THE SECOND BEST "Where shall we go to-night?" enquired the insatiable Dumps. "Bed," replied her exhausted papa, before any one else could speak. The Joy-Week was nearly over. For five days and nights the newly emancipated Miss Sylvia Mablethorpe had been allowed a free hand. Each morning she had conducted her mother relentlessly to shops. Once or twice her devoted father had accompanied the expedition, but after being twice warned by an officious young policeman for loitering outside a modiste's in Dover Street, had excused himself from further attendance. "They are a most amazing sex," he observed to Philip. "My precious pair actually spent an hour and a quarter in a hosiery establishment in Knightsbridge yesterday morning (into which my modesty prevented me from accompanying them), and when they came out neither of them could say for certain if she had bought anything or not. I wonder how they do it: if a mere man were to spend an hour and a quarter in a shop, he would by the end of that time either be lying dead on the floor or else equipped with several thousand pairs of everything. No! Henceforth they shop alone! I decline to run any further risk of contracting At the present moment the party were taking tea at the Carlton, after a matinÉe. "I think it would be nice," continued Sylvia in a far-away voice, entirely ignoring her male parent's suggestion, "if we went to a music-hall. I haven't been to one yet; and I am getting a bit tired of theatres." (Which was not altogether surprising, considering that Miss Sylvia and suite had visited seven in five days.) "Then you could smoke, daddy," she continued artfully. "You will come, won't you, Philip?" "It may possibly have escaped your memory," Mr. Mablethorpe mentioned, "that we are engaged to dine to-night with Derek Rayner." "Oh, bother!" said the ungrateful Dumps; "so we are. Has he invited you, Philip?" "No," said Philip; and Mr. and Mrs. Mablethorpe exchanged glances. "Well, I'll tell you what," announced Sylvia, who was not of an age to have any regard for the feelings of young men; "we will dine with Derek, and you must join us afterwards, and we will all "I am sure the arrangement will meet with his entire approval," remarked Mr. Mablethorpe solemnly. "In that case," continued Sylvia with great cheerfulness, having gained her point, "we had better telephone to him that we shall want dinner earlier. What time do music-halls begin?" "The performance," said her father, "is timed to commence at eight P.M., but attendance during the earlier turns is not compulsory." He spoke bravely, but without hope, for he knew his daughter. "I insist," announced the voracious Dumps, "on being there when the curtain goes up. I shall tell Derek that we will dine at a quarter to seven. Do you think this hotel is on the telephone?" "Possibly. If not, we can always climb to the top of the Haymarket and light a beacon-fire," replied the caustic Mr. Mablethorpe, still sore at the thought of yet another scrambled dinner. His daughter ignored the pleasantry. "Will you come and help me to find it, Philip?" she said. Philip complied, and the pair went out to the hotel telephone exchange, leaving Mr. and Mrs. Mablethorpe to regard one another curiously. "Poor Derek!" said Mrs. Mablethorpe. "Poor Dumps!" said Mr. Mablethorpe, to himself. Meanwhile, at the telephone, Sylvia was saying to Philip:— For a moment their eyes met. Then Sylvia's dropped quickly. Philip dined in solitary state in his own flat. He still retained his holding therein, for his duties involved a good deal of travelling, and it was convenient to have a pied-À-terre in London. Timothy was out, and he had the premises to himself, for which he was not altogether sorry. He had a good deal to occupy his mind just at present, and he wanted to think. But his thoughts had made no appreciable progress when he arrived at the Arena Palace of Varieties at five minutes to eight. He found the party already assembled in the foyer, under the radiant direction of Sylvia and the thundercloud escort of Mr. Derek Rayner, who greeted Philip gloomily but politely. A mincing damsel in a lace tucker conducted them to their seats, which were situated in the fourth row of an unpeopled desert of stalls. "It's lucky we got here in time," mused Mr. Mablethorpe, surveying the Sahara around them. "We might have had to stand." "If people," remarked Sylvia with asperity, "think it grand not to come to a heavenly place like this till ten o'clock, so much the worse for them!" She sank down luxuriously in the armchair which called itself a stall, and commanded Philip and Rayner to dispose themselves upon either side The ladies and gentlemen who figured in the earlier portion of the programme were obviously surprised and pleased to find the stalls inhabited. Accustomed to shout across an ocean of blue plush to an audience of pigmies situated upon the distant horizon, their gratification at finding human beings within a few yards of them was extreme. More than one of the comedians worked an allusion to the fact into his "patter." About a quarter to nine the ranks of the stallholders were stiffened by the arrival of a magnificent gentleman in evening dress, with a gardenia in his buttonhole. He took a seat in the front row. "I told you there would be lots of people soon," announced Sylvia. But alas! her triumph was premature. Shortly after the arrival of the gentleman with the gardenia the drop-curtains ascended upon Turn Number Five—Professor Boko, the Man of Mystery, assisted by a stout lady in mauve tights. The Professor, speaking with a French accent which had plainly served an apprenticeship in New York, opened the proceedings by appealing to the audience to send up an impartial and unbiased body of gentlemen upon the stage, to act—why, Heaven knows—as "Committee." "You go, dad!" said Sylvia. And sure enough, almost before he had spoken, the gentleman with the gardenia left his seat and scrambled up a pair of plush-covered steps to the stage. He must have repented bitterly of his public-spirited precipitancy; for instead of being treated with respect due to a Committee,—no one else had come forward,—he was subjected by the Professor to a series of humiliating and embarrassing experiences. Showers of playing-cards were squeezed from his nose; flapping goldfish were extracted from his ears; bullets were fired point-blank into his shirt-front and discovered (by the lady in tights) in his coat-tail pockets. His silk hat was turned into a coffee-urn. His very gardenia was snatched from him and shaken out into a Union Jack. Still, he maintained a heroic attitude throughout, smiling woodenly at each successive outrage, and loudly proclaiming his entire satisfaction with the genuineness of the performance before resuming his seat. However, it was plain that the strain had been too great for him; for presently he put on his hat, stole quietly away, and was no more seen. "Poor thing! I wonder where he has gone to," said the sympathetic Sylvia. Derek Rayner, who was at the age for which the drama has no secrets, explained that this gentleman was now probably travelling in the same cab with the Man of Mystery and the lady in tights to undergo further humiliations at another music-hall. Sylvia was particularly pleased with Mr. Arthur Mow, Comedian. When that gentleman's number went up there was a round of applause, and the orchestra dashed into a merry tune. There came a pause. Then the tune was played again. Then another pause. Slight uneasiness among the audience. "He hasn't turned up," remarked the worldly-wise Rayner. "These chaps do four Halls a night. He's probably on the other side of London, in a broken-down taxi." The band played its prelude once more, and then some one—presumably the manager—appeared upon the stage and offered an apology for Mr. Mow's absence. "He was here a moment ago, ladies and gentlemen," he declared. "Rats!" observed a disappointed lady in the gallery. The manager redoubled his assurances. They had searched high and low, he said, but could not find Mr. Mow anywhere. Would the audience— His speech was interrupted by the conductor of the orchestra. "If Arfur Mow reelly 'asn't arrived," he And bounding upon the stage, the conductor turned and faced the audience with a flourish. He was none other than the missing Arfur Mow! Having chased his apologist into the wings amid shouts of delight, the great man proceeded to the serious work of the evening—a ditty entitled:—"A Glorious Death; or, How I was Drowned in the Brewery." "What is the next item?" enquired Mr. Mablethorpe in a hollow voice, after the audience and Mr. Mow had taken a reluctant farewell of one another. "The thumbscrew, or boiling oil?" "'High Jinks in a Parisian CafÉ,'" announced Sylvia with great satisfaction. Mr. Mablethorpe coughed. "Be prepared to read your programmes sedulously until further notice," he said to his wife and daughter. But his fears were groundless. The only occupant of the cafÉ when the curtain rose was a waiter of melancholy aspect. To him entered a lady and gentleman in evening dress, arm-in-arm,—the gentleman carrying an umbrella and smoking an unlighted cigar,—who intimated in pantomime that they required an abundant and satisfying meal. The waiter responded by stepping forward and bowing so low that he fell right over on to the back of his neck, coming up again to a standing position after one complete revolution. With a deeply injured expression he went down upon his hands and knees and began to search for Any further doubts as to the nature of the entertainment were now dissipated by the gentleman in evening dress, who, instead of hanging up his opera hat in the orthodox fashion, gave his head a backward jerk which sent the hat flying backwards on to an adjacent gas-bracket. He next removed his evening coat, and having lighted his cigar from a candle upon the table, proceeded to give a juggling exhibition with the candle, the cigar, and his umbrella. At this his lady friend withdrew, possibly in search of a less eccentric host. The waiter, instead of serving supper, remained a fascinated spectator of the gentleman's performance. Presently, fired with a spirit of emulation, he took a plate and a raw egg from the table,—with the exception of a property chicken the egg was the only edible thing in the restaurant,—and having thrown the egg into the air endeavoured to catch it upon the plate. He succeeded. While he was wiping his face, the lady made an unexpected reappearance. She had left her opera cloak and evening gown in the cloak-room, and was now attired in what looked like a bathing-suit of tight pink silk. Evidently having abandoned all hope of supper, she had good-naturedly decided to come and lend a hand with the juggling exhibition. She incited her companion to further enterprises. At her instigation he took the table by one leg and balanced The waiter, discouraged and fatigued by his want of success with the egg, here opened an ingenious little door in his own stomach, revealing a small cupboard; and taking out a bottle and glass, proceeded to refresh himself in the usual manner. Then, catching the eye of the lady, who was regarding this somewhat unusual arrangement of nature with pardonable astonishment, he hastily returned the bottle and glass to their place and shut the little door. But feminine curiosity is not easily allayed. As soon as her companion had completed this performance with the table, the lady drew his attention to the phenomenon which she had just witnessed. The gentleman promptly stepped behind the shrinking waiter, and holding him firmly by the elbows, invited the lady by a nod to investigate the mystery for herself. This she did. But the opening of the door only revealed a tiny venetian blind, drawn down and bearing the legend, BAR CLOSED. "I wonder how they think of such things!" said Sylvia rapturously. "They do that to give the juggler a rest," explained the undeceived Mr. Rayner. After this the band played louder and faster, and the gentleman took all the furniture within reach and proceeded to hurl it into the air, keeping it there with incredible ease through the whole of a By this time the majority of Sylvia's party were enjoying themselves thoroughly. Sylvia herself was bubbling over; Julius Mablethorpe was shouting like a child, and his wife, weak with laughter, was wiping her eyes. Mr. Derek Rayner was in the seventh heaven, for his young hostess had devoted her entire attention to him and had hardly given her other companion so much as a look. "Perhaps the chap is just a family friend, after all," he said to himself optimistically. Chivalry said: "If you may not live with her, live for her; go your own way as far as you must, but do not go too far: she may need you." Common sense said: "Why sigh after a girl who does not care for you, and never did? You are nothing to her: why offer her what you do not owe and what she cannot take?" To-night a third voice had joined in the debate. It said: "Love is not entirely a matter of twin souls and divine passion: it has a very material side. Life is short; we live but once: it is given to few to encounter their affinity in this world: it is foolish to waste one's youth waiting for a thing which may not exist. Why not be practical? Why Thousands of men, and tens of thousands of women, have debated this problem in their time; but Philip did not know this. We are apt to think that our own human experiences are unique. Suddenly Sylvia turned to him. Her dark eyes were full of reproach. "Philip, you are not listening a bit. This next song ought to be lovely." Philip, apologetically conning the programme, recognised therein the name of a great singer—the latest recruit to the variety stage—who, having achieved a European reputation as the leading operatic baritone of his day, had abandoned that strenuous calling in the zenith of his drawing powers in order to earn an ambassadorial income by singing selections from his repertoire—which means the hackneyed ballads beloved of the British Public—for some fifteen minutes per diem. Presently the great man appeared. He began with the Toreador's song from "Carmen," which set heads nodding and toes beating time. Then came "O Star of Eve"; and last of all, "I'll Sing Thee Songs of Araby." Struck by an unwonted stillness at his side, Philip glanced at Sylvia. Her effervescence was gone. With a child's instant susceptibility to external influences her mood had changed: she was "And all my song shall strive to wake Sweet wonder in thine eyes!" crooned the singer. Certainly he had achieved his purpose in one case, Philip thought. "To cheat thee of a sigh! To charm thee to a tear!" The words died away to nothingness in the absolute stillness of the great audience. Then, after a brief interval, came the applause, in mighty gusts. But during that interval Philip had had time to hear the sound of a long tremulous sigh close beside him. "My reason has been saved at the eleventh hour," said Mr. Mablethorpe gratefully. "Talking of the eleventh hour, shall we go home? Nothing but the cinematograph now!" But Sylvia insisted upon seeing the programme out. Accordingly the party sat on, what time such of the audience as still remained were plunged into darkness and a flickering travesty of life in the American backwoods was thrown upon the screen. First came the announcement:— "I love you," says the Sheriff to the pretty Station Mistress. "Will you come riding with me?" Apparently the lady was willing, for next moment she was discovered in a stable-yard blowing a whistle. Instantly a horse appeared, saddled and bridled, and after performing several tricks with obvious reluctance, consented to allow itself to be mounted, and departed at full gallop, apparently to join the Sheriff. "I guarantee that we shall meet that animal again," prophesied Mr. Mablethorpe. Meanwhile the plot began to obtrude. As a direct result of the Station Mistress's culpable negligence in leaving the railway traffic to direct itself, the way was now open for an attempt to hold up the "bullion express." This enterprise was engineered by a gentleman called "Mexican Steve," assisted by a gang of six. Being apparently familiar with the unbusinesslike habits of the Station Mistress, Mexican Steve very sensibly selected the Station Office as a suitable place wherein to confer with his associates. The conference "The express does not stop here; we must flag her," said the next line of print. "What does that mean?" enquired Sylvia. "I fancy it means that they are going to put the signal at danger, and so stop the train," said Philip. This, as it turned out, was a correct surmise; but much had to happen first. As the audience had fully expected, the symposium in the Station House was now interrupted by the intrusion of the Station Mistress herself, whose horror and astonishment at finding her home in the possession of Mexican Steve and party was a little unreasonable, considering that she had been absent some hours and had left the door unlocked. The ensuing mÊlÉe was not depicted, the screen being suddenly changed to a railway track, with a train approaching in the distance. There was a signal-post at the side of the line. The signal suddenly rose to danger, after which the scene was switched back to the Station Office, where Mexican Steve had just finished pulling over the lever. The Station Mistress, it is regrettable to have to add, was sitting bound hand and foot to her own table. The rest of the gang disappeared, doubtless to hold up the train. Before joining them, Mexican Steve addressed his victim:— "Now, Maimie Matterson, escape if you can!" "Hush!" said Sylvia under her breath. "Don't spoil it!" She was on tenterhooks: it was all real to her. Any doubts as to Miss Matterson's ability to escape from her present predicament were at once set at rest. With a few convulsive wriggles she succeeded in getting her lips to the horse-whistle which hung round her neck. "Thank Heaven, we can't hear her!" said Mr. Mablethorpe to his wife, as the lady's cheeks distended themselves in a resounding blast. Next moment the door was kicked down, and Maimie's performing horse entered the room and pawed the floor politely. Sylvia clapped her hands. "I knew it!" remarked Mr. Mablethorpe resignedly. In obedience to a frenzied signal from his mistress the sagacious animal first proceeded to operate the lever in the middle of the floor, pulling it back (presumably) to safety. This feat accomplished, he set to work, amid thunders of applause, to unpick with his teeth the knots which kept Maimie Matterson bound to the table. He was rewarded for his gallantry by being promptly mounted and ridden at full gallop across a heartbreaking line of country, apparently for a distance of about twenty miles. Then for the last time the scene changed to the railway track. The train, which had covered quite two hundred yards in the last quarter of an hour, was now close to the post, and Mexican Steve and "Who did that?" inquired an indignant line of print. "That was the dear horse!" replied Sylvia triumphantly. The train, which had been exhibiting signs of indecision, suddenly quickened its pace and shot past, to the discomfiture of the desperadoes, who childishly fired a volley at the wheels. Next moment an armed band, headed by the Sheriff and Miss Maimie Matterson,—they must have covered forty miles in something like fifteen seconds,—dashed out of an adjacent wood. After a perfunctory struggle the incompetent criminals were duly taken into custody and marched off by their captors. The Sheriff, having got rid of his posse, seized the opportunity to indulge in an exchange of tender endearments with Miss Matterson. "We will find the preacher-man, right now!" he declared. Miss Matterson's reply was not recorded in print, but to judge from the last few yards of the film, it was of an encouraging nature. As the Sheriff's arms closed round the unresisting form of his athletic bride, Philip was conscious of a gentle movement beside him. Then a small, warm, gloved hand was slipped into his own in the darkness. He made no sign: he merely allowed the hand to rest where it lay. Presently it was withdrawn The lights went up; a blurred and bearded figure was thrown upon the screen; and the band, rising to its feet, offered a hurried tribute of loyalty. "Supper?" suggested Mr. Mablethorpe to the company in general. "You must all be my guests to-night," said Philip. "I may not have another opportunity." At supper he told them that he was going to America for a year at least. "I presume," said Mr. Mablethorpe, as they sat alone together after Sylvia and her mother had gone to bed, "that when you do return from your travels we must not expect to see—quite so much of you as hitherto?" "No, I think not," replied Philip. Then he added awkwardly, "You understand the situation?" Julius Mablethorpe nodded. "Yes," he said, "I do, and I know you are right. There is a power of difference between giving one's best and one's second best. You can't compromise over the really big things of life: with them it must be everything or nothing. You are doing the right thing. But we shall miss you, my son Philip,—all of us!" So our knight rode away, exceeding sorrowful. His departure was mourned by many, notably one,—but not by Mr. Derek Rayner. |