BY-WAYS At the “Seven Thorns” Inn the three counties of Sussex, Surrey, and Hants are supposed to meet; but, like so many of the picturesque legends of county and parish boundaries that make one house stand in three or four parishes, this particular legend is altogether unfounded, for the three counties meet in a dell about two miles southward of the road, in Hammer Bottom, where once stood a lonely beer-house called the “Sussex Bell.” We will not turn aside to visit the site of the “Sussex Bell,” or the remains of the Hammer Ponds that tell of the old iron-foundries and furnaces that were wont to make the surrounding hills resound and despoiled the dense woods of their noblest trees for the smelting of iron ore. We have no present business so far from the road in a place that has harboured no notorious evil-doer, nor has ever been the home of any distinguished man. But we may well turn aside after passing Cold Ash Hill to explore a singular relic of monkish days Some three miles south of the road, reached by a turning below the “Seven Thorns” Inn, lies the little-visited village of Lynchmere, a rural parish, embowered in foliage and picturesquely situated amid hills; and in the immediate neighbourhood stand the remains of Shulbrede Priory, now chiefly incorporated with farm-buildings. The place is well worthy a visit, for the farm-house contains a room, called the Prior’s Room, still decorated with monkish frescoes of a singular kind. These probably date almost as far back as the foundation of this Priory of Augustinian Canons, in the time of Henry III., and are unfortunately very much defaced. But sufficient can be discerned for the grasping of the idea, which seems to be a representation of the Nativity. The design introduces the inscription:—Ecce virgo concipiet et pariet filium; et vocabitur nomen Jesus; while a number of birds and animals, rudely drawn and crudely coloured, appear, with Latin legends issuing from their mouths. Uppermost stands the cock, as in the act of crowing, while from his beak proceeds the announcement, “Christus natus est.” Next follows a duck, from whose bill issues another label, inscribed “Quando, quando?” a query answered appropriately by a raven, “In hac nocte.” “Ubi, ubi?” asks a cow of a lamb, which rejoins, bleating “In Bethlems.” PRIORS AND PORKERS But few other relics of this secluded priory are visible. Some arcading; a vaulted passage; fragments of Early English mouldings: these are all. I lean across the fence and moralize; a most unpardonable waste of time at this fin de siÈcle, and I regret those old fellows whom Harry the Eighth in his reforming zeal sent a-packing, to beg their bread from door to door. I regret them, that is to say, from purely sentimental reasons, being, all the while, ready to allow the policy and the state-craft that drove them hence, and willing to acknowledge that the greasy cassocks and filthy hair-shirts of the ultimate occupants of these cloistral shades covered a multitude of sins. I poke the porkers thoughtfully with a stick in the place where their ribs should be, but they are of such an abbatical plumpness that my ferrule fails to discover any “osseous structure.” (I thank thee, Owen, for that phrase!) They respond with piercing cries that recall the shrieks and the yells of a witches’ sabbath on the Brocken, as presented before a quailing Lyceum audience,—and their horrid chorus brings the farmer on the scene. “Who drives fat oxen should “Fine creeturs, them,” says he. “Aye,” say I. “Thirty score apiece, if they’re a pound,” he continues. They might be a hundred score for all I know; but no man likes to acknowledge agricultural ignorance, and so I agree with him, heartily, and with much appearance of wisdom. “Pooty creeturs, I say,” continues the farmer, smacking a broad-bellied beast, with white bristles and pink flesh covered with black splotches. That dreadful creature looks up a moment from the trough, with ringed snout dripping liberally with hog-wash, and gazes pathetically at me for acquiescence. “Yes: fine animals,” I say, in a non-committal voice. “Pictures, they are,” says their owner decisively. That settles the matter, and I am off, to seek the road to Liphook. If the excellence of the great highways of England is remarkable, the tangled lanes and absolute rusticity of the roads but a stone’s throw from the main routes call no less for remark. Here, just a little way from Liphook, and in the immediate vicinity of a railway, I might have been in the deepest wilds of Devon, so meandering were the lanes, so untamed the country. An old pack-horse trail, still distinct, though unused these many generations past, wandered along, amid gorse and bracken, and footpaths led in perplexingly-different directions. A STRANGE RENCOUNTER “CONSIDERING CAP.” |