Many readers have importuned me to write a companion volume to my Chats on Old Silver, to complete the chain of evolution of the metal-smith's art in regard to silver plate and silver plated ware. Accordingly this volume appears as a complementary and companion volume to that on "Old Silver," and although the former describes the history and character of the silversmiths' work from Elizabeth to Victoria, the present volume covers a much shorter period, approximately a hundred years, when the plater's skill, in what is now generally known as old Sheffield Plate, of superimposing a thin sheet of silver on a copper base, won a triumph in the great art of simulation until it was superseded by the modern electro-plating process.

The invention was discovered and first practised at Sheffield, but it soon covered a wider area, and plated ware by fusion and rolled was made at Birmingham, London, Nottingham and elsewhere. But it still retains the name of Sheffield Plate, and nothing can remove this title from the public mind, although it is a misnomer. "Sheffield Plate" is Sheffield solid silver duly assayed at the Sheffield Assay Office, which has existed since 1773, and bears the crown as the town mark together with the maker's initials and the date letter, the same as sterling silver plate assayed at London, Birmingham, Chester, Edinburgh, Dublin, or any other of the assay offices. Sheffield Plated Ware is a copy or simulation of real plate. It was, as this volume shows, possessed of considerable artistic qualities, it was fashioned by craftsmen who were masters of a clever technique, and it is, if not a lost art, certainly an art not practised in the old methods nor with the same exactitude nowadays, and as such it is worthy of the serious attention of the collector.

As to its artistry purists may cavil at its imitativeness. Although "imitation is the sincerest form of flattery" the contemporary silversmiths of London and elsewhere were far from flattered. They began to be alarmed at the growth of the manufacture, and protective Acts of Parliament were passed to safeguard the interests of silversmiths against competition by silver platers.

In regard to technique I have given sufficient details to enable collectors to identify their possessions and to take a further interest in details of craftsmanship.

By permission of the Board of Education I am reproducing several designs from the copper-plate illustrations of the old Catalogues and Pattern Books issued to buyers of their wares on the Continent of Europe by the leading firms of Sheffield in the eighteenth century.

In regard to information concerning the manufacture of plate by fusion at Dublin I am under an obligation to Dudley Westropp, Esq., of the National Museum, Dublin, for notes embodied herein relating to the importation of Sheffield plated ware into Ireland and its attempted manufacture there.

I have also to acknowledge the kindness of G. Harry Wallis, Esq., F.S.A., of the Nottingham Museum and Art Gallery, for the inclusion of illustrations of several examples.

The Corporation of Sheffield have allowed me to have special photographs taken of examples exhibited in the Public Museum, Sheffield, and I am indebted to the Curator, E. Howarth, Esq., for his courtesy in enabling this to be carried out successfully.

I have had access by the kindness of collectors to several representative collections. I am especially indebted to B. B. Harrison, Esq., for enabling me to illustrate herein many fine examples from his choice collection.

To Walter H. Willson, Esq., I have to express acknowledgment for allowing me to reproduce illustrations of specimens of old Sheffield plated ware that have passed through his hands for many years, and for much information afforded me in connection with the old technique.