It is Christmas day in the morning. At least, so Almanack says, and Almanack ought to know, though he is given in those days to such ornate and emblazoned titivation of himself outwardly, putting himself in the hands of fair Mistress Kate Greenaway at the head of a mischievous throng, that he causes one to seriously consider whether his old head be turned or no. A scholar and statistician buried in heaps of flowers, with a rope of daisies round his neck, and a belt of primroses round his waist; a sunflower in his buttonhole, and a singing bird upon his shoulder; and, worst of all, the picture of a pink-frocked, pink-faced girl next his heart—can he be relied upon? But he persists in his claim to be listened to, and we must take his word for it that this is Christmas day in the morning, although it just looks like any other day. On any other day the sun is just as bright, and the air just as keen. On other days the snow is just as white, just as deep—two feet where the constant tramping has levelled its crystalline beauty, ten, twelve, fifteen there where a great soft cloud of drift reaches halfway up the side of a small wooden house. On other days there is just as much blue in the sky, in the smoke, in the shadows of the pines, and the shadows of the icicles. On other days the house looks just as neat, just as silent, just as poor. The clearing is small, the house is small, a small terrier suns himself on a pile of wood, and the only large object apparently in existence is the tall, broad-shouldered, well-proportioned man who presently emerges from the wooden house. His ear has just caught the sound of a bell. It is not a bad bell for Muskoka, and it has a most curious effect on this white, cold silent world of snow and blue shadows. The owner of the house, who is also the builder of it, stands a few moments listening. There is only the twitter of the snowbirds to listen to, then the bell; more snowbirds, and then the bell again.

“It has quite a churchy sound,” he remarks; “I never noticed how churchy before, but it reminds me of some other bell. Ten years I have read for them here, and I never noticed it before.” More twitter from the snowbirds and the bell again. Time for church, although the functions of the lay-reader will be this day laid aside, giving place to the more exacting ones of the rector chori. This being Christmas day in the morning, it devolves upon one clergyman to preach in four different places, if not literally at once, at least on the same day.

“It isn't possible,” thinks the tall man swinging along at a tremendous pace, “that this bell—there it is again, confound it; yet no, not confound it—can resemble that other bell I used to know. No, quite impossible. Is it likely that anything here,” and the thinker spreads both long arms out to take in the entire landscape, “can resemble or remotely suggest the Old Country, or, as people call it, home? Home? Why this is home. That four-roomed and convenient, if not commodious, mansion I have just quitted is my home. Talking of commodiousness, it's quite large enough, too. I have no wife, no children, no partner, not even a sleeping one, no one ever comes to see me. So I do not need a drawing-room, a nursery, a guest chamber, or a smoking-room. I have no books, therefore I need no library; I indulge in no chemical pursuits, therefore I need no laboratory; my music-room is the forest in summer and the chimney in winter, while my studio, according to the latest aesthetic fad—I think that is the word—opens off the music-room.

“Now, if you take away art, science, literature, and society from the daily life of a man, what do you leave? Simply the three radical necessities of sleeping, eating, working. My work I do mostly in the open air, so that, practically, I need but two rooms, one to cook in and the other to sleep in. I have always felt convinced that to be happy I only require two rooms, except on extra cold nights, when I find that one suffices. That is when Tim and I lie near the kitchen fire to keep warm. Home! Why of course it is home. Didn't I build the house myself? What association is dearer than that? To come into a pile of half-ruined towers, all gables and gargoyles, built somewhere about the fourteenth century, and added to by every fool who liked, without the slightest pretence to knowledge of architecture and civilization may be very gratifying, but, strange as it may seem, I prefer the work of my own hands. I am quite a Canadian, of course, though I once was an Englishman. I array myself in strange raiment, thick and woollen, of many colours; my linen is coarse and sometimes superseded by flannel; I wear a cast-off fur cap on my head and moccasins on my feet. I have grown a beard and a fierce moustache. I have made no money and won no friends except the simple settlers around me here. And I shall grow old and grey in your service, my Muskoka. I shall be forty-one on my next birthday. Then will come fifty-one, another ten years and sixty-one. All to be lived here? Yes, I have sworn it. Not Arcady, not Utopia, only Muskoka, but very dear to me. There is the forest primeval! I know everything in it from the Indian pipe—clammy white thing, but how pretty!—to that great birch there with the bark peeling off in pieces a yard wide. There is the lovely Shadow river. Masses of cardinal flowers grow there in the summer, and when I take my boat up its dark waters I feel that no human being has felt its beauty so before. I think, for a small river it is the loveliest in the world. And as to my larder now, why I am going to make my Christmas dinner off a piece or pork and ask for nothing better! I shall have a glorious appetite, which is the main point. The bell again!”

Yes, and the snow birds, too, flying round the porch of the little church. It is a very small and plain edifice and not over warm, and the officiating clergyman, who has just driven eighteen miles with the prospect of eighteen back after service, hurries the proceedings somewhat. There is a harmonium played by the tall man, and there is a choir consisting of himself and a small boy. In place of the usual Anglican hymns two carols are sung by the choir, which have the quaintest effect in such a place, and which appear to interest and even excite one of the congregation. This is a man of middle age, most richly dressed with a certain foreign air about him and evidently in a very delicate state of health. He is accompanied by a lady whose dress is also a marvel of beauty and costliness though hardly of fitness. The broad bands of gold which adorn her wrists and neck would alone procure for her the entire attention of the congregation were she seated in a more conspicuous place. As it is they are seated near the stove for increased comfort. “Good King Wenceslas” sings the choir, the small boy finding the long word very trying, and coming utterly to grief in the last two verses, for his companion appears to have lost his place. With the last verse of the carol comes the close of the service, the straggling congregation disperse and the jolly clergyman drives off again. Then an important thing happens, and happens very quietly. So quietly that the richly dressed lady who is a bright, shallow and unsentimental Californian does not mind it at all. “Humphrey!” says the tall man, “Hugh!” says the other, and all is said. There is not much sentiment in the meeting, how can there be? Their ways have gone too far apart. The years—nearly twenty, since they parted in Los Angeles—have brought gold and kith and kin to the one, with an enfeebled constitution and an uncertain temper. To the other, they have brought the glory of health for his manhood's crown, content and peace unutterable. To learn to subdue the ground is to learn one great lesson. So the strange meeting is soon over. The Christmas spell may not always last and the brothers separate once more.