The “Lion” was the hotel to which De Quincey came in 1802, when, as a youth, he was setting forth in his unpractical way for London. He had walked in from Oswestry, reaching Shrewsbury two hours after nightfall. Innkeepers in those times knew little of pedestrians who footed it for pleasure, and classed all who walked when they might have rode as tramps. Therefore, it will be allowed that De Quincey timed his arrival well, at an hour when dusty feet are not so easily seen. However, had his shoes been noticed, he was ready with a defence, for he came to the “Lion” as a passenger already booked to London by the Mail. An Oswestry friend had performed that service for him, and here he was come to wait the arrival of that conveyance.

“This character,” he says, “at once installed me as rightfully a guest of the inn, however profligate a life I might have previously led as a pedestrian. Accordingly I was received with special courtesy, and it so happened with something even like pomp. Four wax-lights carried before me by obedient mutes, these were but ordinary honours, meant (as old experience had instructed me) for the first engineering step towards effecting a lodgment upon the stranger’s purse. In fact, the wax-lights are used by innkeepers, both abroad and at home, to ‘try the range of their guns.’ If the stranger submits quietly, as a good anti-pedestrian ought surely to do, and fires no counter-gun by way of protest, then he is recognised at once as passively within range, and amenable to orders. I have always looked upon this fine of 5s. or 7s. (for wax that you do not absolutely need) as a sort of inaugural honorarium entrance-money, what in jails used to be known as smart money, proclaiming me to be a man comme il faut, and no toll in this world of tolls do I pay so cheerfully. This, meantime, as I have said, was too customary a form to confer much distinction. The wax-lights, to use the magnificent Grecian phrase ep?p e?e, moved pompously before me, as the holy-holy fire (the inextinguishable fire and its golden hearth) moved before CÆsar semper Augustus, when he made his official or ceremonial avatars. Yet still this moved along the ancient channels of glorification: it rolled along ancient grooves—I might say, indeed, like one of the twelve CÆsars when dying, Ut puto, Deus fio (It’s my private opinion that at this very moment I am turning into a god), but still the metamorphosis was not complete. That was accomplished when I stepped into the sumptuous room allotted to me. It was a ball-room of noble proportions—lighted, if I chose to issue orders, by three gorgeous chandeliers, not basely wrapped up in paper, but sparkling through all their thickets of crystal branches, and flashing back the soft rays of my tall waxen lights. There were, moreover, two orchestras, which money would have filled within thirty minutes. And, upon the whole, one thing only was wanting—viz., a throne, for the completion of my apotheosis.

“It might be seven p.m. when first I entered upon my kingdom. About three hours later I rose from my chair, and with considerable interest looked out into the night. For nearly two hours I had heard fierce winds arising; and the whole atmosphere had by this time become one vast laboratory of hostile movements in all directions. Such a chaos, such a distracting wilderness of dim sights, and of those awful “Sounds that live in darkness” (Wordsworth’s Excursion), never had I consciously witnessed.... Long before midnight the household (with the exception of a solitary waiter) had retired to rest. Two hours, at least, were left to me, after twelve o’clock had struck, for heart-shaking reflections, and the local circumstances around me deepened and intensified these reflections, impressed upon them solemnity and terror, sometimes even horror....

“The unusual dimensions of the rooms, especially their towering height, brought up continually and obstinately, through natural links of associated feelings or images, the mighty vision of London waiting me, afar off. An altitude of nineteen or twenty feet showed itself unavoidably upon an exaggerated scale in some of the smaller side-rooms—meant probably for cards or for refreshments. This single feature of the rooms——their unusual altitude, and the echoing hollowness which had become the exponent of that altitude—this one terrific feature (for terrific it was in its effect), together with the crowding and evanescent images of the flying feet that so often had spread gladness through these halls on the wings of youth and hope at seasons when every room rang with music—all this, rising in tumultuous vision, whilst the dead hours of the night were stealing along, all around me—household and town—sleeping, and whilst against the windows more and more the storm was raving, and to all appearance endlessly growing, threw me into the deadliest condition of nervous emotion under contradictory forces, high over which predominated horror recoiling from that unfathomed abyss in London into which I was now so wilfully precipitating myself.

“... Such thoughts, and visions without number corresponding to them, were moving across the camera obscura of my fermenting fancy, when suddenly I heard a sound of wheels, which, however, soon died off into some remote quarter. I guessed at the truth, viz., that it was the Holyhead Mail,^[3] wheeling off on its primary duty of delivering its bags at the post-office. In a few minutes it was announced as having changed horses; and I was off to London.”