CONTENTS

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CHAPTER PAGE
I. Velvet Souls 17
Containing a nervous cavalier with frightened eyes. Introducing a mysterious and puritanical satyr. And discussing the tired ghosts that haunted the heart of Julien De Medici.
II. The Veiled Aphrodite 30
In which a lady of barbaric eyes smiles, sighs, and weeps. In which Eros obliges with a saxophone solo. A morning of golden shadows and an off-stage pizzicato.
III. Murder 38
In which Julien De Medici collides with a tantalizing corpse. In which a dagger, a candlestick, a crucifix, and a false beard mumble incoherently.
IV. The Empty Web 51
In which a detective weaves a theory. In which Julien De Medici stares at a clew. In which Pandora raises a warning finger to her lips. A table set for two, an initialed purse, an ancient theater program—but the story waits.
V. Questions and Answers 72
In which the world wags its callous tongue. In which dÉnouements thumb their noses at each other. In which Julien De Medici succumbs to a delicious madness. A Jesuitical policeman and an ambitious coroner flirt coyly with an Enigma.
VI. Labyrinths of Blood 93
In which a detective attaches a pair of asses’ ears to his head. In which Julien De Medici removes for a moment a mask. In which a glimpse, incredible and disturbing, is caught of the soul of Florence Ballau. Who blew out the candle of the salamanders?
VII. The Haunted Room 110
In which an apoplectic scientist explodes. In which invisible footsteps sound in a dark corridor. In which Julien De Medici opens a letter. The woman of the hidden eyes. Floria, the lady of the dagger, appears. In which underworlds collide. The staircase to Hell and a strange passion. A voice that spoke over the telephone.
VIII. Denouement No. 1 132
In which Nemesis babbles cheerfully. In which the Dead Flower adopts new petals. Postmarks and time-tables and a false beard that sneers mischievously. Also a scrawl of vengeance, enigmatic ashes and a half signature.
IX. The Hidden Voice 151
In which a scientist half opens a reluctant door. The strange sleep of Florence Ballau. The broken murmur. “It was ... it was....” In which a detective scratches his ear and sighs. In which Julien De Medici puts on his armor.
X. The Dagger of Mist 161
In which a pathologist reasons himself into a railroad trip. Francesca of the spiral eyes. The ancient science of demonology. The visiting shadow. The dagger that glistened against the moon.
XI. Elusive Climaxes 173
In which Julien De Medici finds himself grewsomely decorated. In which he passes triumphantly on his own innocence. The exonerating wound. Candlestick and cross again and the laugh of a new Francesca. A new doubt. A telegram both absurd and bewildering. Cinematographic clews.
XII. The Woman with the Cackling Laugh 186
Treasures for sale. Bidders and buyers and candlesticks. In which an old woman makes an exciting purchase. In which Julien De Medici pursues an aged Alice in Wonderland. The beginning of a story.
XIII. The Two Florias 209
In which Julien De Medici meets a train and grapples with a skyrocket. The triumphant phantoms again. In which Dr. Lytton relates an incredible story concerning dawn in Rollo, Maine. “Come at once—she is dying.”
XIV. Act II 230
The burning-eyed visitor. An old favorite. Amateur theatricals. “Light the candles!” In which Julien De Medici reveals himself as an effective playwright.
XV. Hearts and Flowers 238
In which Florence takes up the drama. A taxicab, as in the beginning. In which what is left of the reader’s suspense and curiosity is carefully removed.

THE FLORENTINE DAGGER

                                                                                                                                                                                                                                                                                                           

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