BOURNEMOUTH TO POOLE Bournemouth, the “Sandbourne” of Tess of the D’Urbervilles and of minor incidents and passing allusions in others of Mr. Hardy’s novels, is one of the principal gates of entrance to his Wessex. Just within the western borders of Hampshire, or what he would call “Upper Wessex,” the heart of his literary country is within the easiest reach of its pleasant districts of villa residences, by road or rail, or indeed by sea; for Swanage, the “Swanwich” of a Hardy gazetteer, and Lulworth Cove, his “Lullstead,” that azure pool within “the two projecting spurs of rock which form the pillars of Hercules to this miniature Mediterranean,” are the destinations in summer of many steamboat voyages. “Sandbourne has become a large place, they say.” Thus Angel Clare, seeking his wife somewhere within its bounds. Large indeed, and growing yet. Census officials and other statisticians toil after its increase in vain. I find a guide-book of 1887 speaking of its population as “nearly 18,000.” I find another, of 1896, putting it at “about 40,000,” and then referring to the last census returns, discover it to have further risen to forty-seven “By the midnight lamps he went up and down the winding ways of this new world in an old one, and could discern between the trees and against the stars the lofty roofs, chimneys, gazebos, and towers of the numerous fanciful residences of which the place was composed. It was a city of detached mansions; a Mediterranean lounging-place on the English Channel; and as seen now by night it seemed even more imposing than it was. “The sea was near at hand, but not intrusive; it murmured, and he thought it was the pines, the pines murmured in precisely the same tones, and he thought they were the sea.” Bournemouth: The Invalid’s Walk This rich and populous seaside home of wealthy valetudinarians was until well on into the nineteenth The country folk who live in the background of this oft-styled “City of Pines,” still call it merely “Bourne,” as it was when, many years ago, Dr. Granville made the fortunes of the hamlet, frequented by a few invalids and others rejoicing in the spicy odours of the pine-woods, that had grown in a scattered and chance fashion upon the heath. “No situation,” said that authority upon spas and watering-places, “possesses so many capabilities of being made the very first sea watering-place in England; and not only a watering-place, but what is still more Every circumstance insured attention being drawn to this weighty pronouncement, and advantage being taken of it. Consumptives came and found the air beneficial, and Bournemouth grew suddenly and astonishingly upon a lonely coastline; arising in that residential all-round-the-calendar character it has kept to this day, in spite of those holiday-folk, the excursionists and trippers whom its “residential” stratum discourages as much as possible. But when even so thoroughly exclusive a residential health-resort has been so successful, and has grown so greatly in that character as Bournemouth has grown, there comes inevitably a time when the workers and tradesfolk, ministrants to the wants of those residents, themselves become an important section of the community. It is a time when suburbs and quarters, invidiously distinguished from one another in the social scale, have established themselves; when, in short, from being just the resort of a class, a place becomes a microcosm of life, in which all classes and degrees are represented. The seal was set upon the arrival of that time for Bournemouth with its admission to the dignity of a municipal borough, fully equipped with Mayor and Town Council, in the summer of 1890, and again, later, with the opening of electric tramways. Railway-companies urge the attractions of Bournemouth upon holiday-makers, with great success, and nowadays one only perceives the Bournemouth has already gathered together some odds and ends of sentimental associations. Mary Wollstonecraft, widow of Shelley, died here in 1853, and lies in the churchyard of St. Peter’s, beside Godwin and his wife, whose bodies were brought from the London churchyard of St. Pancras. Keble died here in 1866, and the present St. Peter’s is his memorial. Robert Louis Stevenson, Bournemouth’s most distinguished consumptive, resided at “Skerryvore,” in Alum Chine Road, before he took flight to the South Seas. But—singular and ungrateful omission—one looks in vain for a statue to Dr. Granville, who, by his powerful advocacy, made Bournemouth, just as Dr. Russel made Brighton a century earlier. In this it is not difficult to find another instance of “benefits forgot.” The juxtaposition of a place so new as Bournemouth with one so ancient as Poole is a piquant circumstance. When Bournemouth rose, not like Britannia, from the azure main, but from beside it, there was a considerable interval of open country between the hoary seaport and the mint-new pleasure-town. That interval has now shrunk to vanishing-point; for, what with Bournemouth’s expansion, growing Parkstone’s position midway, and Poole’s own attempt to sprout in an eastwardly direction, to meet those manifestations, the green country has been abolished beneath an irruption of bricks and mortar. The piquancy of Poole’s ancient repose being But Poole, besides being ancient, has been a place to reckon with. Already, in 1220, when by a proclamation of Henry III. the ships of many ports were sealed up, Poole appeared among the number. In 1347 its contribution towards the siege of Calais was four ships and ninety-four men, and it was the base from which the English army in France was provisioned. Then in 1349 came that fourteenth century scourge, the Black Death, and Poole, among other towns, was almost depopulated, and lost the Parliamentary representation it had long enjoyed. But it made a good recovery, and in the time of Henry VI. regained its Parliamentary representation. Leland, writing of the place describes it, two hundred years later, as “a poore fisshar village, much encreasid with fair building and use of marchaundise of old tyme.” Poole, after that Poole, however, long enjoyed a very bad reputation, and the wealth of which these were some of the evidences, was not often come by in very reputable ways. When it is said that Poole “enjoyed” a bad reputation, it is said advisedly, for Poole was so lost to shame that it really did enjoy what should have been a source of some searchings of heart. It was a veritable nest of pirates and smugglers, and the home of strange and original sinfulnesses; so that at last an injurious rhyme that still survives was circulated about it:
So early as the close of the fourteenth century, the buccaneers of Poole were infamous, and at their head was the notorious Harry Page, known to the French and the Spaniards as Arripay, the nearest they could frame to pronounce his name. Arripay was a very full-blooded, enterprising, and unscrupulous fellow; if without irreverence we may call him a “fellow,” who was the admiral of his rascally profession. There can be little doubt but that tradition has added not a little to the tales of his exploits, and it is hardly credible that he and his fellow-pirates should, on one A worthy successor of this bold spirit in the pike and cutlass way—although he was no pirate, but just an honest stalwart sailor—was that bonny fighter, Peter Jolliffe, of the hoy Sea Adventurer. Off Swanage in 1694, he fell in with a French privateer having a poor little captured Weymouth fishing-smack in tow, and attacked the Frenchman repeatedly, and at last with such success, that he not only released the smack, but drove the privateer ashore near Lulworth, its crew being made prisoners of war. For so signal an instance of bravery Jolliffe received a gold chain and medal from the hands of the king himself. Jolliffe’s example fired enthusiasm, and the following year, William Thompson, skipper of a fishing-smack, aided only by his scanty crew of one man and a boy, attacked a Cherbourg privateer that had attempted to capture him, and actually succeeded in capturing it and its complement of sixteen hands, In St. James’s church itself—disclosing an interior not unlike that of a stern cabin of an old man-o’-war, writ large—is a monument to the intrepid Jolliffe. From a reminiscence of it, no doubt, Mr. Hardy chose to name Captain Shadrach Jolliffe, that shipmaster engaged in the Newfoundland trade who is the ill-fated hero of To Please his Wife. For the rest, Poole figures so largely in the Civil War, as a town ardently in favour of the Parliament, that it has a long and stirring story of its own, in the varying fortunes of Roundheads and Stuarts. It is too lengthy a story to be told with advantage here. The High Street of Poole, a mile long, is busy enough to quite dispel any idea that Poole is not prospering; but, on the other hand, the many puzzling narrow streets that lead out of it are so rich in what have been noble residences, that they tell in unmistakable tones of a greater period than this of to-day. These byways lead at last past the church of St. Paul, the fellow to St. James’s, with its dolphin vane, to Poole Quay, where the most prominent feature is an ancient Gothic building, looking very like some desecrated place of worship, or a monastic tithe-barn. It is, as a matter of fact, neither, but the “Town Cellar,” a relic of a past age when Poole was part of the manor of Canford. The lords of Canford, away back to that ubiquitous John o’ Gaunt, “time-honoured Lancaster,” who seems to have owned quite half of the most desirable Opposite stands the Harbour Office, not altogether unpicturesquely provided with a loggia supported by columns, and still retaining the sundial erected when clocks were scarce. The Mayor of Poole, who in 1727 presided over the fortunes of the port, is handed down to posterity by the quaint tablet let into the gable wall, showing us the quarter-length relief portrait of a stout personage in voluminous wig and mayoral chain and robes, lackadaisically glancing skyward, as though longing to be gone to those ethereal regions where double chins and “too, too solid flesh” are not. Poole Quay—its old buildings, waterside picturesqueness, and the shipping lying off the walls—is an interesting place for the artist, who has it very much to himself; for the holiday-maker does not often discover it. But waterside characters are not lacking: sailors, who have got berths and are only waiting for the tide to serve; other sailors, who are in want of berths; town boys, who would dearly like to go to sea; and nondescript characters, who would not take a job if offered to them, and want nothing but a quayside bollard to sit upon, sunshine, a pipe of For Poole is not a main road to anywhere, and when you have turned down into it, on those three and a half miles from Bournemouth, you are either compelled to return the way you came, or else cross a creek by the toll-bridge to Hamworthy, where there is nothing but a church built in 1826—and precisely of the nature one might expect from that date—and, a little way onward, a lonely railway junction in midst of sandy heaths and whispering pines, which, even at night, “tell the tale of their species,” as phrenologists say, “without help from outline or colour,” in “those melancholy moans and sobs which give to their sound a solemn sadness surpassing even that of the sea.” It is the district of The Hand of Ethelberta, and if we pursue it, we shall, as Sol says, in that novel, “come to no place for two or three miles, and then only to Flychett,” which, in everyday life, is Lytchett Minster, a place which, despite that grand name, can show nothing in the nature of a cathedral, and is, as Sol said, “a trumpery small bit of a village,” where possibly that wheelwright mentioned in the story still “keeps a beer-house and owns two horses.” That house is the inn oddly named the “Peter’s Finger,” with a picture-sign standing on a post by the wayside, and Around the village so slightingly characterised in The Hand of Ethelberta there is little save “the everlasting heath,” mentioned in that story, “the black hills bulging against the sky, the barrows upon their round summits like warts on a swarthy skin.” It is true the road leads at last to Bere Regis, but it has little individuality and no further Hardyesque significance, and so may be disregarded in these pages. |