In Birmingham, close upon four hundred years ago, Leland found but one street, yet that street was full of smiths, making knives and “all manner of cuttinge tooles, and many loriners that make bittes, and a great many naylors. Soe that a great part of the towne is maintained by smithes, who have their iron and sea-cole out of Staffordshire.”

Not only has Birmingham grown out of all knowledge since that time, but it has largely changed its trades. Sheffield has taken away the pick of the cutlery trade, and that of the loriners has its chief seat at Walsall; but Birmingham now makes everything, from a monster engine to a pin’s head, and in the murderous art of manufacturing fire-arms is pre-eminent.

“She is,” observed an enthusiastic writer, “in the truest sense the benefactress of the universal man, from the crowned head to the savage of the wilderness.” To the crowned heads, for example—or to their governments—Birmingham supplies stands of arms and ammunition; and to the savage, guns warranted to hurt no one but he who uses them. Civilisation is thus heavily indebted to Birmingham, and religion too; for if the heathen, who “in his blindness bows down to wood and stone,” is no longer restricted to those two materials, by reason of Birmingham industriously supplying little tin and brass gods by wholesale, and at extremely low prices, to Africa or India, yet on Sundays the godly folks of her hundred churches and chapels liberally subscribe to missionary funds for spreading Christianity in strange lands, and thus help to discredit the heathen Vishnus, Sivas, Hanumans, and assorted Mumbo-Jumbos they export.

“Birmingham,” said Burke, a hundred years ago, “is the toyshop of Europe.” Fancy articles in steel and paste; buckles, sword-hilts, buttons, and a thousand other trifles were made, for home or export; among them the sham, or “Brummagem” jewellery, and the base coin that long cast a slur upon the town. Things coming from Birmingham were in those times rightly suspect. One of its industries was the making of “silver” buckles of a villainous kind of cheap white metal, called from its nature “soft tommy.” A tale is told of the owner of the factory where this precious stuff was made up, going through one of the workshops and hearing a workman cursing the man who would chance to wear the pair of buckles he was making.

“Why,” asked the astonished employer, “do you do that?”

“Well,” replied the workman, “whoever wears these buckles is bound to curse the man that made them, and so I thought I would be the first.”

Those were the days when it was said that if you gave a guinea and a copper kettle to a Birmingham manufacturing jeweller he would turn you out a hundred guineas’ worth of jewellery!

Things are very different now. The trades of Birmingham seem almost countless in their number; many of them conducted on a scale large enough for each one to suffice a small township of workers. Brass-founding, tube-making, gun-smithing, pin-making, wire-drawing, screw-turning, gold-smithing, electro-plating, tinplate working, coining (in the legitimate kind), steel pen-making—these are but a few of the countless industries to whose skirts clings for livelihood a population of half a million.

When Mr. Pickwick visited Birmingham, he repaired to the “Old Royal” hotel. Where is the “Old Royal” now? Ask of the winds—nay, consult the histories of Birmingham, and you shall learn. But if the old hotel and many of its fellows be gone, at least the description of the entrance to the town holds good, and “the dingy hue of every object visible, the murky atmosphere, the paths of cinders and brick-dust” are phrases that awake echoes of recollection in the breasts of those who know the town of old: but “the dense smoke issuing heavily forth from high toppling chimneys, blackening and obscuring everything around,” is not so descriptive of the Birmingham of to-day. For fully realising that picture, and the added touches of the “deep red glow of furnace fires, the glare of distant lights, the ponderous wagons laden with clashing rods of iron, or piled with heavy goods,” one must journey to Dudley, where such things may be seen and heard in a hellish crescendo: Birmingham has largely put those things in the background. In Mr. Pickwick’s time “the hum of labour resounded from every house, lights gleamed from the long casement windows in the attic storeys, and the whirr of wheels and noise of machinery shook the trembling walls, and the din of hammers, the rushing of steam, and the dead, heavy clanking of engines was the harsh music that arose from every quarter”; but most of these things are nowadays decently hid in purlieus remote, or masked from the chief streets by the towering modern buildings of hotels, banks, assurance offices, and all the hundred-and-one parasitical things of a limited liability age, that fasten like vermin on the producing body.

Birmingham became a City on January 11th, 1889. It is a City of two fine streets, surrounded by many miles of formless, featureless, dull and commonplace (or, at their worst, hideous and squalid) houses, workshops, and factories of every size and description. New Street was only new at a period over a century ago. Corporation Street was formed in 1871 by boldly cutting through a mass of slums. In those two thoroughfares, and the open space by the Town Hall to which they both lead, is included almost everything of architectural note. In their course are to be found the best and most attractive shops, and the principal banks and commercial offices. The rest is merely of a local and provincial character.

The geographical, municipal, and political centre is, of course, that spot where the Town Hall stands, a grim and massive building in the Corinthian style, with that air of age and permanency about its rusticated basement, as though when the Anglo-Saxons came they had found it here, the relic of an ancient civilisation. But the Town Hall can lay no claim to antiquity, built as it was in 1832. Around it, in an open space of a singularly irregular shape, are the General Post Office, the Art Gallery, the great Free Library, and other municipal buildings proper to a city so rich and prosperous; and, scattered about the pavements, a miscellaneous collection of statues, facing towards New Street Station, as though they formed some kind of deputation assembled there to welcome visitors. It is a very oddly assorted crowd, captained by Queen Victoria, and formed of such varied items as Joseph Priestley (who with his burning glass looks as though he were critically examining a bad coin), Peel, John Skirrow, Wright, George Dawson, James Watt, and Sir Josiah Mason. In the little corner called Chamberlain Square the curious will find a monument to the energy and enterprise (the “pushfulness” as those who love him not might call it) of Joseph Chamberlain, without whose work and initiative Birmingham would not own, as it does to-day, its gas, water, and tramways, and could not show such evidences of progress in new and handsome streets and model government.

It is a far cry from the Red Radical days of Birmingham’s great Mayor in 1874 to those of the Colonial Secretary, a pillar of the Empire and the darling of Duchesses. Perhaps no other man has, politically, travelled so far, estranged so many friends, or made such strangely alien alliances, with the result that his sheaf has been exalted over his brethren these years past. Hence the extreme bitterness of the hatred his name arouses in certain circles.

The memorial to his work on the comparatively small stage of Birmingham, before he trod the boards of Westminster, takes the form of a Gothic canopied fountain, with a profile portrait medallion, whereon one may trace in the aggressive, sharp-pointed nose a striking likeness to William Pitt, and that suggestion of the crafty fox the venomous caricaturists of a later day have seized and used to such advantage.