Oriental Rugs, Antique and Modern

Previous

ORIENTAL RUGS CHAPTER I INTRODUCTION

Section of the Holy Carpet of the Mosque of Ardebil, in the Royal Victoria and Albert Museum, South Kensington, London. Described on Pages 83 and 84.

SECTION OF THE HOLY CARPET OF THE MOSQUE AT ARDEBIL,
Size: 34 ft. 6 in. by 17 ft. 6 in.

Translation of Inscription.   I have no refuge in the world other than thy threshold, My head has no protection other than this porchway; The work of the Slave of this Holy Place. Maksoud of Kashan. 946 A. H. = 1540 A. D.

FORMERLY IN THE POSSESSION OF VINCENT ROBINSON & CO., Ltd.,
34 Wigmore Street, London, W.,

And Sold by them in 1892 to
THE ROYAL VICTORIA AND ALBERT MUSEUM, SOUTH KENSINGTON, LONDON.


ORIENTAL RUGS

ANTIQUE AND MODERN

BY

WALTER A. HAWLEY

WITH ELEVEN FULL-PAGE PLATES IN COLOUR
EIGHTY HALF-TONE ENGRAVINGS
AND FOUR MAPS

NEW YORK
DODD, MEAD AND COMPANY
1927

Copyright, 1913
By John Lane Company

Printed in U. S. A.


PREFACE

SINCE the appearance, in 1900, of the excellent work of Mr. John Kimberly Mumford on Oriental Rugs, the public interest in these fabrics has so largely increased that the author feels warranted in offering this monograph, which aims to treat the subject in a way that will not only appeal to the general reader but be of value to the student.

In the chapter entitled “Rug Weaving Before the XVIII Century” is a brief review of some of the notable achievements in this branch of art; and in order that the public may as far as possible have access to the masterpieces described, the carpets on exhibition in the Metropolitan Museum of Art in New York have been given unusual prominence. The chapters on “How to Distinguish Rugs” and on “Purchasing Rugs” should prove serviceable to those who are collecting or are buying for use; and the chapter on “Weaving” contains many details which have not previously received from connoisseurs the consideration they deserve.

The descriptions of all but the least important classes of rugs in the Persian, Asia Minor, Caucasian, and Central Asiatic groups include not only a general statement of their most striking features, but also a technical analysis that is termed “Type Characteristics.” It should be understood, however, that these characteristics are not invariable, but are remarkably constant. They may interest chiefly those who aim to acquire expert information, yet they will doubtlessly prove valuable to every owner of a rug as a means for its identification.

It would be difficult to acknowledge all the assistance received by the author since he began the study of rugs; for sometimes a mere suggestion has started a line of investigation resulting in interesting discoveries. He has freely consulted well-known authorities, who are quoted in the body of the work; and has received valuable suggestions and assistance from Messrs. T. S. Hawley, of Santa Barbara, Cal., George Harootunian and Frank Loftus, of Los Angeles, Cal.; George Stevenson, of New York; G. Graf, of the Persische Teppiche Gesellschaft, of Tabriz; and P. de Andrea & Co., of Constantinople. He gratefully acknowledges the permission of Messrs. C. F. Williams, of Norristown, Penn., and James F. Ballard, of St. Louis, Mo., to study their valuable collections; and the permission of Dr. Wilhelm R. Valentiner, Curator of Decorative Arts in the Metropolitan Museum in New York, to examine the carpets of the museum and to take photographs of them. He also wishes particularly to mention the kindness of the following collectors and firms who have allowed their rugs to be used for illustrations: Miss Emily Davis, of Buffalo, N. Y.; the Misses Palache, and Messrs. Nathan Bentz and T. S. Hawley, of Santa Barbara, Cal.; Mr. R. Y. Struble, of Fredericktown, Ohio; Mr. E. L. Pierce, of Syracuse, N.Y.; Mr. H. C. Merritt, of Pasadena, Cal.; Mr. J. F. Ballard, of St. Louis, Mo.; Mr. C. F. Williams, of Norristown, Penn.; Major L. B. Lawton, U.S.A., of Seneca Falls, N.Y.; Messrs. Mihran & Co., of Los Angeles, Cal.; Messrs. B. Altman & Co., Benguiat & Keresey, Wm. Baumgarten & Co., Jones & Brindisi, Jos. Wild & Co., W. & J. Sloane, and the Tiffany Studios, of New York City. He is also indebted to Vincent Robinson & Co., Ltd., of London, for the use of the colour plate of the Royal Garden Carpet, now owned by them, and to the Royal Victoria and Albert Museum, South Kensington, London, for permission to obtain a colour plate of the Holy Carpet of the Mosque of Ardebil.

Walter A. Hawley.

New York, June, 1913.

CONTENTS

CHAPTER   PAGE
I Introduction 15
II Physical Features and History of Rug-producing Lands 20
III Materials 30
IV Dyeing 37
V Weaving 44
VI Designs and Symbols 58
VII Rug Weaving before the Eighteenth Century 74
VIII Classification of Modern Rugs 97
IX Persian Rugs 102
X Asia Minor Rugs 163
XI Caucasian Rugs 197
XII Central Asiatic Rugs 233
XIII Indian Rugs 253
XIV Chinese Rugs 263
XV Kilims 276
XVI How to Distinguish Rugs 282
XVII Purchasing Rugs 295
     
  Index 309

 


 

ILLUSTRATIONS

Coloured Plates

Plate    
I The Holy Carpet of the Mosque of Ardebil Frontispiece
Opposite Page
II Oushak Carpet 40
III Mosul Rug 66
IV Bergamo Rug 102
V Ghiordes Prayer Rug 130
VI Royal Persian Garden Carpet Between pages 160 and 161
VII Ladik Prayer Rug 190
VIII Soumak Rug 210
IX Samarkand Rug 240
X Kang-hi Rug 270
XI Keen-lung Rug 300

Halftone Engravings

Plate 1 Khorassan Rug 22
2 Meshed Rug 26
3 Kirman Rug 30
4 Shiraz Rug 34
5 Niris Rug 36
6 Feraghan Rug 42
7 Feraghan Rug 46
8 Hamadan Rug 52
9 Sarouk Rug 56
10 Sarabend Rug 58
11 Carpet from Northwestern Persia 64
12 Carpet from Northwestern Persia 68
13 Compartment Carpet 70
14 Persian Animal Carpet 72
15 Persian Animal Carpet 76
16 Persian Animal Carpet 78
17 So-called Polish or Polonaise Carpet 80
18 So-called Ispahan 84
19 Armenian Carpet 86
20 Asia Minor Dragon and Phoenix Carpet 88
21 Portrait of Georg Gyze by Hans Holbein 92
22 Oushak Carpet 94
23 Sehna Rug 98
    Map of Persia 104
24 Bijar Rug 106
25 Kermanshah Rug 110
26 Kurdistan Rug with Mina Khani Pattern 114
27 Gorevan Rug 118
28 Bergamo Prayer Rug 122
29 Ghiordes Prayer Rug 126
30 Ghiordes Rug 132
31 Kulah Prayer Rug 136
32 Melez Prayer Rug 140
33 Melez Rug 144
34 Rhodian Rug 148
35 Konieh Prayer Rug 152
36 Kir-Shehr Prayer Rug 154
E Primary Border-Stripes of Persian Rugs 156
F Secondary Border-Stripes of Persian Rugs 158
    Map of Asia Minor 164
37 Anatolian Prayer Rug 166
38 Mudjar Prayer Rug 168
39 Daghestan Prayer Rug 172
40 Kabistan Rug 176
41 Kuba Rug 180
42 Chichi Rug 184
43 Tcherkess Rug 188
G Primary Border-Stripes of Asia Minor Rugs 192
H Secondary Border-Stripes of Asia Minor Rugs 194
    Map of Caucasia 198
44 Baku Rug 200
45 Shirvan Rug 202
46 Soumak Rug 204
47 Kazak Prayer Rug 208
48 Kazak Rug 212
49 Karabagh Prayer Rug 214
50 Gengha Prayer Rug 218
51 Royal Bokhara Rug 222
52 Princess Bokhara Rug 224
I Primary Border-Stripes of Caucasian Rugs 226
J Primary Border-Stripes of Caucasian Rugs 228
K Secondary Border-Stripes of Caucasian Rugs 230
    Map of Turkestan 234
53 Turkoman Rug with Katchli Pattern 236
54 Turkoman Rug with PindÉ Pattern 238
55 Turkoman Rug of the Salor Tribes 244
56 Yomud Rug 248
L Primary and Secondary Border-Stripes of Central Asiatic Rugs 250
57 Beshire Prayer Rug 254
58 Beshire Rug 258
59 Afghan Rug 260
60 Beluchistan Prayer Rug 264
61 Turkoman Saddle-bags 268
M Medallions in Chinese Rugs 272
N Primary and Secondary Border-Stripes of Chinese Rugs. 274 272
62 Srinagar Rug 278
63 XVIII Century Chinese Rug 282
64 Keen-lung Rug 286
65 Keen-lung Rug 292
66 Kurdish Prayer Kilim 296

Black and White Engravings

  Page
Plate A An Upright Loom 45
Plate B Technicalities of Weaving 49
Plate C Prayer Arches of Persian, Caucasian, and Central Asiatic Rugs 61
Plate D Prayer Arches of Asia Minor Rugs 63
Plate O General Designs 291

Charts

Periods when Antique Carpets were made 96
Technicalities in the weave of Persian Rugs 161
Technicalities in the weave of Persian Rugs 162
Technicalities in the weave of Asia Minor Rugs 196
Technicalities in the weave of Caucasian Rugs 232
Technicalities in the weave of Central Asiatic Rugs 252

                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page