We left Romsey by the grateful shade of Broadlands, and entered the New Forest at the hamlet of Ower. Here close battalions of firs lined the way on either side, and continued with us past Coppithorne church, until we reached Cadnam—Cadnam, a ravelled-out settlement emerging insensibly from the Forest and merging again into its groves by “The joys of ancient times let others state: I think it lucky I was born so late.” Meanwhile, the objects most commonly met with in the New Forest are timber-wagons and New Forest ponies. The Forest, has a character of its own, with subsidiary traits and divagations that defy monotony. Ancient woods give place to modern plantations; beech succeeds to oak, and gloomy firs to either. Clearings and plantations, heaths and hamlets, and murmuring alleys of foliage, alternate for mile after mile, and moss-carpeted drives everywhere radiate from the orthodox highways. This journey was not an exploration of the New Forest; these woodlands were but incidents in our itinerary; thus it was that we did not penetrate to Stony Cross and Rufus Stone, but kept straight ahead for Lyndhurst. And Lyndhurst is as pretty a village as one could wish to see. It is the metropolis of the New Forest, if that portentous word is not too big to apply to this little gem of a place. Here come all them that would make a thorough exploration of the leafy alleys and dim recesses of these woodlands, and as it chances that the democratic taste inclines rather to the fearful joys of Ramsgate or Margate than to forest scenery, Lyndhurst wears an air aristocratic and exclusive, and its visitors are eminently “nice.” True, we saw a brakeful of bean-feasters pledging one another (the ladies as deep-drinking as the men) in pewter tankards outside the Crown Hotel, LYNDHURST. Lyndhurst, then, exists for the moneyed visitor, and is a model of neatness and propriety. Round about it, seventeenth- and eighteenth-century mansions nestle amid thick bowers. In the centre of the village rises the tall, obtuse-pointed spire of the modern red-brick church, set conspicuously on its high mound, and below, to emphasise the eternal propinquity of Beer and Bible, stands the Crown Hotel and Tap. But the most picturesque grouping of these different estates is where the church spire rises high above the roof of the “Fox and Hounds,” as I have here endeavoured to show. Three and a half miles down the road is Brockenhurst, a pretty place—I know it well—but this afternoon broken out into a rash of flags and flaunting bannerets in primary colours, and swarming with excursionists, who celebrated some occasion connected with a Widow and Orphan Society. These we soon left behind, crossing the railway, and so into the country again. The London and South-Western Railway spells the place Brokenhurst, reckless of the philology of the name. “Brock” is Anglo-Saxon for badger, and in the same way “hurst” stands for “wood”; thus with the plural “brocken,” Badgers’ Wood stands revealed. But philology and the bygone natural history of places are nothing to railway companies. A FORD IN THE NEW FOREST. In the hot glare of noonday we came through a |