THAT evening Alexander Hulings wondered what Gisela had told her father; he won-ered more vaguely what she had thought of him—what, if at all, she still thought. He had had a formal room illuminated for his cigar after dinner; and he sat, a small, precise figure, with dust-colored hair and a somber, intent countenance, clasping a heavy roll of expensive tobacco, in a crimson plush chair. The silence, the emptiness about him was filled with rich color, ponderous maroon draperies, marble slabs and fretted tulip-wood. It suddenly struck him that, by himself, he was slightly ridiculous in such opulence. His house needed a mistress, a creature of elegance to preside at his table, to exhibit in her silks and jewels another sign of his importance. Again, as if from the conservatory, he caught a faint poignant perfume. Gisela Wooddrop was a person of distinction, self-possessed and charming. There was a subtle flavor in thus considering her father's daughter—old Wooddrop's girl—and himself. He rose and walked to a mirror, critically surveying his countenance; yes, it was well marked by age, yet it was sharp in outline; his step was springy; he felt none of the lassitude of increasing years. He was in his prime. Many young women would prefer him, his house and name, to the windy pretensions of youthful scapegoats. A diamond necklace was a convincing form of courtship. There was no absolute plan in his thoughts that night; but, in the dry romantic absorption of the days that followed, a fantastic purpose formed and increased—he determined to marry Gisela Wood-drop. He had for this, he assured himself, some slight encouragement; it was patent that her father had entirely misread the girl's intent in suggesting an end to the hostilities which had made impossible any social intercourse. She was interested in him; the duel with Sinnox had captured her imagination. Women responded surprisingly to such things. Then she had held that it had been partly her fault! Now it seemed to him that he understood why he had built so elaborately since his return from the Mineral Springs; unconsciously—all the while—it had been for his wife, for Gisela. There were great practical difficulties in the realization of his desire, even in his opportunity to present his question; to see Gisela Wooddrop long enough and sufficiently privately to explain all he hoped. He was, too, far past the age of romantic assignations, episodes; he could no more decorate a moonlit scene beneath a window. Alexander must not count on adventitious assistance from emotional setting: his offer could carry only its grave material solidity. Often he laughed curtly at what momentarily seemed an absurd fantasy, a madness approaching senility; then his pride would flood back, reassert the strength of his determination, the desirability of Alexander Hulings.
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