PROVINCIAL CLOCKS Their character—Names of clockmakers found on clocks in the provinces—The North of England: Newcastle-upon- Tyne—Yorkshire clockmakers: Halifax and the district—Liverpool and the district—The Midlands—The Home Counties—The West Country—Miscellaneous makers. A great deal of attention has been paid by collectors to clocks by well-known London makers and too little examination has been given to fine examples by those of the provinces. In the present chapter an attempt is made to fill a hiatus in this respect, and by the kindness of those interested in the various localities certain data are presented which may stimulate the student to continue his researches on the lines here indicated. The metropolis attracted noteworthy makers, but they had their origin and often their early training in the provinces. The following are among the great London clockmakers, but they were not Londoners. They come from all parts of the country. Joseph Knibb (about The list is by no means complete. There was John Ellicott, who was born at Bodmin, and another Cornishman from the same town is John Arnold, who was apprenticed to his father, a watchmaker there. Arnold continued what Harrison had begun in the chronometer. We must not exclude the great Dr. Hooke, who was born at Freshwater, Isle of Names of Clockmakers found on Clocks in the Provinces.—It has been suggested that in some cases the name of a local maker does not necessarily determine, when found on the dial or elsewhere, that such clock has been made by the person whose name it bears. It has also been advanced that the name of the owner was sometimes put on the dial. This last theory can be dismissed as being of so infrequent use as to be practically negligible in recording lists of makers. The other conjecture may possibly have sufficient truth in it to disconcert collectors of examples of local crafts. Of course, it is a statement that cannot be proved, nor can it be disproved. Presumably a clockmaker in the eighteenth and early nineteenth centuries, when clockmaking was something more than selling or mending clocks that other people made, did not deliberately set up business and, in a small town where secrecy was impossible, make a practice of putting his name on work he did not execute. That he did not make all the parts himself is admitted. Had he done so, he would have had to be a chain-maker or a catgut-maker, a pulley-maker, a chaser of metal for his dials, a cabinet-maker for his cases, and so on down to his most minute screws. One might as well take similar objection to Sir Joshua Reynolds or Gainsborough that they did not extract their pigments from the natural vegetables or minerals, that they neglected It did happen that an old clock by one maker was sent to another for repair, and he made such extensive repairs to the movement that he felt himself justified in putting his own name to the clock in its new state. The owner would have had something to say to this interchange of names had there not been some justification for it. This practice, however, is not confined to the provinces, and we cannot charge the provincial maker with being wholly unscrupulous. Some purists in collecting have objected to the presence of a country maker's name stencilled on the dial, as being evidence it was not his handiwork. But this is not in itself a crime. It is far more likely that such a clock is of local make, and that being in a remote part it was not easy to get anyone to paint his name on the dial or engrave it. Had he had it made to order in a town surely his name would have been painted for him. In a measure, crudities of this nature and peculiarities not found in clocks from the great centres are hallmarks of genuineness. At the time of the passing of the Act in 1797 relating to the taxation of clocks and watches, the following places sent representatives to London to protest against this tax:— Newcastle-upon-Tyne, Liverpool, Leicester, Derby, Bristol, Prescot, Coventry, and Edinburgh. Of The North of England: Newcastle-upon-Tyne.—In regard to provincial makers, one wonders what 'prentice hands have gone to the making of the long cases. Did Thomas Chippendale, when he was working at his father's bench at Worcester, execute any of his early joinery and carving to embellish now forgotten clocks? Who can say? At Newcastle-upon-Tyne we are on surer foundation, for it is on record that Thomas Bewick, the wood-engraver, was apprenticed to Ralph Beilby, an engraver at Newcastle, on 1st October 1767 for seven years. His master's business lay in engraving crests and initials on watch seals, teaspoons, sugar-tongs, and other pieces of plate, and the numerals and ornaments on clock dials, together with the maker's name. Here, then, was young Bewick's 'prentice work—the master of white line on the wood block. Later, Bewick confessed to a friend that when engraving these clock dials his hands grew as hard as a blacksmith's, and almost disgusted him with engraving. At any rate, there is the strong probability that such Newcastle dials engraved by Thomas Bewick are on clocks of the date from 1763 to 1774. The following list of names of Newcastle and other clockmakers in the North of England is produced by the kindness of C. Leo Reid, Esq., of The makers are of Newcastle, unless otherwise stated. The list is arranged alphabetically.
In regard to the remarks about Thomas Bewick and clock dials, there is every likelihood that his Yorkshire Clockmakers: Halifax and the District.—We have already seen that John Harrison, the great self-taught genius, born in 1683, was a Yorkshireman. Of early makers there is a record of John Ogden, of Bowrigg, of the late seventeenth century, and Samuel Ogden, born at Sowerby in 1669. The name of Ogden is found on many Yorkshire clocks. Thomas Ogden came to Halifax; although the Ogdens seem to have been a Quaker family, one of his clocks is in the Unitarian Chapel vestry. The Ogden type of dial with the phases of the moon, although not original, being adapted from Dutch models, became noteworthy in the North of England, and such styles were termed "Halifax" clocks. Samuel Ogden, a descendant, migrated to Newcastle-upon-Tyne (see list, p. 216), perpetuating the name a hundred years after. In Halifax parish churchyard is a tombstone to the memory of R. Duckworth, clockmaker, 1677. John Mason was a maker about 1760, and his father, Timothy Mason, was a clockmaker before him. At Rotherham some years ago there were some Mason clocks on exhibition, and there were eight generations of Masons as clockmakers, the Emanuel Hopperton, of Leeds, made clocks with marquetry cases. One bore the proud motto, Non mihi sed mundo. Henry Brownhill, of Briggate, Leeds, watchmaker and clockmaker, was sufficiently prosperous to issue several tons of halfpenny copper tokens in 1793. By the courtesy of S. H. Hamer, Esq., of Halifax, an illustration of one of these tokens is given. This was the year when the Reign of Terror began and when Marie Antoinette was executed. In England great commercial distress was felt. Banks issued notes in excess of their capital. Gold was scarce, and the Bank of England restricted its issues. A panic ensued and several banks failed. Pitt issued Exchequer Bills to the extent of five millions. Other local clockmakers are Thomas Liston, of Luddenden, 1718-79, and his son Thomas, of Halifax, 1745-1815. It is reported that this latter Thomas Lister travelled by coach from Halifax to William Lister is another member of the same family who made long-case clocks. In his dials a noticeable feature is the absence of the hour circle as being separate from the rest of the plate. The dial was made in one piece and attached to a back-plate of brass. Pattison, another Yorkshire maker, made long-case clocks similar to those of William Lister. John Hartley, of Halifax, about 1770, was the maker of a thirty-hour grandfather clock in oak case with brass square dial and moon and date lunettes. Titus Bancroft, of Sowerby Bridge, 1822, a church-clock maker, also made grandfather clocks. John Hallifax, of Barnsley, who died in 1750, made a fine long-case clock now at Wentworth House. Gilbert Chippindale, of Halifax, 1781, is another maker of fine clocks. A fine example of his work is illustrated (p. 219). R. Henderson, of Scarborough, early eighteenth century, is another Yorkshire maker. Richard Midgley, 1720-40, of Halifax, made a number of clocks still treasured locally. Samuel Pearson is known about 1790, and John Stancliffe, of Bark-island, is another local maker. Collectors have too frequently associated Yorkshire clocks with the later periods, with ponderous cases of gigantic size, but, as is shown, the Yorkshire makers are worthy of considerable attention by connoisseurs as having a lineage extending back into the Liverpool and the District.—In regard to Liverpool and the vicinity, at the Tercentenary Historical Exhibition at the Walker Art Gallery in 1907 a collection of clocks and watches was made to illustrate the art of the clockmaker in that part of the country. By the kindness of George H. Hewitt, Esq., J.P., who arranged these exhibits, we are enabled to supply the names of many of the Liverpool clockmakers. Peter Litherland patented the rack lever escapement in 1793-4 which Robert Roskell, the Liverpool maker, introduced into his watches. At the above Exhibition was shown a pendulum watch by George Taylor, about 1700, and one by William Tarleton, 1797, with the Government stamp indicating that the tax of a guinea had been paid. This was in 1797, the first and only year when a tax on watches and clocks was levied. One remembers the fine portrait of Colonel Tarleton in uniform, with one foot on a cannon, after the portrait by Sir Joshua Reynolds, signed I. Johnson, on a Liverpool mug. He was the Member of Parliament for Liverpool from 1790 to 1812. This family gave the name to Tarleton Street, Liverpool. That Liverpool and the district was renowned for its watches is shown by a silver watch made by Thomas Worsley, Liverpool, inscribed, "Presented to Robert Burns by his brother ploughmen of Air It is possible that some of these makers also made long-case and other clocks; we find the name of Roskell on a long-case clock and R. Roskell on another. Presumably this was the Robert Roskell who used the Litherland rack-lever watch escapement. Joseph Finney also made long-case clocks. Other makers' names found on Liverpool clocks are Burges, Aspinall (with the motto, "Time is valuable"), Jno. Weatherilt. This clock is illustrated (p. 221). It indicates by the character of its marquetry in the panel of the door and in the base that it belongs to the second period of marquetry contemporary with the influence of Sheraton. In the lunette the phases of the moon are shown. The date of this is about 1780 to 1785. Another clock, illustrated on p. 225, is by Thurston Lassell, Toxteth Park, Liverpool. This in date is about 1745. The phases of the moon are shown in the lunette. The case is of more slender proportions than its fellow. The hood exhibits a reticence which was lost in later examples, especially in provincial work made in Yorkshire, where the case became of unwieldy size and somewhat ungainly shape. Other names of Liverpool makers found on long-case clocks are William Sutton, Harrison & Son, Among other Lancashire makers the following are noteworthy: T. Lees (Bury), 1795-1800; Archibald Coats (Wigan), 1780; Barr (Bolton), 1790; James Barlow (Oldham), 1775; Benjamin Barlow (Ashton-under-Lyne), 1780; and Nathaniel Brown (Manchester), 1780-1785. In Westmorland and Cumberland the names Burton, of Kendal, and Russell, of Carlisle, are often found on grandfather clocks of local manufacture of the late eighteenth century. In regard to a particular style of case associated with Lancashire and with Cheshire, having the door decorated with panel in Gothic style, two examples are illustrated (p. 227), one by Henry Higginbotham (Macclesfield), and the other by Heywood, Northwich, 1790 (p. 231). Clockmakers of the Midlands.—As typical of the fine work produced, the bracket clock by Sam Watson, of Coventry, 1687, illustrated (p. 181), shows that the provincial maker was at that date in no way on a lower plane than his contemporary in London. Other makers are Wilson (Warwick), 1709; John Of Nottingham makers, the following names of early craftsmen are found on watches: Isaac Alexander, about 1760 (a watch, gold inner case, white dial; outer case of shagreen, with portrait of Charles Stuart by J. June, 1745), and Thomas Hudson, about 1790 (silver, white dial; outer case of tortoiseshell, with silver mounts). The name of Hen. Page, Upper Broughton (Notts), is found on a brass clock, and John Kirk was a maker at Epperstone and Skegby before he came to London in 1677 and was admitted as a member of the Clockmakers' Company. Among the collection of watches at Nottingham Museum, apart from the two above-mentioned, are a good many by makers of a later date, mainly of the early nineteenth century: John Lingford, A. Shepperley, William Young—all of Nottingham, and Geo. Stacey, Worksop. Among the other watches on exhibition are an early one by Robert Dent (Lincoln), No. 61, and a watch with gold case with chased repoussÉ figures and ornament by J. Windmills, the celebrated London maker, 1671-1700. This short list of Midland makers is obviously The Home Counties.—Thomas Tompion (1671-1713), the famous London maker, commenced at Bedford and ended at Bath. We have seen a brass lantern clock engraved "Thos. Tonkink de Bedforde." This might very well be one of his early clocks, and we know his great last triumph in the famous long-case clock in the Pump Room at Bath. But apart from this incidental connection of the "father of English watchmaking" with the provinces, there stands Joseph Knibb, of Oxon, who was admitted to the Clockmakers' Company of London in 1677. He worked in London for the Court of Charles II. But he was established in Oxfordshire, as is shown by the copper token he issued, with inscription "Joseph Knibb Clockmaker in Oxon," and on reverse the dial of a clock with initials I.K. in centre. We give an illustration of this token. A long-case eight-day clock finely decorated in marquetry, in date about 1690, is illustrated (p. 237). This exhibits the work of Knibb as being equal, as his employment at the Court shows, to the leading London makers of his day. In the chapter on Marquetry, p. 79, will be found a notice of this A fine bracket clock by Joseph Knibb, in date about 1690, is illustrated (p. 181). This is of the same period as the long-case clock, the year when William of Orange defeated James II at the battle of the Boyne, and James, the last of the Stuarts, fled into France. It is possible that the fortunes of Joseph Knibb were bound up with Whitehall. At the Revolution in 1689 our Court clockmaker no doubt retreated into Oxfordshire to continue his creations which we now know. A cloud of unpaid debts must have hung over him, for the Stuarts were bad paymasters. The West Country.—In publishing lists of clockmakers collected by local antiquaries, a loyal service has been rendered to the West Country by the Devon and Cornwall Notes and Queries. The following list is based on the researches published in that journal by R. Pearse-Chope, Esq.,
Jacob Lovelace, of Exeter, who died in 1766, was the maker of a remarkable clock of most elaborate nature, with organ that played, and a series of moving figures striking the hours, and bellringers and other intricate diversions. This clock was exhibited at the International Exhibition in 1851, and is now at the Liverpool Museum. A fine long-case clock in Chippendale style by Cockey, of Warminster, is illustrated (p. 239), and exhibits provincial work both in case and movement of the highest character. Strowbridge, of Dawlish, is the maker of a bracket clock, in date about 1805, showing pleasing work in the fine marquetry decoration introduced by Sheraton (illustrated p. 201). There is an instance on record of a clock being sent to "Mr. Strowbridge" for repair. "When it came back his name, 'H. Strowbridge, Dawlish,' was engraved upon the dial." Miscellaneous Makers—East Anglia.—Several makers are connected with Yarmouth. There is Thomas Utting (Yarmouth), and we have seen a fine long-case clock signed thus, and there is Isaac Johnson (Yarmouth), who apparently made wall clocks. John Page, of Ipswich, is the maker of a very handsome bracket clock, in date about 1740 (illustrated p. 187). The name of Henry Terold, Ipswich, is found on a round silver watch with chased interlacing bands and silver dial, of seventeenth-century period. Joseph Chamberlain, of Norwich, is a name found on a late seventeenth-century watch. The names of Mann and Jon. Nevill, both of Norwich, are found on late eighteenth-century grandfather clocks. Kent and Sussex.—The name of William Gill or Gilt, of Maidstone, is found on a fine long-case clock of the eighteenth century. William Gardner, of Sandwich, and Joseph Carswell, of Hastings, are other names found on grandfather clocks of the latter part of the eighteenth century. The dial of a clock by a Sussex maker, Beeching, of Ashburnham, from a thirty-hour clock with single hand and alarum (illustrated p. 243), is of mid-eighteenth century period, and shows in its decorations the various phases of the iron industry carried on at Ashburnham. Welsh Clocks.—At the Amgueddfa Genedlaethol Cymru, at Cardiff, the National Museum of the Principality, there is a long-case clock by B. C. Vaughan, of Pontypool, and a brass block with movement by "Shenkyn Shon, Black Cock Inn, Pontnedd Fechan, 1714," and also there exhibited are the works of the old clock from St. David's Cathedral. Illustrated on p. 245 is a unique long-case clock with brass plate on door, with date 1761, with dragon above. The particular feature of especial interest in this clock is its oval dial (which is separately illustrated, p. 249). This dial is enamelled white, and has a medallion at top representing the figure of Hope with an anchor. The other decoration is interesting as exhibiting the attempt of the provincial maker to simulate in pigment the marquetry work of the Sheraton school, the design being similar to that found on tea-caddies, no doubt well known to the painter of the dial. There are two subsidiary dials, one for seconds and the other showing the days of the month. Although the maker's name is "Marston (Salop)" there is an especially Welsh interest attaching to this clock. It once was in the possession of Daniel Owen, the famous Welsh novelist, who is buried in Mold churchyard, and whose monument is in the County Hall Field at Mold. He introduced this clock into his novel, Rhys Lewis. The grandmother of the youthful hero of the story had gone to the fair; in her absence the boy took this clock to pieces, so the story goes. But as the hours wore on he found it was easier to take it to pieces The hood of the clock is of original decoration. The upper spandrels have a blue-and-gold floral design, covered with glass. The two lower spandrels are delicately carved. The frame around the oval dial is of beaded work cut in broad and effective style. Altogether this clock possesses features appealing to collectors. The provincial maker followed his own lines, and has in so doing produced something unique. In conclusion, some apology should be made for an attempt to sketch in makers of repute, scattered over so wide an area, which resulted in a mere outline. The meagre lists may in many cases be said to be noteworthy for their omissions. But want of space has precluded the writer from pursuing the subject further, and he may be permitted to express a hope that the perusal of these facts may stimulate local efforts to worthier records. |