The new lady-in-waiting was installed in two rooms in the castle, very near the roof and hard by Madame de Ruth's apartment. Wilhelmine received a small income, also her food and the services of a waiting-woman of the ducal household. This person was a large, fair-skinned Swabian—a peasant, simple yet suspicious, loud-voiced, rough in manner, very tender of heart. During the first days of her service she feared and disliked her 'foreign' mistress, but, like every one whom Wilhelmine chose to charm, Maria adored her before the week was out with that whole-hearted devotion which servants sometimes give their employers, and which is often so unequal a bargain. But it was not to prove so in this case, for Wilhelmine responded readily to any genuine affection, and, proud as she was, she was too proud to imagine that her freedom of speech and her easy laughter could be met with undue familiarity, which indeed, as is usual with the woman of true breeding, it never was. Maria remained devoted and free spoken, though absolutely respectful. To her the 'GrÄvenitzin,' as people began to call Wilhelmine, poured out the story of the numerous petty annoyances which disturbed her, and the peasant girl learned to regard her as a persecuted angel. Though her mistress's violent temper flamed forth if the smallest detail of the toilet went amiss, and often, indeed, for no apparent cause, the next moment the impression was erased and the waiting-maid's heart soothed by some affectionate word or hasty, almost childlike, apology. Few know the extraordinary loyalty, the silence and forbearing, which many servants exercise; but those who do, and can prize it truly, have an added power in their hands and an immense aid to their ambition. Maria, One morning, about a month after the commencement of Wilhelmine's sojourn at the castle, she was dressing at her leisure, her Highness having commanded her presence at a later hour than usual. The window stood open, and she could hear the whirl of wings as the doves flew about from the roof of the inner courtyard or alighted on the stone balustrade below her window. The heat had abated, and a faint sighing breeze was wafted through the window. Maria had gone to the town to purchase a ribbon for Madame de Ruth's spaniel, and the GrÄvenitzin remained alone. She leaned back in a tall, carved chair, listening to the million sounds of silence. Ah! Silence!—quiet! how she loved it! With yearning she realised how she longed for the stillness of some deep wood or of some fragrant garden, with Eberhard Ludwig at her side. True, she saw him daily at court; drove with him on his fine coach drawn by eight horses; supped with him, sang to him, knew herself to be his acknowledged mistress. There were stolen interviews in her little room, moments of wondrous rapture and thrilling, passionate surrender. Yet, somehow, she never had the sensation of being entirely undisturbed, of enjoying the delight of solitude with him, safe from possible interruption. She knew that her genuine passion for the Duke was regarded by the court as an ordinary gallant adventure; her relation with him classed among the unlovely liaisons of princes; and, like each woman who considers her personal conduct, she imagined her own love to be a thing utterly different to the passions of other women—infinitely purer, absolutely apart. Also, she hated disapproval; it had the power to vilify her, drawing out the worst in her nature. Then the Duchess, who was possessed of all the harsh cruelty of the untempted virtuous woman, constantly slighted the lady-in-waiting, whose presence she, Even Madame de Ruth was appalled at the dimensions of the affair which she herself had aided in creating. Wilhelmine fascinated her still, but she began to fear her, and though she laughed at those who murmured that 'the GrÄvenitzin had the evil eye,' a certain disquiet peeped into her mind at times. Wilhelmine had heard, through the maid Maria, that there were whispers of her being possessed of the evil eye; and it amused her to confront those who offended or irritated her with that strange look which she could command at will. Certainly she had a vast will-power, and the Duke was subjugated, not alone by love but by that marvellous dominion of mind which is exercised by certain beings over others. He told her often that she was a witch; being doubly a poet since he loved, he raved of the witchery of his mistress; yet had he dreamed for one moment that there could be anything mysterious in her fascination he would have been appalled. He was of his day, and could not explain glibly the mysteries and marvels of personal attraction and repulsion, of will-power and dominion, by the easy word magnetism. He would have called it 'witchcraft, magic, devilry,' and he did later on, and trembled. But all this was only beginning when Wilhelmine sat listening to the silence that summer morning. A heavy footfall on the balcony without aroused her from her reverie, and her window was darkened for a flash by a passing form. A rough knock came on her door, and she heard a voice informing her the Altesse SÉrÉnissime the Duchess desired her presence immediately. She sprang up. 'Tell her Highness I will come immediately; but that, as I was not commanded for so early an hour, I am unfortunately not quite ready,' she called after the lackey's retreating form. She flung off her morning gown and 'Her Highness is waiting, FrÄuleinle von GrÄvenitz,' said this person, while she treated Wilhelmine to an insolent stare. 'That has nothing to do with you,' answered Wilhelmine haughtily, her ready anger flaring at the covert insolence of the woman's manner and the familiar use of the word 'FrÄuleinle.' As she passed she caught a grin of amusement on the woman's face. Ridicule from any one, but especially from the 'canaille,' as she termed most of the inmates of this world, was a thing which always raised the slumbering devil in Wilhelmine. She turned abruptly, confronting the tiring-woman with that fixed evil glance of hers. The smile died on the woman's lips, and she shrank back muttering. 'You will regret your insolence,' said Wilhelmine, thereby forging another link in that chain of the witchcraft theory which was destined to have such strange developments in her life and fate. 'I am accustomed to being attended immediately, Mademoiselle, when I send for my ladies,' said the Duchess icily as Wilhelmine entered. 'Your Highness will pardon me; it was an unexpected summons, and I was not dressed.' 'Ah! I suppose the so evidently recent attack of smallpox makes Mademoiselle a little delicate still?' replied Johanna Elizabetha, with a spiteful smile, and looking pointedly at her lady-in-waiting's face. At this taunt, once more, though this time involuntarily, the snake look came into Wilhelmine's eyes. Her Highness did not shrink, but returned the gaze fully with a glance of quiet animosity. Johanna Elizabetha was a brave woman, of good blood, and it is remarkable that, through all her dealings with the GrÄvenitz, she never showed any of that fear, which to arouse was one of this mysterious woman's most potent weapons. 'Would it please you were I to give 'I thank your Highness for the offer; but,' here a note of insolent triumph pierced through the studied courtesy of her manner, 'but I find the climate of Stuttgart agrees vastly well with me, and I need no change. Your Highness must remember how much I am in the open air.' This allusion to the constant drives with Eberhard Ludwig goaded Johanna Elizabetha past endurance. 'You will not be able to be abroad so much in future, Mademoiselle de GrÄvenitz,' she answered grimly; 'I intend to commence a large piece of embroidery, and the work will keep me more in the house. I shall require your services to read to me while I am working.' Wilhelmine bowed. 'Fetch me that embroidery frame and the silks, Mademoiselle,' the Duchess said, in a tone of such imperious command that the other felt an angry blush flame in her cheeks; but she walked quietly across the room and brought the frame to her Highness, who at once busied herself in matching the coloured silks on the design. Seating herself near the window, and settling the frame on a small table before her, she worked steadily for some time in silence, Wilhelmine standing near, not having been granted permission to be seated. The silence became horrible, tense, gloomy; the air seemed quivering with the hatred which both women felt. At length the Duchess laid aside her work and, turning, faced her lady-in-waiting directly. 'Mademoiselle Wilhelmine von GrÄvenitz,' she said slowly, 'I will give you one chance of becoming an honest woman. You are unnecessary to me in your present capacity, and I have decided to remove you from my service.' She rose with the dignity she could assume at times. 'The reasons for my decision you know well enough, and, indeed, it were not fitting for me to discuss them with you. If you will resign Johanna Elizabetha was really impressive and dignified, infinitely pathetic too; for it was a futile assumption of an authority hers by right, and, in fact, absolutely non-existent. 'I await your answer,' she added, a little tremulously. 'And I give you my answer, here and now, for to-day and for as long as I choose. And my answer is—No!' She said it boldly, but her heart was beating violently; after all, she too was fighting for her life, for all she had found beautiful, for the man she loved, and for the ease and charm of existence, the 'fine linen and fair raiment, honour and power,' without which she could and would not live. The Duchess looked at her curiously. Certainly she was very beautiful, standing straight, tall, and strong; radiant with health, magnificent in her proud decision of being; with head thrown back, hands clasped behind her like a child saying a lesson—the singing attitude, which the Duchess had often seen before with angry, grudging admiration. 'Is this your decision?' Johanna Elizabetha asked once more. 'God in Heaven! why did you come here? I offer you wealth and peace; cannot you go and leave me what is mine?' 'Yours?' broke out Wilhelmine impetuously. 'Yours? You know what you say is untrue! Yours!' Such an accent of scorn, such an intolerable ridicule of the unbeautiful woman lay in Wilhelmine's voice, that the Duchess drew back as from a blow; she shrank, feeling herself thrust into the chill dreariness of the world of unloved, unlovable, undesired, undesirable women. Then the pride of race reasserted itself; after all, she was the mistress, and this, her tormentor, was her servant. For once, goaded out of her measured correctness, the Duchess became vital, vehement, 'Remove that woman! She has insulted me! Take her across the moat, and close the castle door upon her. She shall not enter here again!' The Duchess's voice came short and sharp. 'But, your Highness——' began the captain. 'Do as I command!' broke in Johanna Elizabetha; and never had man or woman heard the 'Dull Duchess' speak in so proud a tone. The captain approached Wilhelmine; he feared her and dreaded the Duke's indignation. 'Mademoiselle de GrÄvenitz,' he said hesitatingly, 'I must obey; believe me, I do not understand——' 'Nor need you,' answered Wilhelmine haughtily; 'I am ready to follow you. Your Highness,' and she bent in the usual courtesy; but the poor Duchess could not see it, for she had hidden her face in her hands, and, with convulsive sobs, she wept in a painful reaction of weakness after her outburst of passionate decision. Wilhelmine found herself standing beyond the moat, with the iron gate leading to the castle courtyard grimly closed upon her. It was a perplexing moment; she knew not whither she might seek shelter, and she wished to avoid scandal as far as possible. The Duke had gone to Urach to inspect the coverts for the autumn hunting, and he would not Where should she go? The question was becoming urgent, for the heat of midday approached and already her head ached dully. She walked on, hardly noticing that she had passed beyond the garden gate, and it was with a start that she suddenly realised she had wandered to an unfamiliar part of the town. She was in a narrow street, where the overhanging higher stories of the houses approached each other so closely that the sky between them seemed to be but a distant blue streak. Instinctively she had turned into this shaded gangway to escape from the burning sun. To her horror she felt a curious weakness creeping over her, a booming sounded in her ears, and the veins of her throat seemed to have swelled as though the blood would burst through the skin. She put up her hand to the velvet ribbon which she wore round her neck, and her fingers pulled awkwardly, impatiently, impotently at it. She felt as if her eyeballs were pushed violently outwards by clumsy, heavy finger-tips. She leaned against the wall of one of the houses, and, with the idea of avoidance of scandal still working numbly in her brain, she turned her head this way and that to see if there were any observers of her pitiful plight; but the street lay to right and left, sordid, silent, and deserted. She reflected that, of course, the inhabitants must be sheltering from the heat—sleeping, perhaps—Ah! sleeping!—and she was so tired, so deathly Surely Monsieur Gabriel would be pleased with that melody? Wilhelmine turned towards him, then half-consciousness returning told her she was not in GÜstrow. Where was she? She moved, tried to sit up; on her brow a hand, cool and soothing, pressed her backwards, closing her aching eyes. Once more her thoughts sank downwards—flickered, as it were. What did it signify where she was, after all? Everything was far off. What scent was that? Wonderful! She drew it in to her lungs, and it seemed to fill her breast with fragrant freshness. With a sigh, she came back from some dim world and opened her eyes. A strange face bent over her and she stared wonderingly at it. Surely she was dreaming still, for it was the face of a picture she knew. Remembrance came, ere full consciousness grasped sway of her—Savonarola, the Monk of San Marco. She had seen a wood-cut portrait of the inspired fanatic in a book of Eberhard Ludwig's library. She lay, scarcely returned from her unconsciousness, gazing at this face. Yes, Savonarola! The powerful, broken brow, the small, piercing eyes, the rugged cheeks, the whole face dominated by the huge nose. Then full consciousness returned to her, and she saw that this was no fanatic genius, no monk of Italy, but an old woman with an extraordinary physiognomy, who was watching her with patient, kindly eyes. Wilhelmine sat up, pushing from her brow a cloth soaked in some essence, from whence came the delicious pungent scent which had recalled her from her trance. 'Where am I?' she asked. 'You are safe, and, I pray you, rest,' answered a hoarse, weak voice. 'I thank you,' Wilhelmine said, 'I will rest; but, at least, tell me where I am and who you are?' 'I am the widow of Ishakar Ben Hazzim, and you fainted at my door, so I took you in.' 'A very Christian action from a Jew, and I thank you,' replied Wilhelmine haughtily. All the unreasoning hatred of the Jewish race lay in her withdrawal from even ordinary gratitude towards the woman who had rescued her. 'Christian? Nay, girl; it is Christian to be cruel! Christian? God of my fathers! it is Christian to murder and oppress! Did you not hear that I told you I am the widow of Ishakar Ben Hazzim, the son of Israel? and in my house, when I have anointed your head with rare essences to cool you from your sun-faint, you insult me, and you owe me no affront!' There was a pride in the woman's manner which appealed to Wilhelmine. 'Indeed, I meant none, and I thank you for your courtesy,' she said, and smiled. 'Well, rest you then,' replied the Jewess in a mollified tone; and again silence fell between the two women. 'Why do Jews hate the Christians?' Wilhelmine asked, after some time. She was interested, for this was a new and surprising view; partly, too, she asked the question from lazy curiosity. 'Hate them? Would not you?' returned the woman harshly. 'Why should you?' the girl asked. 'Do you know anything of the story of our race, you who ask? No? Well, I will tell you. For centuries we have been outcasts, treated like beggars, like scum; for ages we have suffered for the acts of our ancestors of hundreds of generations past, and always the Christian has sought to profit by our misfortunes; and have we been credulous of their promises, they have returned us jibes and disdain.' 'But the Jews committed a terrible wrong,' Wilhelmine interrupted; 'they crucified the——' 'Crucified! crucified!' broke in the Jewess angrily, 'we are weary of the very word! We crucified Him as you hang rebels, and He happened to be a Charmer who inspired a new religion—yours! and for ever since you Christians who rant of pardon, tenderness, moderation, love of all the world—you have oppressed us with a vengeance so terrible, so relentless, that we in our turn have learnt to hate and contrive vengeance.' 'But can you?' Wilhelmine smiled mockingly. No one could charm people as could Wilhelmine; her vitality, her sonorous voice, the quick sympathy which drew confidences from the most reserved—in fine, her magnetic force, made her, when she chose, the most irresistible of beings. And she exerted herself to exercise her attraction upon the Jewess, for her curiosity was thoroughly aroused, and also with her strange instinct for power she scented a possible use to her, if she could count upon the adherence of a silent, secret force like the Jews. The old Jewess told how her people were constantly in communication with their fellow Jews of every land; she said that one who did a service to a Jew was always sure of finding support from the whole race; and Wilhelmine's quick brain and vivid imagination wove a romantic web, herself the centre thereof, holding in one hand the power of Wirtemberg's court, and in the other the secret thread commanding the commercial enterprises undertaken by freed and grateful Israelites. Romantic certainly, but very lucrative to the heroine of this self-woven romance! 'Well, Widow Hazzim,' she said at length, 'destiny has brought me to you. Some day I may have power to help your race, will you vouch me gratitude and support in return?' She spoke lightly, but her eyes were serious and watchful, and her hands gripped the essence-soaked kerchief which she had taken from her brow. The Jewess laughed. 'Do us a service and you will see!' she answered. At this moment the door, which led to some inner room, opened, and a boy appeared on the threshold. 'My great-nephew, lady,' said the Jewess; 'his mother is my niece. He can sing like the heavenly seraphim, and great The boy advanced: graceful, perfect in line, glowing in his Jewish youthful beauty, which is usually over-bold, a trifle insolent and hard. He approached Wilhelmine, and bent before her in a salute so ceremonious that it was at once strangely appealing from a child, and yet unctuous and unnatural. Wilhelmine gave him her hand and inquired his name. 'Joseph SÜss Oppenheimer, musician,' he replied gravely. 'Indeed? Musician!' she said, laughing. 'Thy profession already fixed and entitled.' 'My father is a musician; he sings before courts, and I shall do the same,' he added proudly. Wilhelmine laughed. The boy's calm assurance of success pleased her, and his unusual beauty attracted her, as all personal comeliness invariably did. 'He knows what he wants, this Joseph SÜss,' she said; 'and to know what one wants, to know it decidedly, is the first step to achievement. Grasp success firmly and it is yours!' The boy looked at her, fascinated by her loveliness, dominated by her voice and the creed which she enunciated. The old Jewess sent the boy to fetch his guitar, and when he returned she desired him to sing for her guest's entertainment. Joseph SÜss, with the too precocious manner of the Jewish child, inquired with another elaborate bow if Wilhelmine would care to hear his voice. She begged him to let her hear the seraphim sing. The boy caught the note of irony in her phrase; flushing deeply, he laid aside his guitar and would have run away had not Wilhelmine, with her easy self-indulgent kindness of heart to those who did not get in her way, called him back and propitiated him with smiling reassurances. The boy seated himself near her and sang. His voice was deliciously fresh and clear, and Wilhelmine, delightedly, made him sing again and again till the child's repertory was exhausted. She praised him and fondled him, and taking 'A remembrance, dear musician,' she said laughing. She was destined to see that jewel again after long years, when humiliation and defeat came to her, striking her down at the zenith of her brilliant career. |