  How Somebody was Lost in the Paradise. For an hour or two the plowing and singing went cheerily on; Bushie, the while, shifting his perch upon the fence to keep himself on a line with the furrow next to be run. When the plow was not in sight he amused himself by watching the squirrels at play, or the birds at nest-building, or the crows where they still kept their station on the blasted limb of the oak. By this time the assembly had grown more noisy and obstreperous than ever, till finally, all order and decorum lost, the big talk broke up in a big row, the radicals turning tails upon each other and flying away to the north and the south; the conservatives, understanding each other no better, flying away to the east and the west. Each time, as he neared the end of his furrow, Burl cutting short his singing the moment he spied his little master, would send forward at the top of his stentorian lungs his wonted greeting, "I yi, you dogs!" This was a favorite expression with him, and variously to be understood according to circumstances. Treading the peace-path barefooted and shirt-sleeved, he was wont to use it as a form of friendly greeting, in the sense of "hail fellow well met," or "Good-morning, my friend," or as a note of brotherly cheer, equivalent to "Hurrah, boys!" or "Bully for you!" But treading the war-path, moccasin-shod and double-shirted, with rifle on shoulder and hatchet in belt, he used the expression in an altogether different sense. Then it became his battle-cry, his note of defiance, his war-whoop, his trumpet-call to victory and scalps. Taken by the Indians, who never heard it but to their cost, it was understood as the English for "Die, die, red dogs!" While making his turns between rounds, Burl, glancing complacently up at his little master, would make some remark about the squirrels and the birds who seemed to be in a "monstrous" fine humor that morning, or about the crows who seemed to be in a "monstrous" bad humor: "De corn now gittin' too tall an' strong for 'em to pull up—de black rogues!" Once or twice it was a sympathetic inquiry about "our little legs," with a comment upon the efficacy of spit for drawing out "de smartin' an' stingin' of brier-scratches." Oftener, however, than any thing else, it was the assurance that by the time the plowing should reach a certain shell-bark hickory that stood near the middle of the field the dinner-horn would be blowing, when the little man should go home "a-ridin' ol' Cornwallis;" the little man always answering this with a grin of glad anticipation. The turn by this time fairly made, the plowing and singing would recommence: "Come, come! come, corn, come! On nearing his eighth or ninth round, Burl was on the point of shouting forward the accustomed greeting, when he saw that his little master had vanished from the fence. At this, however, he was not surprised, naturally supposing that the boy having grown weary with waiting so long, and lonesome, had returned to the fort. Now the fact was, Burl had gone to the field that morning before Captain Kenton had called at the station with the intelligence of having seen fresh Indian traces in the wood but a few miles from the place. This circumstance was therefore unknown to him, else had the faithful fellow never lost sight of his little master until he had seen him safe back home. So, without any suspicion of danger, he went on singing at his work as before: "Wher' now is our Hebrew childern? Thus questioning, answering, promising, the song, or perhaps hymn it might be called, went on through several stanzas, telling in dolorous cadences how our good "ol' Danel went up frum de den uf lions;" how "our good ol' 'Ligy went up on wheels uf fire;" how "our good ol' Samson went up wid de gates uf Gaza;" how "our good ol' Noah went up frum de mount uf Areat;" how "our good ol' Mary went up in robes uf whiteness," etc., all "safe to de promis' lan'," the comforting assurance over and over repeated that "by an' by we'll go an' see dem, safe in de promis' lan'." Long as it was, the song was much too short for Big Black Burl, as indeed was every song that he sung. But being a "dab" at improvising words, as well as music, he could easily spin out his melodies to any length he pleased. So, on getting to the end of his hymn, ignoring the fact, he went right on ad libitum until he had sent up, in some manner, scriptural or not, or from some locality, scriptural or not, every good old Hebrew he could think of, safe to the promised land, winding up thus with our good old Jonah: "Wher' now is our good ol' Jonah? Having got to the end of his Hebrew rope, the singer, pausing but long enough for a "Gee up, Corny," to his slow-paced plow-horse, passed recklessly from sacred to profane, and fell to roaring "Ol' Zip Coon," from which to pass in turn, by a cut as short, to "Hark! from the tombs a doleful sound." When the dinner-horn blew, he unhitched old Cornwallis from the plow and, mounting him, rode leisurely home. Having tied his horse to a long trough set on two wide red-oak stumps just outside the gate of the fort, and throwing in a dozen ears of corn, he went on into Miss Jemima's kitchen to get his own dinner. Drawing a puncheon-stool up to the puncheon-table, he sat down to his noonday meal with an appetite which had been sharp enough from his morning labors, but to which his singing had lent an edge keen as a tomahawk. He had cut him a long, thick slice of bacon and was in the act of conveying the first solid inch of the savory fat to his lips when the fork thus loaded was stayed midway between plate and open mouth by the voice of his mistress, who came to the kitchen-door to inquire if Bushie had not come in with him. Burl looked quickly round, saying with a tone of surprise: "Why, Miss Jemimy, hasn't Bushie come home?" "No; nor has he been seen in or about the fort for more than three hours," replied the mother. Bolting the solid inch of bacon which the while he had held poised on his fork, he rose quickly from the table and was hurrying out of the house when his mistress, with more alarm at heart than look or tone betrayed, inquired of him whither he was going. "Jus' back to de fiel' ag'in to git Bushie. Come out to de fiel' whar I was plowin', he did; staid a good smart bit, settin' on de fence, waitin' fur de dinner-horn to blow, when he was to ride ol' Corny home. He's shorely laid down on de grass in de fence-corner an' went to sleep. But I'll go an' bring him home right away." And with this explanation Burl was off to the field again, though with but the slightest hope of finding his little master out there asleep on the grass in the fence-corner, as he had suggested. On reaching the spot where he had last seen the boy he made a careful examination of the ground, and it was not long before his keen and practiced eye discovered in the crushed leaves and bruised weeds the traces of three Indians. The savages had evidently crept upon the child and made him their captive before he could cry for help, while he who would have rescued him or perished was blithely singing at his work on the other side of the field. For several moments Big Black Burl stood as if dumbfounded, gazing fixedly down at the hated foot-prints in the leaves. But when he raised his eyes and beheld the cabin where, deserted and lonely, it stood in the midst of the waving green, another look came into his face—one of vengeful and desperate determination right terrible to see. Speeding back to the fort, he found his mistress standing in her cabin door-way waiting and watching his return. No need to be told the afflicting tidings, she read them in his hurried gait and dismayed countenance. She uttered not a cry, shed not a tear, but, with lips and cheeks blanched as with the hue of death, she sunk down upon a wooden settee that stood close behind her. And there, at the door of her desolate house, the widowed mother sat—continued to sit through the long, sad, weary hours of absence and suspense, waiting and watching, her eyes turned ever toward the perilous north. Fortunately about a dozen of the hunters belonging to the station had just come in from the forest, who, upon learning what had happened, promptly volunteered to set out at once in pursuit of the savages and rescue, if possible, the unlucky Bushie, the boy being a great favorite with everybody at the fort. No more work in the field that day for Big Black Burl—he must now leave the peace-path to tread the war-path. But, before setting out, he must touch up his toilet a little, for, though careless enough of his personal appearance as a field-hand, our colored hero took a great pride in coming out on grand occasions like the present in a guise more beseeming his high reputation as an Indian-fighter. So, going at once to his own cabin, where he kept all his war and martial rigging perpetually ready for use in a minute's notice, he dashed through the process with a celerity quite astonishing in one who was usually so heavy and deliberate in his motions. First, he drew on his moccasins, each of which was roomy enough to hide a half-grown raccoon; then, over his buckskin breeches he tied a pair of bear-skin leggins, hairy and wide; then, he drew on over his buckskin under-shirt a bear-skin hunting-shirt ample enough for the shoulders of Hercules, securing it at the waist with a broad leathern belt, into which he stuck his sheathed hunting-knife and his tomahawk, or battle-ax it might be called, it was so ponderous. His ammunition-pouch and powder-horn—that on the left-hand side, this on the right—he then slung over his shoulders by two wide leathern straps, crossing each other on breast and back. Last, he doffed his coon-skin cap and donned another of bear-skin, more portentous still in its dimensions; and with Betsy Grumbo—his long, black rifle; the longest, so said, in the Paradise—gleaming aslant his shoulder, the Fighting Nigger sallied from his cabin, completely armed and rigged for war. Giving a loud, fife-like whistle, he was instantly joined by a huge brindled dog of grim and formidable aspect. As he passed by the door where his mistress sat, in her mute, tearless, motionless grief, he turned to her for a moment, cap in hand, and with terrible sublimity said: "Miss Jemimy, you see me come back wid Bushie, or you neber see yo' ol' nigger no mo'." He then joined the white hunters, who by this time were ready likewise, and led the way to the spot where he had last seen his unfortunate little master. |
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