He fell instinctively into a small manoeuvre, which was merely this: that he quietly shifted forward his public itinerary by quarter of an hour. Next day, he started rapidly toward the street-cars at quarter before one, and shot out of Miss Grace's at quarter past four, sharp. Ultimate detection was certain, of course; but for the moment the trifling ruse did seem to win a hardly hoped-for respite in the headlong courtship. Neither on Friday, nor again on Monday, was the Home-Making Fordette so much as seen. And the next disturbance of the authority's delicate social scales, and of the author's Line, came, as might be said, from precisely the opposite direction. In the Studio, matters had continued to progress backward. Once here, and the door safely shut, Charles had been steadily at work, the hymeneal shadow put resolutely from his mind. No writer's time, he had pledged himself, should go to somber meditations on the cosmic consequences of a kiss, still less to fruitless bitterness concerning wasted write-ups, the hardness of Egoettes, etc. Day by day, he had wooed that subtle calm of the spirit which is the bread and meat of authors; night by night, expended himself in the service of pure Letters. And it had all been for nothing. Contrary to explicit resolve, in short, he had been making a fresh attempt at his new novel, hoping—rather weakly—that his mind wasn't quite so unsettled as he secretly knew it was. And, once more, he had been well punished for his rashness. Symptoms of weakness having developed increasingly through the week just past, on Monday evening Charles took his medicine, just before supper. Ten thousand words of brand-new manuscript lay in his drawer there; and he would be lucky if he could save a thousand of them for the novel that should be. Of the "line" taken by this second abortive effort, the less said the better. It suffices to suggest that if Mary Wing had been a totally different sort of person, it might never have been undertaken at all. Of all ways of spending the time known among men, unquestionably the most abominable, the most nerve-wrecking and devilish, is Thinking up a Book. Charles smoked box after box of cigarettes, couldn't sleep at night, talked in his sleep when he did, and was growing a scowl between his brows almost as dark as poor Two-Book McGee's—the interesting Type that was leading its own life and wished it weren't. The final conviction of the worthlessness of his work was hardly calculated to improve the young man's state of mind. He was, indeed, profoundly discouraged and concerned. For ten weeks now he had been struggling to isolate a point of view which would at once "carry" all his newer observations on his Subject, and command the support of his unqualified conviction. And to-night he seemed further away from his goal than he had been the day he finished "Bondwomen." However, what brought Charles's humor to a sudden head this evening, what precipitated the fury in which Donald Manford found him—Donald, entering so happy and fine in the evening regalia which the match-making Mary seemed to clap on him every night nowadays—by chance had not to do with his own book at all, but with another's. In short, the young author, very injudiciously in view of his resolve to think of Egoettes no more, had been dipping into "Marna." This book of Angela's had long lain as a plague on the mind of Charles. For a space, he had not returned the book because of the estrangement, or misunderstanding; for another space, because of the swiftly ripening intimacy, compelling the general policy of lying low; and now a large fresh obstacle had risen, in the girl's unfortunate remarks directly connecting the return of her book with a call. Whether, after that, he could harden his heart to slip "Marna" back to her by the hand of the Judge—without any appreciative blossoms, needless to say—remained to be seen. So long as the situation remained as it was, Charles had decided simply not to take up the worry at all. Hence Angela's book rested, gathering dust on the Studio mantel. And, chancing to come on it in his moody pacings after supper, the author had picked it up, in mere resentment at its being there. Standing hostilely, he permitted himself to skim a few pages of the stuff, toward the end. Next, with growing intention, he looked into the middle. And finally, he sat frankly down with "Marna" in the Judge's new easy-chair. It had occurred to him that it was probably his professional duty to see what sort of line on the Unrest the other fellows were taking these days. This book here was enjoying an immense vogue; every newspaper reminded you that it was the Best Selling Book in America. What truth, then, did it have to tell? Or—put more simply—it may be that Charles had merely fallen a weak victim to the true writer's continual temptation and longing, viz.: to clutch at anything, anything, that will keep him from having to write, or think up. Angela's book (which was so strangely unlike Angela) had come from the typewriter of a brilliant and industrious British Thinker. From the "literary criticism" and publisher's advertising that he read—and he seemed to read little else in these days—Charles had already gathered that "Marna" followed that simple "ultra-modern" line which to him, with his expanding knowledge, now seemed so oddly old-fashioned. In his standing skim just now, he had noted, with quickening distaste, how easily Marna accomplished a glorious Career: as, indeed, a girl has small excuse for not doing, when she has an able author working for her night and day. In particular, he observed that her "demonstrating experiment in freer forms of union" turned out far more happily than poor unauthored Flora Trevenna's. As well as Charles could make out, Marna's swain not only had a wife living when she met him, but was engaged to another woman besides. But when the splendid girl said to him, on page 478: "What a joy, beloved, to strike back at the grubby little people who're trying to fetter the love-spirit! Ah, but I'm glad you're married!"—after this, every one knew that it was all up with De Bevoies, who, being a poet, could hardly be expected to argue back at agreeable talk of this sort. (Marna had met him at an anarchist "social"; he was stunningly modern, and borrowed two pounds from her the first thing next morning.) Not long after the talkative but Higher Honeymoon on the Breton Coast, Mrs. De Bevoies died, with thoughtful promptness, and it was noted that the New couple at once adopted the old-established form of union, after all, and (of course) quickly became the toasts of London. "George!... How easy writing would be," thought Charles, with great indignation—"if only the truth were as simple as that!" And then, seated under the lamp Wallie Flower had so skillfully repaired, he turned to page 1, intent upon getting this other fellow's heroine, and her Career, at the point of origin. The Twexhams, he learned, lived quietly, thirty miles from London. (Their address, if it is of the smallest interest, was Fernleigh Cottage, the Priory, Dean's Highgate, Lower-Minter-on-the-Mavern, Essex.) Marna Twexham had the striking beauty conventional among the Freewomen of fiction. Having had a year at college, attended several gatherings in the Redmantle Club vein, and read three or more books in which unmarried women told the truth about Life, she inevitably reached the conclusion that it was her duty to make herself free. Put in another way, she saw that it was her duty to go to London. For, of course, "young women of genius" understand perfectly that freedom is a matter of geography, a metropolitan consummation, as we might term it, and would properly smile at the antediluvian who maintained that people can be free in the suburbs, if they can be anywhere. Thus Marna smiled at the old fogey, her father, who opposed her going to London to be free. It seemed that the old chap, for reasons Charles could not fathom, actually wanted to keep the girl with him. "There are dangers in London that a good woman knows nothing of," he said, warningly; but Marna eyed him so knowingly that he changed his tune at once. "You are all we have left, Marny dear," he wheedled. "Don't go away from us—yet, at any rate." "Why is it assumed that a woman who does not choose to marry is left?" asked the wise strong girl; and while her father scratched his head over this poser, she continued, firm but kind: "Really, you know, Dad, the idea that people have got to spend their lives together merely because of an accidental birth relation—really, you know, all that's jolly well played out. We've proved quite too awfully much about the beastly repressive influence of the family-tie." "But your sister!—poor invalid Muriel!" pleaded old Twexham. "She loves you so much, she so dependent on you! It will kill her to—" Marna's smile, checking his maundering, was a great credit to her self-control (the author said). To set up playing checkers with a neurasthenic spinster, against a soul's sacred duty to itself and mankind! "Can't you really see, Dad," she said, quite patiently, "that a trained nurse can look after my sister much more efficiently than I can?" "It isn't that—exactly," faltered the moss-back parent. "It's your love she needs. And—I feel that you do belong to us, Marny dear! I feel that—" "No, father," replied the glorious creature, gazing out the oriel window, over the terrace, rose-garden, etc., and into the morning sun. "I belong—out there! Such small abilities as I may possess," said Marna with exquisite modesty, "belong to the Race. Such small contributions as I may be able to make to the thought of my time, I dare not withhold. I cannot be weakly sentimental—and stay," she concluded, with some feeling. (And indeed Dean's Highgate was a quiet, dull place; Lower-Minter-on-the-Mavern, also.) Presently, the old fellow broke down and wept, and then Marna, repelled, eyeing him as if he were something odd and decidedly contemptible, said firmly ... "Nasty little beast!" cried Charles Garrott, aloud. He leapt from Judge Blenso's easy-chair, and glared about like one desirous of something to kick, and that right quickly. Then, with a flashing understanding of his need, he went springing toward the Studio window. And passionately he flung the window wide, and passionately he hurled the best-selling book in America forth into the winter night. "Faugh!" shouted Charles. Down in dark Mason Street, the shooting "Marna" struck the limb of a large tree, and caroming violently, bounded back against a passing old gentleman in a black felt hat, who looked like a Confederate veteran. The old 'un, starting with annoyance, clapped a hand to his shoulder, and gazed round and up; then, suddenly catching sight of the young man standing at the third-story window, he shouted something in a high angry voice, and brandished an aged arm with menace. But the young man merely continued to stand there, silently scowling down at him. So then the old gentleman, composing himself but resolved that he should not be smitten for nothing, picked up Miss Angela Flower's new book from the sidewalk before him, dusted it carefully with an experienced handkerchief, and hobbled away with it into the darkness. "Disgusting little Egoette!" said Charles, scowling after him.... "And that's the sort of stuff that passes for thinking nowadays! That's the stuff our women are reading, forming their—" "Who're you cussing out the window, Charlie?" said Donald Manford's hearty voice behind him. Charles wheeled sharply. He resented being walked in on this way; resented all companionship from his kind just now; in especial, he resented Donald Manford's contented, care-free face. At the same time, this face of Donald's awakened other and different emotions, relative to the slim hope it embodied, and enjoining tact, some cunning. So, controlling himself, Charles merely said: "Well? What're you horning in here for?" "Dying for one glimpse of your sweet phiz. Nice welcome!" laughed the young engineer, exuberantly. "But how'd you ever get into a street-row, Charlie, out of your third-story window?" "Oh!... Just talking to myself. Bad habit of mine," he said, with an effort. "You're rather flossy to-night!—out to give the girls a treat, I gather. Let's see. German, I suppose?" Laying his tall hat tenderly on the Judge's little typewriter-table, Donald acknowledged the soft impeachment. "Well, who's the lucky lady, this time?—Or maybe you're stagging?" "Who, me? Not on your life! I've got Miss Carson again—lucky thing!" "Indeed," said the author, coldly. "And a pippin she is too! Talk about clever, Charlie! By Jove, there's a girl that makes a fellow use his cocoa all the time, let me tell you!" Charles sat down heavily at his writing-table, and lit a cigarette. Mary Wing managed her affairs well, indeed. He spoke with mysterious bitterness:— "You are blossoming out! If anybody'd told me last year that you'd be praising one of the new highbrow sisters, I'd have kicked him downstairs for a liar." "When a girl can look like that, my boy—" "Developing into a regular man-flirt too, aren't you? Last I heard of you, you were driving up Washington Street with Miss Flower." Instead of resenting the odious epithet, Donald's face was seen to assume a pleased smirk. "Ho!—had your spies on me, have you? Why, did we pass you to-day?" "HO!—HAD YOUR SPIES ON ME, HAVE YOU?"Charles's heart seemed to leap a little. "Why, no," he said, sweetly. "I was speaking of one day last week. So you stole another drive to-day—you sly rascal!" "Don't know that you'd call it driving, exactly. Where'd that brother of hers dig the little four-wheeler, d'you s'pose? I thought that kind were extinct, same as the Dodo—" "Why, I think it's a very nice little car, Donald! Small, old-fashioned, yes—but very comfortable and—easy-going. I've—ah—had a—a number of pleasant drives in it. The real trouble is," said Charles, with immense carelessness, "she honestly doesn't know how to manage it very well as yet. And I, of course, don't know how to teach her—unfortunately." Having seated himself in Judge Blenso's chair, Donald was lighting, with a lordly air, one of Judge Blenso's cigars; the Judge himself being at his club, through lack of interest in the Studio. Extinguishing his match by waving it languidly back and forth, the youth said, with a faint reminiscent smile:— "Well, I gave her a pretty good lesson this afternoon, far as that goes. Had a very fairish time, too. Nice little girl, she is." The author gazed, with a sort of nervous incredulity. He laughed hurriedly. "Nice!—well, I should say so! She's—she's charming! You'll have to look pretty sharp if you want any more drives there—too much competition! But, of course, she may not be bookish enough, to suit your new taste—" "Oh, bookish, no. She's not that sort. I'll tell you what your little friend is, Charlie," said the young engineer, with an air of insufferable conceit. "She's what I call a womanly woman." Charles averted his eyes. This simple fool's quick response to the "putting on" treatment almost passed belief. Unquestionably, Donald was far more receptive to feminine influences now, than he had been in his industrious pre-Wyoming days; again, mere use, mere custom and propinquity, were famous for accomplishing just these wonders. Still, Charles's philosophic overmind, contrasting this grin on Donald's face with that unflattering remark of his last November, threw out a different concept, viz.: that perseverance in a woman is a marvelous thing. But the hope, though it shot up delightfully, was a thin one yet. Dull Donald went on knowingly:— "But speaking of the competition, what's happened to you, old horse?" "How do you mean, happened to me?" "Your little friend says you used to meet her nearly every day for a drive, but now you haven't been seen for days. I told her you'd probably changed your hours a little, as I'd seen you at lunch earlier than—" "You did?" said the author, looking at the engineer with unconcealed annoyance. "Well, you were mistaken, that's all! You had no business to say anything of the sort. Of course, my hours may vary a little—in fact, they vary a good deal. Great heavens, I—" "Well, don't get peevish about it!—friendly tip I'm giving you, that's all. She thinks you're mad with her—do you get me? Says you've never forgiven her for something she said to you once—some misunderstanding you had—you know, I guess—" "Why, damnation, we never had any misunderstanding! I'm busy! I don't undertake to start to lunch at a certain particular second—" "Well, don't tell it to me!" said Donald, cheerfully. "Trot along and explain it to her, that's the way.—I say, Charlie—change the subject—did I tell you what old Gebhardt said to me the first day we looked over the plans? About my concrete bridge over Sankey River?" And then the childish egotistical youth was off. It seemed, indeed, that the monologue ensuing was what he had come for; it seemed that he had dressed himself one hour too early for the German with just this most agreeable of all purposes in his mind: to sit and have a good long talk about himself. Charles received his boastings with restless boredom, marking meaninglessly on the pad before him, moodily biding his time. He could have kicked Donald for his stupidity in mentioning his trifling change of hours; but of course his need was to get the conversation back to Angela quietly, without arousing the slightest suspicion. His need was that Donald should agree to give Angela regular lessons in driving the Fordette, every day through the lunch-hour. But Donald, happening to note the face of Big Bill, came suddenly to his feet: and then, as suddenly, gave the talk an unlooked-for turn. "I say, Charlie! How about you and old Blenso for the Wings' apartment?" Charles's head came slowly round. "How about what?" "Dashed sight more comfortable than up your two flights here!" "The Wings' apartment is for rent?" "Didn't you know that, old stick-in-the-mud? What's the matter with you? Mary's been hunting a tenant for two weeks." Charles, finding it unnecessary to state that he had not seen Mary for exactly that length of time,—barring one very transient meeting on the street,—merely indicated, without any polish, that, not being a gadabout ass like some, he made no pretense of keeping up with all the latest tittle-tattle. He then asked, in a voice indicating no interest in the subject: "What's Mrs. Wing going to do?" "Going to North Carolina to live with Fanny." "With Fanny!... I suppose she didn't consider going with Miss Mary?" "Couldn't stand the pressure. Why, New York would kill her off like a fly! And besides, she doesn't want to get too far away from the Warders, you know. Of course, Fanny can't make her very comfortable just now—but we talked it all over and that seemed the best arrangement, all round." "I see." "Mary can't turn back now, of course. Well, Charlie," said Donald, earnestly, "I don't hold with her fool notions, and all that but hang it all!—she's no ordinary woman, and this is no ordinary job. Those people are giving her two assistants and $5000 a year. What d'you know about that for a poor little girl?" He was struggling to get into his overcoat without "breaking" his shirt-front—going at once, evidently. But Charles had lost sight of his strategic intentions. "Well, how about you two old chaps for the furnished apartment—February fifteenth, if you want it?" Charles observed that he couldn't look at it. Donald, as if only stimulated by his host's taciturnity, became sentimental. "First Mary, then Mrs. Wing, then me—this is going to be a break-up, Charlie, do you realize it? I'm beginning to feel it, too, let me tell you! Jove," said Donald, putting on his shining head-piece and bringing the conversation back to himself simultaneously—"now that I come right down to it, I don't want to leave this good old town!" He departed, to his unconscious match-making. Charles, left alone, merely sat on at his table. And all that he thought of Angela Flower now was of an insignificant remark she had let fall, the first time they had walked together: "Mr. Garrott do you know who Marna reminded me of? Somebody you admire a great deal...." And then for half an hour, his writer's mind insisted on working over and over that detestable conversation between Marna and her father, and changing it a little, just a little touch here and there, to make it fit smoothly upon Mrs. Wing and Mary.... "I tell you," said the lonely authority, suddenly, bringing his fist down on the table with a thump,—"this whole Movement's a failure if it lessens woman's lovableness! I tell you the whole object of this Movement is to make women more lovable!" For he, of course, had never thought—like the author of "Marna" for example—that passionate love was the only sort of love worth mentioning. In that narrow sense, in her sufficiently cheap faculty for stirring the senses of men, it was clear that woman, whatever she did or left undone, would always remain "lovable." But as to love in broad and human terms—well (to keep the subject wholly impersonal); could any one in his senses call Marna a lovable being? No, her creator, in his determination to show how strong and "free" she was, had quite unconsciously made her a harsh and vain self-worshiper, revolting to decent persons. Had he, as we might say, thus inadvertently given the whole thing away? Was it finally true that a woman could not claim and lead her Own Life, except at a heavy price—paid down in her best treasure? Was the ruthless Career-Maker but the logical other-form of the waiting, the too pursuing, Maker of Homes? From his drawer, Charles presently pulled out the former exercise-book which had enjoyed the great rise in the world. In this book, he had written no sentence since his remembered Notes on Flora Trevenna. Now he set down with a firm hand:—
Having written that sentence, the young man stared at it long. To him it was like a bright beam of light, turned upon the roots of his peculiar problem. For if these two impulses were in truth irreconcilable, why need he go on struggling to reconcile them in a heroine he could unreservedly admire? |