The most interesting places in Bolton are—to speak in paradox—just outside it. On the Bury road, where the electric tramcars race, you may with some difficulty find the little turning at Firwood, where the humble birthplace of Samuel Crompton still stands. Along the main road the modern houses march prosaically on to Bury, but down this little turning, which descends steeply and has the most extravagantly uneven paving anywhere in the neighbourhood, you find a nook very much in the condition of the whole countryside in Crompton’s day. Always excepting, of course, the big cotton-mill that stands here. Looking down towards Bolton there are still fragments of woods and tangled brakes—fir-woods, or others—but on the skyline, as ever in Lancashire, are factory chimneys, wreathing fantastic smoke-trails. Among the three cottages here, Crompton’s early home is identified by a stone tablet inscribed—

Birthplace of
SAMUEL CROMPTON.
Born Decr. 3rd, 1753.

I look at that humble, stone-built cot with something of reverence. It did not, however, witness his bringing-up, for when he was but five years of age, his parents removed to Hall-i’-th’-Wood, an ancient mansion from which the owners had migrated to a more modern residence. Here the Cromptons farmed in a small way, and here Samuel’s father early died.

Hall-i’-th’-Wood (the Lancashire pronunciation may be written down “Hauleythwood”) stands in a situation still romantic, in the parish of Tonge, one mile from Bolton, on the Blackburn road. The great and ancient woods of oak that once surrounded the old house are gone since then, but the Eagley Brook yet comes foaming down in little cascades amid the rocks of the picturesque gorge above whose crest the Hall is situated; and there are patches of woodland remaining to inform the scene with sylvan beauty. It is, frankly, a surprise, set as it is at the very edge of the roaring traffic of a high road with shops where housewives are bidden by leather-lunged butchers “Buy, buy, buy”: and as delightful as surprising.

The Hall in the Wood is not only interesting as the place where Samuel Crompton invented the Spinning Mule: it is one of the finest examples among the many ancient Halls of Lancashire, and is singularly varied in its architecture; having been built in two separate and distinct periods, and in each period of entirely different materials. It was one Lawrence Brownelow who built the original half-timbered portion, in 1591, as appears by the initials of himself and his wife Bridget, and the date,

B
L B
1591

carved on a stone mantel. In 1637 the property was sold to Christopher Norres, woollen-draper, of Bolton, who was succeeded by his son, Alexander, a partisan of King Charles in the Civil War. Norres escaped lightly from the victorious Parliament, with a fine of £15 and the taking of the Covenant and other oaths; and then settled down here, building the stone wing that bears the date 1648. With him, however, ended the Norres reign, for his daughter Alice married a John Starkie, whose descendants resided here until near the middle of the eighteenth century. Their punning heraldic cognisance, six storks for Starkie, may still be seen, done in plaster.

It was a neglected and dilapidated old house to which the Cromptons came in 1758. For economical reasons—the window-tax then prevailed—all the unnecessary windows, and some that really were necessary, had been bricked up, rain came through the roof, and rats ran unchecked from room to room. There, in a house a world too large for them, the widowed Mrs. Crompton and her little lad lived upon the proceeds of a small farm and the insignificant gains she made from spinning yarn, by hand, as all yarn then was spun. Samuel helped in the spinning, much, it may be supposed, against his will; and in the drudgery of it his inventive powers were wakened, in the direction of labour-saving. Hargreaves’ spinning-jenny of 1768 and Arkwright’s invention were new when he began to plan, and his machine took the form of an improvement combining the principles of both. He was twenty-one years of age before he began the work, and not until five years were gone had he completed it. The times were not propitious for inventors, bands of infuriated weavers roaming the districts round about, destroying everywhere the spinning-jennies that they imagined were depriving them of work; and Crompton was obliged constantly to take his model to pieces and hide it in the garret roofs of his wind-swept, rat-haunted home. But at length the weavers’ fury spent itself, and then he could experiment without fear of house and model being wrecked. Then, however, arose a newer danger. Crompton, it became gradually known, had a wonderful new machine in the old place, and many were those who sought in some way to surprise the secret of it, among them the crafty Arkwright, inventor and man of business too: an unusual combination of talents that Crompton, unfortunately for himself, did not possess. In the result, the secret was given away for a miserable pittance, and not even patented. Factories were equipped with his invention, and manufacturers combined to subscribe, as an act of grace, a hundred guineas that should, multiplied a thousandfold, have been his by right. In 1812, Crompton found that the number of spindles worked on his principle totalled five millions. In that year a reward seemed almost within his grasp, for a vote of £20,000, in recognition of his services was proposed, and was to have been submitted to Parliament by Spencer Perceval, the Prime Minister; but that very day, in the act of carrying a memorandum to that effect in his hand, Perceval was assassinated by Bellingham in the lobby of the House of Commons, and the proposal was not renewed. But by the intervention of some friends a memorial to Parliament was prepared, which was signed by the principal manufacturers of the kingdom, with the result that the sum of £5,000 was granted to him. Let us here observe the exquisite humour of the thing. The “principal manufacturers” had become such, and had amassed great wealth by aid of Crompton’s mule, but they meanly went to Government, and thus taxed the whole nation for a sum themselves should have raised.

With this sum Crompton established his sons in the bleaching business; but the establishment failed, and the inventor was again in straitened circumstances. A second subscription was raised, and a life annuity purchased for Crompton, producing about £63 per annum. He enjoyed it only two years, for he died in 1827, aged seventy-three, and was buried in Bolton parish churchyard.

The last stroke of cynic fortune was not dealt until 1862, when the hapless inventor had been thirty-five years in his grave. Then the town of Bolton, whose manufacturers had, living, denied him a livelihood, set up a statue to the man who had made their town, and twenty other towns, great and prosperous. Among those present at the unveiling, and shrinking in his poverty from the robed and finely apparelled magnates, was Crompton’s surviving son, then aged seventy-two, and in the poorest circumstances. Palmerston eventually sent him a dole from the Royal Bounty Fund.

If the spirits of the departed can know what goes forward in the world they have left, there must be bitter ironic laughter in the Beyond. Plundered and neglected in life, Crompton is tardily honoured in death. The darkling, mouldering old Hall has, through the munificence of Mr. W. H. Lever, been purchased from the representatives of the Starkie family, finely restored, stored with personal relics of Crompton, and presented, as a lasting memorial, to the town of Bolton. It is open, freely, every day. There you see Crompton’s old violin, his Bible, and chair, and a model of his Spinning Mule. But there is much else besides. Old portraits and old prints decorate the panelled walls, and ancient furniture fills the room. Panelling has been brought from an ancient house at Hare Street, near Buntingford, and a finely moulded plaster ceiling copied from the “Old Woolpack” inn, Deansgate, Bolton, pulled down in 1880. From the stone-flagged terrace of the garden you look across to Bolton itself and the clustered chimneys whose murk affronts the sky.