“What was the greatest moment of all?” That was the question put to General Evangeline Booth of the Salvation Army when she was 81 (Christmas Day, 1946), by Dorothy Walworth, who narrated the interview in The Christian Herald. Retired, yet in good health and still working hard, this magnetic speaker, whom I once heard as she thrilled a mighty audience with her fervent oratory, paused a moment. As daughter of the founder, and later his honored successor in its leadership, there had been many high moments. Then came her answer with conviction as she related that her finest experience came on a day which she spent in the Leper Colony in Poethenkuruz, in southern India, where a chorus of little leper girls had been trained to sing one of the hymns she wrote for the Army. They stood before her in their dainty white dresses. Faces and “With all my heart, I’ll do my part,” They put their tiny scarred hands over their hearts, and I was overcome,” said Miss Booth. Princess Elizabeth (prospective Queen of England) was married to Prince Philip on November 20, 1947. This was the centennial of the death of Henry F. Lyte. The Princess, therefore, arranged for the rendering of his hymn: “Praise, my soul, the King of heaven, To His feet thy tribute bring,” when the bridal party entered Westminster Abbey. “This same hymn,” said The Diapason, “was also sung at the wedding of King George and Queen Elizabeth.” “Abide with Me” in a SubmarineFiction has rarely given us anything more arrestingly strange than the following narration of a few minutes of life with their bewildering experience. The story was related in The Methodist Recorder, London, in its issue of December 19, 1946, and is here reproduced in the exact words of the writer, Campbell Marr of Kirkaldy:
Wheel Chair SingersWe looked long at the unusual picture which stood out prominently on the front page of our morning newspaper (an AP Wirephoto). The item carried the heading which we are using. A group of twenty-five singers was shown, and they all sat in wheel chairs. They were all polio The courageous singers were seated in the little white chapel in Warm Springs, Georgia, where President F. D. Roosevelt last attended a service of worship. Now, two years after his sudden passing, a memorial service was being conducted for him. This was on April 12, 1947, and three hundred polio victims and villagers were present—the patients also occupied wheel chairs. An overflow company of two hundred were outside on the greensward in front of the chapel, and listened to the service which was conveyed to them by loudspeakers. The pew in which President Roosevelt always sat when he was at Warm Springs was reserved. Warm Springs was the place to which he often went when making his heroic fight with his affliction. The health-giving sources which he there found were greatly helpful. It was there that death came suddenly to him; there the Little White House stands; and there State Guards have maintained constant vigil since his translation. The American flag was on that day at half staff at the unpretentious cottage where he spent restful, though busy, days. The leader of the Wheel Chair Choir, Mr. Fred Botts, also occupied a wheel chair as he directed his group of plucky singers—young people who were there for treatment. For the Georgia Warm Springs Foundation is the largest center in the world for the treatment of poliomyelitis. Thither go patients from every state in the union. One newspaper supplied the thing I wanted to know, for I wondered what hymns would be sung by such an exceptional choir—young people fighting with determination for their health and their future. First came: “Faith of our fathers! living still.” The second hymn which the Wheel Chair Singers led the congregation in singing on that pleasant April day was one which is peculiarly impressive: “Be still, my soul: the Lord is on thy side; Bear patiently the cross of grief or pain; Leave to thy God to order and provide; In every change He faithful will remain. Be still, my soul; thy best, thy heavenly Friend Through thorny ways leads to a joyful end.” This hymn by Katharina von Schlegel appeared in 1752, and very little is known of the writer. It was “adequately translated” by Jane Laurie Bothwick (1813-1897) of Edinburgh. While visiting Switzerland, a friend suggested that she translate some German hymns in which she was interested. Therefore she and her sister, Sarah Bothwick Findlater, worked together in translating Hymns From the Land of Luther. Comforting and challenging must have been the appeal to the hearts of the crippled patients as there came to their lips the words of the second verse: “Be still, my soul, thy God doth undertake To guide the future as he has the past. Thy hope, thy confidence let nothing shake; All now mysterious shall be bright at last. Be still, my soul: the winds and waves still know His voice who ruled them while He dwelt below.” Times there are in life when not only the occupants of wheel chairs, but also the rest of us, may serenade our souls by singing or quoting that bravely suggestive line: “Thy hope, thy confidence, let nothing shake.” Sang the Hymn from MemoryWhen Theodore Roosevelt was running for the presidency in 1912, he spent a weekend with William Allen White in Emporia, Kansas. The plan was to take him to the Congregational Church on Sunday morning for worship, but the guest asked if there were not a German Lutheran Church in town. “There was, and I took him there,” said White. A feature that impressed the host is related in The Autobiography of William Allen White. Both building and congregation were small. Naturally everybody stared at Roosevelt in amazement. But the preacher lined out the hymns, and White was delighted to note that Roosevelt stood with the congregation and sang three stanzas of “How firm a foundation, ye saints of the Lord, Is laid for your faith in His excellent word!” without taking up the hymnal. He showed no hesitation concerning the words. Perhaps, however, White did not know that the hymn was one of Roosevelt’s favorites. Both Andrew Jackson and Robert E. Lee were fond of it; and it was used at the funerals of both Lee and Roosevelt. Its frequent use in services of worship in the United States is indicated by the fact that it is placed second in the Inter-Church Hymnal by Morgan and Ward (1930). An early memory of the writer is that of an old man at a large religious gathering. During the evening this hymn was sung. He stood erect and with face aglow as he joined in the singing. He had seen much of life and doubtless realized from personal experience the reality of “When through the deep waters I call thee to go, The rivers of woe shall not thee overflow; For I will be with thee, thy troubles to bless, And sanctify to thee thy deepest distress.” The tears now began to flow down his cheeks; but he sang clear to the closing lines as he continued to wipe away the tears: “The soul that on Jesus still leans for repose I will not, I will not desert to his foes. That soul, though all hell should endeavor to shake, I’ll never, no never, no never, forsake.” This is a good memory hymn, for its assurances are fitted to many situations and emergencies of life. Hymn Expressed the Hearer’s Feelings“That hymn expresses exactly what I have felt for years. How often I have wanted ‘A little shrine of quietness, all sacred to myself.’ How often have I wanted ‘a little shelter from life’s stress.’” That was what a hearer said to a New Jersey minister, the Rev. Daniel Lyman Ridout, at the close of worship during which the clergyman read the words of John Oxenham, while his daughter accompanied him on the piano “with reverent insight”: “Mid all the traffic of the ways— Turmoils without, within— Make in my heart a quiet place, And come and dwell therein.” Oxenham’s hymn expresses the desire of the soul in life’s supreme moments. This hymn was written during World War I, when the “sorrow of the human race was most acute.” Writing under the name of John Oxenham, the author’s real name is William Arthur Dunkerley. Following his education in Victoria University, Manchester, he followed a business career. He spent some time in the United States, and also traveled extensively in Europe and Canada. “He began writing as a relief from business,” we are told. Finding that he enjoyed writing more, he “dropped business and stuck to writing.” A most unusual note is sounded in this hymn. The heart of the mystic calls for: “A little shrine of quietness, All sacred to Thyself, Where Thou shalt all my soul possess, And I may find myself.” In a little private chapel down in the south of England he found the little “shrine of quietness” which he coveted. Thence he would go to “sit and think,” and realize his desire for: “A little place of mystic grace, Of self and sin swept bare, Where I may look upon Thy face, And talk with Thee in prayer.” Hymn of the Homesick AmericanLeading representatives of every department of English public life assembled to do honor to one “who had The scholarly orator, arising to speak, confessed that he was resigning because he was homesick. Then he explained: “My friends on this side of the water are multiplying every day in numbers and increasing in the ardor of their affection. I am sorry to say that the great host of my friends on the other side are as rapidly diminishing and dwindling away: “‘Part of his host have crossed the flood, And part are crossing now;’ and I have a great desire to be with the waning number.” This was an effective use of words from a great hymn which Mr. Choate, a Harvard graduate, evidently well knew. The incident has been preserved for us by the Rev. John Telford. They came from the hymn of Charles Wesley, which begins: “Come, let us join our friends above Who have obtained the prize.” This was the hymn that John Wesley and his congregation in Staffordshire were singing at the hour when Charles Wesley, its author, joined the company in heaven. Once, when in Dublin, John Wesley announced this hymn, and making some comments on the same affirmed that it “One army of the living God, To His command we bow: Part of his host have crossed the flood, And part are crossing now.” Students in the classes of the beloved Samuel F. Upham, professor in Drew Theological Seminary, will readily recall how he, in advancing age, with characteristic fervor and deep emotion, occasionally quoted the third and fourth lines of this cherished verse. Stevenson, in his informing discussion of the Wesley hymns, has given us a great variety of incidents associated with this song, and refers to it as “that great and impassioned hymn.” His Ordination HymnThe day of his ordination is a sacred one in the life of a minister. It marks the time when he is definitely set apart for a very sacred task for the balance of his life. Therefore the events of that day are deeply embedded in the life of the individual who is henceforth to proclaim the gospel. Reference was made by Dr. William Pierson Merrill, then pastor of the Brick Presbyterian Church in New York City, on October 26, 1930, when the fortieth anniversary of his own ordination was observed, to the special hymn which was sung on that occasion. Written by the scholarly Dr. Timothy Dwight, it has held a secure place “I love Thy kingdom, Lord, The house of Thine abode, The Church our blest Redeemer saved With His own precious blood.” Speaking of what the hymn had meant to him through the years of his pulpit and pastoral experience, he said: “I believed then, I am far surer now, that this is the attitude for every Christian, and everyone who would do his best for the common good. You cannot afford to neglect the church.” Then once more the hymn was sung. Deep in the affections of thousands of Christians there dwells this love for the church of the living Christ. Therefore through the decades since this hymn was written Christians have assembled in their various places of worship, and have meaningly and happily sung: “For her my tears shall fall; For her my prayers ascend; To her my cares and toils be given; Till toils and cares shall end.” Soldiers Sang at Their General’s FuneralThe great military leader who had a premonition that he would die in battle came to his death as the result of an accident sustained soon after the close of World War II. Generals and colonels were the pall bearers of General George S. Patton, Jr., when he was laid to rest on Christmas eve, 1945, in the American Military Cemetery near Luxembourg. Six hundred men who had served under General Patton in combat formed an honor guard; and his grave “was no different from six thousand others Funeral services were held in Christ Church, Heidelberg, Germany, on December 23rd, and those were extensively reported for the Associated Press. Two army chaplains were in charge. Mrs. Patton, who sat in the front of the church, “turned her head to look at the choir loft when a soldier choir of thirty-six voices” began to sing the first hymn: “The strife is o’er, the battle done; The victory of life is won; The song of triumph has begun. Alleluia!” “This is one of those Easter hymns which is included in almost every hymnal, but which is actually used much less than it deserves,” remarks Dr. Charles A. Boyd. Tersely he adds: “It is a historic treasure, one of those Latin hymns so old that nobody knows the exact age.” When the choral group from the Seventh Army began to sing: “The Son of God goes forth to war, A kingly crown to gain; His blood-red banner streams afar: Who follows in His train?” the khaki-clad officers and men who filled Christ Church, where the Episcopal service was conducted, joined in singing the familiar hymn. Onward to its concluding lines they sang with mighty voice: “A glorious band, the chosen few On whom the Spirit came, Twelve valiant saints, their hope they knew, And mocked the cross and flame; They climbed the steep ascent of heaven Through peril, toil, and pain: O God, to us may grace be given To follow in their train!” The comment of Dr. Charles S. Robinson concerning this hymn merits consideration: “This is one of Bishop Reginald Heber’s finest lyrics, ranking in the estimation of many with that anthem-like composition, ‘Holy, holy, holy, Lord God Almighty.’” The two hymns mentioned were sung at the request of Mrs. Patton, who stated that these were the two hymns which her husband most loved. The soldiers lifted the flag from the casket, “and held it a few inches” above the lid when the burial service occurred at Luxembourg. The 63rd Psalm (General Patton’s favorite passage of Scripture) was intoned by Chaplain Edwin R. Carter. The military men bared their heads, and the service closed with the Lord’s Prayer. “With the ending of the prayer, the soldiers folded the flag and handed it to Mrs. Patton.... A bugle sounded taps for the fallen leader.... The Russian, British and French generals, their great coats gleaming with medals, held themselves strictly in salute until Mrs. Patton turned to leave.” The body of the American general was now resting beside that of an American private. Details will gradually be forgotten by those who witnessed them, or followed the reports in the daily newspapers; but Americans will love to recall the favorite hymns of a beloved military leader who participated in a most significant manner in the events of World War II. |