A quiet valley—The importance of the unimportant—Moated and haunted houses—Romances in stone—A farmhouse holiday—A picture-book village—A matter of Fate—The tomb of Gibbon the historian—A gruesome happening—Upright burials—An interesting church—A curious epitaph.

Leaving West Dean we drove up the narrow and quiet Cuckmere valley, the smooth green hills rising steeply on either side and so preserving its seclusion to this present day. So quiet the valley seemed that the throbbing of our engines sounded reproachfully in our ears, as though a motor-car had no business to disturb its slumbrous tranquillity. We felt like trespassers! A snug and friendly little valley it is, through which the road and river run in close company. The Cuckmere is but a toy river; I should not have called it a river but that it is so marked on my map, and on its banks I saw a man with a gun shooting into the water. He was shooting fish, he said! I have never seen such sport before.

Passing the hamlet of Litlington we caught a glimpse, on the other side of the valley, of ancient Alfriston, a little village that calls itself "the capital of the downs," and its modest flint-built church "the cathedral of the downs." So, by title, the unimportant assumes the rÔle of the important. A village becomes a capital, a country church a cathedral, and a stream a river. One might imagine this was the land of Lilliput!

Of Alfriston a halting couplet runs:

Poor parson, poor people,
Sold their bells to repair their steeple.

But that, I take it, was a long while ago—if it ever was, for I have heard similar couplets of many other places; a few may possibly have some foundation in fact, but I doubt the rest, and in some, alas, the word "drunken" is substituted for "poor"! After the Alfriston people had sold their bells, tradition, that unreliable jade, avers that the bell of a ship, wrecked on the coast, was purchased to take the place of the lost peal, and by the side of the ancient pilgrims' hostel in the same village stands a ship's figure-head in the shape of a boldly carved lion, fierce of countenance, said to have come from the same ship that provided the bell; this, as long as the oldest inhabitant can remember—and what memories these oldest inhabitants have—has rejoiced in a coat of brilliant vermilion, hence the local saying, apropos of what I know not, "As red as the Alfriston lion." Such, at least, were the tales told to me, and many were the tales I heard as I travelled on.

Leaving the valley and the lonely downs regretfully behind, we entered upon a level country, and crossing the main Lewes road we proceeded straight forward into a tame land of flat fields. The scenery was featureless and void of interest, but I was in search of a moated house, so the quality of the scenery was a detail. A friend had told me of this house just before I started on the journey, and had kindly given me a written introduction to its owner, who by happy chance I found at home. So, learning from my map that I was passing close to the place, I determined to see it, if possible. Even with the aid of my map I had some difficulty in discovering the object of my search. Claverham, to give the moated home its title, stands within a few hundred yards of the road, yet so hidden by trees that no casual passer-by would dream of its existence. Thus many good things, though close to his way, may be missed by even the keenest observer, unless he has some hint of them and their whereabouts. I had gone this stretch of road once before and with open eyes, and yet had not discovered Claverham.

A moated house is a graphic reminder of old times when every Englishman's house was in reality, not in words, his castle. Early in the seventeenth century Sir Edward Coke laid down the dictum that "the house of every one is to him as his castle and fortress," a dictum that passed into a law proverb, "Jura publica privata domus." In those benighted days there were no land taxers, or sanitary or other inspectors to demand entry into an Englishman's home. What, I wonder, in olden times would the master of his house have said to a sanitary inspector who demanded admission thereto? Perhaps it would not so much have mattered what he would have said as what he would have done to him—with a deep moat so handy.

The very sound of the words "moated" or "haunted house" was as romance to my ears when I was a youth, and the sound has lost little of its glamour and suggestion of mystery since that long ago, for over such ancient homes there always seems to brood an abiding air of mystery. In my search after moated and haunted houses, many a ballad in building, many a romance in stone, seeming more like an artist's or a poet's dream than a happy reality, and many a legended home in remote places have I discovered—for a romantic spot is the mother of legends. In the troublesome days gone by the dwellers in a moated house must have felt a delightful sense of security with the drawbridge up and the outer windows iron-barred. Even to-day, when staying in a moated house, have I felt the sense of security that a moat affords. So much for sentiment.

Claverham disappointed me, though the fault was mine in expecting too much. To cherish an ideal and trusting to find it is to court disillusion, and a seasoned traveller like myself should not have fallen into this error. The unexpected always charms, when it has the power to charm, more than the expected. "Oft expectation fails, and most oft there where most it promises," says Shakespeare, whom it is the privilege of all Englishmen to quote. The chief delight of travel lies in the surprise of the unforeseen, and the discoveries we make for ourselves of interesting places and beauty-spots: being unprepared beforehand for such revelations, no ideals have been formed. So the unknown attracts and becomes oftentimes memorable.

I always picture a moated house as a building grey with years, perhaps in parts a little ruinous and creeper overgrown, with ivied casements, a bent and mossy or lichen-laden roof, and with oftentimes a ghost thrown in. Such a house without its ghost seems incomplete to me. Now Claverham, excepting for one possibly original chimney and a lichen-laden roof, conformed in no way to my picture, for the house has been so altered and rebuilt that the greater part of it, though not of to-day, is comparatively of yesterday and not of centuries ago. The wide and weedy moat, enclosing nearly an acre of ground, is there as of yore, but the chief interest of the place is in its history. Still Claverham is picturesque: a pleasant, retired, and wholly delightful abode in the summer-time; in the winter—well, it was not winter-time then. Portions of the interior are quaint, especially the black oak-beamed and plastered hall that with its ingle-nook gives one a genuine old-world greeting. The beams of the hall are of the original building, and so, we were told, was the wide ingle-nook of the dining-room; the crane, fire-back, and andirons of this fireplace, though ancient, are doubtless of more recent date.

This is the history of Claverham in brief as told me by its present possessor. The house was originally built in 1307; according to Volume XIV. of the Sussex Archaeological Society, the manor of Claverham "in 12 Edward II. was in the possession of Nicholas de la Beche. This personage appears to be identical with the Sir Nicholas de Beche who, according to a wardrobe account dated 27th March, 1311, participated with Sir Humphery de Littlebury and Sir Thomas le Latimer in the reward of twenty pounds for the singular service of dragging the King out of bed on Easter Monday." So at any rate my visit there unearthed a curious bit of ancient history. The manor shortly afterwards came into the possession of a member of the then famous Fiennes family, a descendant of one of the Norman warriors who had come over with the Conqueror. A successor of his afterwards built Hurstmonceux Castle and went to live there in 1422, but Claverham was retained by the Fiennes until about 1600. My host told me that his father remembered when there was still a drawbridge over the moat; now where the bridge was is an embanked approach to the house, doubtless more convenient, but infinitely less romantic. So, here and there, these picturesque relics of the past disappear. A portion of the building was so old that it tumbled down some few years back. My host considered that the house was never really fortified in the sense of being able to resist a regular siege, but was rather intended to withstand a raid, or a sudden attack by the robber bands which infested the country; the moat, too, served the further useful purpose as a protection against wolves and other wild animals which at the time had free range over the unenclosed and wooded country around. To-day it serves as a fence to keep out straying sheep and cattle from the fields, so that the tree-shaded and pleasant garden it encloses can be enjoyed in as much peace and privacy as though it were walled about; at the same time the moat does not interrupt what view there is.

Leaving Claverham we drove along a narrow lane that ended in a fair main road, and this took us for a space alongside of the wide Laughton Level, over which sea of waving grasses, once mere marshland, is to be had perhaps the best and most comprehensive panorama of the South Downs, ranging as it does almost from Beachy Head to close upon Lewes. There before us they stretched, bare and rounded to the sky, in their long and lordly array of golden greenery fading into grey: miles and miles of glorious greenery as beheld under the summer sunshine, only broken here and there below by the pale-blue shadows of their shallow recesses. From that distance and point of view, the downs that day looked almost mountainous; it was this view that caused Gilbert White to describe the South Downs as "that majestic chain of mountains"—perhaps a somewhat exaggerated description, but serving to show how impressive the downs may appear under certain conditions, for Gilbert White was not given to employ grandiloquent language. It is the impression that a scene makes upon the traveller that profits, not the vulgar record of mere height, for there is a grandeur of form and colour as well as of size, and for grandeur of rolling form I know nothing to compare with the South Downs seen from afar.

Then, rounding a spur of the hills, we descended into ancient and homely Lewes, "sweetly environ'd by the daisied downs": a town, according to Cobbett, of "clean windows and pretty faces" (I am glad that Cobbett found something during his Rural Rides to admire in his own country, for he was generally on the grumble). We left Lewes by a main road leading northwards: hemmed in as the town is by the downs, there was no other road to take except the one to Brighton, and to Brighton we were not minded to go. Presently we struck a byway to our right which brought us to Barcombe, a village of no interest; after this we found ourselves in a tree-bordered lane of the delightful Devon type, and this we followed for several winding miles.

At one spot we dropped down to a sheltered and wooded hollow where we espied a lonely, half-timbered, and rambling farmstead, such as painters put in their pictures—pictures that the wealthy man of taste hangs on the walls of his mansion purely for the pleasure of looking at them, though I am afraid few men realise the subtle charm of such old buildings until an artist has translated it on paper or canvas. They see their beauties through other eyes, for there is an art in seeing and discovering beauty not cultivated by the many. I was tempted to take a photograph of this ancient farmhouse, but could only secure a poor end view owing to the slope of the ground and obstructing trees. It would have made a delightful water-colour sketch, only had I stopped to sketch every pleasing spot by the way, my journey might have been prolonged to the winter. I had no trouble in finding subjects for the brush or camera; I came upon them in endless succession. So does rural England abound in beauty. My trouble was what to select out of the profusion of good things presented to me. I felt like one going through a vast picture-gallery of lovely landscapes, only the landscapes were real and living, and so the more delightful.

The old-fashioned, age-mellowed farmsteads built in the spacious days gone by, when every yard of ground and inch of space was not considered, what pleasantly familiar features they form in the landscape, with their suggestion of contentment, and you come upon them everywhere. Familiar, and essentially English, but how unobtrusive they are, they seem like a natural growth and truly to belong to the soil; remove them from the countryside, and the eye, perhaps hardly knowing why, would feel that there was something missing. Times of late years have not been prosperous for the agriculturist, and I noticed during the journey at more than one picturesque and pleasantly situated old farmhouse a board displayed with "Apartments to let" thereon. From a passing glance they appeared very desirable quarters for those who love retirement, quietude, and purely rural surroundings.

"It's an ill wind that blows nobody good." Probably in more prosperous times farmers would not dream of letting lodgings, but now here is an opportunity offering for hard-worked paterfamilias (whose purse is limited, and who is in search of pure air, change of scene, and fresh surroundings for his youngsters) to spend his holiday in the real country far from crowds, where the children are free to wander over the fields, romp in the meadows, climb trees, play at haymaking, go a-blackberrying, a-bird-nesting, or whatever rural doing may at the moment take their fancy, when not intent upon watching the constant, interesting, and varied life about a farmstead.

A holiday in a farmhouse, how delightful and restful is the thought of it to the town-tired man; what a refreshing and complete change it spells from the usually dull and dear seaside apartments, with the everlasting pier, the noisy band, or the inevitable nigger minstrels on the beach by way of insistent entertainment! At a farmhouse of the right and good old-fashioned sort you may obtain fresh fruits and vegetables from the garden, milk direct from the cow, real thick country cream, butter that you may see churned, home-cured bacon and perchance hams, to say nothing of newly-laid eggs, such as are unobtainable in cities. This is no fancy statement; I write from actual experience. The thing is, of course, to find the right sort of farmhouse and the farmer willing to take in lodgers, for though existing they naturally require discovering, or recommending by those who know them. For the busy man this detail of discovery does present a difficulty; to me driving haphazard about the country it presented none, as such desirable quarters, situated in pleasant spots, discovered themselves from time to time as the journey progressed.

Once I tried the experiment of spending a month in a farmhouse with my wife and child, and it proved an unqualified success. In the matter of cost it was the cheapest holiday I ever took, and no holiday has given me more real pleasure, or lingers more delightfully in my memory. The farmhouse in question (I came upon it during a driving tour, and there I stayed instead of touring further) was situated in wild Wales and surrounded by beautiful scenery; there were wide and open moors at the back of it to ramble over, and mountains on the other side to climb, and not far away was a playful, tumbling little river that provided me with trout fishing.

Much for my sport I cannot say,
Though, mind, I like the fun;

There have I been the livelong day
Without extracting one.

Still, it was ever an excuse for a delightful ramble alongside the companionable river, for in the plashing and gurgling of its waters it almost seemed a living thing. At any unoccupied moment I could sally forth with my rod by its rocky banks, just as readily as I could start for a stroll with my stick, though sketching from nature was my favourite pastime when in a less lazy mood. So time never hung heavily.

Still, perhaps a word of caution may be given: however otherwise desirable, farmhouse apartments in a purely agricultural country are apt to prove a disillusion to the elders if they have no resources in themselves, owing to the want of something more exciting to do than to watch the slow movements of farming operations. Pleasant surroundings are an essential, so a hilly country is to be desired; then places of interest in the neighbourhood may be made the excuse for occasional excursions, and there are few neighbourhoods where these may not be found.

The farmer whose apartments I took let them every year, he told me; an artist and his family had taken them after my term was over, and from what I gathered the different lodgers practically paid the farmer's rent—a roundabout way of meeting agricultural depression. Though but a detail, the farmer sold us what little produce of his we consumed at full market value or over, yet this was considerably less than the usual tradesmen's charges, and every little helps. Besides fruit, vegetables, milk, butter, bacon, home-made jams, and countless eggs, we purchased fowls in quantities, and occasionally ducks. On fowls, indeed, we chiefly relied for the table, butcher's meat being difficult to obtain, and, truth to tell, tough when obtained. The fowls were not over-plump, not being especially fattened—or crammed, is it? Barn-door fowls, the farmer called them, as they picked up a good deal of their substance from the grain scattered about the outbuildings and ricks; so their food was varied, consequently their flesh, if there was not much of it, was tender and delicate of flavour.

We had to rely upon ourselves for society, though we did get acquainted with one stranger, an artist, who had taken up his abode at a homely little inn some two miles away—an inn that had its uses in that it provided us with the bottled ale of Bass. We led a self-contained life and gloried in it. Our bread was home-baked, and I still pleasantly remember how excellent that bread was, though it had not the white colour one is accustomed to in the town variety. We had only one baking a week, but the bread kept sweet and palatable for the whole of that time; it did not dry hard on the cut surface as bought bread does; it was made from home-grown wheat ground at a water-mill near by, whose wheel was turned by the little, useful river—there was the romance of it. Great long loaves they were, with a generous allowance of crisp, rocky crust to crumb—loaves to be remembered.

We stepped at once from the door of the house into the country, and that was the charm of it. Our water came direct from the lonely moors above, and was beyond suspicion pure and in superabundant supply; indeed at one end of the large kitchen there was a stone trough for washing purposes, and along this the water ran day and night; no tap was ever turned on—there was no tap to turn. Perhaps I was fortunate in finding such desirable quarters, but on comparing notes with an artist friend, who took farmhouse apartments in Cumberland, I found he fared as well as we did. A change in the method of taking a holiday lends an added zest to it, and those who are tired of expensive hotels, seaside lodgings, or constant travelling, with the everlasting packing and squeezing of the sponge, might do worse than try farmhouse apartments in some pleasant country. If rest be needed I cannot imagine a more restful form of holiday.

Besides being a good cook our farmer's wife was skilled in the making of sundry jams, jellies, ginger-beer, and elderberry wine; of the last she was very proud, and mulled some for us to bring out its full flavour—I did not sample it a second time: such wine maketh the heart sad. One of her concoctions, however, commended itself to me, namely, a home-made kind of liquor that was fresh and pleasant to my palate which she called, curiously enough, "Job's Comforter." Who would have expected such a thing in a remote farmhouse? This is the recipe for the making of it as given to me: "Get a wide-mouthed stone jar and put in it as many good lemons as you can; stick as many cloves as possible into the skin of the lemons, pressing them well in, then place the prepared lemons in the jar and fill up with unsweetened gin; let the lemons remain in the gin for two or three days, after this strain the liquid off, add honey and a little sugar-candy to sweeten according to taste and to give a smoothness to the liquor, then bottle it." I give the recipe exactly as given to me. I had some trouble to obtain it, and should prefer more precise details as to quantities, but these old housewives are jealous of giving their recipes away. I took a bottle of this "Job's Comforter" home with me and friends of mine pronounced it excellent—"as good as Chartreuse" they declared, but perhaps this estimate was owing to the novelty of the thing. Still, it was undoubtedly good.

Resuming our journey we followed the lonely lane for a long way without arriving anywhere, but "to travel hopefully is better than to arrive," and we were in no hurry. Still, the longest lane has ending, and ours ended at a wide, open, elevated space marked Pit Down on the map; this spot, I afterwards discovered, earned its title from the fact that there in pits were hastily buried the victims of the plague that once devastated the villages around, and in one of these villages, Fletching by name, we shortly afterwards found ourselves. A pretty village it proved to be of the picture-book sort, as clean and neat as though it were a Kate Greenaway's drawing materialised. The ancient church stands in precisely the right spot, around which are grouped, as an artist might group them, the many gabled houses of the village; the one thing wanting to perfect the picture was the village green, but "fortune seldom comes with both hands full." Fletching lies well out of the beaten track and is only to be reached by winding lanes, so that I should imagine a motorist is seldom seen there, unless he has fortunately lost his way to the finding of the village. Even then some motorists might not realise their good fortune.

I stopped the car in the shade of one of its attractive houses, when a man approached me, evidently imagining I had come to see the church, and, desiring to be of service, exclaimed, "The rector will be delighted to show you over the church; there are a lot of curious old tombs inside that are well worth seeing. The rectory is just over the way"—pointing to it—"and I know the rector's at home." I explained that I had not come to see the church but had merely driven into the village accidentally. "But you really ought to see it now you are here," he continued; "the rector takes a great interest in it, and is always so pleased to show it to any stranger." Fate had brought me to Fletching, and Fate appeared determined I should see the church. Fate was kinder than I knew. The man stood there watching me, and after his civility I felt it would seem ungracious to disappoint him. So to the rectory I went, though somewhat reluctantly, for it was a fine, out-of-door day, but I did not wish to hurt the man's feelings.

The grey-haired parson received me most cordially; I might have been a welcome guest instead of a stranger seeking a favour, but I have always found that in pleasant places you meet with pleasant people. Pleasant surroundings surely, to a certain extent, influence the temperament of man? They affect me, I know, and strongly. "Delighted to show you over our church," said the parson; "it possesses many features of interest that you might miss if you went alone." So I put myself under his guidance, for who should take a more intelligent interest in, or know more about, a church than its parson? He even appeared very desirous to show it. A parson's life in a village is often a dull one, and possibly the occasional meeting with a sympathetic stranger comes as a welcome relief to his round of monotonous days.

Before entering the building I noticed a little "low-side" or "leper window" on the left of the porch. The purport of these so-called "leper windows," so frequently to be found in country churches, has perplexed many a learned archaeologist, and it seems passing strange to me why a window so usual should be a subject of such mystery. The once generally accepted theory was that they were provided for lepers, that those so unfortunately afflicted might view, from outside the church and safely apart from the congregation, the elevation of the Host, and thus participate, to some extent, in the service. But in the case of Fletching church, and many others, these peculiar windows are so placed that no one could possibly see the altar from them; moreover, as the rector remarked, lepers were never admitted into churchyards. So the leper theory fails. My personal impression is that these windows were never intended for looking into, but for looking out of the building, and for this purpose such a small window sufficed. From the number of leper windows I have inspected, and writing from recollection, I should imagine that the majority of them are suitably placed for watching the congregation entering the church, and so might be of service to the bell-ringers; but that, I take it, would be a secondary consideration and not the main object of them.

On entering Fletching church my attention was called to the Norman arches under the tower showing that the building had been originally Norman. Now, owing to rebuildings and restorations, it is mainly Early English—the Early English of the Victorian era! On the west wall is a curious and well-preserved little brass, doubtless formerly on the floor. The inscription on this, beautifully cut, runs briefly as follows:

Hic jacet Petrus Denot, glover:
Cujus aie ppicietur Deus. Amen.

The brass is manifestly an ancient one, and the absence of a date is notable; there is plenty of space for it. Two gloves, crossed, are shown below. The English word "glover" looks strangely out of place in the midst of the Latin. Presumably the carver of the inscription, though doubtless familiar from frequent usage with the usual Latin employed on the memorials to the dead, its Hic jacets, its Obiits, and the rest that goes between, was in a quandary how to render "glover" in the classic tongue; his limited learning failing him, he boldly inserted it in English. At least I arrived at that conclusion. Who was this Petrus Denot, I wondered? The rector knew his story in part and enlightened me. He was an inhabitant of Fletching, a glover by trade, and was one of the unfortunates who took a part in the Cade rebellion; he was captured and hanged, but his body was recovered by his relations and was buried in the church. I query if that is the whole of the story, for it seems strange that a tradesman of the period, to say nothing of his being hanged for treason, should have the much-sought-for privilege of being buried within the church's hallowed walls, and honoured with a brass besides. Does the brass being dateless point to anything? I fancy that there is more in the simple terse inscription than meets the eye. At one time it appears Fletching was famous for its gloves made from hogs' skins imported from Holland, and it is supposed that the plague was conveyed to the village by these skins, and that brought the industry to an end, and the village nearly too.

During one of the restorations, when the flooring of the church was removed, many skeletons were discovered beneath, all in an upright position—"pointing to Saxon burial," I was told. It may, however, be remembered that Wordsworth in "The White Doe of Rylstone" alludes to bodies in after-Saxon days being so buried in a vault at Bolton Priory:

Pass, pass who will yon chantry door,
And through the chink in the fractured floor
Look down and see a grisly sight:
A vault where the bodies are buried upright!
There, face by face, and hand by hand,
The Claphams and Mauleverers stand.

"Possibly you are aware," exclaimed my parson guide, "that Gibbon the historian rests here in the Sheffield chapel amid the Sheffield family deceased, for the first earl was a great friend of his." I was not aware of the fact, but with Cicero I could say, "Non me pudet fateri nescire quod nesciam." The number of world-famous men is so large, and grows ever larger as the years roll on, that it is quite impossible to remember where but a scant few of the more famous of them were born, or died, or lie buried. What matters it? These details belong to Fate, not to genius; no genius can command them. So we went to the Sheffield chapel, which is approached by a narrow passage; facing this is a plain marble wall impressively devoid of any ornament, but covered with epitaphs to members of the Sheffield family; in the centre of these is one, in Latin, to Gibbon. He alone has the honour of Latin, the rest being in plain English. "Now," said the rector, "I have a gruesome revelation to make. One evening when at her devotions in the church a nurse was startled by a loud report coming from the Sheffield chapel; she fled the building in terror: it afterwards turned out that the coffin in which Gibbon was laid to rest had burst and a new coffin had to be made. But this is not a lively subject; let me call your attention to those stained-glass windows. The glass of these was removed and buried in the churchyard for preservation during the period of the Puritan fury; some years ago it was unearthed and now is in its old place again. So Time brings about its revenge; what one generation would destroy another would preserve, only the glass being much broken, the pieces have got sadly mixed so as to resemble a mosaic, but not an unpleasing mosaic, revealing little of the old design, yet sufficient to show that the windows were to a royal personage, presumably the Duke of Lancaster."

Next a well-preserved piscina was pointed out to me, having a bracket on the top presumably to support an image, "in which respect this piscina is almost, if not quite, unique in England." Then in turn we inspected some of the ancient monuments; reclining on the first altar tomb were two recumbent alabaster effigies side by side, one of a beruffled man in armour and warlike of countenance, the other of his wife. The inscription below runs: "Here lyeth buried the body of Richard Lache. Coming out of his office of High Sheriff for the counties of Sussex and Surrey, having no issue of his body living, he gave all his lands in the county of Sussex unto Catherine his wife, and made her sole executoress of his last will. In regard whereof ... she of her own account caused this monument to be made, and herself living, to be pictured lying by him, as you see." Yet this disconsolate widow consoled herself the next year by marrying the Earl of Nottingham and lies buried elsewhere! Inconstant woman! Another fine altar tomb, though minus inscription, is supposed by the coat of arms remaining on it to be that of Sir Edward Dalyngruge, "who having amassed a large fortune by war, marriage, and court patronage, obtained the royal license to build upon the hereditary estate of his wife the castle of Bodiam." There were also other ancient tombs of lesser interest, one mutilated but apparently to a crusader and his wife; and a thirteenth-century slab with only the matrix of its brass remaining. In the transept I noticed, hung against the wall, two crested helmets, gilt and coloured, the gilding and colours being much age-dimmed, with rusty spurs and gauntlets suspended just below: the crests were those of the Abergavenny family. There were also other features of interest in the church—a penitent's window, a holy water stoup, and at a late restoration I learnt that one of the pillars by the chancel was found to be hollow and to contain the old steps intact leading to the rood-loft, and at the top of the steps an ancient green chasuble was discovered, left there in some haste or for concealment, it may be imagined.

On leaving I asked the rector if he knew of any curious epitaph in the churchyard. Time, alas! has robbed us of many a one, and worse still, to my knowledge, certain men placed "in a little brief authority," not approving of such levity on sacred ground, have deliberately obliterated others. "But," said the rector, "if I cannot show you any quaint epitaph, I can tell you of a singular one I came upon some time ago in ancient St. Mary's churchyard at Eastbourne; it ran, 'A virtuous woman is 5/- to her husband.' This puzzled me at first, then I came to the conclusion that it should read, 'A virtuous woman is a crown to her husband.' Possibly the carver was an illiterate man, and, being apparently short of space, substituted 5/- for crown, deeming them synonymous. But whatever the explanation, that is how the epitaph read."

Fletching church was one of the happy discoveries of the journey; though much restored it is of more than ordinary interest. There are, indeed, but few churches of ancient date that have not something noteworthy to reveal to the traveller; truly they are chapters of history in stone, and some of them are, in a sense, museums. It is well worth a wanderer's while to step aside now and then to inspect carefully and leisurely a country church (carefully, or he may miss much), especially those in remote spots where a want of pence has happily restrained the restorer's hand: blessed be their poverty, I say, for owing to it only needful reparation has been done, so ancient tombs and brasses have remained undisturbed, and the medieval craftsman's handiwork has not been improved away, to the joy of every lover of the never-returning and picturesque past.