ORIENTAL RUGS CHAPTER I INTRODUCTION
Section of the Holy Carpet of the Mosque of Ardebil, in the Royal Victoria and Albert Museum, South Kensington, London. Described on Pages 83 and 84.
SECTION OF THE HOLY CARPET OF THE MOSQUE AT ARDEBIL,
Size: 34 ft. 6 in. by 17 ft. 6 in.
Translation of Inscription. I have no refuge in the world other than thy threshold, My head has no protection other than this porchway; The work of the Slave of this Holy Place. Maksoud of Kashan. 946 A. H. = 1540 A. D.
FORMERLY IN THE POSSESSION OF VINCENT ROBINSON & CO., Ltd.,
34 Wigmore Street, London, W.,
And Sold by them in 1892 to
THE ROYAL VICTORIA AND ALBERT MUSEUM, SOUTH KENSINGTON, LONDON.
ORIENTAL RUGS
ANTIQUE AND MODERN
BY
WALTER A. HAWLEY
WITH ELEVEN FULL-PAGE PLATES IN COLOUR
EIGHTY HALF-TONE ENGRAVINGS
AND FOUR MAPS
NEW YORK
DODD, MEAD AND COMPANY
1927
Copyright, 1913
By John Lane Company
Printed in U. S. A.
PREFACE
SINCE the appearance, in 1900, of the excellent work of Mr. John Kimberly Mumford on Oriental Rugs, the public interest in these fabrics has so largely increased that the author feels warranted in offering this monograph, which aims to treat the subject in a way that will not only appeal to the general reader but be of value to the student.
In the chapter entitled “Rug Weaving Before the XVIII Century” is a brief review of some of the notable achievements in this branch of art; and in order that the public may as far as possible have access to the masterpieces described, the carpets on exhibition in the Metropolitan Museum of Art in New York have been given unusual prominence. The chapters on “How to Distinguish Rugs” and on “Purchasing Rugs” should prove serviceable to those who are collecting or are buying for use; and the chapter on “Weaving” contains many details which have not previously received from connoisseurs the consideration they deserve.
The descriptions of all but the least important classes of rugs in the Persian, Asia Minor, Caucasian, and Central Asiatic groups include not only a general statement of their most striking features, but also a technical analysis that is termed “Type Characteristics.” It should be understood, however, that these characteristics are not invariable, but are remarkably constant. They may interest chiefly those who aim to acquire expert information, yet they will doubtlessly prove valuable to every owner of a rug as a means for its identification.
It would be difficult to acknowledge all the assistance received by the author since he began the study of rugs; for sometimes a mere suggestion has started a line of investigation resulting in interesting discoveries. He has freely consulted well-known authorities, who are quoted in the body of the work; and has received valuable suggestions and assistance from Messrs. T. S. Hawley, of Santa Barbara, Cal., George Harootunian and Frank Loftus, of Los Angeles, Cal.; George Stevenson, of New York; G. Graf, of the Persische Teppiche Gesellschaft, of Tabriz; and P. de Andrea & Co., of Constantinople. He gratefully acknowledges the permission of Messrs. C. F. Williams, of Norristown, Penn., and James F. Ballard, of St. Louis, Mo., to study their valuable collections; and the permission of Dr. Wilhelm R. Valentiner, Curator of Decorative Arts in the Metropolitan Museum in New York, to examine the carpets of the museum and to take photographs of them. He also wishes particularly to mention the kindness of the following collectors and firms who have allowed their rugs to be used for illustrations: Miss Emily Davis, of Buffalo, N. Y.; the Misses Palache, and Messrs. Nathan Bentz and T. S. Hawley, of Santa Barbara, Cal.; Mr. R. Y. Struble, of Fredericktown, Ohio; Mr. E. L. Pierce, of Syracuse, N.Y.; Mr. H. C. Merritt, of Pasadena, Cal.; Mr. J. F. Ballard, of St. Louis, Mo.; Mr. C. F. Williams, of Norristown, Penn.; Major L. B. Lawton, U.S.A., of Seneca Falls, N.Y.; Messrs. Mihran & Co., of Los Angeles, Cal.; Messrs. B. Altman & Co., Benguiat & Keresey, Wm. Baumgarten & Co., Jones & Brindisi, Jos. Wild & Co., W. & J. Sloane, and the Tiffany Studios, of New York City. He is also indebted to Vincent Robinson & Co., Ltd., of London, for the use of the colour plate of the Royal Garden Carpet, now owned by them, and to the Royal Victoria and Albert Museum, South Kensington, London, for permission to obtain a colour plate of the Holy Carpet of the Mosque of Ardebil.
Walter A. Hawley.
New York, June, 1913.
CONTENTS
CHAPTER | | PAGE |
I | Introduction | 15 |
II | Physical Features and History of Rug-producing Lands | 20 |
III | Materials | 30 |
IV | Dyeing | 37 |
V | Weaving | 44 |
VI | Designs and Symbols | 58 |
VII | Rug Weaving before the Eighteenth Century | 74 |
VIII | Classification of Modern Rugs | 97 |
IX | Persian Rugs | 102 |
X | Asia Minor Rugs | 163 |
XI | Caucasian Rugs | 197 |
XII | Central Asiatic Rugs | 233 |
XIII | Indian Rugs | 253 |
XIV | Chinese Rugs | 263 |
XV | Kilims | 276 |
XVI | How to Distinguish Rugs | 282 |
XVII | Purchasing Rugs | 295 |
| | |
| Index | 309 |
ILLUSTRATIONS
Coloured Plates
Plate | | |
I | The Holy Carpet of the Mosque of Ardebil | Frontispiece Opposite Page |
II | Oushak Carpet | 40 |
III | Mosul Rug | 66 |
IV | Bergamo Rug | 102 |
V | Ghiordes Prayer Rug | 130 |
VI | Royal Persian Garden Carpet | Between pages 160 and 161 |
VII | Ladik Prayer Rug | 190 |
VIII | Soumak Rug | 210 |
IX | Samarkand Rug | 240 |
X | Kang-hi Rug | 270 |
XI | Keen-lung Rug | 300 |
Halftone Engravings
Plate | 1 | Khorassan Rug | 22 |
” | 2 | Meshed Rug | 26 |
” | 3 | Kirman Rug | 30 |
” | 4 | Shiraz Rug | 34 |
” | 5 | Niris Rug | 36 |
” | 6 | Feraghan Rug | 42 |
” | 7 | Feraghan Rug | 46 |
” | 8 | Hamadan Rug | 52 |
” | 9 | Sarouk Rug | 56 |
” | 10 | Sarabend Rug | 58 |
” | 11 | Carpet from Northwestern Persia | 64 |
” | 12 | Carpet from Northwestern Persia | 68 |
” | 13 | Compartment Carpet | 70 |
” | 14 | Persian Animal Carpet | 72 |
” | 15 | Persian Animal Carpet | 76 |
” | 16 | Persian Animal Carpet | 78 |
” | 17 | So-called Polish or Polonaise Carpet | 80 |
” | 18 | So-called Ispahan | 84 |
” | 19 | Armenian Carpet | 86 |
” | 20 | Asia Minor Dragon and Phoenix Carpet | 88 |
” | 21 | Portrait of Georg Gyze by Hans Holbein | 92 |
” | 22 | Oushak Carpet | 94 |
” | 23 | Sehna Rug | 98 |
| | Map of Persia | 104 |
” | 24 | Bijar Rug | 106 |
” | 25 | Kermanshah Rug | 110 |
” | 26 | Kurdistan Rug with Mina Khani Pattern | 114 |
” | 27 | Gorevan Rug | 118 |
” | 28 | Bergamo Prayer Rug | 122 |
” | 29 | Ghiordes Prayer Rug | 126 |
” | 30 | Ghiordes Rug | 132 |
” | 31 | Kulah Prayer Rug | 136 |
” | 32 | Melez Prayer Rug | 140 |
” | 33 | Melez Rug | 144 |
” | 34 | Rhodian Rug | 148 |
” | 35 | Konieh Prayer Rug | 152 |
” | 36 | Kir-Shehr Prayer Rug | 154 |
” | E | Primary Border-Stripes of Persian Rugs | 156 |
” | F | Secondary Border-Stripes of Persian Rugs | 158 |
| | Map of Asia Minor | 164 |
” | 37 | Anatolian Prayer Rug | 166 |
” | 38 | Mudjar Prayer Rug | 168 |
” | 39 | Daghestan Prayer Rug | 172 |
” | 40 | Kabistan Rug | 176 |
” | 41 | Kuba Rug | 180 |
” | 42 | Chichi Rug | 184 |
” | 43 | Tcherkess Rug | 188 |
” | G | Primary Border-Stripes of Asia Minor Rugs | 192 |
” | H | Secondary Border-Stripes of Asia Minor Rugs | 194 |
| | Map of Caucasia | 198 |
” | 44 | Baku Rug | 200 |
” | 45 | Shirvan Rug | 202 |
” | 46 | Soumak Rug | 204 |
” | 47 | Kazak Prayer Rug | 208 |
” | 48 | Kazak Rug | 212 |
” | 49 | Karabagh Prayer Rug | 214 |
” | 50 | Gengha Prayer Rug | 218 |
” | 51 | Royal Bokhara Rug | 222 |
” | 52 | Princess Bokhara Rug | 224 |
” | I | Primary Border-Stripes of Caucasian Rugs | 226 |
” | J | Primary Border-Stripes of Caucasian Rugs | 228 |
” | K | Secondary Border-Stripes of Caucasian Rugs | 230 |
| | Map of Turkestan | 234 |
” | 53 | Turkoman Rug with Katchli Pattern | 236 |
” | 54 | Turkoman Rug with PindÉ Pattern | 238 |
” | 55 | Turkoman Rug of the Salor Tribes | 244 |
” | 56 | Yomud Rug | 248 |
” | L | Primary and Secondary Border-Stripes of Central Asiatic Rugs | 250 |
” | 57 | Beshire Prayer Rug | 254 |
” | 58 | Beshire Rug | 258 |
” | 59 | Afghan Rug | 260 |
” | 60 | Beluchistan Prayer Rug | 264 |
” | 61 | Turkoman Saddle-bags | 268 |
” | M | Medallions in Chinese Rugs | 272 |
” | N | Primary and Secondary Border-Stripes of Chinese Rugs. 274 | 272 |
” | 62 | Srinagar Rug | 278 |
” | 63 | XVIII Century Chinese Rug | 282 |
” | 64 | Keen-lung Rug | 286 |
” | 65 | Keen-lung Rug | 292 |
” | 66 | Kurdish Prayer Kilim | 296 |
Black and White Engravings
| | Page |
Plate A | An Upright Loom | 45 |
Plate B | Technicalities of Weaving | 49 |
Plate C | Prayer Arches of Persian, Caucasian, and Central Asiatic Rugs | 61 |
Plate D | Prayer Arches of Asia Minor Rugs | 63 |
Plate O | General Designs | 291 |
Charts
Periods when Antique Carpets were made | 96 |
Technicalities in the weave of Persian Rugs | 161 |
Technicalities in the weave of Persian Rugs | 162 |
Technicalities in the weave of Asia Minor Rugs | 196 |
Technicalities in the weave of Caucasian Rugs | 232 |
Technicalities in the weave of Central Asiatic Rugs | 252 |