On January the fifteenth Rosamund put on the gown which had been bought for the Carlton dinner but not worn at it.

Although she had not really wanted to go to Mrs. Chetwinde’s party she looked radiantly buoyant, and like one almost shining with expectation, when she was ready to start for Lowndes Square.

“You ought to go out every night,” Dion said, as he put her cloak over her shoulders.

“Why?”

“To enjoy and to give enjoyment. Merely to look at you would make the dullest set of people in London wake up and scintillate. Don’t tell me you’re not looking forward to it, because I couldn’t believe you.”

“Now that the war-paint is on I confess to feeling almost eager for the fray. How nicely you button it. You aren’t clumsy.”

“How could I be clumsy in doing something for you? Where’s your music?”

“In my head. Jennie will meet us there.”

Jennie was Rosamund’s accompanist, a clever Irish girl who often came to Little Market Street to go through things with Rosamund.

“It will be rather delightful singing to people again,” she added in a joyous voice as they got into the hired carriage. “I hope I’ve really improved.”

“How you love a thing for itself!” he said, as they drove off.

“I think that’s the only way to love.”

“Of course it is. You know the only way to everything beautiful and sane. What I have learnt from you!”

“Dion,” she said, in the darkness, “I think you are rather a dangerous companion for me.”

“How can I be?”

“I’m not at all a piece of perfection. Take care you don’t teach me to think I am.”

“But you’re the least conceited—”

“Hush, you encourager of egoism!” she interrupted seriously.

“I’m afraid you’ll find a good many more at Mrs. Chetwinde’s.”

Dion thought he had been a true prophet half an hour later when, from a little distance, he watched and listened while Rosamund was singing her first song. Seeing her thus in the midst of a crowd he awakened to the fact that Robin had changed her very much. She still looked splendidly young but she no longer looked like a girl. The married woman and the mother were there quite definitely. Even he fancied that he heard them in her voice, which had gained in some way, perhaps in roundness, in mellowness. This might be the result of study; he was inclined to believe it the result of motherhood. She was wearing ear-rings—tiny, not long drooping things, they were green, small emeralds; and he remembered how he had loved her better when he saw her wearing ear-rings for the first time in Mr. Darlington’s drawing-room. How definite she was in a crowd. Crowds effaced ordinary people, but when Rosamund was surrounded she always seemed to be beautifully emphasized, to be made more perfectly herself. She did not take, she gave, and in giving showed how much she had.

She was giving now as she sang, “Caro mio ben.”

Towards the end of the song, when Dion was deeply in it and in her who sang it, he was disturbed by a woman’s whisper coming from close behind him. He did not catch the beginning of what was communicated, but he did catch the end. It was this: “Over there, the famous Mrs. Clarke.”

But Mrs. Clarke was in Paris. Daventry had told him so. Dion looked quickly about the large and crowded room, but could not see Mrs. Clarke. Then he glanced behind him to see the whisperer, and beheld a hard-faced, middle-aged and very well-known woman—one of those women who, by dint of perpetually “going about,” become at length something less than human. He was quite sure Mrs. Brackenhurst would not make a mistake about anything which happened at a party. She might fail to recognize her husband, if she met him about her house, because he was so seldom there; she would not fail to recognize the heroine of a resounding divorce case. Mrs. Clarke must certainly have returned from Paris and be somewhere in that room, listening to Rosamund and probably watching her. Dion scarcely knew whether this fact made him sorry or glad. He did know, however, that it oddly excited him.

When “Caro mio ben” was ended people began to move. Rosamund was surrounded and congratulated, and Dion saw Esme Darlington bending to her, half paternally, half gallantly, and speaking to her emphatically. Mrs. Chetwinde drifted up to her; and three or four young men hovered near to her, evidently desirous of putting in a word. The success of her leaped to the eye. Dion saw it and glowed. But the excitement in him persisted, and he began to move towards the far side of the great room in search of Mrs. Clarke. If she had just come in she would probably be near the door by which the pathetic Echo stood on her pedestal of marble, withdrawn in her punishment, in her abasement beautiful and wistful. How different was Rosamund from Echo! Dion looked across at her joyous and radiant animation, as she smiled and talked almost with the eagerness and vitality of a child; and he had the thought, “How goodness preserves!” Women throng the secret rooms of the vanity specialists, put their trust in pomades, in pigments, in tinctures, in dyes; and the weariness and the sin become lustrous, perhaps, but never are hidden or even obscured. His Rosamund trusted in a wholesome life, with air blowing through it, with sound sleep as its anodyne, with purity on guard at its door; and radiance and youth sparkled up in her like fountain spray in the sunshine. And the wholesomeness of her was a lure to the many even in a drawing-room of London. He saw powdered women, women with darkened eyebrows, and touched-up lips, and hair that had forgotten long ago what was its natural color, looking at her, and he fancied there was a dull wonder in their eyes. Perhaps they were thinking: “Yes, that’s the recipe—being gay in goodness!” And perhaps some of them were thinking, too: “We’ve lost the power to follow that recipe, if we ever had it.” Poor women! With a sort of exultation he pitied them and their husbands. A chord was sounded on the piano. He stood still. The loud buzz of conversation died down. Was Rosamund going to sing again so soon? Perhaps some one had begged for something specially beloved. Jennie was playing a soft prelude as a gentle warning to a few of those who seem ever to find silence a physical difficulty. She stopped, and began to play something Dion did not know, something very modern in its strange atmospheric delicacy, which nevertheless instantly transported him to Greece. He was there, even before Rosamund began to sing in a voice that was hushed, in a far-off voice, not antique, but the voice of modernity, prompted by a mind looking away from what is near to what is afar and is deeply desired.

The accompaniment continued for a moment alone, whispering remoteness. Then, like a voice far off in a blue distance, there came again from Rosamund, more softly and with less pressure:

It was just then that Dion saw Mrs. Clarke. She had, perhaps, been sitting down; or, possibly, some one had been standing in front of her and had hidden her from him; for she was not far off, and he wondered sharply why he had not seen her till now, why, till now, she had refrained from snatching him away from his land of the early morning. There was to him at this moment something actually cruel and painful in her instant suggestion of Stamboul. Yet she was not looking at him, but was directing upon Rosamund her characteristic gaze of consideration, in which there was a peculiar grave thoroughness. A handsome, fair young man, with a very red weak mouth, stood close to her. Echo was just beyond. Without speaking, Mrs. Clarke continued looking at Rosamund intently, when the music evaporated, and Greece faded away into the shining of that distance which hides our dreams. And Dion noted again, with a faint creeping of wonder and of doubt, the strange haggardness of her face, which, nevertheless, he had come to think almost beautiful.

The fair young man spoke to her, bending and looking at her eagerly. She turned her head slowly, and as if reluctantly towards him, and was evidently listening to what he said, listening with that apparent intentness which was characteristic of her. She was dressed in black and violet, and wore a large knot of violets in her corsage. Round her throat was clasped an antique necklace of dull, unshining gold, and dim purple stones, which looked beautiful, but almost weary with age. Perhaps they had lain for years in some dim bazaar of Stamboul, forgotten under heaps of old stuffs. Dion thought of them as slumbering, made drowsy and finally unconscious by the fumes of incense and the exhalations from diapered perfume vials. As he looked at Mrs. Clarke, the bare and shining vision of Greece, evoked by the song Rosamund had just been singing, faded; the peculiar almost intellectually delicate atmosphere of Greece was gone; and he saw for a moment the umber mystery of Stamboul, lifted under tinted clouds of the evening beyond the waters of the Golden Horn; the great rounded domes and tapering speary minarets of the mosques, couchant amid the shadows and the trailing and gauzy smoke-wreaths, a suggestion of dense masses of cypresses, those trees of the night which only in the night can be truly themselves, guarding the innumerable graves of the Turkish cemeteries.

From that moment he connected Mrs. Clarke in his mind with the cypress. Surely she must have spent very many hours wandering in those enormous and deserted gardens of the dead, where the very dust is poignant, and the cries of the sea come faintly up to Allah’s children crumbling beneath the stone flowers and the little fezes of stone. Mrs. Clarke must love the cypress, for about her there was an atmosphere which suggested dimness and the gathering shadows of night.

Greece and Stamboul, the land of the early morning and the wonder-city of twilight; Rosamund and Mrs. Clarke, standing there for a moment, in the midst of the shifting crowd, Dion traveled, compared, connected and was alone in the soul’s solitude.

Then Mrs. Chetwinde spoke to him, and he saw Bruce Evelin in the distance going towards Rosamund.

Mrs. Chetwinde told him that Rosamund had made a great advance.

“Now that she’s given up singing professionally she’s singing better than ever. That Grecian song is the distilled essence of Greece felt in our new way. For we’ve got our new way of feeling things. Rosamund tells us she repeated the words to Jennie Stileman, and Jennie had them set by a young Athenian who’s over here studying English. He catches the butterfly, lets it flutter for a moment in his hand and go. He doesn’t jab a pin into it as our composers would. Oh, there’s Cynthia! I hope she heard the last thing.”

“Yes, she did.”

“Ah?”

“I thought Mrs. Clarke was spending January in Paris.”

“She came back to-day, and sent round to ask if she might come.”

Mrs. Chetwinde wandered away, insouciant and observant as ever. Even at her own parties she always had an air of faintly detached indifference, never bothered about how “it” was “going.” If it chose to stop it could, and her guests must put up with it.

When she left him Dion hesitated. Mrs. Clarke had just seen him and sent him a grave nod of recognition. Should he go to her? But the fair young man was still at her side, was still, with his weak red mouth, talking into her ear. Dion felt a strange distaste as he saw those moving lips under the brushed-up, almost ridiculously small, golden mustache; and just as he was conscious of this distaste Mrs. Clarke got rid of the young man, and spoke to a woman. Then she moved forward slowly. Mr. Chetwinde spoke to her, moving his ample fan-shaped beard, which always looked Assyrian, though he was profoundly English and didn’t know it. She drew nearer to Dion as she answered Mr. Chetwinde, but in a wholly unconscious manner. To-night she looked more haggard even than usual, no doubt because of the journey from Paris. But Mrs. Chetwinde had once said of her: “Cynthia is made of iron.” Could that be true? She was quite close to Dion now, and he was aware of a strange faint perfume which reminded him of Stamboul; and he realized here in Lowndes Square that Stamboul was genuinely fascinating, was much more fascinating than he had realized when he was in it.

Mrs. Clarke passed him without looking at him, and he felt sure quite unconscious of his nearness to her. Evidently she had forgotten all about him. Just after she had gone by he decided that of course he ought to go and speak to her, and that to-night he must introduce Rosamund to her. Not to do so would really be rude. Daventry was not there to be chivalrous. The illness of Beattie, and doubtless his own distress at the loss of his unborn child, had kept him away. Dion thought that he would be unchivalrous if he now neglected to make a point of speaking to Mrs. Clarke and of introducing his wife to her.

Having made up his mind on this he turned to follow Mrs. Clarke, and at once saw that Esme Darlington, that smoother of difficult social places, was before him. A little way off he saw Mr. Darlington, with Rosamund well but delicately in hand, making for Mrs. Clarke somewhat with the gait of Agag. In a moment the thing was done. The two women were speaking to each other, and Rosamund had sent to Mrs. Clarke one of her inquiring looks. Then they sat down together on that red sofa to which Mrs. Clarke had led Dion for his first conversation with her. Esme Darlington remained standing before it. The full acquaintance was joined at last.

Were they talking about the baby? Dion wondered, as for a moment he watched them, forgetting his surroundings. Rosamund was speaking with her usual swift vivacity. At home she was now often rather quiet, moving, Dion sometimes thought, in an atmosphere of wide serenity; but in society she was always full of sunshine and eager life. Something within her leaped up responsively at the touch of humanity, and to-night she had just been singing, and the whole of her was keenly awake. The contrast between her and Mrs. Clarke was almost startling: her radiant vitality emphasized Mrs. Clarke’s curious, but perfectly natural, gravity; the rose in her cheeks, the yellow in her hair, the gaiety in her eyes, drew the attention to Mrs. Clarke’s febrile and tense refinement, which seemed to have worn her body thin, to have drained the luster out of her hair, to have fixed the expression of observant distress in her large and fearless eyes. Animal spirits played through Rosamund to-night; from Mrs. Clarke they were absent. Her haggard composure, confronting Rosamund’s pure sparkle, suggested the comparison of a hidden and secret pool, steel colored in the depths of a sunless forest, with a rushing mountain stream leaping towards the sea in a tangle of sun-rays. Dion realized for the first time that Mrs. Clarke never laughed, and scarcely ever smiled. He realized, too, that she really was beautiful. For Rosamund did not “kill” her; her delicacy of line and colorless clearness stood the test of nearness to Rosamund’s radiant beauty. Indeed Rosamund somehow enhanced the peculiarly interesting character of Mrs. Clarke’s personality, which was displayed, but with a sort of shadowy reticence, in her physique, and at the same time underlined its melancholy. So might a climbing rose, calling to the blue with its hundred blossoms, teach something of the dark truth of the cypress through which its branches are threaded.

But Mrs. Clarke would certainly never be Rosamund’s stairway towards heaven.

Some one he knew spoke to Dion, and he found himself involved in a long conversation; people moving hid the two women from him, but presently the piano sounded again, and Rosamund sang that first favorite of hers and of Dion’s, the “Heart ever faithful,” recalling him to a dear day at Portofino where, in a cozy room, guarded by the wintry woods and the gray sea of Italy, he had felt the lure of a faithful spirit, and known the basis of clean rock on which Rosamund had built up her house of life. Bruce Evelin stood near to him while she sang it now, and once their eyes met and exchanged affectionate thoughts of the singer, which went gladly out of the gates eager to be read and understood.

When the melody of Bach was finished many people, impelled thereto by the hearty giant whom Mrs. Chetwinde had most strangely married, went downstairs to the black-and-white dining-room to drink champagne and eat small absurdities of various kinds. A way was opened for Dion to Mrs. Clarke, who was still on the red sofa. Dion noticed the fair young man hovering, and surely with intention in his large eyes, in the middle distance, but he went decisively forward, took Mrs. Clarke’s listless yet imperative hand, and asked her if she would care to go down with him.

“Oh no; I never eat at odd times.”

“Do you ever eat at all?”

“Yes, at my chosen moments. Do find another excuse.”

“For going to eat?”

“Or drink.”

His reply was to sit down beside her. Mrs. Chetwinde’s dining-room was large. People probably knew that, for the drawing-room emptied slowly. Even the fair young man went away to seek consolation below. Rosamund had descended with Bruce Evelin and Esme Darlington. There was a pleasant and almost an intimate hush in the room.

“I heard you were to be in Paris this month,” Dion said.

“I came back to-day.”

“Aren’t you tired?”

“No. I want to speak to you about Jimmy, if you don’t mind.”

“Please do,” said Dion rather earnestly, struck by a sort of little pang as he remembered the boy’s urgent insistence that his visitor was to come again soon.

“I’m not quite satisfied with his tutor.”

She began to ask Dion’s advice with regard to the boy’s bringing up, explaining that her husband had left that matter in her hands.

“He’s very sorry and ashamed now, poor man, about his attacks on me, and tries to make up from a distance by trusting me completely with Jimmy. I don’t bear him any malice, but of course the link between us is smashed and can’t ever be resoldered. I’m asking you what I can’t ask him because he’s a weak man.”

The implication was obvious and not disagreeable to Dion. He gave advice, and as he did so thought of Robin at ten.

Mrs. Clarke was a remarkably sensible woman, and agreed with his views on boys, and especially with his theory, suddenly discovered in the present heat of conversation, that to give them “backbone” was of even more importance than to develop their intellectual side. She spoke of her son in a way that was almost male.

“He mustn’t be small,” she said, evidently comprehending both soul and body in the assertion. “D’you know Lord Brayfield who was talking to me just now?”

“You mean a fair man?”

“Yes, with a meaningless mouth. Jimmy mustn’t grow up into anything of that kind.”

The conversation took a decidedly Doric turn as Mrs. Clarke developed her ideas of what a man ought to be. In the midst of it Dion remembered Dumeny, and could not help saying:

“But that type”—they had been speaking of what he considered to be Rosamund’s type of man, once described by her as “a strong soul in a strong body, and a soft heart but not a softy’s heart”—“is almost the direct opposite of the artistic type of man, isn’t it?”

Her large eyes looked “Well?” at him, but she said nothing.

“I thought you cared so very much for knowledge and taste in a man.”

“So I do. But Jimmy will never have knowledge and taste. He’s the boisterous athletic type.”

“And you’re glad?”

“Not sorry, at any rate. He’ll just be a thorough man, if he’s brought up properly, and that will do very well.”

“I think you’re very complex,” Dion said, still thinking of Dumeny.

“Because I make friends in so many directions?”

“Well—yes, partly,” he answered, wondering if she was reading his thought.

“Jimmy’s not a friend but my boy. I know very well Monsieur Dumeny, for instance, whom you saw, and I dare say wondered about, at the trial; but I couldn’t bear that my boy should develop into that type of man. You’ll say I am a treacherous friend, perhaps. It might be truer to say I was born acquisitive and too mental. I never really liked Monsieur Dumeny; but I liked immensely his musical talent, his knowledge, his sure taste, and his power of making almost everything flower into interestingness. Do you know what I mean? Some people take light from your day; others add to its light and paint in wonderful shadows. If I went to the bazaars alone they were Eastern shops; if I went with Dumeny they were the Arabian Nights. Do you understand?”

“Yes.”

“The touch of his mind on a thing gave it life. It stirred. One could look into its heart and see the pulse beating. I care to do that, so I cared to go about with Monsieur Dumeny. But one doesn’t love people for that sort of thing. In the people one loves one needs character, the right fiber in the soul. You ought to know that.”

“Why?” he asked, almost startled.

“I was introduced to your wife just now.”

“Oh!”

There was a pause. Then Dion said:

“I’m glad you have met.”

“So am I,” said Mrs. Clarke, in a voice that sounded more husky even than usual. “She sang that Greek song quite beautifully. I’ve just been telling her that I want to show her some curious songs I have heard in Turkey, and Asia Minor, at Brusa. There was one man who used to sing to me at Brusa outside the Mosquee Verte. Dumeny took down the melody for me.”

“Did you like the ‘Heart ever faithful’?”

“Of course it’s excellent in that sledge-hammer sort of way, a superb example of the direct. Stamboul is very indirect. Perhaps it has colored my taste. It’s full of mystery. Bach isn’t mysterious, except now and then—in rare bits of his passion music, for instance.”

“I wonder if my wife could sing those Turkish songs.”

“We must see. She sang that Greek song perfectly.”

“But she’s felt Greece,” said Dion. “And I think there’s something in her that——”

“Yes?”

“I only mean,” he said, with reserve in his voice, “that I think there’s something of Greece in her.”

“She’s got a head like a Caryatid.”

“Yes,” he said, with much less reserve. “Hasn’t she?”

Mrs. Clarke had paid his Rosamund two noble compliments, he thought; and he liked her way of payment, casual yet evidently sincere, the simple utterance of two thoughts in a mind that knew. He felt a sudden glow of real friendship for her, and, on the glow as it were, she said:

“Jimmy’s quite mad about you.”

“Still?” he blurted out, and was instantly conscious of a false step.

“He’s got an extraordinary memory for a biceps, and then Jenkins talks about you to him.”

As they went on talking people began coming up from the black-and-white dining-room. Dion said he would come to see Jimmy again, would visit the gymnasium in the Harrow Road one day when Jimmy was taking his lesson. Did Jimmy ever go on a Saturday? Yes, he was going next Saturday at four. Dion would look in next Saturday. Now Mrs. Clarke and Rosamund had met, and Mrs. Clarke evidently admired Rosamund in two ways, Dion felt quite different about his acquaintance with her. If it had already been agreed that Mrs. Clarke should show Rosamund Turkish songs, there was no need for further holding back. The relief which had come to him made Dion realize how very uncomfortable he had been about Mrs. Clarke in the immediate past. He was now thoroughly and cordially at his ease with her. They talked till the big drawing-room was full again, till Rosamund reappeared in the midst of delightful friends; talked of Jimmy’s future, of the new tutor who must be found,—a real man, not a mere bloodless intellectual,—and, again, of Constantinople, to which Mrs. Clarke would return in April, against the advice of her friends, and in spite of Esme Darlington’s almost frantic protests, “because I love it, and because I don’t choose to be driven out of any place by liars.” Her last remark to him, and he thought it very characteristic of her, was this:

“Liberty’s worth bitterness. I would buy it at the price of all the tears in my body.”

It was, perhaps, also very characteristic that she made the statement with a perfectly quiet gravity which almost concealed the evidently tough inflexibility beneath.

And then, when people were ready to go, Rosamund sung Brahm’s “Wiegenlied.”

Dion stood beside Bruce Evelin while Rosamund was singing this. She sang it with a new and wonderful tenderness which had come to her with Robin, and in her face, as she sang, there was a new and wonderful tenderness. The meaning of Robin in Rosamund’s life was expressed to Dion by Rosamund in this song as it had never been expressed before. Perhaps it was expressed also to Bruce Evelin, for Dion saw tears in his eyes almost brimming over, and his face was contracted, as if only by a strong, even a violent, effort he was able to preserve his self-control.

As people began to go away Dion found himself close to Esme Darlington.

“My dear fellow,” said Mr. Darlington, with unusual abandon, “Rosamund has made a really marvelous advance—marvelous. In that ‘Wiegenlied’ she reached high-water mark. No one could have sung it more perfectly. What has happened to her?”

“Robin,” said Dion, looking him full in the face, and speaking with almost stern conviction.

“Robin?” said Mr. Darlington, with lifted eyebrows.

Then people intervened.

In the carriage going home Rosamund was very happy. She confessed to the pleasure her success had given her.

“I quite loved singing to-night,” she said. “That song about Greece was for you.”

“I know, and the ‘Wiegenlied’ was for Robin.”

“Yes,” she said.

She was silent; then her voice came out of the darkness:

“For Robin, but he didn’t know it.”

“Some day he will know it.”

Not a word was said about Mrs. Clarke that night.

On the following day, however, Dion asked Rosamund how she had liked Mrs. Clarke.

“I saw you talking to her with the greatest animation.”

“Was I?” said Rosamund.

“And she told me it had been arranged that she should—no, I don’t mean that; but she said she wanted to show you some wonderful Turkish songs.”

“Did she? What a beautiful profile she has!”

“Ah, you noticed that!”

“Oh yes, directly.”

“Didn’t she mention the Turkish songs?”

“I believe she did, but only in passing, casually. D’you know, Dion, I’ve got an idea that Greece is our country, not Turkey at all. You hate Constantinople, and I shall never see it, I’m sure. We are Greeks, and Robin has to be a Greek, too, in one way—a true Englishman, of course, as well. Do you remember the Doric boy?”

And off went the conversation to the hills of Drouva, and never came back to Turkey.

When Friday dawned Dion thought of his appointment for Saturday afternoon at the gymnasium in the Harrow Road, and began to wish he had not made it. Rosamund had not mentioned Mrs. Clarke again, and he began to fear that she had not really liked her, although her profile was beautiful. If Rosamund had not liked Mrs. Clarke, his cordial enthusiasm at Mrs. Chetwinde’s—in retrospect he felt that his attitude and manner must have implied that—had been premature, even, perhaps, unfortunate. He wished he knew just what impression Mrs. Clarke had made upon Rosamund, but something held him back from asking her. He had asked her already once, but somehow the conversation had deviated—was it to Mrs. Clarke’s profile?—and he had not received a direct answer. Perhaps that was his fault. But anyhow he must go to the gymnasium on the morrow. To fail in doing that after all that had happened, or rather had not happened, in connexion with Mrs. Clarke would be really rude. He did not say anything about the gymnasium to Rosamund on Friday, but on the Saturday he told her what had been arranged.

“Her son, Jimmy Clarke, has taken a boyish fancy to me, it seems. I said I’d look in and see his lesson just for once.”

“Is he a nice boy?”

“Yes, first-rate, I should think, rather a pickle, and likely to develop into an athlete. The father is awfully ashamed now of what he did—that horrible case, I mean—and is trying to make up for it.”

“How?” said Rosamund simply.

“By giving her every chance with the boy.”

“I’m glad the child likes you.”

“I’ve only seen him once.”

“Twice won’t kill his liking,” she returned affectionately.

And then she went out of the room. She always had plenty to do. Small though he was, Robin was a marvelous consumer of his mother’s time.

When Dion got to the gymnasium Mrs. Clarke and Jimmy were already there, and Jimmy, in flannels and a white sweater, his dark hair sticking up in disorder, and his face scarlet with exertion, was performing feats with an exerciser fixed to the wall, while Mrs. Clarke, seated on a hard chair in front of a line of heavy weights and dumb-bells, was looking on with concentrated attention. Jenkins was standing in front of Jimmy, loudly directing his movements with a stentorian: “One—two—one—two—one—two! Keep it up! No slackening! Put some guts into it, sir! One—two—one—two!”

As Dion came in Mrs. Clarke looked round and nodded; Jimmy stared, unable to smile because his mouth and lower jaw were working, and he had no superfluous force to spare for polite efforts; and Jenkins uttered a gruff, “Good day, sir.”

“How are you, Jenkins?” returned Dion, in his most off-hand manner.

Then he jerked his hand at Jimmy with an encouraging smile, went over to Mrs. Clarke, shook her hand and remained standing beside her.

“Do you think he’s doing it well?” she murmured, after a moment.

“Stunningly.”

“Hasn’t he broadened in the chest?”

“Rather!”

She looked strangely febrile and mental in the midst of the many appliances for developing the body. Rosamund, with her splendid physique and glowing health, would have crowned the gymnasium appropriately, have looked like the divine huntress transplanted to a modern city where still the cult of the body drew its worshipers. The Arcadian mountains—Olympia in Elis,—Jenkins’s “gym” in the Harrow Road—differing shrines but the cult was the same. Only the conditions of worship were varied. Dion glanced down at Mrs. Clarke. Never had she seemed more curiously exotic. Yet she did not look wholly out of place; and it occurred to him that a perfectly natural person never looks wholly out of place anywhere.

“Face to the wall, sir!” cried Jenkins.

Jimmy found time for a breathless and half-inquiring smile at Dion as he turned and prepared for the most difficult feat.

“His jaw always does something extraordinary in this exercise,” said Mrs. Clarke. “It seems to come out and go in again with a click. Jenkins says it’s because Jimmy gets his strength from there.”

“I know. Mine used to do just the same.”

“Jimmy doesn’t mind. It amuses him.”

“That’s the spirit!”

“He finishes with this.”

“Already?” said Dion, surprised.

“You must have been a little late. How did you come?”

“On my bicycle. I had a puncture. That must have been it. And there was a lot of traffic.”

“Keep it up, sir!” roared Jenkins imperatively. “What’s the matter with that left arm?”

Click went Jimmy’s lower jaw.

“Dear little chap!” muttered Dion, full of sympathetic interest. “He’s doing splendidly.”

“You really think so?”

“Couldn’t be better.”

“You understand boys?”

“Better than I understand women, I expect,” Dion returned, with a sudden thought of Rosamund at home and the wonderful Turkish songs Mrs. Clarke wished to show to her.

Mrs. Clarke said nothing, and just at that moment Jenkins announced:

“That’ll do for to-day, sir.”

In a flood of perspiration Jimmy turned round, redder than ever, his chest heaving, his mouth open, and his eyes, but without any conceit, asking for a word of praise from Dion, who went to clap him on the shoulder.

“Capital! Hallo! What muscles we’re getting! Eh, Jenkins?”

“Master Jimmy’s not doing badly, sir. He puts his heart into it. That I must say.”

Jimmy shone through the red and the perspiration.

“He sticks it,” continued Jenkins, in his loud voice. “Without grit there’s nothing done. That’s what I always tell my pupils.”

“I say”—began Jimmy, at last finding a small voice—“I say, Mr. Leith, you haven’t hurried over it.”

“Over what?”

“Letting me see you again. Why, it’s—”

“Run along to the bath, sir. You’ve got to have it before you cool down,” interposed the merciless Jenkins.

And Jimmy made off with an instant obedience which showed his private opinion of the god who was training him.

When he was gone Jenkins turned to Dion and looked him over.

“Haven’t seen much of you, sir, lately,” he remarked.

“No, I’ve been busy,” returned Dion, feeling slightly uncomfortable as he remembered that the reason for his absence from the Harrow Road was listening to the conversation.

“Going to have a round with the gloves now you are here, sir?” pursued Jenkins.

Dion looked at Mrs. Clarke.

“Well, I hadn’t thought of it,” he said, rather doubtfully.

“Just as you like, sir.”

“Do, Mr. Leith,” said Mrs. Clarke, getting up from the hard chair, and standing close to the medicine ball with her back to the vaulting-horse. “Jimmy and I are going in a moment. You mustn’t bother about us.”

“Well, but how are you going home?”

“We shall walk. Of course have your boxing. It will do you good.”

“You’re right there, ma’am,” said Jenkins, with a sort of stern approval. “Mr. Leith’s been neglecting his exercises lately.”

“Oh, I’ve been doing a good deal in odd times with the Rifle Corps.”

“I don’t know anything about that, sir.”

“All right, I’ll go and change,” said Dion, who always kept a singlet and flannels at the gymnasium. “Then——” he turned to Mrs. Clarke as if about to say good-by.

“Oh, Jimmy will want to see you for a moment after his bath. We’ll say good-by then.”

“Yes, I should like to see him,” said Dion, and went off to the dressing cubicles.

When he returned ready for the fray, with his arms bared to the shoulder, he found Jimmy, in trousers and an Eton jacket, with still damp hair sleeked down on his head, waiting with his mother, but not to say good-by.

“We aren’t going,” he announced, in a voice almost shrill with excitement, as Dion came into the gymnasium. “The mater was all for a trot home, but Jenkins wishes me to stay. He says it’ll be a good lesson for me. I mean to be a boxer.”

“Why not?” observed the great voice of Jenkins. “It’s the best sport in the world bar none.”

“There!” said Jimmy. “And if I can’t be anything else I’ll be a bantam, that’s what I’ll be.”

“Oh, you’ll grow, sir, no doubt. We may see you among the heavy-weights yet.”

“What’s Mr. Leith? Is he a heavy-weight?” vociferated Jimmy. “Just look at his arms.”

“You’ll see him use them in a minute,” observed Jenkins, covering Dion with a glance of almost grim approval, “and then you can judge for yourself.”

“You can referee us, Jimmy,” said Dion, smiling, as he pulled on the gloves.

“I say, by Jove, though!” said Jimmy, looking suddenly overwhelmed and very respectful.

He shook his head and blushed, then abruptly grinned.

“The mater had better do that.”

They all laughed except Mrs. Clarke. Even Jenkins unbent, and his bass “Ha ha!” rang through the large vaulted room. Mrs. Clarke smiled faintly, scarcely changing the expression of her eyes. She looked unusually intent and, when the smile was gone, more than usually grave.

“I hope you don’t mind our staying just for a few minutes,” she said to Dion. “You see what he is!”

She looked at her boy, but not with deprecation.

“Of course not, but I’m afraid it will bore you.”

“Oh no, it won’t. I like to see skill of any kind.”

She glanced at his arms.

“I’ll get out of your way. Come, Jimmy!”

She took him by the arm and went back to the hard chair, while Dion and Jenkins in the middle of the floor stood up opposite to one another.

“Have you got a watch, Master Jimmy?” said Jenkins, looking over his shoulder at his pupil.

“Rather!” piped Jimmy.

“Well, then, you’d better time us if you don’t referee us.”

Jimmy sprang away from his mother.

“Keep out of our road, or you may chance to get a kidney punch that’ll wind you. Better stand here. That’s it. Three-minute rounds. Keep your eye on the watch.”

“Am I to say ‘Go’?” almost whispered Jimmy, tense with a fearful importance such as Caesar and Napoleon never felt.

“Who else? You don’t expect us to order ourselves about, do you?”

After a pause Jimmy murmured, “No” in a low voice. So might a mortal whisper a reply when interrogated from Olympus as to his readiness to be starter at a combat of the immortal gods.

“Now, then, watch in hand and no favoritism!” bellowed Jenkins, whose sense of humor was as boisterous as his firmness was grim. “Are we ready?”

Dion and he shook hands formally and lifted their arms, gazing at each other warily. Mrs. Clarke leaned forward in the chair which stood among the dumb-bells. Jimmy perspired and his eyes became round. He had his silver watch tight in his right fist. Jenkins suddenly turned his head and stared with his shallow and steady blue eyes, looking down from Olympus upon the speck of a mortal far below.

“Go!” piped Jimmy, in the voice of an ardent, but awestruck mouse.

Homeric was that combat in the Harrow Road; to its starter and timekeeper a contest of giants, awful in force, in skill, in agility, in endurance. Dion boxed quite his best that day, helped by his gallery. He fought to win, but he didn’t win. Nobody won, for there was no knock-out blow given and taken, and, when appealed to for a decision on points, Jimmy, breathing stertorously from excitement, was quite unable to give the award. He could only stare at the two glorious heroes before him and drop the silver watch, glass downwards of course, on the floor, where its tinkle told of destruction. Later on, when he spoke, he was able to say:

“By Jove!” which he presently amplified into, “I say, mater, by Jove—eh, wasn’t it, though?”

“Not so bad, sir!” said Jenkins to Dion, after the latter had taken the shower bath. “You aren’t as stale as I expected to find you, not near as stale. But I hope you’ll keep it up now you’ve started with it again.”

And Dion promised he would, put his bicycle on the top of a fourwheeler, sent it off to Westminster, and walked as far as Claridge’s with Mrs. Clarke and Jimmy.

The boy made him feel tremendously intimate with Mrs. Clarke. The hero-worship he was receiving, the dancing of the blood through his veins, the glow of hard exercise, the verdict of Jenkins on his physical condition—all these things combined spurred him to a joyous exuberance in which body and mind seemed to run like a matched pair of horses in perfect accord. Although not at all a conceited man, the feeling that he was being admired, even reverenced, was delightful to him, and warmed his heart towards the jolly small boy who kept along by his side through the busy streets. He and Jimmy talked in a comradely spirit, while Mrs. Clarke seemed to listen like one who has things to learn. She was evidently a capital walker in spite of her delicate appearance. To-day Dion began to believe in her iron health, and, in his joy of the body, he liked to think of it. After all delicacy, even in a woman, was a fault—a fault of the body, a sort of fretful imperfection.

“Are you strong?” he said to her, when Jimmy’s voice ceased for a moment to demand from him information or to pour upon him direct statement.

“Oh yes. I’ve never been seriously ill in my life. Don’t I look strong?” she asked.

“I don’t think you do, but I feel as if you are.”

“It’s the wiry kind of strength, I suppose.”

“The mater’s a stayer,” quoth Jimmy, and forthwith took up the wondrous tale with his hero, who began to consult him seriously on the question of “points.”

“If you’d had to give a decision, Jimmy, which of us would have got it, Jenkins or I?”

Jimmy looked very grave and earnest.

“It’s jolly difficult to tell a thing like that, isn’t it?” he said, after a longish pause. “You see, you’re both so jolly strong, aren’t you?”

His dark eyes gazed at the bulk of Dion.

“Well, which is the quicker?” demanded Dion.

But Jimmy was not to be drawn.

“I think you’re both as quick as—as cats,” he returned diplomatically, seeking anxiously for the genuine sporting comparison that would be approved at the ring-side. “Don’t you, mater?”

Mrs. Clarke huskily agreed. They were now nearing Claridge’s, and Jimmy was insistent that Dion should come in and have a real jam tea with them.

“Do, Mr. Leith, if you have the time,” said Mrs. Clarke, but without any pressure.

“The strawberry they have is ripping, I can tell you!” cried Jimmy, with ardor.

But Dion refused. Till he was certain of Rosamund’s attitude he felt he simply couldn’t accept Mrs. Clarke’s hospitality. He was obliged to get home that day. Mrs. Clarke did not ask why, but Jimmy did, and had to be put off with an evasion, the usual mysterious “business,” which, of course, a small boy couldn’t dive into and explore.

Dion thought Mrs. Clarke was going to say good-by without any mention of Rosamund, but when they reached Claridge’s she said:

“Your wife and I didn’t decide on a day for the Turkish songs. You remember I mentioned them to you the other night? I can’t recollect whether she left it to me to fix a time, or whether I left it to her. Can you find out? Do tell her I was stupid and forgot. Will you?”

Dion said he would.

“I think they’ll interest her. Now, Jimmy!”

But Jimmy hung on his god.

“I say, you’ll come again now! You promise!”

What could Dion do?

“You put your honor into it?” pursued Jimmy, with desperate earnestness. “You swear?”

“If I swear in the open street the police will take me up,” said Dion jokingly.

“Not they! One from the shoulder from you and I bet they lose enough claret to fill a bucket. You’ve given your honor, hasn’t he, mater?”

“Of course we shall see him again,” said Mrs. Clarke, staring at Dion.

“What curious eyes she has!” Dion thought, as he walked homeward.

Did they ever entirely lose their under-look of distress?