An angler's haunt—Ferries and stepping-stones—Curious old stained-glass window—The ruins of Uriconium—Watling Street—The Wrekin—Richard Baxter's old home—A Cabinet minister's story—A pretty village—Buildwas Abbey—Ironbridge—The "Methodists' Mecca." Leaving Haughmond to its ancient peace, and finding the road we were on led to Shrewsbury, we took a byway to our left, chancing where it might go. We did not select our road, we took the first one we came to so as to avoid revisiting Shrewsbury, and it led us, with many pleasant windings, through a country of great charm, and unexpectedly to many interesting places. No guide-book could have done us better service. We had at the start fir-crowned hills to the left of us with a tower on the top of them, a modern one, but still a picturesque feature, and the silvery Severn to the right, and in the narrow and pleasant stretch of country between our road went in a dreamy, indirect fashion. At Uffington I noticed a river-side inn with an angler, rod in hand, standing idly in the doorway, so concluded, with the river close by, this must be a fisherman's haunt. I was almost tempted to pull up there and go a-fishing, for it looked such a So we followed the Severn down, now losing sight of it, now recovering it again, till we came to Atcham, where the river flowed wide and strong under a fine seven-arched bridge; there by the roadside stood a large old house that had evidently been a coaching inn, and there under the shade of some trees I pulled up the car to have a look around, for it was a pleasant spot. I wandered into the churchyard overlooking the river. The church I found old and interesting. At the east end I noticed two of the so-called leper or low-side windows that have caused so much discussion amongst antiquaries; these were in such a position behind the high altar that, of course, There is some good carved old oak in the church; the reading-desk has some quaint carvings on it of the story of the prodigal son; the fine openwork screen too merits attention, and its walls still plainly show the marks of the medieval masons' chisels; but what specially interested me was a very curious and ancient stained-glass window representing a woman kneeling and presenting a book to Queen Elizabeth enthroned; the top lights above contain the drawings of five angels busy with harps. The inscription below runs:— Blanch daughter of Henry Miles Parry Esqre. The county of Hereford. A little beyond Atcham, whilst driving along a narrow and quiet country road and thinking of nothing in particular, I suddenly noticed some crumbling ruins on rising ground not far away, and I asked at a blacksmith's forge, close by, what the ruins might be, and was told they were the ruins of the Roman city of Uriconium. This But to return to Uriconium. To show the size of the ancient city, its walls, still traceable, are over three miles in circumference, enclosing now open fields and meadows; in these, I was told, the plough occasionally turns up portions of mosaic pavement, bits of pottery, tiles, and other relics. I entered what now remains of the city above ground by a locked gate and wandered over its grass-grown streets, or at least a very small portion of them, and amongst the fragments of its time-worn Leaving the ruined city to its sole inhabitants, ... streamed in crimson on the wind the Wrekin's crest of light. "To friends all round the Wrekin" is a famous Shropshire toast, and all good Salopians know how that hill came into being: how that the Devil, once upon a time, as the fairy story-books have it, had a grudge against Shrewsbury, and was carrying a great load of earth and rocks on his back, intending to dump it down in the bed of the Severn, and so block the flow of the river and drown all the Shrewsbury people; but even the Devil grew weary of his heavy load, and threw it down on the spot where the Wrekin now stands, declaring he would carry it no longer. So the mountain arose and Shrewsbury was saved. At one point or another the Devil appears to have been very busy in Shropshire knocking the scenery about. When later on I found myself at Ironbridge, with its furnaces and factories, I really thought the Devil must still be busy in Shropshire, for who but he could have entered into the mind of man to cause him to spoil so fair a spot for the sake of mere money-making? Remove the dirty, mean, and ugly town and all connected with it, Madeley too, with its collieries close above, and smoky Broseley but a mile away, and I doubt if the Severn could show in all its pleasant meanderings from its source in lone Plynlimmon to the sea a The scenery improved with every mile as we wound our way down by the Severn side, from which rose gently sloping and wooded hills on the other hand, a very pleasant land in truth. Coming to the little village of Eaton Constantine, I pulled up there to photograph an exceedingly picturesque black and white half-timber farmhouse with a great gable at one end, its roof sloping down to a sheltering porch. Were I an architect and designer of country homes I certainly would seek for inspiration in Shropshire; I know no other part of England where the houses look more like homes. Chatting with the owner of the farmhouse, who kindly allowed me to photograph it from his farmyard, and even stood in front of his porch to be included in the picture—though I did not desire this further favour of him—I learnt that it was formerly the home of Richard Baxter, the Nonconformist divine and the author of The Saints' Everlasting Rest, and quite a host of other improving religious works well known to fame, but which I regret I have never read. It was at Eaton Constantine, I believe, that when a boy Richard Baxter used to rob his neighbours' orchards, but, as some one says, "often the worst boys become the best men," a pleasant way of excusing their peccadilloes. Even Bunyan I have somewhere read "sowed his wild oats" freely when a youth, and I have even heard of a certain Cabinet minister who has boasted that he frequently went poaching as a lad. Perhaps it is because I was so good a boy that I have failed to distinguish myself in any way; had I to live my life again I might have got more enjoyment out of my youth, knowing now what good and clever men bad boys can make. I heard a Cabinet minister at dinner tell the story of how his schoolmaster one day declared to him that he was a lazy, troublesome boy, always in some mischief, a disgrace to the school, that he would never do any good for himself or any one else. In after years, when the boy had become one of Her Majesty's ministers, the very same schoolmaster, then an old man, met him and clapped him on the back, declaring, "I'm proud of you, my boy. I always said there was the making of a clever man in you." The story must be true, for a Cabinet minister would not tell a lie—about a trifle, but only for the good of his party. The next village of Leighton was almost ideal, with its picturesque black and white cottages half drowned in foliage; then our road became as beautiful as a dream till we came in sight of Buildwas Abbey, gloriously situated by the banks of the Severn, where the river flows gently by. But the situation is robbed of much of its charm by the intruding railway, that passes close to the abbey's ruined walls and sadly disturbs its quiet. All you can do is to try and forget the railway as though it were not. Amidst the ruins you cannot see it, but alas! you can hear it; and how can one romance to the sound of a railway train and the locomotive's blatant whistle? Buildwas Abbey is the relic of a splendid building, beautiful and stately even in decay, seemingly too proud to mourn its long-lost grandeur, "cased in the unfeeling armour of old time." Its massive pillars and stout walls, braving all weathers, stand strong and enduring still. Time, that gentle healer, has tinted and adorned its broken walls with many hues, and fringed their rugged tops with bright wild-flowers, grasses, and weeds; here and there, too, the ivy creeps over them and peeps in from without through the vacant windows. Its silent stones seem laden with memories: would that they could tell their story apart from the written one! Its open arches frame pleasant pictures of rich meadows, of woods beyond them, of blue hills beyond again, with bits of sky peeping above. Says Disraeli, "Men moralise amongst ruins"; here is a rare spot to moralise in for those so minded. The abbey church is cruciform in plan, with a central tower ruined low; its stout Norman pillars with their square capitals are very effective in their suggestiveness of strength. There is a massive dignity, purity, and simplicity about the architecture of Buildwas that pleases the cultured eye; there is nothing petty or pretty about it, rather perhaps it errs on the side of sternness, if it errs at all. Grace of outline rather than ornamentation was evidently the monkish designer's guiding inspiration, but what the building lacks in richness of detail it gains in breadth and quiet harmony. The site of the abbey in a valley formerly lonely and of much sylvan beauty, with a river running by, was one that commended itself to the Cistercians, and none were better judges of scenery than they. How did the abbey come by its name? Some antiquaries assert that it came from "beild," a shelter, and "was," a level; others declare, equally sure they are correct, that it came from "build" and "was," a building by the wash of the river. I am inclined to favour the former view; but when learned antiquaries disagree, how shall a mere layman decide? It was an unwelcome change, from the rural pleasantness of the country about Buildwas, coming to the squalid and smoky town of Ironbridge in Coalbrookdale, a town that climbs the steep hillside above the Severn, and practically joins the almost as mean a town of Madeley above, around which latter are numerous collieries with their tall chimneys and heaps of slack, that scar and make hideous the countryside. Ironbridge gains its name, of course, from the bridge of iron that spans the Severn there in one bold arch. At the time of the building of this bridge in 1779 it was considered a great engineering feat, even a thing of beauty, though I saw no beauty in it excepting the curve of its arch. Its black colour is out of tone with the landscape; it seems to have no part in it. Now a bridge constructed of the local stone, such as the monks would have built, would be in agreeable harmony with the scene, and, growing grey with age, would not force its unwilling attention on the traveller; moreover, stone does not need periodical painting to keep it from rusting. Such a fine stone bridge as the one Climbing through Ironbridge to Madeley, I pulled up there to replenish my petrol supply. Madeley has been called the "Methodists' Mecca," for there lies buried the famous Methodist, the Rev. John Fletcher, of whom Southey said, "He was a man of whom Methodism might well be proud as the most able of its defenders." But what a Mecca! Whilst waiting for my petrol I got a-chatting with a motor cyclist who was on the same errand as I. I am afraid I made a not very complimentary remark about the place to him, but he did not resent it. He even owned he thought the same; but, said he, "I can tell you of something worth |