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Letters of Charles Dickens to Wilkie Collins. Edited by Lawrence Hutton. With Portraits and Fac-similes. 171 pp. Cloth, $1.00. New York: Harper & Brothers. 1892.

The friendship between Charles Dickens and Wilkie Collins began when Dickens was nearly forty, and Collins about twenty-five years of age. Ten years later the marriage of the daughter of Dickens to the brother of Collins cemented the intimacy then begun, and it continued unbroken until the death of Dickens, in 1870. Part of the familiar correspondence between the two men was printed in "The Letters of Charles Dickens"; but many more letters from Dickens were found after the death of Collins, and from these Miss Hogarth selected the specimens that make up the present volume. As Mr. Hutton says in his introduction: "They not only show their writer as he was willing to show himself to the man whom he loved, but they give an excellent idea of his methods of collaboration with the man whom he had selected from all others as an active partner in certain of his creative works." The replies from Collins cannot be printed, since it was Dickens' rule to destroy every letter he received, not on actual business. It is fortunate that his correspondents did not do the same with his letters, so great is the interest of everything that he put on paper: as Mr. Hutton happily puts it: "It is greatly to be regretted that he did not write letters to himself—like his own Mr. Toots—and preserve them all."

The letters included in the present volume are so interesting that the temptation is strong to reprint many extracts from them. They give charming glimpses of Dickens' personality, and illustrate the literary ideas and methods of work of two famous story-writers. Mr. Hutton connects the letters with all necessary explanations, and has performed his work as editor with admirable skill. A good portrait of Dickens, a better one of Collins, and some interesting fac-similes illustrate the book.

W.H.H.

Everybody's Writing-desk Book. By Charles Nisbet and Don Lemon. Revised and Edited by James Baldwin, Ph.D. 310 pp. Cloth, $1.00. New York: Harper & Brothers. 1892.

In this handy little volume are combined instruction regarding composition, English grammar, and punctuation; a list of synonyms and antonyms; a list of forms of addresses; information about writing for the press, proof-reading, writing and printing papers and books; rules for pronunciation and spelling; rates of postage, etc. The book is a compilation rather than an original work, and its chief merit is that it puts together in a single volume a good deal of information of different kinds, not elsewhere to be found in one book. Its spelling list and its list of synonyms and antonyms are the parts most valuable for reference; while the parts devoted to composition and grammar may be studied with profit by those in need of such instruction. The chapter on "Writing for the Press" is short and weak, and the book generally is adapted for use rather by non-professional than by professional writers.

W.H.H.

Christopher Columbus; and How He Received and Imparted the Spirit of Discovery. By Justin Winsor. 674 pp. Cloth, $4.00. Boston: Houghton, Mifflin, & Company. 1892.

Mr. Winsor's rank as an historian is so high that whatever he writes is read with respectful attention. Especially regarding the early history of America he is an authority, and probably no one in this country is better fitted than he to write the story of Columbus. The view he takes of the life and character of the admiral in this exhaustive study of his career will surprise those who have looked on Columbus as a hero, with ideas far in advance of the age in which he lived, and with no blemishes upon his reputation. Mr. Winsor presents facts, so far as they can be ascertained, rather than the romantic notions of traditions, and his picture of Columbus is not flattering to the explorer. In the opening chapter of the work he gives a review of all the sources of information about the admiral's life, and shows a respect for the investigations of Harisse that is undoubtedly justified. Irving's well-known "Life of Columbus" he treats with scant reverence as an historical work. "The genuine Columbus," he says, "evaporates under the warmth of the writer's genius, and we have nothing left but the refinement of his clay." According to Mr. Winsor's estimate, Columbus was a pitiable man, who deserved his pitiable end. His discovery was a blunder, and he became the despoiler of the new world he had unwittingly found. A rabid seeker of gold and a vice-royalty, he left to the new continent a legacy of devastation and crime. Finding America, he thought he had discovered the Indies, and maintained that belief until his death. Claiming to desire the conversion of the Indians to Christianity, he did what he could to establish a slave trade with Spain. Slitting the noses and tearing off the ears of naked heathen are cruelties with which he is charged. In his early life he deserted his lawful wife and became the father of an illegitimate son. In his last years his mind weakened, and he became the victim of wild hallucinations. Such is the man as Mr. Winsor describes him, in contrast to the demi-god of whom Prescott says: "Whether we contemplate his character in its public or private relations, in all its features it wears the same noble aspects." As a bold navigator Columbus won the fame of a world-discoverer; but he never knew himself what he had found; and if Mr. Winsor's estimate is just, it is not altogether unfitting that the name of a more clear-sighted voyager than he should be given to the world that he discovered.

W.H.H.

Picturesque Hampshire. Edited by Charles F. Warner, 120 pp. Large Quarto. Paper, 75 cents. Northampton, Mass.: Picturesque Publishing Company. 1890.

Picturesque Franklin. Edited by Charles F. Warner. 123 pp. Large Quarto. Paper, 75 cents. Northampton. Mass.: Picturesque Publishing Company. 1891.

At first sight it seems astonishing that such handsome books as these, with their lavish wealth of costly half-tone pictures, can be profitably sold at so low a price. They are exceedingly attractive volumes, and together they make a delightful picture-gallery of New England country life. "Picturesque Hampshire" was published in November, 1890, as a supplement to the quarter-centennial issue of the Hampshire County Journal, and its success was so great as to lead to the publication of "Picturesque Franklin," and to the preparation of "Picturesque Hampden," which will be issued in two parts next fall. Not only the residents of the counties illustrated, and of Western Massachusetts generally, but every cultivated person will be interested in these books. The illustrations are so numerous that each volume is really a picture book of New England life. The illustrations have been reproduced from photographs by the half-tone process, and they retain all the accuracy and sharpness of the original photographs. The text explains them sufficiently, and is generally well written.

W.H.H.

In Foreign Lands. By Barbara N. Galpin. 156 pp. Cloth, $1.00. Boston: New England Publishing Company. 1892.

"In Foreign Lands" is a pleasantly-written volume descriptive of European travel, and tells, in an interesting way, the experiences of a delightful summer journey.

W.H.H.

New Harvard Songbook. Compiled by R.T. Whitehouse, '91, and Frederick Bruegger, '92. Revised Edition. 92 pp. Flexible Covers. Boston: Oliver Ditson Company. 1892.

This new compilation of college songs contains many of the new songs which have been sung by the Harvard Glee Club during the last three years. Many of the songs are the compositions of Harvard undergraduates, and have never before been published. Some of the best-known among them are: "Boreen," "Holsteiner's Band," "The Hoodoo," "Jay Bird," "The Man in the Moon's Ball," "Mrs. Craigin's Daughter," "O'Grady's Goat," "The Party at Odd Fellows' Hall," "The Phantom Band," "Romeo and Juliette," "Schneider's Band," and "The Versatile Baby." The book is full of the rollicking college spirit, and college men and their sweethearts will find it an unfailing source of delight. It is adapted either for glee club or home use, and is exquisitely gotten up.

W.H.H.

Brunhilde; or, The Last Act of Norma. By Pedro A. De Alarcon. Translated by Mrs. Francis J.A. Darr. With Portrait of the Author. 311 pp. Cloth, $1.00. New York: A. Lovell & Company. 1891.

Mrs. Darr has translated this work of the Spanish novelist with fidelity and skill. It is an interesting story, with an unusual plot and a dramatic climax, and it is told in a peculiar style, which gives to it a distinctive charm. A good portrait of the author is given as a frontispiece.

W.H.H.

Trifet's Harmonized Melodies. Arranged by Charles D. Blake. 256 pp. Paper, 60 cents. Boston: F. Trifet. 1892.

Four hundred songs, sacred and secular, comic and sentimental, pathetic and humorous, are given in this collection, so harmonized and arranged that they may be played upon the piano or organ or sung with or without accompaniment. Every variety of song is given, and every one will find in the book something suited to his taste. The arranger has done his work well, and the music printer has made the book an attractive one. The selections range from "Old Folks at Home" and the "Sweet By and By" to "Comrades" and "Annie Rooney," and the price of the book, considering the quantity of music it contains, is remarkably low. It will undoubtedly have an extensive sale.

W.H.H.

A First Family of Tasajara. By Bret Harte. 301 pp. Cloth, $1.25. Boston: Houghton, Mifflin, & Co. 1892.

The charm of Bret Harte's stories lies in their originality of conception, their well-defined local color, and the chaste richness of their literary style. The power to pique one's interest to the last page belongs to Mr. Harte above all other writers of stories of American life. His latest book has all the good qualities of its predecessors. It tells a perfectly natural story of life in California. The hero is a newspaper man; the other characters are a man who makes a big "strike" in land, and becomes suddenly rich, his two daughters, a newspaper proprietor with an axe to grind and a secret love, a beautiful and rich Boston widow, and a civil engineer. The denouement is startling, being none other than the wiping out by a flood of the town which made the rich man's fortune, and the lesson of the story is the suddenness with which in the West riches have been made, and also lost.

L.F.


                                                                                                                                                                                                                                                                                                           

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