The house in which Maurice Kirkwood had taken up his abode was not a very inviting one. It was old, and had been left in a somewhat dilapidated and disorderly condition by the tenants who had lived in the part which Maurice now occupied. They had piled their packing-boxes in the cellar, with broken chairs, broken china, and other household wrecks. A cracked mirror lay on an old straw mattress, the contents of which were airing themselves through wide rips and rents. A lame clothes-horse was saddled with an old rug fringed with a ragged border, out of which all the colors had been completely trodden. No woman would have gone into a house in such a condition. But the young man did not trouble himself much about such matters, and was satisfied when the rooms which were to be occupied by himself and his servant were made decent and tolerably comfortable. During the fine season all this was not of much consequence, and if Maurice made up his mind to stay through the winter he would have his choice among many more eligible places. The summer vacation of the Corinna Institute had now arrived, and the young ladies had scattered to their homes. Among the graduates of the year were Miss Euthymia Tower and Miss Lurida Vincent, who had now returned to their homes in Arrowhead Village. They were both glad to rest after the long final examinations and the exercises of the closing day, in which each of them had borne a conspicuous part. It was a pleasant life they led in the village, which was lively enough at this season. Walking, riding, driving, boating, visits to the Library, meetings of the Pansophian Society, hops, and picnics made the time pass very cheerfully, and soon showed their restoring influences. The Terror's large eyes did not wear the dull, glazed look by which they had too often betrayed the after effects of over-excitement of the strong and active brain behind them. The Wonder gained a fresher bloom, and looked full enough of life to radiate vitality into a statue of ice. They had a boat of their own, in which they passed many delightful hours on the lake, rowing, drifting, reading, telling of what had been, dreaming of what might be. The Library was one of the chief centres of the fixed population, and visited often by strangers. The old Librarian was a peculiar character, as these officials are apt to be. They have a curious kind of knowledge, sometimes immense in its way. They know the backs of books, their title-pages, their popularity or want of it, the class of readers who call for particular works, the value of different editions, and a good deal besides. Their minds catch up hints from all manner of works on all kinds of subjects. They will give a visitor a fact and a reference which they are surprised to find they remember and which the visitor might have hunted for a year. Every good librarian, every private book-owner, who has grown into his library, finds he has a bunch of nerves going to every bookcase, a branch to every shelf, and a twig to every book. These nerves get very sensitive in old librarians, sometimes, and they do not like to have a volume meddled with any more than they would like to have their naked eyes handled. They come to feel at last that the books of a great collection are a part, not merely of their own property, though they are only the agents for their distribution, but that they are, as it were, outlying portions of their own organization. The old Librarian was getting a miserly feeling about his books, as he called them. Fortunately, he had a young lady for his assistant, who was never so happy as when she could find the work any visitor wanted and put it in his hands,—or her hands, for there were more readers among the wives and—daughters, and especially among the aunts, than there were among their male relatives. The old Librarian knew the books, but the books seemed to know the young assistant; so it looked, at least, to the impatient young people who wanted their services. Maurice had a good many volumes of his own,—a great many, according to Paolo's account; but Paolo's ideas were limited, and a few well-filled shelves seemed a very large collection to him. His master frequently sent him to the Public Library for books, which somewhat enlarged his notions; still, the Signor was a very learned man, he was certain, and some of his white books (bound in vellum and richly gilt) were more splendid, according to Paolo, than anything in the Library. There was no little curiosity to know what were the books that Maurice was in the habit of taking out, and the Librarian's record was carefully searched by some of the more inquisitive investigators. The list proved to be a long and varied one. It would imply a considerable knowledge of modern languages and of the classics; a liking for mathematics and physics, especially all that related to electricity and magnetism; a fancy for the occult sciences, if there is any propriety in coupling these words; and a whim for odd and obsolete literature, like the Parthenologia of Fortunius Licetus, the quaint treatise 'De Sternutatione,' books about alchemy, and witchcraft, apparitions, and modern works relating to Spiritualism. With these were the titles of novels and now and then of books of poems; but it may be taken for granted that his own shelves held the works he was most frequently in the habit of reading or consulting. Not much was to be made out of this beyond the fact of wide scholarship,—more or less deep it might be, but at any rate implying no small mental activity; for he appeared to read very rapidly, at any rate exchanged the books he had taken out for new ones very frequently. To judge by his reading, he was a man of letters. But so wide-reading a man of letters must have an object, a literary purpose in all probability. Why should not he be writing a novel? Not a novel of society, assuredly, for a hermit is not the person to report the talk and manners of a world which he has nothing to do with. Novelists and lawyers understand the art of “cramming” better than any other persons in the world. Why should not this young man be working up the picturesque in this romantic region to serve as a background for some story with magic, perhaps, and mysticism, and hints borrowed from science, and all sorts of out-of-the-way knowledge which his odd and miscellaneous selection of books furnished him? That might be, or possibly he was only reading for amusement. Who could say? The funds of the Public Library of Arrowhead Village allowed the managers to purchase many books out of the common range of reading. The two learned people of the village were the rector and the doctor. These two worthies kept up the old controversy between the professions, which grows out of the fact that one studies nature from below upwards, and the other from above downwards. The rector maintained that physicians contracted a squint which turns their eyes inwardly, while the muscles which roll their eyes upward become palsied. The doctor retorted that theological students developed a third eyelid,—the nictitating membrane, which is so well known in birds, and which serves to shut out, not all light, but all the light they do not want. Their little skirmishes did not prevent their being very good friends, who had a common interest in many things and many persons. Both were on the committee which had the care of the Library and attended to the purchase of books. Each was scholar enough to know the wants of scholars, and disposed to trust the judgment of the other as to what books should be purchased. Consequently, the clergyman secured the addition to the Library of a good many old theological works which the physician would have called brimstone divinity, and held to be just the thing to kindle fires with,—good books still for those who know how to use them, oftentimes as awful examples of the extreme of disorganization the whole moral system may undergo when a barbarous belief has strangled the natural human instincts. The physician, in the mean time, acquired for the collection some of those medical works where one may find recorded various rare and almost incredible cases, which may not have their like for a whole century, and then repeat themselves, so as to give a new lease of credibility to stories which had come to be looked upon as fables. Both the clergyman and the physician took a very natural interest in the young man who had come to reside in their neighborhood for the present, perhaps for a long period. The rector would have been glad to see him at church. He would have liked more especially to have had him hear his sermon on the Duties of Young Men to Society. The doctor, meanwhile, was meditating on the duties of society to young men, and wishing that he could gain the young man's confidence, so as to help him out of any false habit of mind or any delusion to which he might be subject, if he had the power of being useful to him. Dr. Butts was the leading medical practitioner, not only of Arrowhead Village, but of all the surrounding region. He was an excellent specimen of the country doctor, self-reliant, self-sacrificing, working a great deal harder for his living than most of those who call themselves the laboring classes,—as if none but those whose hands were hardened by the use of farming or mechanical implements had any work to do. He had that sagacity without which learning is a mere incumbrance, and he had also a fair share of that learning without which sagacity is like a traveller with a good horse, but who cannot read the directions on the guideboards. He was not a man to be taken in by names. He well knew that oftentimes very innocent-sounding words mean very grave disorders; that all, degrees of disease and disorder are frequently confounded under the same term; that “run down” may stand for a fatigue of mind or body from which a week or a month of rest will completely restore the over-worked patient, or an advanced stage of a mortal illness; that “seedy” may signify the morning's state of feeling, after an evening's over-indulgence, which calls for a glass of soda-water and a cup of coffee, or a dangerous malady which will pack off the subject of it, at the shortest notice, to the south of France. He knew too well that what is spoken lightly of as a “nervous disturbance” may imply that the whole machinery of life is in a deranged condition, and that every individual organ would groan aloud if it had any other language than the terrible inarticulate one of pain by which to communicate with the consciousness. When, therefore, Dr. Butts heard the word antipatia he did not smile, and say to himself that this was an idle whim, a foolish fancy, which the young man had got into his head. Neither was he satisfied to set down everything to the account of insanity, plausible as that supposition might seem. He was prepared to believe in some exceptional, perhaps anomalous, form of exaggerated sensibility, relating to what class of objects he could not at present conjecture, but which was as vital to the subject of it as the insulating arrangement to a piece of electrical machinery. With this feeling he began to look into the history of antipathies as recorded in all the books and journals on which he could lay his hands. ——————————————— The holder of the Portfolio asks leave to close it for a brief interval. He wishes to say a few words to his readers, before offering them some verses which have no connection with the narrative now in progress. If one could have before him a set of photographs taken annually, representing the same person as he or she appeared for thirty or forty or fifty years, it would be interesting to watch the gradual changes of aspect from the age of twenty, or even of thirty or forty, to that of threescore and ten. The face might be an uninteresting one; still, as sharing the inevitable changes wrought by time, it would be worth looking at as it passed through the curve of life,—the vital parabola, which betrays itself in the symbolic changes of the features. An inscription is the same thing, whether we read it on slate-stone, or granite, or marble. To watch the lights and shades, the reliefs and hollows, of a countenance through a lifetime, or a large part of it, by the aid of a continuous series of photographs would not only be curious; it would teach us much more about the laws of physiognomy than we could get from casual and unconnected observations. The same kind of interest, without any assumption of merit to be found in them, I would claim for a series of annual poems, beginning in middle life and continued to what many of my correspondents are pleased to remind me—as if I required to have the fact brought to my knowledge—is no longer youth. Here is the latest of a series of annual poems read during the last thirty-four years. There seems to have been one interruption, but there may have been other poems not recorded or remembered. This, the latest poem of the series, was listened to by the scanty remnant of what was a large and brilliant circle of classmates and friends when the first of the long series was read before them, then in the flush of ardent manhood:— THE OLD SONG. The minstrel of the classic lay Of love and wine who sings Still found the fingers run astray That touched the rebel strings. Of Cadmus he would fair have sung, Of Atreus and his line; But all the jocund echoes rung With songs of love and wine. Ah, brothers! I would fair have caught Some fresher fancy's gleam; My truant accents find, unsought, The old familiar theme. Love, Love! but not the sportive child With shaft and twanging bow, Whose random arrows drove us wild Some threescore years ago; Not Eros, with his joyous laugh, The urchin blind and bare, But Love, with spectacles and staff, And scanty, silvered hair. Our heads with frosted locks are white, Our roofs are thatched with snow, But red, in chilling winter's spite, Our hearts and hearthstones glow. Our old acquaintance, Time, drops in, And while the running sands Their golden thread unheeded spin, He warms his frozen hands. Stay, winged hours, too swift, too sweet, And waft this message o'er To all we miss, from all we meet On life's fast-crumbling shore: Say that to old affection true We hug the narrowing chain That binds our hearts,—alas, how few The links that yet remain! The fatal touch awaits them all That turns the rocks to dust; From year to year they break and fall, They break, but never rust. Say if one note of happier strain This worn-out harp afford, —One throb that trembles, not in vain, Their memory lent its chord. Say that when Fancy closed her wings And Passion quenched his fire, Love, Love, still echoed from the strings As from Anacreon's lyre! January 8, 1885. |