On the following Sunday afternoon Dion was able to fulfil his promise to Daventry. Rosamund and the baby were “doing beautifully”; he was not needed at home, so he set out with Daventry, who came to fetch him, to visit Mrs. Willie Chetwinde in Lowndes Square.

When they reached the house Daventry said:

“Now for Mrs. Clarke. She’s really a wonderful woman, Dion, and she’s got a delicious profile.”

“Oh, it’s that—”

“No, it isn’t.”

He gently pushed Mrs. Chetwinde’s bell.

As they went upstairs they heard a soft hum of voices.

“Mrs. Clarke’s got heaps of people on her side,” whispered Daventry. “This is a sort of rallying ground for the defense.”

“Where’s her child? Here?”

“No, with some relations till the trial’s over.”

The butler opened the door, and immediately Dion’s eyes rested on Mrs. Clarke, who happened to be standing very near to it with Esme Darlington. Directly Dion saw her he knew at whom he was looking. Something—he could not have said what—told him.

By a tall pedestal of marble, on which was poised a marble statuette of Echo,—not that Echo who babbled to Hera, but she who, after her punishment, fell in love with Narcissus,—he saw a very thin, very pale, and strangely haggard-looking woman of perhaps thirty-two talking to Esme Darlington. At first sight she did not seem beautiful to Dion. He was accustomed to the radiant physical bloom of his Rosamund. This woman, with her tenuity, her pallor, her haunted cheeks and temples, her large, distressed and observant eyes—dark hazel in color under brown eyebrows drawn with a precise straightness till they neared the bridge of the nose and there turning abruptly downwards, her thin and almost white-lipped mouth, her cloudy brown hair which had no shine or sparkle, her rather narrow and pointed chin, suggested to him unhealthiness, a human being perhaps stricken by some obscure disease which had drained her body of all fresh color, and robbed it of flesh, had caused to come upon her something strange, not easily to be defined, which almost suggested the charnel-house.

As he was looking at her, Mrs. Clarke turned slightly and glanced up at the statue of Echo, and immediately Dion realized that she had beauty. The line of her profile was wonderfully delicate and refined, almost ethereal in its perfection; and the shape of her small head was exquisite. Her head, indeed, looked girlish. Afterwards he knew that she had enchanting hands—moving purities full of expressiveness—and slim little wrists. Her expression was serious, almost melancholy, and in her whole personality, shed through her, there was a penetrating refinement, a something delicate, wild and feverish. She looked very sensitive and at the same time perfectly self-possessed, as if, perhaps, she dreaded Fate but could never be afraid of a fellow-creature. He thought:

“She’s like Echo after her punishment.”

On his way to greet Mrs. Chetwinde, he passed by her; as he did so she looked at him, and he saw that she thoroughly considered him, with a grave swiftness which seemed to be an essential part of her personality. Then she spoke to Esme Darlington. Dion just caught the sound of her voice, veiled, husky, but very individual and very attractive—a voice that could never sing, but that could make of speech a music frail and evanescent as a nocturne of Debussy’s.

“Daventry’s right,” thought Dion. “That woman is surely innocent.”

Mrs. Chetwinde, who was as haphazard, as apparently absent-minded and as shrewd in her own house as in the houses of others, greeted Dion with a vague cordiality. Her husband, a robust and very definite giant, with a fan-shaped beard, welcomed him largely.

“Never appear at my wife’s afternoons, you know,” he observed, in a fat and genial voice. “But to-day’s exceptional. Always stick to an innocent woman in trouble.”

He lowered his voice in speaking the last sentence, and looked very human. And immediately Dion was aware of a special and peculiar atmosphere in Mrs. Chetwinde’s drawing-room on this Sunday afternoon, of something poignant almost, though lightly veiled with the sparkling gossamer which serves to conceal undue angularities, something which just hinted at tragedy confronted with courage, at the attempted stab and the raised shield of affection. Here Mrs. Clarke was in sanctuary. He glanced towards her again with a deepening interest.

“Canon Wilton’s coming in presently,” said Mrs. Chetwinde. “He’s preaching at St. Paul’s this afternoon, or perhaps it’s Westminster Abbey—something of that kind.”

“I’ve heard him two or three times,” answered Dion, who was on very good, though not on very intimate, terms with Canon Wilton. “I’d rather hear him than anybody.”

“In the pulpit—yes, I suppose so. I’m scarcely an amateur of sermons. He’s a volcano of sincerity, and never sends out ashes. It’s all red-hot lava. Have you met Cynthia Clarke?”

“No.”

“She’s over there, echoing my Echo. Would you like——?”

“Very much indeed.”

“Then I’ll—”

An extremely pale man, with long, alarmingly straight hair and wandering eyes almost the color of silver, said something to her.

“Watteau? Oh, no—he died in 1721, not in 1722,” she replied. “The only date I can never remember is William the Conqueror. But of course you couldn’t remember about Watteau. It’s distance makes memory. You’re too near.”

“That’s the fan painter, Murphy-Elphinston, Watteau’s reincarnation,” she added to Dion. “He’s always asking questions about himself. Cynthia—this is Mr. Dion Leith. He wishes——” She drifted away, not, however, without dexterously managing to convey Mr. Darlington with her.

Dion found himself looking into the large, distressed eyes of Mrs. Clarke. Daventry was standing close to her, but, with a glance at his friend, moved away.

“I should like to sit down,” said Mrs. Clarke.

“Here are two chairs——”

“No, I’d rather sit over there under the Della Robbia. I can see Echo from there.”

She walked very slowly and languidly, as if tired, to a large and low sofa covered with red, which was exactly opposite to the statuette. Dion followed her, thinking about her age. He supposed her to be about thirty-two or thirty-three, possibly a year or two more or less. She was very simply dressed in a gray silk gown with black and white lines in it. The tight sleeves of it were unusually long and ended in points. They were edged with some transparent white material which rested against her small hands.

She sat down and he sat down by her, and they began to talk. Unlike Mrs. Chetwinde, Mrs. Clarke showed that she was alertly attending to all that was said to her, and, when she spoke, she looked at the person to whom she was speaking, looked steadily and very unself-consciously. Dion mentioned that he had once been to Constantinople.

“Did you care about it?” said Mrs. Clarke, rather earnestly.

“I’m afraid I disliked it, although I found it, of course, tremendously interesting. In fact, I almost hated it.”

“That’s only because you stayed in Pera,” she answered, “and went about with a guide.”

“But how do you know?”—he was smiling.

“Well, of course you did.”

“Yes.”

“I could easily make you love it,” she continued, in an oddly impersonal way, speaking huskily.

Dion had never liked huskiness before, but he liked it now.

“You are fond of it, I believe?” he said.

His eyes met hers with a great deal of interest.

He considered her present situation an interesting one; there was drama in it; there was the prospect of a big fight, of great loss or great gain, destruction or vindication.

In her soul already the drama was being played. He imagined her soul in turmoil, peopled with a crowd of jostling desires and fears, and he was thinking a great many things about her, and connected with her, almost simultaneously—so rapidly a flood of thoughts seemed to go by in the mind—as he put his question.

“Yes, I am,” replied Mrs. Clarke. “Stamboul holds me very fast in its curiously inert grip. It’s a grip like this.”

She held out her small right hand, and he put his rather large and sinewy brown hand into it. The small hand folded itself upon his in a curious way—feeble and fierce at the same time, it seemed—and held him. The hand was warm, almost hot, and soft, and dry as a fire is dry—so dry that it hisses angrily if water is thrown on it.

“Now, you are trying to get away,” she said. “And of course you can, but——”

Dion made a movement as if to pull away his hand, but Mrs. Clarke retained it. How was that? He scarcely knew; in fact he did not know. She did not seem to be doing anything definite to keep him, did not squeeze or grip his hand, or cling to it; but his hand remained in hers nevertheless.

“There,” she said, letting his hand go. “That is how Stamboul holds. Do you understand?”

Mrs. Chetwinde’s vague eyes had been on them during this little episode. Dion had had time to see that, and to think, “Now, at such a time, no one but an absolutely innocent woman would do in public what Mrs. Clarke is doing to me.” Mrs. Chetwinde, he felt sure, full of all worldly knowledge, must be thinking the very same thing.

“Yes,” he said. “I think I do. But I wonder whether it could hold me like that.”

“I know it could.”

“May I ask how you know?”

“Why not? Simply by my observation of you.”

Dion remembered the swift grave look of consideration she had given to him as he came into the room. Something almost combative rose up in him, and he entered into an argument with her, in the course of which he was carried away into the revelation of his mental comparison between Constantinople and Greece, a comparison into which entered a moral significance. He even spoke of the Christian significance of the Hermes of Olympia. Mrs. Clarke listened to him with a very still, and apparently a very deep, attention.

“I’ve been to Greece,” she said simply, when he had finished.

“You didn’t feel at all as I did, as I do?”

“You may know Greece, but you don’t know Stamboul,” she said quietly.

“If you had shown it to me I might feel very differently,” Dion said, with a perhaps slightly banal politeness.

And yet he did not feel entirely banal as he said it.

“Come out again and I will show it to you,” she said.

She was almost staring at him, at his chest and shoulders, not at his face, but her eyes still kept their unself-conscious and almost oddly impersonal look.

“You are going back there?”

“Of course, when my case is over.”

Dion felt very much surprised. He knew that Mrs. Clarke’s husband was accredited to the British Embassy at Constantinople; that the scandal about her was connected with that city and with its neighborhood—Therapia, Prinkipo, and other near places, that both the co-respondents named in the suit lived there. Whichever way the case went, surely Constantinople must be very disagreeable to Mrs. Clarke from now onwards. And yet she was going back there, and apparently intended to take up her life there again. She evidently either saw or divined his surprise, for she added in the husky voice:

“Guilt may be governed by circumstances. I suppose it is full of alarms. But I think an innocent woman who allows herself to be driven out of a place she loves by a false accusation is merely a coward. But all this is very uninteresting to you. The point is, I shall soon be settled down again at Constantinople, and ready to make you see it as it really is, if you ever return there.”

She had spoken without hardness or any pugnacity; there was no defiance in her manner, which was perfectly simple and straightforward.

“Your moral comparison between Constantinople and Greece—it isn’t fair, by the way, to compare a city with a country—doesn’t interest me at all. People can be disgusting anywhere. Greece is no better than Turkey. It has a wonderfully delicate, pure atmosphere; but that doesn’t influence the morals of the population. Fine Greek art is the purest art in the world; but that doesn’t mean that the men who created it had only pure thoughts or lived only pure lives. I never read morals into art, although I’m English, and it’s the old hopeless English way to do that. The man who made Echo”—she turned her large eyes towards the statuette—“may have been an evil liver. In fact, I believe he was. But Echo is an exquisite pure bit of art.”

Dion thought of Rosamund’s words about Praxiteles as they sat before Hermes. His Rosamund and Mrs. Clarke were mentally at opposite poles; yet they were both good women.

“My friend Daventry would agree with you, I know,” he said.

“He’s a clever and a very dear little man. Who’s that coming in?”

Dion looked and saw Canon Wilton. He told Mrs. Clarke who it was.

“Enid told me he was coming. I should like to know him.”

“Shall I go and tell him so?”

“Presently. How’s your baby? I’m told you’ve got a baby.”

Dion actually blushed. Mrs. Clarke gazed at the blush, and no doubt thoroughly understood it, but she did not smile, or look arch, or full of feminine understanding.

“It’s very well, thank you. It’s just like other babies.”

“So was mine. Babies are always said to be wonderful, and never are. And we love ours chiefly because they aren’t. I hate things with wings growing out of their shoulders. My boy’s a very naughty boy.”

They talked about the baby, and then about Mrs. Clarke’s son of ten; and then Canon Wilton came up, shook hands warmly with Dion, and was introduced by Mrs. Chetwinde to Mrs. Clarke.

Presently, from the other side of the room where he was standing with Esme Darlington, Dion saw them in conversation; saw Mrs. Clarke’s eyes fixed on the Canon’s almost fiercely sincere face.

“It’s going to be an abominable case,” murmured Mr. Darlington in Dion’s ear. “We must all stand round her.”

“I can’t imagine how any one could think such a woman guilty,” said Dion.

“It has all come about through her unconventionality.” He pulled his beard and lifted his ragged eyebrows. “It really is much wiser for innocent people, such as Cynthia, to keep a tight hold on the conventions. They have their uses. They have their place in the scheme. But she never could see it, and look at the result.”

“But then don’t you think she’ll win?”

“No one can tell.”

“In any case, she tells me she’s going back to live at Constantinople.”

“Madness! Sheer madness!” said Mr. Darlington, almost piteously. “I shall beg her not to.”

Dion suppressed a smile. That day he had gained the impression that Mrs. Clarke had a will of iron.

When he went up to say good-by to her, Daventry had already gone; he said he had work to do on the case.

“May I wish you success?” Dion ventured to say, as he took her hand.

“Thank you,” she answered. “I think you must go in for athletic exercises, don’t you?”

Her eyes were fixed on the breadth of his chest, and then traveled to his strong, broad shoulders.

“Yes, I’m very keen on them.”

“I want my boy to go in for them. It’s so important to be healthy.”

“Rather!”

He felt the Stamboul touch in her soft, hot hand. As he let it go, he added:

“I can give you the address of a first-rate instructor if your boy ever wants to be physically trained. I go to him. His name’s Jenkins.”

“Thank you.”

She was still looking at his chest and shoulders. The expression of distress in her eyes seemed to be deepening. But a tall man, Sir John Killigrew, one of her adherents, spoke to her, and she turned to give him her complete attention.

“I’ll walk with you, if you’re going,” said Canon Wilton’s strong voice in Dion’s ear.

“That’s splendid. I’ll just say good-by to Mrs. Chetwinde.”

He found her by the tea-table with three or four men and two very smart women. As he came up one of the latter was saying:

“It’s all Lady Ermyntrude’s fault. She always hated Cynthia, and she has a heart of stone.”

The case again!

“Oh, are you going?” said Mrs. Chetwinde.

She got up and came away from the tea-table.

“D’you like Cynthia Clarke?” she asked.

“Yes, very much. She interests me.”

“Ah?”

She looked at him, and seemed about to say something, but did not speak.

“You saw her take my hand,” he said, moved by a sudden impulse.

“Did she?”

“We were talking about Stamboul. She did it to show me——” He broke off. “I saw you felt, as I did, that no one but a through and through innocent woman could have done it, just now—like that, I mean.”

“Of course Cynthia is innocent,” Mrs. Chetwinde said, rather coldly and very firmly. “There’s Canon Wilton waiting for you.”

She turned away, but did not go back to the tea-table; as Dion went out of the room he saw her sitting down on the red sofa by Mrs. Clarke.

Canon Wilton and he walked slowly away from the house. The Canon, who had some heart trouble of which he never spoke, was not allowed to walk fast; and to-day he was tired after his sermon at the Abbey. He inquired earnestly about Rosamund and the child, and seemed made happy by the good news Dion was able to give him.

“Has it made all life seem very different to you?” he asked.

Dion acknowledged that it had.

“I was half frightened at the thought of the change which was coming,” he said. “We were so very happy as we were, you see.”

The Canon’s intense gray eyes shot a glance at him, which he felt rather than saw, in the evening twilight.

“I hope you’ll be even happier now.”

“It will be a different sort of happiness now.”

“I think children bind people together more often than not. There are cases when it’s not so, but I don’t think yours is likely to be one of them.”

“Oh, no.”

“Is it a good-looking baby?”

“No, really it’s not. Even Rosamund thinks that. D’you know, so far she’s marvelously reasonable in her love.”

“That’s splendid,” said Canon Wilton, with a strong ring in his voice. “An unreasonable love is generally a love with something rotten at its roots.”

Dion stood still.

“Oh, is that true really?”

The Canon paused beside him. They were in Eaton Square, opposite to St. Peter’s.

“I think so. But I hate anything that approaches what I call mania. Religious mania, for instance, is abhorrent to me, and, I should think, displeasing to God. Any mania entering into a love clouds that purity which is the greatest beauty of love. Mania—it’s detestable!”

He spoke almost with a touch of heat, and put his hand on Dion’s shoulder.

“Beware of it, my boy.”

“Yes.”

They walked on, talking of other things. A few minutes before they parted they spoke of Mrs. Clarke.

“Did you know her before to-day?” asked the Canon.

“No. I’d never even seen her. How dreadful for her to have to face such a case.”

“Yes, indeed.”

“The fact that she’s innocent gives her a great pull, though. I realized what a pull when I was having a talk with her.”

“I don’t know much about the case,” was all that the Canon said. “I hope justice will be done in it when it comes on.”

Dion thought that there was something rather implacable in his voice.

“I don’t believe Mrs. Clarke doubts that.”

“Did she say so?” asked Canon Wilton.

“No. But I felt that she expected to win—almost knew she would win.”

“I see. She has confidence in the result.”

“She seems to have.”

“Women often have more confidence in difficult moments than we men. Well, here I must leave you.”

He held out his big, unwavering hand to Dion.

“Good-by. God bless you both, and the child, whether it’s plain or not. One good thing’s added to us when we start rather ill-favored; the chance of growing into something well-favored.”

He gripped Dion’s hand and walked slowly, but powerfully, away.