And round about his home the glory E. A. Poe. On Friday, 31st May, we all went to Miramar, eleven of us. We drove to Nabresina, the nearest station to Duino, went from there to Miramar by train (it gave some trouble to the engine-driver, as he had to stop the train on purpose for us to get out), and then walked from the station to the castle. It was a stupid way of getting there; it would have been much better to have driven all the way, but the directress of our party did not think so. I suppose she thought we should enjoy the various modes of We arrived at the Imperial Castle at last. The gardens are very pretty. There are numbers of terraces, and flights of steps, and cedar-trees, and little Italian gardens. There are big palm-trees, and strange foreign-looking shrubs, and beautiful beds of old-fashioned monthly roses. ····· I had written so far in this chapter when I thought I had better consult my collaborator. I found her making a sketch in pen and ink. "That is very nice," I said. "I really know those things are trees." I did so, and then the storm burst. "You call that a description of those beautiful gardens!" she said. "Have you no poetry in your nature? Have you no appreciation of the beautiful? Why don't you say much more of the terraces, the marble staircases? Why don't you speak of the funereal cypresses clear-cut against the sky, the dark green of the ilex contrasting with the gray of the olives? Why don't you write about the white starry blossom of the jasmine, the sweet scent of the honeysuckle, the tea-roses creeping up and festooning the rough stems of the towering palm-trees, and shedding their perfume on the soft summer air, the glistening of the water in the fountains, the azure blue of the sea, the whiteness of the marble statues gleaming through the dark foliage, the mysterious appearance of the Italian gardens with their staircases leading down to the deep-hued waters of the Adriatic? Why don't you say something about the liquid notes of the nightingale, the faint whispering of the trees overhead, the 'Lovers' Walk?' Oh! you are stupid." Perhaps I am. I have written all I could remember ····· The castle was built about the middle of the present century by the Emperor Maximilian. We saw the rooms that had been his. They are built to exactly resemble the cabins on board his ship when he was Admiral of the Austrian Fleet. Every one knows his tragic story: how he, persuaded by the promise of French support, went off to be Emperor of Mexico; how the French deserted him (France has done many things she may well be ashamed of, People say he was so disfigured that when his embalmed body arrived in Vienna, no one, not even the Grand Master of the Court, could be quite sure of his identity. I do not admire the castle. It is new, and looks new, and is built in no particular style, though the first intention was evidently to make it Gothic. One sees the love of the unfortunate Emperor for Spanish and Moorish things, by the way in which they are dotted here and there. The interior too is rather tasteless. There are some fine things, but the arrangement is bad. A beautiful cabinet that once belonged to Marie Antoinette is in one of the rooms; it has some wonderful old Wedgwood china on the doors. We were shown round by the most melancholy attendant it has ever been my lot to meet with. He seemed to find it a heartrending business, and his voice sounded as if he were continually on the verge of tears. I was quite glad when the inspection was over. I am tender-hearted myself, and do not like to wantonly distress any one. After viewing the castle we went out into the gardens again, and (I am sorry to have to confess it) It was a lovely evening:— Skies strewn with roses fading, fading slowly, The nightingale's rich music and the soft murmur of the waves were the only sounds. All the clamour and bustle of the day were over. The moon rose and flooded the calm sea with a pathway of melted silver; the stars came out one by one, and seemed to smile on us. It was the time when all evil thoughts go out of one's heart, when heaven itself seems nearer in the dim light. On such an evening I always think of the old familiar words of the "blessing" after the sermon, "The peace of God, which passeth all understanding." We had an exciting adventure during our return journey in the train. We had started, and the conductor was just examining our tickets—having carefully left the door open—when the Vienna "express" crawled by (I almost said tore, but I cannot tell a lie). Some projecting portion of it caught our carriage door, sent it to with a violent crash, smashing the door and half tearing it from its hinges. The crash was like a cannon-shot, and the explosion was followed "There! that's a beautiful incident for the book." "Bother the book!" I answered with pensive grace. After this the drive home was dull and uneventful. We were almost smothered in dust, but that was merely a trifling inconvenience, which the beauty of the night and the glorious moonlight quite made up for. |