrs. Lamotte was too busy with her own matters to interrupt them. Nina had not heard of the engagement, for Arthur could not tell her, and Edith shrank from the task as from something disagreeable. Still she had a strong desire for Nina to know how irrevocably she was bound to another, hoping thus to prevent the unpleasant allusions frequently made to herself and Arthur. The excitement of finding a sister in Miggie, had in a measure overturned Nina's reason again, and for many days after the disclosure she was more than usually wild, talking at random of the most absurd things, but never for a moment losing sight of the fact that Edith was her sister. This seemed to be the one single clear point from which her confused ideas radiated, and the love she bore her sister was strong enough to clear away the tangled web of thought and bring her at last to a calmer, more natural state of mind. There were hours in which no one would suspect her of insanity, save that as she talked childish, and even meaningless expressions were mingled with what she said, showing that the woof of her intellect was defective still, and in such a condition as this Edith found her that day when, with Richard's letter in her hand, she seated herself upon the foot of the bed and said, "I heard from Richard last night. You remember him, darling?"

"Yes, he made me Arthur's wife; but I wish he hadn't for then you would not look so white and sorry."

"Never mind that," returned Edith, "but listen to the message he sent his little Snowdrop," and she read what Richard had written to Nina.

"I wish I could be one of those bright angels," Nina said, mournfully, when Edith finished reading; "but, Miggie, Nina's so bad. I can think about it this morning, for the buzzing in my head is very faint, and I don't get things much twisted, I reckon. I've been bad to Arthur a heap of times, and he was never anything but kind to me. I never saw a frown on his face or heard an impatient word, only that sorry look, and that voice so sad."

"Don't, Nina, don't.

"Even Dr. Griswold was not patient as Arthur. He was quicker like, and his face would grow so red. He used to shake me hard, and once he raised his hand, but Arthur caught it quick and said 'No, Griswold, not that—not strike Nina,' and I was tearing Arthur's hair out by handfuls, too. That's when I bit him. I told you once."

"Yes, I know," Edith replied; "but I wish to talk of something besides Arthur, now. Are you sure you can understand me?"

"Yes, it only buzzed like a honey-bee, right in here," and Nina touched the top of her head, while Edith continued.

"Did Arthur ever tell you who it was that fell into the Rhine?"

"Yes, Mrs. Atherton wrote, and I cried so hard, but he did not say your name was Eloise, or I should have guessed you were Miggie, crazy as I am."

"Possibly Grace did not so write to him," returned Edith; "but let me tell you of Edith Hastings as she used to be when a child;" and with the blue eyes of Nina fixed upon her, Edith narrated that portion of her history already known to the reader, dwelling long upon Richard's goodness, and thus seeking to prepare her sister for the last, the most important part of all.

"After Arthur deceived me so," she said," I thought my heart would never cease to ache, and it never has."

"But it will—it will," cried Nina, raising herself in bed. "When I'm gone, it will all come right. I pray so every day, though it's hard to do it sometimes now I know you are my sister. It would be so nice to live with you and Arthur, and I love you so much. You can't begin to know," and the impulsive girl fell forward on Edith's bosom sobbing impetuously, "I love you so much, so much, that it makes it harder to die; but I must, and when the little snow-birds come back to the rose bushes beneath the windows of Grassy Spring a great ways off, the hands that used to feed them with crumbs will be laid away where they'll never tear Arthur boy's hair any more. Oh, I wish they never had—I wish they never had," and sob after sob shook Nina's delicate frame as she gave vent to her sorrow for the trial she had been to Arthur. Edith attempted to comfort her by saying, "He has surely forgiven you, darling; and Nina, please don't talk so much of dying, Arthur and I both hope you will live yet many years."

"Yes, Arthur does," Nina rejoined quickly, "him praying so one night when he thought I was asleep—I make believe half of the time, so as to hear what he says when he kneels down over in that corner; and once, Miggie, a great while ago, it was nothing but one dreadful groan, except when he said, 'God help me in this my darkest hour, and give me strength to drink this cup.' But there wasn't any cup there for I peaked, thinking maybe he'd go some of my nasty medicine, and it wasn't dark, either for there were two candles on the mantel and they shone on Arthur's face, which looked to me as if it were a thousand years old. Then he whispered, 'Edith, Edith,' and the sound was so like a wail that I felt my blood growing cold. Didn't you hear him, Miggie, way off to the north; didn't you hear him call? God did, and helped him, I reckon, for he got up and came and bent over me, kissing me so much, and whispering, 'My wife, my Nina.' It was sweet to be so kissed, and I fell away to sleep; but Arthur must have knelt beside me the livelong night, for every time I moved I felt his hand clasp mine. The next day he told me that Richard saved you from the river, and his lips quivered as if he feared you were really lost."

Alas! Nina had come nearer the truth than she supposed, and Edith involuntarily echoed her oft-repeated words, "Poor Arthur," for she knew now what had preceded that cry of more than mortal anguish which Arthur sent to Grace after hearing first of the engagement.

"Nina" she said, after a moment's silence, "before that time of which you speak, there came a night of grief to me—a night when I wished that I might die, because Richard asked me to be his wife— me, who looked upon him as my father rather than a husband. I can't tell you what he said to me, but it was very touching, very sad, and my heart ached so much for the poor blind man."

"But you didn't tell him yes," interrupted Nina. "You couldn't. You didn't love him. It's wicked to act a lie Miggie—as wicked as 'tis to tell one. Say you told him no; it chokes me just to think of it."

"Nina," and Edith's voice was low and earnest in its tone, "I thought about it four whole weeks and at last I went to Richard and said, 'I will be your wife.' I have never taken it back, I am engaged to him, and I shall keep my word. Were it not that you sent for me I should have been his bride ere this. I shall be his bride on New Year's night."

Edith spoke rapidly, as if anxious to have the task completed, and when at last it was done, she felt that her strength was leaving her, so great had been the effort with which she told her story to Nina. Gradually as she talked Nina had crept away from her, and sitting upright in bed, stared at her fixedly, her face for once putting on the mature dignity of her years, and seeming older than Edith's. Then the clear-minded, rational Nina spoke out, "Miggie Bernard, were you ten thousand times engaged to Richard, it shall not be. You must not stain your soul with a perjured vow, and you would, were this sacrifice to be. Your lips would say 'I love,' but your heart would belie the words, and God's curse will rest upon you if you do Richard this cruel wrong. He does not deserve that you should deal so treacherously with him, and Miggie, I would far rather you were lying in the grave-yard over yonder, than to do this great wickedness. You must not, you shall not," and in the eyes of violet blue there was an expression beneath which the stronger eyes of black quailed as they had done once before, when delirium had set its mark upon them.

It was in vain that Edith persisted in saying she did, or at least should love Richard as he deserved. Nina was not to be convinced, and at last, in self-defence, Edith broke out bitterly against Arthur as the immediate cause of her sufferings. Had he not been faithless to his marriage vow, and might she not keep hers quite as well as he kept his.

Nina was very white, and the swollen veins stood out full upon her forehead as she lay panting on her pillow, but the eyes never for an instant left Edith's, as she replied, "Arthur was in fault, Miggie, greatly in fault, but there was much to excuse his error. He was so young; not as old as you, Miggie, and Sarah Warren urged us on. I knew afterward why she did it, too. She is dead now, and I would not speak against her were it not necessary, but, Miggie, she wanted Dr. Griswold, and she fancied he liked me, so she would remove me from her path; and she did. She worked upon my love of the romantic, and Arthur's impulsive nature, until she persuaded us to run away. While we were on the road, Arthur whispered to me, 'Let's go back,' but I said, 'No,' while Sarah, who overheard him, sneered at him as cowardly, and we went on. Then father took me off to Paris, and I dared not tell him, he was so dreadful when he was angry; and then I loved Charlie Hudson, and loved him the more because I knew I musn't."

The mature expression was passing rapidly from Nina's face, and the child-like one returning in its stead as she continued,

"I couldn't bear to think of Arthur, and before I came home I determined never to live with him as his wife. I didn't know then about this buzzing in my head, and the first thing I did when alone with him at the Revere House was to go down on my knees and beg of him not to make me keep my vow. I told him I loved Charlie best, and he talked so good to me—said maybe I'd get over it, and all that. Then he read pa's letter, which told what I would some time be, and he didn't ask me after that to live with him, but when he came from Florida and found me so dreadful, he put his arms around me, loving-like, and cried, while I raved like a fury and snapped at him like a dog. You see the buzzing was like a great noisy factory then, and Nina didn't know what she was doing, she hated him so, and the more he tried to please her the more she hated him. Then, when I came to my senses enough to think I did not want our marriage known, I made him promise not to tell, in Florida or anywhere, so he didn't, and the weary years wore on with people thinking I was his ward. Dr. Griswold was always kind and good, but not quite as patient and woman-like as Arthur. It seemed as if he had a different feeling toward me, and required more of me, for he was not as gentle when I tore as Arthur was. I was terribly afraid of him, though, and after a while he did me good. The buzzing wasn't bigger than a mill-wheel, and it creaked just as a big wheel does when there is no water to carry it. It was crying that I wanted. I had not wept in three years, but the sight of you touched a spring somewhere and the waters poured like a flood, turning the wheel without that grating noise that used to drive me mad, and after that I never tore but once. He didn't tell you, because I asked him not, but I scratched him, struck Phillis, burned up his best coat, broke the mirror, and oh, you don't know how I did cut up! Then the pain went away and has never come back like that. Sometimes I can see that it was wrong for him to love you and then again I can't, but if it was he has repented so bitterly of it since. He would not do it now. He needn't have told you, either, for everybody was dead, and it never would have come back to me if he hadn't said it in the Deering Woods. Don't you see?"

"Yes, I see," cried Edith, her tears dropping fast into her lap, "I see that I tempted him to sin. Oh, Arthur, I am most to blame— most to blame."

"And you will give up Richard, won't you?" Nina said. "Arthur is just as good, just as noble, just as true, and better too, it may be, for he has passed through a fiercer fire than Richard ever did. Will you give up Richard?"

"I can't," and Edith shook her head. "The chords by which he holds me are like bands of steel, and cannot be sundered. I promised solemnly that by no word or deed would I seek to break our engagement, and I dare not. I should not be happy if I did."

And this was all Nina could wring from her, although she labored for many hours, sometimes rationally, sometimes otherwise, but always with an earnest simplicity which showed how pure were her motives, and how great her love for Edith.