INDEX

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  • Abbotsford, Scott's introduction of gas at, 116
  • Adam design, example of hot water jug, 228
  • Adam style of design, the, 85
  • Addison omits Shakespeare from list of great poets, 51
  • Advertisement of Pinchbeck (1732), 54
  • Allan David, copyist of old masters, 21
  • Anonymity of Sheffield plated ware, 289
  • Arrows, the crossed, as a mark, various types of, 286
  • Artistic value of old Sheffield plate, 60, 61
  • Assay offices, examples of marks used at, 274-282
  • "Below the salt," its meaning, 136
  • Birmingham Assay Office, institution of, 41
  • Birmingham—
    hall marks on silver plate, 281
    its silver plated marks registered at Sheffield, 68
    silver platers, rise of, 68
  • Boulsover, Thomas (1704-1788), inventor of Sheffield silver plating, 46
    obituary notice of, 47
  • Boulton, Matthew, Birmingham (Boulton and Fothergill), (M. Boulton and Co.), 68
  • Buckle makers, the, 262
  • Buttons made by Thomas Boulsover, 47, 53
  • Button makers in Dublin (1792), 73
  • Cabinet makers, French, stamped marks of, 237
  • Caddies, tea, and their makers, 196
  • Cadman, Robert, and Co., (Sheffield), 89
  • Cake baskets, Sheffield plated, 165
  • Candelabra—
    and candlesticks, 79-131
    old silver, London makers of, 274
  • Candelabrum, the—
    its varieties, 90
    the tri-form, 115
  • Candlestick—
    the chamber, 119
    the table, 120
  • Candlesticks—
    early types, 81
    from eighteenth century Pattern Books, 74, 86, 89
    old silver, London makers of, 274
    Sheffield plated, their price, 269
  • Carteret's "Drunken Administration," 48
  • Centrepiece, the, 245
  • Centrepieces, old silver, London makers of, 274
  • Chair-backs, a test to apply to their beauty, 109
  • Chester hall marks on silver plate, 277
  • Chester—Liverpool, and Birmingham silversmiths' work assayed at, 278
  • China factories, Derby and Worcester, origin of, 49
  • Chippendale chair-backs, the test of their beauty, 109
  • Christie's, price of Sheffield plated candlesticks sold at, 269
  • Close plating, 261
  • Coasters (decanter stands), 166
  • Coffee pots, 206
  • Coffee pots, old silver, London makers of, 274
  • Contemporary silver designs in Sheffield plated period, 274, 278 ternal">281
  • Seams a test of genuineness in Sheffield plate, 293
  • SevrÈs porcelain makers' marks, 232
  • Shakespeare neglected by Addison and Steele, 51
    revival of study of, 50
  • Sheffield—
    Assay Office, institution of, 40, 41
    hall marks on silver plate, 277
    origin of silver plating at, 39
  • Sheffield plate—
    old, destruction of, 253
    wonderful technique of, 161
  • Sheffield platers—
    as to their originality, 143
    deterred from placing any marks, 64, 67
  • Sheffield silver plate, makers of, eighteenth century, 278
  • Sheffield, silver plating process described, 58
  • Silver—
    duties in eighteenth and nineteenth centuries, 48
    price of, in eighteenth century, 47
    lustre ware imitates silver plate, 35
    marks, simulation of, by marks on Sheffield plate, 62, 63
    plate designs copied by platers, 143
    plate made at Sheffield assayed in London, 63
    plate, value of hall marks on, 274
    plating at Sheffield, origin of, 39
    plating by fusion, its invention, 45
    plating, early, 35
    plating, the great period, 73
  • Silversmiths—
    copy of potters' designs by, 28, 31
    list of late eighteenth century, 77
    (London) who influenced Sheffield platers, 274
  • Simulation in art, 25, 28
  • Smith, J. R., engraving of Serena after Romney, 119
  • Spiral forms in candelabra, 100
  • Spectator, advertisement in (1712), 140
  • Spurious candelabra and their errors, 95
  • Steele, Richard, omits Shakespeare from list of great poets, 51
  • Steel toys, the, of Sheffield, 140
  • Sugar basin, the, 210
    basins, old silver, London makers of, 274
  • Supper table, the, 238

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