The principles which underlie the production of successful Of course each species must be represented by itself in a case which shall contain its nest, displayed in the identical bough, or bunch of grass, or hole in the bank which it occupied when found by the collector. Except when a nest is situated in a bank of earth, the collector should cut a square section out of nature, of the proper dimensions for casing, and convey bodily the nest and its situation to the museum. Occasionally circumstances will prevent this, when it becomes necessary to collect the nest and the material surrounding it, so that with their aid the situation of the nest can be built up in the laboratory. The finest groups of birds to be found in this country are those in the American Museum of Natural History in New York, which are the work of Mr. Jenness Richardson. At present (1891) the series consists of groups composed almost wholly of species found in the State of New York. Each group, except in a few instances, occupies a light, iron-framed case by itself, and stands on an ebonized table-base, raised on legs about eighteen inches from the floor. The framework of the case, and the wood-work of the base is painted black. When the home of Where a nest was situated in a low bush, the bush and its foliage, and the ground beneath have all been included in its transfer. When a nest was placed on the end of a bough, the difficulty has been surmounted very satisfactorily by cutting off as much of the bough as could be put in the case, then reproducing, on the bottom of the case, the ground exactly as it was under the tree, and simply laying carelessly upon it the cut branch containing the nest and the birds. Of course watery situations call for the introduction of the plate-glass imitation. The feature of these groups that is so pleasing is that each one appears to have been cut out of its place in field or forest, and brought to the museum within an hour. The life-like birds, the earth and water, the natural wood, and the beautiful foliage of spring combine to impart to each group the breezy freshness of the forest, the very soul of Nature all unchanged. To see these charming productions, fresh from the hand of a true artist-naturalist, and lay aside the spirit of carping criticism which would find fault with even a heavenly harp, is the next thing to finding one's self in the actual haunts of our native birds, with their songs trilling in our ears. Mr. Richardson's groups lack but one thing—the song of the birds. They are so many pretty pages from Nature's choicest book, and actually bring the life of the forest into the otherwise dead and silent museum hall. The time will yet come when our wealthy lovers of art and animated nature will find places in their houses for such groups as these, and the money to pay for them will be forthcoming. At present they are tired of the old-fashioned glass "shade," covering a stiff and utterly unnatural pyramid of small stuffed birds on an impossible "tree." The old-fashioned wall-case of birds also fails to satisfy the Æsthete, for the simple reason that something better is wanted. We are all ready to step up to a higher plane. Groups of Reptiles.—I know of but one good group of reptiles, and that is a group of turtles which was prepared by Mr. After the quadrupeds of North America have been gathered and grouped until there remain in that direction no more worlds to conquer, it will be quite in order for our enterprising taxidermists then to proceed to the mounting of groups of reptiles. There are possibilities with such subjects as the crocodiles, iguanas, lizards of various kinds, serpents, and turtles that few dream of. Already Professor Goode has under consideration the production of a series of reptilian groups for the National Museum, and within a short time the work will be undertaken. |