These two great festivals of the Christian year fittingly celebrate the Incarnation and Resurrection of Christ. Just as hope came with the Saviour of the world, so hope was quickened when He won the signal victory over death. He is indeed the unspeakable gift of God, and the spirit of gratitude for this marvelous blessing is best celebrated in song. The greatest hymns of the Church are inspired by these two events, which have liberated the human spirit and filled it with faith, joy, enthusiasm, loyalty. All the greatest poets, artists, musicians, were illuminated by the Christmas and Easter messages, and excelled themselves in setting forth the jubilant truths of redemption and eternal life through Christ the Lord of love and light. These productions have enriched the thought, excited the imagination and ennobled the lives of multitudes through all the Christian centuries. This they will continue to do to the end of time. The fount of poetic and artistic inspiration still flows, and from time to time there are added new Bishop F. W. Warne recalls An Incarnation Hymn that Fires the Imagination“The Church of the Lord Jesus Christ for two thousand years, on the anniversary of the sinless Incarnation, has sung hymns of joy and praise. Here is a part of the hymn that, when a child, fired my heart and imagination, when I heard it sung on such anniversaries, and it fires them still: ‘Mortals, awake, with angels join, And chant the solemn lay; Joy, love, and gratitude combine, To hail the auspicious day. . . . . . . . . . Hail, Prince of Life, forever hail! Hail, Brother, Friend! Though earth, and time, and life shall fail, The praise shall never end.’” Carols have invariably been sung on Christmas The Joy of ChristmasAll members of the family were gathered in the cozy living room of a south side home. The lights were out, but the mellow glow from a cheery fireplace illuminated the room with the soft light which seems to symbolize peace and quiet. Children romped on the floor; a playful puppy bounded here and there, yipping joyously; the old cat blinked sleepily and purred with contentment. Father was reading the paper and mother was perusing a magazine. In the windows hung red bells, and through the window the snow lay white and sparkling under the street lamps. A playful wind whipped up little swirling flurries of snow at intervals. Suddenly it came, clear through the night. Soft music, then a burst of song—“It Came Upon the Midnight Clear.” All within listened to the music in the night—Christmas music, carols. Then as it came nearer all rushed to the windows and saw a band of boys and men marching bravely by, blowing trumpets, horns—what not? The spirit of Christmas. Carols are also a part of the celebration on Christmas Day, and how they cheered the patients in a hospital is described when Nurses Sang CarolsThe nurses enjoyed a breakfast served by candle light at 6:30 on Christmas morning at the Faxton Hospital in Utica, New York, and then exchanged greetings. After this, clad in their uniforms, including their blue capes, attractively red-lined, they formed in a procession and marched from floor to floor of the building singing the familiar Christmas songs. Young mothers and their little babies, in the maternity building, were not forgotten. The nurses marched from the main building in the cold morning and sang as they walked along the sidewalk until they reached the maternity department, where they continued their carols. This self-appointed task conveyed pleasure beyond the power of words to express to the patients, some of whom were far away from loved ones. The act was one of those beautiful touches which unites the whole Christian world in a kindred feeling on Christmas Day. The thoughtful hospitality of the Maier family “Silent Night”At this party a festival play was performed in view of the approaching Christmas. It so stirred the young priest that instead of returning home he climbed the Totenberg, Mountain of the Dead, overlooking the village. He stood there in quiet meditation. The silence of the night, the blinking of the stars, the murmur of the Salzach River, all inspired him. Quickly he returned to his parish house and late that night the words of “Stille Nacht” were written. The next day he hastened to his organist, Franz Gruber, and requested that he write the music for this song. He composed the well-known tune. On Christmas Eve of 1818 the priest and organist were ready to offer their contribution for the first time. The organ proved to be out of commission but Gruber was ingenious. He hurried home and brought his guitar and to its accompaniment he and the priest sang “Stille Nacht” as a duet. It touched the congregation deeply and after the service the two friends, with tears of joy in their eyes, embraced on the steps of the church in gratitude for this impressive rendition. Since that Bishop Phillips Brooks was the friend of children as well as adults. His popularity as rector of the Church of the Advent in Philadelphia was unbounded and it continued when he went to Trinity Church, Boston. It was during a year’s vacation that he had an experience which later resulted in his writing the well-known hymn, “O Little Town of Bethlehem”In the course of his travels during this vacation he went to the Holy Land. On Christmas Eve he was in Bethlehem. He walked in the fields where the shepherds had heard the angelic chorus. He listened to the hymns of praise that kept ringing out upon the clear air. He saw the children of Bethlehem getting ready for Christmas. Two years later when he was back home his mind went back to his experiences in Bethlehem. He recalled the dark streets, the clear blue sky with stars, the quiet shepherds’ fields; and under the spell of these memories, in 1868, he wrote this Christmas hymn especially for the children of his Sunday School. This graphic description by Annemarie Ewing in The Christian Herald tells of Carols Sung by Children“I can’t think of any holier sound for Christmas Eve than that of young voices, clear and sweet in the cold, singing the simple, tuneful melodies that can’t grow old. Last year it was my pleasure and privilege to know a small group of youngsters who wanted to go caroling Christmas Eve. They didn’t mind the cold or the long walk or the wind and snow. They wanted to sing! “I can see those bobbing little heads now, all sizes and shapes—from Rose Marie’s tall, smartly hatted elegance to Babe’s roly-poly woolen cap, just under my arm. How eager they were, and what stories I had to tell them to keep them quiet till we got to each place! We planned to sing under the windows of all our special friends. “And how we did sing! I do not know whether it was sweeter to stand there holding my hand before Babe’s candle while her big blue eyes were lifted up to see the book (she had to stand on her ‘Joy to the world! the Lord is come; Let earth receive her King! Let every heart prepare Him room, And Heav’n and Nature sing. And Heav’n and Nature sing, And Heav’n and Heav’n and Nature sing.’ “I know that there were tears in my own eyes when we reached ‘Silent Night,’ and that from the tight closed window of old Mr. Simmons, crotchety and bad-tempered, there fell a shower of walnuts and pecans! In the big house across the way where a little child lay ill the windows were softly raised, and I could not help but stoop and kiss chubby Babe, who pulled my arm to whisper that ‘she hoped Margaret-who-was-sick heard.’ “Christmas Carols! Whether they are sung aloud or whether they buzz and chime through your heart—it is the same. Let them ring out!” One of the well-known celebrations is that on Easter Morning in America’s BethlehemThe Moravians celebrate Easter with impressive ceremonies in Bethlehem, Pennsylvania. Early in the morning the trombonists walk through the quiet streets of the city and awaken the people with their inspiring anthem. Soon lights appear in the windows of the homes and the people join the procession towards the old church, greeting each other with gladsome salutations. The Easter service in the church continues till sunrise when the congregation march out, led by the trombonists, to the ancient burying-ground. At this place of sacred memories the people stand in a large semicircle looking towards the eastern hill, as a symbol of their devout faith. The ministers and trombone choir stand apart, and the service proceeds with song and responsive readings. The atmosphere of reverence and hope pervades this company on the chilly morning of early spring, as they confess their faith in the glorious resurrection and celebrate the triumph of their loved ones in Christ. The appearance of the sun over the hill is the signal for the outburst of a hymn of adoration and praise, to the accompaniment of the trombones. This Easter service, begun in the church and concluded in the cemetery, is a memorable occasion, Here is a fine Easter anthology from a sermon by Dr. George Elliott in The Methodist Review, which reminds us of what Hymn Writers Tell of Heaven“Listen to Cardinal Newman, the Roman Catholic, as in the delicately beautiful poem, ‘Lead, Kindly Light,’ he dreams and speaks about the time when: ‘The night is gone And in the morn those angel faces smile Which I have loved long since, and lost awhile.’ “And then Isaac Watts, the Nonconformist, has no gloomy view when he says: ‘Give me the wings of faith to rise Within the veil and see The saints above, how great their joys, How bright their glories be.’ “And John Fawcett, the Baptist, who has written ‘When we asunder part, It gives us inward pain; But we shall still be joined in heart, And hope to meet again. From sorrow, toil and pain, And sin we shall be free; And perfect love and friendship reign Through all eternity.’ “And Muhlenberg, the Episcopalian, joins in the chorus that the poet-choir are singing, and lifts his gaze to that heavenly country, and exultantly sings: ‘Where the saints of all ages in harmony meet, Their Saviour and brethren transported to greet; While the anthems of rapture unceasingly roll, And the smile of the Lord is the feast of the soul.’ “And Bonar, the Presbyterian, will not be left behind as he sings of the land ‘Where none shall beckon us away, Nor bid our festival be done; Our meeting time the eternal day, Our meeting place the eternal throne. Then, hand in hand, firm linked at last, And heart to heart enfolded all, We’ll smile upon the troubled past And wonder why we wept at all.’ “And best of all, Charles Wesley, who doubtless has been appointed to lead the choirs of heaven when the angel chorister is tired, sings for us, and with us: ‘Come, let us join our friends above That have obtained the prize, And on the eagle wings of love To joys celestial rise: . . . . . . . . . One family we dwell in Him, One church, above, beneath, Though now divided by the stream, The narrow stream, of death: One army of the living God, To His command we bow; Part of His host have crossed the flood, And part are crossing now. . . . . . . . . . O that we now might grasp our Guide! O that the word were given! Come, Lord of hosts, the waves divide, And land us all in heaven!’” It was a great open-air service when we were favored with Salvation Army Music on Easter MorningBrooklyn’s Easter Dawn Service in 1930 found ten thousand people assembled at Prospect Park Plaza for a community gathering under the auspices of the Brooklyn Federation of Churches. The first in the order of worship was a selection by the Salvation Army Band. “Low in the grave He lay— Jesus, my Saviour! Waiting the coming day— Jesus, my Lord! Up from the grave He arose, With a mighty triumph o’er His foes; He arose a victor from the dark domain, And He lives forever with His saints to reign: He arose! He arose! Hallelujah! Christ arose!” It was so appealingly appropriate that every listener seemed to be touched, and men quietly lifted their hats even though the morning was cool. The band led the various hymns, the closing one of which was— “All hail the power of Jesus’ name! Let angels prostrate fall; Bring forth the royal diadem, And crown Him Lord of all.” What proved to be the climax of this exhilarating service was reached when the Salvation Army band left the scene playing their favorite marching song of conquest, “Onward, Christian Soldiers!” How the good we do comes back to us is seen in a familiar hymn, Sung by and for SankeyWhen lying in weakness and the darkness of blindness the musical genius of the evangelistic world, Ira D. Sankey, was visited by Dr. F. B. Meyer, of London, a long-time friend. “Would you like me to sing something for you?” asked Sankey as Meyer was about to leave. Then he began: “There’ll be no dark valley when Jesus comes.” Though weak, he continued through all four stanzas, ending with “There’ll be songs of greeting when Jesus comes, There’ll be songs of greeting when Jesus comes; And a joyful meeting when Jesus comes To gather His loved ones home.” On an Easter morning a group of young people went to the home of Sankey in Brooklyn, when he was in his last illness, and outside the window amid the morning sunshine sang the hymn which he had sung to thousands of others, and which he greatly cherished: “There’ll Be No Dark Valley When Jesus Comes.” The thoughtfulness of these young people was greatly appreciated by the great evangelistic singer. It was an inspiringly appropriate message for a sunrise song service on an Easter morning. |