The Sutton and Reigate route to Brighton, instead of branching off along the Brixton Road, pursues a straight undeviating course down the Clapham Road, through Balham and Upper and Lower Tooting, where it turns sharply to the left at the Broadway, and in half a mile right again, at Amen Corner. Thence it goes, by Figg’s Marsh and Mitcham, to Sutton. MITCHAM COMMON It is not before Mitcham is reached that, in these latter days, the pilgrim is conscious of travelling the road to anywhere at all. It is all modern “street”—and streets, to this commentator at least, have a strong resemblance to rows of dog-kennels. They are places where citizens live on the chain. They lack the charm of obviously leading elsewhere: and even although electric tramcars speed multitudinously along them, to some near or distant terminus, they do but arrive there at other streets. Mitcham is at present beyond these brick and mortar tentacles, and is grouped not unpicturesquely about a village green and along the road to the Wandle. Pleasant, ruddy-faced seventeenth and eighteenth-century mansions look upon that green, notable in the early days of Surrey cricket; and away at the further end of it is the vast flat of Mitcham Common, that dreary, long-drawn expanse which is at once the best illustration of eternity and of a Shakespearian “blasted heath” that can readily be thought of. “Mitcham lavender” brings fragrant memories, and indeed the only thing that serves to render the This by the way; for one does not cross Mitcham Common to reach Sutton. But there is, altogether, a sweet savour pervading Mitcham, a scent of flowers that will not be spoiled even by the linoleum works, which are apt to be offensive; for Mitcham is still a place where those sweet-smelling and other “economic” plants, lavender, mint, chamomile, aniseed, peppermint, rosemary, and liquorice, are grown for distillation. The place owes this distinction to no mere chance, but to its peculiar black mould, found to be exceptionally suited to this culture. Folk-rhymes are often uncomplimentary, and that which praises Sutton for its mutton and Cheam for juicy beef, is more severe than one cares to quote on Epsom; and, altogether ignoring the mingled fragrances of Mitcham, declares it the place “for a thief.” We need not, however, take the matter seriously: the rhymester was only at his wit’s end for a rhyme to “beef.” Mitcham station, beside the road, is a curious example of what a railway company can do in its rare moments of economy; for it is an early nineteenth-century villa converted to railway purposes by the process of cutting a hole through the centre. It is a sore puzzle to a stranger in a hurry. SUTTON From Mitcham one ascends a hill past the woodland estate of Ravensbury, crossing the abundantly-exploited Wandle; and then, along a still rural road, to the modern town of Sutton. On the fringe of that town, at the discreet “residential” suburb of Benhilton, is a scenic surprise in the way of a deep cutting in the hilly road. Spanned by a footbridge, graced with trees, and neighboured by the old “Angel” inn, “Angel Bridge,” as it is called, is a pretty spot. The rise thus cut through was once known as Been Hill, and on that basis was fantastically reared the name of Benhilton. One cannot but admire the ingenuity of it. THE “COCK,” SUTTON 1789. Leaving Sutton “town,” as we call it nowadays, the road proceeds to climb steadily uphill to the modern suburb of “Belmont,” where stands an old, but very well cared-for, milestone setting forth that it is distant “XIII. miles from the Standard in Cornhill, London, 1745,” from the Royal Exchange the same distance, and from Whitehall twelve miles and a half. The neighbourhood is now particularly respectable, but I grieve to say that the spot is marked on the maps of 1796 as “Little Hell,” which seems to indicate that the character of the people living in the three houses apparently then standing here would not bear close inspection. With the “Angel” placed at one end, and this vestibule into Inferno situated at the other, Sutton seems to have been accorded exceptional privileges. “Cold Blow,” which succeeds to Little Hell, is a tremendous transition, and well deserves its name, perched as it is on the shivery, bare, and windy heights that lead to Burgh Heath and Banstead Downs “famous,” says an annotated map of 1716, “for its wholesome Air, once prescribed by Physicians as the At the right-hand turning, in midst of a group of fir-trees, stands the prehistoric tumulus known to the rustics as “Tumble Beacon.” “Tumble” is probably the rural version of “tumulus.” Beyond this point, on a site now occupied by a cottage, stood the once-famed “Tangier” inn. Originally a private residence, the seat of Admiral Buckle,[10] who named it “Tangier,” in memory of his cruises on the north coast of Africa, it became a house of call for coaches, and especially for post-chaises. Here, we are told, George the Fourth invariably halted for a glass of Miss Jeal’s celebrated “alderbury”—that is to say elderberry-wine—“roking hot,” to keep out the piercing cold, and Miss Jeal brought it forth with her own fair hands. Other travellers, who were merely persons, and not personages, had to be content with the less fair hands of the waiter. The “Tangier” was burnt down about 1874. For some years after its destruction a platform that led from the house to the roadside, on a level with the floors of the coaches and post-chaises, survived; but only the cellars now remain. The woods at the back are, however, still locally known as “Tangier Woods.” Burgh Heath, at the summit of these downs, is a curious place called usually “Borough” Heath: it is in Domesday “Berge.” As its name not obscurely hints, and the half-obliterated barrows show, it is a place of ancient habitation and sepulture; but nowadays it is chiefly remarkable for the descendants of the original squatters of about a century ago, who, braving the cold of these heights, settled on what was then an exceedingly lonely heath and stole whatever RUSSELL OF KILLOWEN Passing Lion Bottom, or Wilderness Bottom, we come to Tadworth Corner, past the grounds of Tadworth Court, late the seat of Lord Russell of Killowen, better known as Sir Charles Russell. He was created a Baron in 1894, on his becoming Lord Chief Justice: but the title was—at his own desire—limited to a life-peerage, and consequently at his death in 1900 became extinct. At Tadworth, in the horsey neighbourhood of Epsom, he was as much at home as in the Law Courts, and neither so judicial nor restrained, as those who remember his peppery temper and the objurgatory language of his “Here, you, where the —— — are you —— — coming to, you —— ——, you!” will admit. There seems, in fact, an especial fitness in his residence on this Regency Road, for his speech was the speech rather of that, than of the more mealy mouthed Victorian, period. At Tadworth Court, where the ways divide, and a most picturesque view of long roads, dark fir trees, and a weird-looking windmill unfolds itself, formerly stood a toll-gate. A signpost directs on the right to Headley and Walton, and on the left to Reigate and Redhill, and a battered milestone which no one can read stands at the foot of it. The church spire on the left is that of Kingswood. From London to Reigate, through Sutton, is, according to Cobbett, “about as villainous a tract as England contains. The soil is a mixture of gravel and clay, with big yellow stones in it, sure sign of really bad land.” The greater part of this is, of course, now covered by the suburbs of “the Wen,” as Cobbett delighted to style London; and it is both unknown to and immaterial to most people what manner of soil their houses are built on; but the truth of Cobbett’s KINGSWOOD WARREN. REIGATE HILL Past the modern village of Kingswood, almost lost in, and certainly entirely overshadowed by, the wild heaths of Walton and Kingswood Warren the road comes at last to Reigate Hill, where, immediately past the suspension bridge that overhangs the cutting, it tilts very suddenly and alarmingly over the edge of the Downs. The suddenness of it makes the stranger gasp with astonishment; the beauty of that wonderful view from this very rim and edge of the hills compels his admiration. It is the climax up to which he has been toiling all these long, ascending gradients from Sutton; and it is worth the toil. The old writers of road-books do more justice to this view than any modern writer dare. To them it was “a remarkably bold elevation, from whence is a delightful prospect of the South Downs in Sussex. But near the road, which is scooped out of the hill, How would this person have described the Alps? A milestone just short of this drop—one of a series starting at Sutton Downs and dealing in fractions of miles—says, very curtly: “London 19, Sutton 8, Brighton 32?, Reigate 1?.” THE SUSPENSION BRIDGE, REIGATE HILL. The suspension bridge, carried overhead, spanning the cutting made through the crest of the hill, is known to the rustics—who will always invent simple English words of one syllable, whenever possible, to take the place of difficult three-syllabled words of Latin extraction—as the “Chain Pier.” It does not, as almost invariably is the case with these bridges, connect two portions of an estate severed by the cutting, The roadway of Reigate Hill is made to wind circuitously, in an attempt to mitigate the severity of the gradient; but for all the care taken, it remains one of the steepest hills in England, and is one of the very few provided with granite kerbs intended to ease the pull-up for horses. None but a very special fool among cyclists in the old days attempted to ride down the hill; and many, even in these times of more efficient brakes, prefer to walk down. Only motor-cars, like the Gadarene swine of the Scriptures, “rushing violently down a steep place,” attempt it; and those who are best acquainted with the hill live in daily expectation of a recklessly driven car spilling over the rim. |