George Cochrane Hazelton

He took them from Castlemaine’s hand to throw to you.

The greenroom seemed like some old forest rent by a storm. Its furniture, which was none too regular at best, either in carving or arrangement, had the irregularity which comes only with a tempest, human or divine. The table, it is true, still stood on its four oaken legs; but even it was well awry. The chairs were scattered here and there, some resting upon their backs. To add to all this, oranges in confusion were strewn broadcast upon the floor.

A storm in fact had visited the greenroom. The storm was Nell.

In the midst of the confusion, a jolly old face peeped cautiously in at the door which led to the street. At the sound of Manager Hart’s thunderous tones coming from the stage, however, it as promptly disappeared, only to return when the apparent danger ceased. It was a rare old figure and a rare old dress and a rare old man. Yet, not an old man either. His face was red; for he was a tavern spirit, well known and well beloved,–a lover of good ale! Across his back hung a fiddle which too had the appearance of being the worse for wear, if fiddles can ever be said to be the worse for wear.

The intruder took off his dilapidated hat, hugged his fiddle closely under his arm and looked about the room, more cautiously than respectfully.

“Oons, here is a scattering of props; a warfare of the orange-wenches!” he exclaimed. “A wise head comes into battle after the last shot is fired.”

He proceeded forthwith to fill his pockets, of which there seemed to be an abundance of infinite depth, with oranges. This done, he calmly made a hole in the next orange which came to his hand and began to suck it loudly and persistently, boy-fashion, meanwhile smacking his lips. His face was one wreath of unctuous smiles. “There is but one way to eat an orange,” he chuckled; “that’s through a hole.”

At this moment, Hart’s voice was heard again upon the stage, and the new-comer to the greenroom liked to have dropped his orange. “Odsbud, that’s one of Master Hart’s love-tones,” he thought. “I must see Nell before he sees me, or it will be farewell Strings.” He hastened to Nell’s tiring-room and rapped lightly on the door. “Mistress Nell! Mistress Nell!” he called.

The door opened, but it was not Nell. Her maid pointed toward the stage. Strings–for Strings was his name, or at least none knew him by a better–accordingly hobbled across the room–for the wars too had left their mark on him–and peeped off in the direction indicated.

“Gad,” he exclaimed, gleefully clapping his hands, “there she goes on the stage as a Moorish princess.”

There was a storm of applause without.

“Bravo, Nelly, bravo!” he continued. “She’s caught the lads in the pit. They worship Nell out there.” The old fellow straightened up as if he felt a personal pride in the audience for evincing such good taste.

“Oons! Jack Hart struts about like a young game-cock at his first fight,” he observed. He broke into an infectious laugh, which would have been a fine basso for Nell’s laugh.

From the manager, his eye turned toward the place which he himself had once occupied among the musicians. He began to dance up and down with both feet, his knees well bent, boy-fashion, and to clap his hands wildly. “Look ye, little Tompkins got my old place with the fiddle. Whack, de-doodle-de-do! Whack, de-doodle, de-doodle-de-do!” he cried, giving grotesque imitations to his own great glee of his successor as leader of the orchestra.

Then, shaking his head, confident of his own superiority with the bow, he turned back into the greenroom and, with his mouth half full of orange, uttered the droll dictum: “It will take more than catgut and horse-hair to make you a fiddler, Tommy, my boy.”

Thus Strings stood blandly sucking his orange with personal satisfaction in the centre of the room, when Dick entered from the stage. The call-boy paused as if he could not believe his eyes. He looked and looked again.

“Heigh-ho!” he exclaimed at last, and then rushed across the room to greet the old fiddler. “Why, Strings, I thought we would never see you again; how fares it with you?”

Strings placed the orange which he had been eating and which he knew full well was none of his own well behind him; and, assuming an unconcerned and serious air, he replied: “Odd! A little the worse for wear, Dickey, me and the old fiddle, but still smiling with the world.” There was a bit of a twinkle in his eye as he spoke.

Dick, ever mindful of the welfare and appearance of the theatre, unhooked from the wall a huge shield, which mayhap had served some favourite knight of yore, and, using it as a tray, proceeded to gather the scattered fruit.

“Have an orange?” he inquired of Strings, who still stood in a reflective mood in the centre of the room, as he rested in his labours by him.

“How; do they belong to you?” demanded Strings.

“Oh, no,” admitted Dick, “but–”

The fiddler instantly assumed an air of injured innocence.

“How dare you,” he cried, “offer me what don’t belong to you?” He turned upon the boy almost ferociously at the bare thought. “Honesty is the best policy,” he continued, seriously. “I have tried both, lad”; and, in his eagerness to impress upon the boy the seriousness of taking that which does not belong to you, he gestured inadvertently with the hand which till now had held the stolen orange well behind him.

Dick’s eye fell upon it, and so did Strings’s. There was a moment’s awkwardness, and then both burst into a peal of joyous laughter.

“Oh, well, egad,–I will join you, Dick,” said Strings, with more patronage still than apology. He seated himself upon the table and began anew to suck his orange in philosophic fashion.

“But, mind you, lad; never again offer that which is not your own, for there you are twice cursed,” he discoursed pompously. “You make him who receives guilty of your larceny. Oons, my old wound.” He winced from pain. “He becomes an accomplice in your crime. So says the King’s law. Hush, lad, I am devouring the evidence of your guilt.”

The boy by this time had placed the shield of oranges in the corner of the room and had returned to listen to Strings’s discourse. “You speak with the learning of a solicitor,” he said, as he looked respectfully into the old fiddler’s face.

Strings met the glance with due dignity.

“Marry, I’ve often been in the presence of a judge,” he replied, with great solemnity. His face reflected the ups and downs in his career as he made the confession.

“Is that where you have been, Strings, all these long days?” asked Dick, innocently.

“Heaven forbid!” exclaimed Strings, with sadly retrospective countenance. “Travelling, lad–contemplating the world, from the King’s highways. Take note, my boy,–a prosperous man! I came into the world without a rag that I could call my own, and now I have an abundance. Saith the philosopher: Some men are born to rags, some achieve rags and some have rags thrust upon them.”

“I wish you were back with us, Strings,” said the boy, sympathetically, as he put a hand upon Strings’s broad shoulder and looked admiringly up into his face.

“I wish so myself,” replied the fiddler. “Thrice a day, I grow lonesome here.” A weather-beaten hand indicated the spot where good dinners should be.

“They haven’t all forgot you, Strings,” continued his companion, consolingly.“Right, lad!” said Strings, musingly, as he lifted the old viol close against his cheek and tenderly picked it. “The old fiddle is true to me yet, though there is but one string left to its dear old neck.” There was a sob in his voice as he spoke. “I tell you, a fiddle’s human, Dick! It laughs at my jokes alone now; it weeps at my sorrows.” He sighed deeply and the tears glistened in his eyes. “The fiddle is the only friend left me and the little ones at home now, my lad.”

“–And Dick!” the boy suggested, somewhat hurt. He too was weeping. “It’s a shame; that’s what it is!” he broke out, indignantly. “Tompkins can’t play the music like you used to, Strings.”

“Oons!” exclaimed the fiddler, the humour in his nature bubbling again to the surface. “It’s only now and then the Lord has time to make a fiddler, Dickey, my boy.”

As he spoke, the greenroom shook with the rounds of applause from the pit and galleries without.

“Hurrah!” he shouted, following Dick to the stage-door–his own sorrows melting before the sunshine of his joy at the success of his favourite. “Nell has caught them with the epilogue.” He danced gleefully about, entering heartily into the applause and totally forgetful of the fact that he was on dangerous ground.

Dick was more watchful. “Manager Hart’s coming!” he exclaimed in startled voice, fearful for the welfare of his friend.

Strings collapsed. “Oh, Lord, let me be gone,” he said, as he remembered the bitter quarrel he had had with the manager of the King’s House, which ended in the employment of Tompkins. He did not yearn for another interview; for Hart had forbidden him the theatre on pain of whipping.

“Where can you hide?” whispered Dick, woefully, as the manager’s voice indicated that he was approaching the greenroom, and that too in far from the best of humour.

“Behind Richard’s throne-chair! It has held sinners before now,” added the fiddler as he glided well out of sight.Dick was more cautious. In a twinkling, he was out of the door which led to the street.

The greenroom walls looked grim in the sputtering candle-light, but they had naught to say.

The door from the stage opened, and in came Nell. There was something sadly beautiful and pathetic in her face. She had enjoyed but now one of the grandest triumphs known to the theatre, and yet she seemed oblivious to the applause and bravas, to the lights and to the royalty.

A large bouquet of flowers was in her arms–a bouquet of red roses. Her lips touched them reverently. Her eyes, however, were far away in a dream of the past.

“From the hand of the King of England!” she mused softly to herself. “The King? How like his face to the youthful cavalier, who weary and worn reined in his steed a summer’s day, now long ago, and took a gourd of water from my hand. Could he have been the King? Pooh, pooh! I dream again.”She turned away, as from herself, with a heart-heavy laugh. The manager entered from the stage.

“See, Jack, my flowers,” she said, again in an ecstasy of happiness. “Are they not exquisite?”

“He took them from Castlemaine’s hand to throw to you,” snarled Hart, jealously.

“The sweeter, then!” and Nell broke into a tantalizing laugh. “Mayhap he was teaching the player-king to do likewise, Jack,” she added, roguishly, as she arranged the flowers in a vase.

“I am in no mood for wit-thrusts,” replied Hart as he fretfully paced the room. “You played that scene like an icicle.”

“In sooth, your acting froze me,” slyly retorted Nell, kindly but pointedly. She took the sweetest roses from the bunch, kissed them and arranged them in her bosom.

This did not improve Hart’s temper.

Strings seized the opportunity to escape from his hiding-place to the stage.“I say, you completely ruined my work,” said Hart. “The audience were rightly displeased.”

“With you, perhaps,” suggested Nell. “I did not observe the feeling.”

Hart could no longer control himself. “You vilely read those glorious lines:

“And how should I read them, dear master?” she asked demurely of her vainglorious preceptor.

“Like I read them, in sooth,” replied he, well convinced that his reading could not be bettered.

“Like you read them, in sooth,” replied Nell, meekly. She took the floor and repeated the lines with the precise action and trick of voice which Hart had used. Every “r” was well trilled; “gaping” was pronounced with an anaconda-look, as though she were about to swallow the theatre, audience and all; and, as she spoke the line, “When, over fighting Fields they beat their wings,” she raised her arms and shoulders in imitation of some barn-yard fowl vainly essaying flight and swept across the room, the picture of grace in ungracefulness.

“’Tis monstrous!” exclaimed Hart, bitterly, as he realized the travesty. “You cannot act and never could. I was a fool to engage you.”

Nell was back by the vase, toying with the flowers. “London applauds my acting,” she suggested, indifferently.

“London applauds the face and figure; not the art,” replied Hart.

“London is wise; for the art is in the face and figure, Master Jack. You told me so yourself,” she added, sharply, pointing her finger at her adversary in quick condemnation. She turned away triumphant.

“I was a fool like the rest,” replied Hart, visibly irritated that he could not get the better of the argument.“Come, don’t be angry,” said Nell. Her manner had changed; for her heart had made her fearful lest her tongue had been unkind. “Mayhap Almahyde is the last part Nell will ever play.” She looked thoughtfully into the bunch of roses. Did she see a prophecy there?

He approached the table where she stood. “Your head is turned by the flowers,” he said, bitterly. “An honest motive, no doubt, prompted the royal gift.”

Nell turned sharply upon him. Her lips trembled, but one word only came to them–“Jack!”

Hart’s eyes fell under the rebuke; for he knew that only anger prompted what he had said. He would have struck another for the same words.

“Pardon, Nell,” he said, softly. “My heart rebukes my tongue. I love you!”

Nell stepped back to the mirror, contemplating herself, bedecked as she was with the flowers. In an instant she forgot all, and replied playfully to Hart’s confession of love: “Of course, you do. How could you help it? So do others.”“I love you better than the rest,” he added, vehemently, “better than my life.” He tried to put his arms about her.

Nell, however, was by him like a flash.

“Not so fast, dear sir,” she said, coyly; and she tiptoed across the room and ensconced herself high in the throne-chair.

Hart followed and knelt below her, adoring.

“Admit that I can act–a little–just a little–dear Hart, or tell me no more of love.” She spoke with the half-amused, half-indifferent air of a beautiful princess to some servant-suitor; and she was, indeed, most lovable as she leaned back in the great throne-chair. She seemed a queen and the theatre her realm. Her beautiful arms shone white in the flickering candle-light. Her sceptre was a rose which the King of England had given her.

Hart stepped back and looked upon the picture. “By heaven, Nell,” he cried, “I spoke in anger. You are the most marvellous actress in the world. Nature, art and genius crown your work.”

Nell smiled at his vehemence. “I begin to think that you have taste most excellent,” she said.

Hart sprang to her side, filled with hope. As the stage-lover he ne’er spoke in tenderer tones. “Sweet Nell, when I found you in the pit, a ragged orange-girl, I saw the sparkle in your eye, the bright intelligence, the magic genius, which artists love. I claimed you for my art, which is the art of arts–for it embraces all. I had the theatre. I gave it you. You captured the Lane–then London. You captured my soul as well, and held it slave.”

“Did I do all that, dear Jack?” she asked, wistfully.

“And more,” said Hart, rapturously. “You captured my years to come, my hope, ambition, love–all. All centred in your heart and eyes, sweet Nell, from the hour I first beheld you.”

Nell’s look was far away. “Is love so beautiful?” she murmured softly. Her eye fell upon her sceptre-rose. “Yea, I begin to think it is.” She mused a moment, until the silence seemed to awaken her. She looked into Hart’s eyes again, sadly but firmly, then spoke as with an effort: “You paint the picture well, dear Jack. Paint on.” Her hand waved commandingly.

“I could not paint ill with such a model,” said he, his voice full of adoration.

“Well said,” she replied; “and by my troth, I have relented like you, dear Jack. I admit you too can act–and marvellously well.” She took his trembling hand and descended from the throne. He tried once again to embrace her, but she avoided him as before.

“Is’t true?” he asked, eagerly, without observing the hidden meaning in her voice.

“’Tis true, indeed–with proper emphasis and proper art and proper intonation.” She crossed the room, Hart following her.

“I scarce can live for joy,” he breathed.

Nell leaned back upon the table and looked knowingly and deeply into Hart’s eyes. Her voice grew very low, but clear and full of meaning.

“In faith,” she said, “I trow and sadly speak but true; for I am sad at times–yea–very sad–when I observe, with all my woman’s wiles and arts, I cannot act the hypocrite like men.”

“What mean you, darling cynic?” asked he, jocosely.

“Darling!” she cried, repeating the word, with a peculiar look. “To tell two girls within the hour you love each to the death would be in me hypocrisy, I admit, beyond my art; but you men can do such things with conscience clear.”

Hart turned away his face. “She’s found me out,” he thought.

“Nell, I never loved the Spanish dancing-girl. You know I love but you.”

“Oh, ho!” laughed Nell. “Then why did you tell her so?–to break her heart or mine?”

The manager stood confused. He scarce knew what to say.

“You are cruel, Nell,” he pleaded, fretfully. “You never loved me, never.”

“Did I ever say I did?”

Hart shook his head sadly.

“Come, don’t pout, Jack. An armistice in this, my friend, for you were my friend in the old days when I needed one, and I love you for that.” She placed her hands kindly on the manager’s shoulders, then turned and began to arrange anew the gift-flowers in the vase.

“I’ll win your life’s love, Nell, in spite of you,” he said, determinedly.

She turned her honest eyes upon him. “Nay, do not try; believe me, do not try,” she said softly.

“Nell, you do not mean–?” His voice faltered.

“You must not love me,” she said, firmly; “believe me, you must not.”

“I must not love you!” His voice scarcely breathed the words.

“There, there; we are growing sentimental, Jack,–and at our age,” she replied. She laughed gaily and started for her tiring-room.

He followed her.

“Sup with me, Nell,” he pleaded. “No word of this, I promise you.”

“Heyday, I’ll see how good you are, Jack,” she answered, cordially.“My second bid to sup to-night,” she thought. “Who sets the better feast?”

The tiring-room door was open; and the little candles danced gleefully about the make-up mirror, for even candles seemed happy when Nell came near. The maid stood ready to assist her to a gown and wrap, that she might leave the theatre.

Nell turned. Hart still stood waiting. The spirit of kindness o’er-mastered her.

“Your hand, friend, your hand,” she said, taking the manager’s hand. “When next you try to win a woman’s love, don’t throw away her confidence; for you will never get it back again entire.”

Hart bowed his head under the rebuke; and she entered her room.