John Cook, the author of this play, is totally unknown. No contemporary writer has taken the least notice of him, nor has any biographer since given the slightest account of his life. All that we are informed of is, that he wrote the following dramatic performance. Langbaine,[144] and the writers since, ascribe the first title of it to the excellent performance of Thomas Green in the part of Bubble, whose universal repartee to all compliments is Tu quoque. Green was both a writer and actor,[145] and with great probability[146] is supposed to have

been a relation of Shakespeare's, and the person by whom he was introduced to the theatre. He was born at Stratford-upon-Avon, which is ascertained by the following lines,[147] spoken by him in one of the old comedies, in the character of a clown:—

This passage is quoted by Chetwood from the "Two Maids of Moreclack," where it is not to be found, though it seems to be a genuine extract; and the writer, by whom it was produced, had perhaps forgotten whence he transcribed it. Heywood, who published this play, says in the preface to it:—"As for Master Greene, all that I will speak of him (and that without flattery) is this: there was not an actor of his nature in his time of better ability in performance of what he undertook, more applauded by the audience, of greater grace at the court, or of more general love in the city." From this preface it appears Green was dead when it was written, and Oldys[148] says there are three epitaphs upon him in Braithwaite's "Remains after Death," 1618, by which it seems that he died after being newly arrived from sea.[149] He was the author of "A Poets Vision and a Princes Glorie. Dedicated to the high and mightie Prince James, King of England, Scotland, France, and Ireland," 4°, 1603; and some verses prefixed to [the reprint in octavo of] Drayton's poem on the Barons' Wars. I have seen only two editions of this comedy, one without a date, and the other in 1614, which I apprehend was about the time it was originally published. Chetwood, upon whom no dependence is to be had with respect to dates, asserts it was printed in 1599.[150] As it is said to have been acted by the Queen's servants, it probably appeared on the stage in the reign of Queen Elizabeth. [There is an entry in the office-book of the Master of the Revels under date of Twelfth Night, 1624, showing that "the masque being put off,

and the Prince only there, "Tu Quoque," by the Queen of Bohemia's servants, "was acted in its stead."[151]] Langbaine says it was revived after the Restoration at the theatre in Little Lincoln's-Inn-Fields.

"Green's Tu Quoque" is mentioned in "The World's Folly," by I. H., 1615, which contains a general attack on the stage. It would also seem, from the subsequent passage, as if Green the actor had performed the part of a baboon:—

"'Vos quoque' *[or, 'Tu quoque,' opposite the asterisk in the margin] and you also who, with Scylla-barking, Stentor-throated bellowings, flash-choaking squibbles of absurd vanities into the nosthrils of your spectators; barbarously diverting nature and defacing Gods owne image by metamorphosing humane shape *[Greenes Baboon in the margin opposite the asterisk] into bestiall forme."