  “That was heavenly,” said a Welshman at the close of a service of sacred song at which he had listened to the narration of incidents with apparent delight and had joyously joined in the singing. Hymns are a source of joy to persons of all ages; and youth and age alike enjoy singing them. The hymnal stands next to the Bible in the devotional reading of many people. Workers among young people find hymn stories to be an important feature of their work; and preachers know that an illustration relating to a hymn not only makes an effective appeal but is also long remembered. Short hymn stories give comforting satisfaction to sick people in their quiet chambers, especially when they can sometimes sing or hum them. Great hymns belong to the ages. They are timeless, and always new stories are being associated with them. But this collection of stories does not range over the centuries; it comes from our own century almost entirely. The hymns are mostly old; but the stories are new. Two quotations indicate what a hymn is and its effects. The following was adopted by The Hymn Society of America as its definition of a Christian hymn: “A Christian hymn is a lyric poem, reverently and devotionally conceived, which is designed to be sung and which expresses the worshipper’s attitude toward God, or God’s purposes in human life. It should be simple and metrical in form, genuinely emotional, poetic and literary in style, spiritual in quality, and in its ideas so direct and so immediately apparent as to unify a congregation while singing it.”—Carl F. Price. “Some kinds of music are like mental and spiritual food. They console us when we have lost someone dear to us. They inspire us to higher forms of living, which give us greater inner satisfaction. They stimulate us to make greater effort to overcome the immense difficulties in the future. This kind of music is beyond question of great value to every individual, community, and nation. This kind of music was bequeathed to us from many lands and is the birthright of everyone.”—Leopold Stokowski in “The New York Times Magazine.” Hymn stories are related to a definite moment and to an unusual experience, such as the one which tells of the men in the submarine (p. 60); or that which relates how the visiting Scotsman thrilled the Presbyterian ministers in Philadelphia, and their kindled emotions found expression in a hymn (p. 109). Many of them came spontaneously from the heart, and thus they make a lasting impression. Such incidents as these, coming from several lands, the author has gleaned from many sources, both American and British, and now he shares them with his readers. The sources from whence they came have been indicated, and his gratitude for the privilege of passing them on to others is very great. The index will enable the reader to find the hymns included. The hymns themselves come from standard hymnals of the churches. A short bibliography is included. Among the books mentioned, that of Dr. Moffatt is especially useful, because it partakes, somewhat, of the nature of a short dictionary of hymnology. Professor Smith’s work is unique in its arrangements and will be particularly helpful to those preparing programs for special occasions. A copy of the handbook to the hymnal which the reader uses will prove to be very valuable. The author gratefully acknowledges the helpful service rendered by the Rev. Herbert Harrison. Readers will peruse with deep interest the Foreword written by Bishop W. Earl Ledden. His life has been intimately related to church music. During his student days in both college and theological seminary, he was actively associated with musical leadership. Since his election to the episcopacy, he has sometimes given addresses to group meetings of ministers and church lay leaders on the importance of appropriate music in church services. His words, therefore, come from the pen of one who has had ripe experience in the field of hymnology. William J. Hart. Lacona, New York |
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