Amedeo Dorini, the hall porter of the Hotel Cavour in Milan, stood on the pavement before the hotel one autumn afternoon in the year 1894, waiting for the omnibus, which had gone to the station, and which was now due to return, bearing—Amedeo hoped—a load of generously inclined travelers. During the years of his not unpleasant servitude Amedeo had become a student of human nature. He had learnt to judge shrewdly and soundly, to sum up quickly, to deliver verdicts which were not unjust. And now, as he saw the omnibus, with its two fat brown horses, coming slowly along by the cab rank, and turning into the Piazza that is presided over by Cavour’s statue, he prepared almost mechanically to measure and weigh evidence, to criticize and come to a conclusion.

He glanced first at the roof of the omnibus to take stock of the luggage pile there. There was plenty of it, and a good deal of it was leather and reassuring. Amedeo had a horror of tin trunks—they usually gave such small tips. Having examined the luggage he sent a searching glance to two rows of heads which were visible inside the vehicle. The brawny porters hurried out, the luggage chute was placed in position, the omnibus door was opened, and the first traveler stepped forth.

A German of the most economical type, large, red and wary, with a mouth like a buttoned-up pocket, was followed by a broad-waisted wife, with dragged hair and a looped-up gown. Amedeo’s smile tightened. A Frenchman followed them, pale and elaborate, a “one-nighter,” as Amedeo instantly decided in his mind. Such Frenchmen are seldom extravagant in hotels. This gentleman would want a good room for a small price, would be extremely critical about the cooking, and have a wandering eye and a short memory for all servants in the morning.

An elderly Englishwoman was the fourth personage to appear. She was badly dressed in black, wore a tam-o’-shanter with a huge black-headed pin thrust through it, clung to a bag, smiled with amiable patronage as she emerged, and at once, without reason, began to address Amedeo and the porters in fluent, incorrect, and too carefully pronounced Italian. Amedeo knew her—the Tabby who haunts Swiss and Italian hotels, the eternal Tabby drastically complete.

A gay Italian is gaiety in flight, a human lark with a song. But a gloomy Italian is oppressive and almost terrible. Despite the training of years Amedeo’s smile flickered and died out. A ferocious expression surged up in his dark eyes as he turned rather bruskly to scrutinize without hope the few remaining clients. But suddenly his face cleared as he heard a buoyant voice say in English:

“I’ll get out first, Godfather, and give you a hand.”

On the last word, a tall and lithe figure stepped swiftly, and with a sort of athletic certainty, out of the omnibus, turned at once towards it, and, with a movement eloquent of affection and almost tender reverence, stretched forth an arm and open hand.

A spare man of middle height, elderly, with thick gray hair, and a clean-shaven, much-lined face, wearing a large loose overcoat and soft brown hat, took the hand as he emerged. He did not need it; Amedeo realized that, realized also that he was glad to take it, enjoyed receiving this kind and unnecessary help.

“And now for Beatrice!” he said.

And he gave in his turn a hand to the girl who followed him.

There were still two people in the omnibus, the elderly man’s Italian valet and an Englishman. As the latter got out, and stretched his limbs cramped with much sitting, he saw Amedeo, with genuine smiles, escorting the two girls and the elderly man towards the glass-roofed hall, on the left of which was the lift. The figure of the girl who had stepped out first was about to disappear. As the Englishman looked she vanished. But he had time to realize that a gait, the carriage of a head and its movement in turning, can produce on an observer a moral effect. A joyous sanity came to him from this unknown girl and made him feel joyously sane. It seemed to sweep over him, like a cool and fresh breeze of the sea falling through pine woods, to lift from him some of the dust of his journey. He resolved to give the remainder of the dust to the public garden, told his name, Dion Leith, to the manager, learnt that the room he had ordered was ready for him, had his luggage sent up to it, and then made his way to the trees on the far side of the broad road which skirts the hotel. When he was among them he took off his hat, kept it in his hand, and, so, strolled on down the almost deserted paths. As he walked he tasted the autumn, not with any sadness, but with an appreciation that was almost voluptuous. He was at a time of life and experience, when, if the body is healthy, the soul is untroubled by care, each season of the year holds its thrill for the strongly beating heart, its tonic gift for the mind. Falling leaves were handfuls of gold for this man. The faint chill in the air as evening drew on turned his thoughts to the brightness and warmth of English fires burning on the hearths of houses that sheltered dear and protected lives. The far-off voices of calling children, coming to him from hidden places among the trees, did not make him pensive because of their contrast with things that were dying. He hailed them as voices of the youth which lasts in the world, though the world may seem to be old to those who are old.

Dion Leith had a powerful grip on life and good things. He was young, just twenty-six, strong and healthy, though slim-built in body, alert and vigorous in mind, unperturbed in soul, buoyant and warmly imaginative. Just at that moment the joy of life was almost at full flood in him, for he had recently been reveling in a new and glorious experience, and now carried it with him, a precious memory.

He had been traveling, and his wanderings had given him glimpses of two worlds. In one of these worlds he had looked into the depths, had felt as if he realized fully for the first time the violence of the angry and ugly passions that deform life; in the other he had scaled the heights, had tasted the still purity, the freshness, the exquisite calm, which are also to be found in life.

He had visited Constantinople and had sailed from it to Greece. From Greece he had taken ship to Brindisi, and was now on his way home to England.

What he had thought at the time to be an ill chance had sent him on his way alone. Guy Daventry, his great friend, who was to go with him, had been seized by an illness. It was too late then to find another man free. So, reluctantly, and inclined to grumble a little at fate, Dion had set off in solitude.

He knew now that his solitude had given him keen sensations, which he could scarcely have felt with the best of friends. Never, in any company, had he been so repelled, enticed, disgusted, deeply enchanted, as on these lonely wanderings which were now a part of his life.

How he had hated Constantinople, and how he had loved Greece! His expectation had been betrayed by the event. He had not known himself when he left England, or the part of himself which he had known had been the lesser part, and he had taken it for the greater. For he had set out on his journey with his hopes mainly fixed on Constantinople. Its road of wildness and tumult, its barbaric glitter, its crude mixture of races, even its passions and crimes—a legend in history, a solid fact of to-day—had allured his mind. The art of Greece had beckoned to him; its ancient shrines had had their strong summons for his brain; but he had scarcely expected to love the country. He had imagined it as certainly beautiful but with an austere and desolate beauty that would be, perhaps, almost repellent to his nature. He had conceived of it as probably sad in its naked calm, a country weary with the weight of a glorious past.

But he had been deceived, and he was glad of that. Because he had been able to love Greece so much he felt a greater confidence in himself. Without any ugly pride he said to himself: “Perhaps my nature is a little bit better, a little bit purer than I had supposed.”

As the breeze in the public garden touched his bare head, slightly lifting his thick dark hair, he remembered the winds of Greece; he remembered his secret name for Greece, “the land of the early morning.” It was good to be able to delight in the early morning—pure, delicate, marvelously fresh.

He at down on a bench under a chestnut tree. The children’s voices had died away. Silence seemed to be drawing near to the garden. He saw a few moving figures in the shadows, but at a distance, fading towards the city.

The line of the figure, the poise of the head of that girl with whom he had driven from the station, came before Dion’s eyes.