Jane opened a small shabby handbag, and took out a folded newspaper, opening it up and spreading it on the desk before him. "There!" she said, and then watched his face critically. Reyburn looked, and found himself looking into Betty's eyes. Only a newspaper cut, and poor at that, but wonderfully real and mournful, as they had struck him when she lifted them for that swift glance before she sank in the church aisle. "Where did you get this?" he asked, his voice suddenly husky. "Out o' the mornin' paper." Her tone was low and excited. "Were you wanting to try for the reward?" Reyburn asked. There was a covert sneer in the question from which the girl shrank perceptibly. She sprang to her feet, her eyes flashing: "If that's what you take me for, I better be goin'!" she snapped and reached out her hand for the paper. But Reyburn's hand covered the paper, and his tone was respectful and apologetic as he said: "Excuse me, I didn't quite understand, I see. Jane subsided into a chair, tears of excitement springing into her eyes. "Well, you see, it's pretty serious business," she said, making a dab at the corner of one eye. "I thought I could trust you, or I wouldn't a come. But you gotta take me on trust, too." "Of course," said Reyburn. "Now, what have you to do with this girl? Do you know where she is?" "I certainly do!" said Jane, "but I ain't a-goin' ta tell until you say if there's anything you can do fer her. 'Cause you see, if you can't find a way to help her, I've gotta do it myself, an' it might get you into trouble somehow fer you to know what you ain't supposed to know." "I see," said Reyburn, meekly. "Well, what are you going to tell me? Am I allowed to ask that?" Jane grinned. "Say, you're kiddin' me! I guess you are all right. Well, I'll just tell you all about it. One night last November,—you can see the date there in Reyburn looked at her astonished. "How did you know I was there?" "I saw you through the window, over against the wall to the street side of the altar," said Jane calmly. "How did you know me?" "Oh, somebody I know pointed you out once an' said you was goin' to be one of the risin' lawyers of the day," she answered nonchalantly, her face quite serious. A flicker of amusement passed like a ray of light through his eyes, but his face was entirely grave as he ignored the compliment. "Go on!" "I saw there was a weddin' an' I stopped to watch a minute, 'cause I expect to get married myself some day, an' I wanted to see how they did things. But I couldn't get near the door, an' the windows were all high up. I could only see folks who were standing up like you were. So I thought I'd go on. I turned the corner and went long-side the church listenin' to the music, an' just as I passed a big But Reyburn interrupted her excitedly. "Do you mean to say that Miss Stanhope is in the city and you know where she is?" "Now, don't get excited," warned Jane coolly. "I didn't say she was in this city, did I? I didn't say where she was, did I? I said she was safe." "But are you aware that you have told me a very strange story? What proof can you give me that it is true?" Jane looked at him indignantly. "Say, I thought you was goin' to trust me? I have to trust you, don't I? Course you don't know who I am, an' I haven't told you, but I've got a good p'sition myself, an' I don't go round tellin' privarications! An' there's the weddin' dress, an' veil and fixin's! I got them. You can see 'em if you like,—that "I beg your pardon," said Reyburn, trying to smile assurance once more. "You certainly must own this whole thing is enough to make anybody doubt." "Yes, it is," said Jane. "I was some upset myself, havin' a thing like that happen to me, a real millionairess bride drop herself down on my hands just like that, an' I 'spose it is hard to b'lieve. But I can't waste much more time now. I gotta get back to my job. Is there anything can be done to keep 'em from gettin' her again?" "I should most certainly think so," said Reyburn, "but I would have to know her side of the story, the whole of it, before I could say just what!" "Well, s'pose you found there wasn't anythin' you could do to help her, would you go an' tell on her?" Reyburn leaned back in his chair and smiled at his unique client: "I shall have to quote your own language. 'What do you take me for?'" "A white man!" said Jane suddenly, and showed all her fine teeth in an engaging smile. "Say, you're all right. Now, I gotta go. When will you tell me "Well, this ought to be attended to, at once, if anything is to be done," he said eagerly. "Let me see. I have an engagement at five. How would seven o'clock do? Could I call at your boarding-house? Would there be any place where we could talk uninterrupted?" "Sure," said Jane, rising. "I'll get my landlady to let me have her settin' room fer an hour." "Meantime, I'll think it over and try to plan something." Jane started down the long flights of stairs, not daring to trust to the elevator, lest she should come face to face with Jimmie and have to explain. Reyburn stood with his back to the room, his hands in his pockets, frowning and looking out the window, when Jimmie entered a moment later. "I hope I'm not late, sir?" he said anxiously, as he hung up his hat and sat down at his typewriter. "I had to wait. The man was out." "Oh, that's all right, Ryan," said his employer, obviously not listening to his explanation. "I'm "Very well, sir." Reyburn went out, then opened the door and put his head back in the room. "I may have to go out of town to-night, Ryan. I'm not sure. Something has come up. If I'm not in to-morrow, could you—would you mind just staying here all day and looking after things? I may need you. Of course you'll lock up and leave the card out when you go to lunch." "Very well, sir." "I'll keep in touch with you in case I'm delayed," and Reyburn was off again. When the elevator had clanked down to the next floor Jimmie went to the window and looked dreamily out over the roofs of the city: "Aw!" he breathed joyously. "Now I'll bet he's going to do something about that reward!" Reyburn hurried down the street to the office of an old friend where he had a bit of business as an excuse, and asked a few casual questions when he was done. Then he went on to a telephone booth and called up a friend of his mother's, with whom he had a brief gossip, ostensibly to give a message from his mother, contained in her last letter to him. He dropped into a bank and asked a few questions, called up an address they gave him and made another inquiry, then dropped around to his cousin's home for a few minutes, where he allowed her to tell all she knew about the Stanhope wedding they had attended together, and the different theories concerning the escaped bride. Quite casually he asked if she knew whether the bride had property of her own, if so who were her guardians. His cousin thought she knew a lot, but, sifting it down, he discovered that it was nearly all hearsay or surmise. When he reached Jane Carson's boarding house he found that young woman ensconced in a tiny room, nine by twelve, a faded ingrain carpet on the floor, a depressed looking bed lounge against the bleary wall-paper, beneath crayon portraits of the landlady's dead husband and sons. There was a rocking-chair, a trunk, a cane-seat chair, and an oil stove turned up to smoking point in honor of the Jane, after a shy greeting, untied the strings and opened the cover, having first carefully slipped the bolt of the door. "You can't be too careful," she said. "You never can tell." Reyburn stood beside her and looked in a kind of awe at the glistening white, recognized the thick texture of the satin, the rare quality of the rose-point lace with which it was adorned, caught the faint fragrance of faded orange blossoms wafting from the filmy mist of the veil as Jane lifted it tenderly; then leaned over and touched a finger to the pile of whiteness, reverently, as though he were paying a tribute at a lovely shrine. Jane even unwrapped the little slippers, one at a time, and folded them away again, and they said no word until it was all tied back in its papers, Reyburn assisting with the strings. "Now, ef you don't mind waitin' a minute I guess it would be safer to put it away now," she said as she slipped the bolt and ran upstairs. She was back in a minute and sat down opposite to him, drawing out from the neck of her blouse a "Here's the ring." She laid it in his palm. He took it, wondering, a kind of awe still upon him that he should be thus handling the intimate belongings of that little unknown bride whom he had seen lying unconscious in a strange church a few short months before. How strange that all this should have come to him when many wiser, more nearly related, were trying their best to get some clue to the mystery! He lifted the ring toward the insufficient gas jet to make out the initials inside, and copied them down in his note-book. "Take good care of that. It is valuable," he said as he handed it back to her. "Mebbe I better give it to you," she half hesitated. "You've taken pretty good care of it so far," he said. "I guess you've a better right to it than I. Only don't let anybody know you've got it. Now, I've been making inquiries, and I've found out a few things, but I've about come to the conclusion that I can't do much without seeing the lady. Do you suppose she would see me? Is she very far away?" "When do you want to go?" asked Jane. "At once," he answered decidedly. "There's Jane's eyes glittered with satisfaction. "There's a train at ten-thirty. You'll get there in the morning. I've written it all down here on a paper so you can't make any mistakes. I've written her a letter so she'll understand and tell you everythin'. I'll wire Ma, too, so she'll let you see her. Ma might not size you up right." Reyburn wondered at the way he accepted his orders from this coolly impudent girl, but he liked her in spite of himself. In a few minutes more he was out in the street again, hurrying to his own apartment, where he put together a few necessities in a bag and went to the train. |