Title: The Lady Paramount

Author: Henry Harland

Language: English

Produced by Al Haines

THE LADY PARAMOUNT

By HENRY HARLAND

Author of

"THE CARDINAL'S SNUFF-BOX"

JOHN LANE: THE BODLEY HEAD

LONDON & NEW YORK — MCMII

Copyright, 1902

BY JOHN LANE

All rights reserved

To

EDMUND GOSSE

The Lady Paramount

I

On the twenty-second anniversary of Susanna's birth, old Commendatore Fregi, her guardian, whose charge, by the provisions of her father's will, on that day terminated, gave a festa in her honour at his villa in Vallanza. Cannon had been fired in the morning: two-and-twenty salvoes, if you please, though Susanna had protested that this was false heraldry, and that it advertised her, into the bargain, for an old maid. In the afternoon there had been a regatta. Seven tiny sailing-boats, monotypes,—the entire fleet, indeed, of the Reale Yacht Club d'Ilaria—had described a triangle in the bay, with Vallanza, Presa, and Veno as its points; and I need n't tell anyone who knows the island of Sampaolo that the Marchese Baldo del Ponte's Mermaid, English name and all, had come home easily the first. Then, in the evening, there was a dinner, followed by a ball, and fire-works in the garden.

Susanna was already staying at the summer palace on Isola Nobile, for already—though her birthday falls on the seventeenth of April—the warm weather had set in; and when the last guests had gone their way, the Commendatore escorted her and her duenna, the Baroness Casaterrena, down through the purple Italian night, musical with the rivalries of a hundred nightingales, to the sea-wall, where, at his private landing-stage, in the bat-haunted glare of two tall electric lamps, her launch was waiting. But as he offered Susanna his hand, to help her aboard, she stepped quickly to one side, and said, with a charming indicative inclination of the head, "The Baronessa."

The precedence, of course, was rightfully her own. How like her, and how handsome of her, thought the fond old man, thus to waive it in favour of her senior. So he transferred his attention to the Baroness. She was a heavy body, slow and circumspect in her motions; but at length she had safely found her place among the silk cushions in the stern, and the Commendatore, turning back, again held out his hand to his sometime ward. As he was in the act of doing so, however, his ears were startled by a sound of puffing and of churning which caused him abruptly to face about.

"Hi! Stop!" he cried excitedly, for the launch was several yards out in the bay; and one could hear the Baroness, equally excited, expostulating with the man at the machine:

"He! Ferma, ferma!"

"It's all right," said Susanna, in that rather deep voice of hers, tranquil and leisurely; "my orders."

And the launch, unperturbed, held its course towards the glow-worm lights of Isola Nobile.

The Commendatore stared. . . .

For a matter of five seconds, his brows knitted together, his mouth half open, the Commendatore stared, now at Susanna, now after the bobbing lanterns of the launch,—whilst, clear in the suspension, the choir of nightingales sobbed and shouted.

"Your orders?" he faltered at last. Many emotions were concentrated in the pronoun.

"Yes," said Susanna, with a naturalness that perhaps was studied. "The first act of my reign."

He had never known her to give an order before, without asking permission; and this, in any case, was such an incomprehensible order. How, for instance, was she to get back to the palace?

"But how on earth," he puzzled, "will you get back to——"

"Oh, I 'm not returning to Isola Nobile tonight," Susanna jauntily mentioned, her chin a little perked up in the air. Then, with the sweetest smile—through which there pierced, perhaps, just a faint glimmer of secret mischief?—"I 'm starting on my wander-year," she added, and waved her hand imperially towards the open sea.

It was a progression of surprises for the tall, thin old Commendatore. No sooner had Susanna thus bewilderingly spoken, than the rub and dip of oars became audible, rhythmically nearing; and a minute after, from the outer darkness, a row-boat, white and slender, manned by two rowers in smart nautical uniforms, shot forward into the light, and drew up alongside the quay.

"A boat from the Fiorimondo," he gasped, in stupefaction.

"Yes," said Susanna, pleasantly. "The Fiorimondo takes me as far as
Venice. There I leave it for the train."

The Commendatore's faded old blue eyes flickered anxiously.

"I can't think I am dreaming," he remarked, with a kind of vague plaintiveness; "and of course you are not serious. My dear, I don't understand."

"Oh, I 'm as serious as mathematics," she assured him.

She gave her head a little pensive movement of affirmation, and lifted her eyes to his, bright with an expression of trustful candour. This was an expression she was somewhat apt to assume when her mood was a teasing one; and it generally had the effect of breaking down the Commendatore's gravity. "You are a witch," he would laugh, availing himself without shame of the way-worn reproach, "a wicked, irresistible little witch."

"The thing," she explained, "is as simple as good-day. I 'm starting on my travels—to see the world—Paris, which I have only seen once—London, which I have never seen—the seaports of Bohemia, the mountains of Thule, which I have often seen from a distance, in the mists on the horizon. The Fiorimondo takes me as far as Venice. That is one of the advantages of owning a steam-yacht. Otherwise, I should have to go by the Austrian-Lloyd packet; and that would n't be half so comfortable."

Her eyes, still raised to the Commendatore's, melted in a smile;—a smile seemingly all innocence, persuasiveness, tender appeal for approbation, but (I 'm afraid) with an undergleam that was like a mocking challenge.

He, perforce, smiled too, though with manifest reluctance; and at the same time he frowned.

"My dear, if it were possible, I should be angry with you. This is scarcely an appropriate hour for mystifications."

"That it is n't," agreed Susanna, heartily. And she put up her hand, to cover a weary little yawn. "But there 's no mystification. There 's a perfectly plain statement of fact. I 'm starting to-night for Venice."

He studied her intently for a moment, fixedly, pondering something. Then, all at once, the lines of dismay cleared from his lean old ivory-yellow face.

"Ha! In a ball-dress," he scoffed, and pointed a finger at Susanna's snowy confection of tulle and satin and silver embroidery, all a-shimmer in the artificial moonlight of the electric lamps, against the background of southern garden,—the outlines and masses, dim and mysterious in the night, of palms and cypresses, of slender eucalyptus-trees, oleanders, magnolias, of orange-trees, where the oranges hung, amid the dark foliage, like dull-burning lanterns. A crescent of diamonds twinkled in the warm blackness of her hair. She wore a collar of pearls round her throat, and a long rope of pearls that descended to her waist, and was then looped up and caught at the bosom by an opal clasp. A delicate perfume, like the perfume of violets, came and went in the air near her. She held a great fluffy fan of white feathers in one hand, and in the other carried loose her long white gloves; and gems sparkled on her fingers. The waters under the sea-wall beside her kept up a perpetual whispering, like a commentary on the situation. The old man considered these things, and his misgivings were entirely dissipated.

"Ha!" he scoffed, twisting his immense iron-grey moustaches with complacency. "I can't guess what prank you may be up to, but you are never starting for Venice in a ball-dress. You 're capable of a good deal, my dear, but you 're not capable of that."

"Oh, I 'm capable of anything and everything," Susanna answered, cheerfully ominous. "Besides," she plausibly admonished him, "you might do me the justice of supposing that I have changes aboard the Fiorimondo. My maid awaits me there with quite a dozen boxes. So—you see. Oh, and by the bye," she interjected, "Serafino also is coming with me. He'll act as courier—buy my tickets, register my luggage; and then, when we reach our ultimate destination, resume his white cap and apron. My ultimate destination, you must know," she said, with a lightness which, I think, on the face of it was spurious, "is a little village in England—a little village called Craford; and"—she smiled convincingly—"I hear that the cuisine is not to be depended upon in little English villages."

All the Commendatore's anxieties had revived. This time he frowned in grim earnest.

"CrÉforrrd!" he ejaculated.

The word fell like an explosion; and there was the climax of horrified astonishment in those reverberating r's.

"I think you are mad," he said. "Or, if you are not mad, you are the slyest young miss in Christendom."

Susanna's eyes darkened, pathetic, wistful.

"Ah, don't be cross," she pleaded. "I 'm not mad, and I 'm not sly. But I 'm free and independent. What's the good of being free and independent," she largely argued, "if you can't do the things you want to? I 'm going to Craford to realise the aspiration of a lifetime. I 'm going to find out my cousin, and make his acquaintance, and see what he 's like. And then—well, if he 's nice, who knows what may happen? I planned it ever so long ago," she proclaimed, with an ingenuousness that was almost brazen, "and made all my preparations. Then I sat down and waited for the day when I should be free and independent."

Her eyes melted again, deprecating his censure, beseeching his indulgence, yet still, with a little glint of raillery, defying him to do his worst.

His hand sawed the air, his foot tapped the ground.

"Free and independent, free and independent," he fumed, in derision. "Fine words, fine words. And you made all your preparations beforehand, in secrecy; and you 're not sly? Misericordia di Dio!"

He groaned impotently; he shook his bony old fist at the stars in the firmament.

"Perhaps you will admit," he questioned loftily, "that there are decencies to be observed even by the free and independent? It is not decent for you to travel alone. If you mean a single word of what you say, why are n't you accompanied by the Baronessa?"

"The Baronessa fatigues me," Susanna answered gently. "And I exasperate her and try her patience cruelly. She 's always putting spokes in my wheel, and I 'm always saying and doing things she disapproves of. Ah, if she only suspected the half of the things I don't say or do, but think and feel!"

She nodded with profound significance.

"We belong," she pointed out, "to discrepant generations. I 'm so intensely modern, and she 's so irredeemably eighteen-sixty. I 've only waited for this blessed day of liberty to cut adrift from the Baronessa. And the pleasure will be mutual, I promise you. She will enjoy a peace and a calm that she has n't known for ages. Ouf! I feel like Europe after the downfall of Napoleon."

She gave her shoulders a little shake of satisfaction.

"The Baronessa," she said, and I 'm afraid there was laughter in her tone, "is a prisoner for the night on Isola Nobile." I 'm afraid she tittered. "I gave orders that the launch was to start off the moment she put her foot aboard it, and on no account was it to turn back, and on no account was any boat to leave the island till to-morrow morning. I expect she 'll be rather annoyed—and puzzled. But—cosa vuole? It's all in the day's work."

Then her voice modulated, and became confidential and exultant.

"I 'm going to have such a delicious plunge. See—to-night I have put on pearls, and diamonds, and rings, that the Baronessa would never let me wear. And I 've got a whole bagful of books, to read in the train—Anatole France, and Shakespeare, and Gyp, and Pierre Loti, and MoliÈre, and Max Beerbohm, and everybody: all the books the Baronessa would have died a thousand deaths rather than let me look at. That's the nuisance of being a woman of position—you 're brought up never to read anything except the Lives of the Saints and the fashion papers. I 've had to do all my really important reading by stealth, like a thief in the night. Ah," she sighed, "if I were only a man, like you! But as for observing the decencies," she continued briskly, "you need have no fear. I 'm going to the land of all lands where (if report speaks true) one has most opportunities of observing them—I 'm going to England, and I 'll observe them with both eyes. And I 'm not travelling alone." She spurned the imputation. "There are Rosina and Serafino; and at the end of my journey I shall have Miss Sandus. You remember that nice Miss Sandus?" she asked, smiling up at him. "She is my fellow-conspirator. We arranged it all before she went away last autumn. I 'm to go to her house in London, and she will go with me to Craford. She 's frantically interested about my cousin. She thinks it's the most thrilling and romantic story she has ever heard. And she thoroughly sympathises with my desire to make friends with him, and to offer him some sort of reparation."

The Commendatore was pacing nervously backwards and forwards, being, I suppose, too punctilious an old-school Latin stickler for etiquette to interrupt.

But now, "Curse her for a meddlesome Englishwoman," he spluttered violently. "To encourage a young girl like you in such midsummer folly. A young girl?—a young hoyden, a young tom-boy. What? You will travel from here to London without a chaperon? And books—French novels—gr-r-r! I wish you had never been taught to read. I think it is ridiculous to teach women to read. What good will they get by reading? You deserve—upon my word you deserve . . . Well, never mind. Oh, body of Bacchus!"

He wrung his hands, as one in desperation.

"A young girl, a mere child," he cried, in a wail to Heaven; "a mere"—he paused, groping for an adequate definition—"a mere irresponsible female orphan! And nobody with power to interfere."

Susanna drew herself up.

"Young?" she exclaimed. "A mere child? I? Good gracious, I 'm twenty-two."

She said it, scanning the syllables to give them weight, and in all good faith I think, as who should say, "I 'm fifty."

"You really can't accuse me of being young," she apodictically pronounced. "I 'm twenty-two. Twenty-two long years—aÏe, Dio mio! And I look even older. I could pass for twenty-five. If," was her suddenly-inspired concession, "if it will afford you the least atom of consolation, I 'll tell people that I am twenty-five. There."

She wooed him anew with those melting eyes, and her tone was soft as a caress.

"It is n't every man that I 'd offer to sacrifice three of the best years of my life for—and it is n't every man that I 'd offer to tell fibs for."

She threw back her head, and stood in an attitude to invite inspection.

"Don't I look twenty-five?" she asked. "If you had n't the honour of my personal acquaintance, would it ever occur to you that I 'm what you call 'a young girl'? Would n't you go about enquiring of every one, 'Who is that handsome, accomplished, and perfectly dressed woman of the world?'"

And she made him the drollest of little quizzical moues.

In effect, with her tall and rather sumptuously developed figure, with the humour and vivacity, the character and decision, of her face, with the glow deep in her eyes, the graver glow beneath the mirth that danced near their surface,—and then too, perhaps, with the unequivocal Southern richness of her colouring: the warm white and covert rose of her skin, the dense black of her undulating abundant hair, the sudden, sanguine red of her lips,—I think you would have taken her for more than twenty-two. There was nothing of the immature or the unfinished, nothing of the tentative, in her aspect. With no loss of freshness, there were the strength, the poise, the assurance, that we are wont to associate with a riper womanhood. Whether she looked twenty-five or not, she looked, at any rate, a completed product; she looked distinguished and worth while; she looked alive, alert: one in whom the blood coursed swiftly, the spirit burned vigorously; one who would love her pleasure, who could be wayward and provoking, but who could also be generous and loyal; she looked high-bred, one in whom there was race, as well as temperament and nerve.

The Commendatore, however, was a thousand miles from these considerations. He glared fiercely at her—as fiercely as it was in his mild old eyes to glare. He held himself erect and aloof, in a posture that was eloquent of haughty indignation.

"I will ask your Excellency a single question. Are you or are you not the Countess of Sampaolo?" he demanded sternly.

But Susanna was incorrigible.

"At your service—unless I was changed at nurse," she assented, dropping a curtsey; and an imp laughed in her eyes.

"And are you aware," the Commendatore pursued, with the tremor of restrained passion in his voice, "that the Countess of Sampaolo, a countess in her own right, is a public personage? Are you aware that the actions you are proposing—which would be disgraceful enough if you were any little obscure bourgeoise—must precipitate a public scandal? Have you reflected that it will all be printed in the newspapers, for men to snigger at in their cafes, for women to cackle over in their boudoirs? Have you reflected that you will make yourself a nine-days' wonder, a subject for tittle-tattle with all the gossip-mongers of Europe? Are you without pride, without modesty?"

Susanna arched her eyebrows, in amiable surprise.

"Oh?" she said. "Have I omitted to mention that I 'm to do the whole thing in masquerade? How stupid of me. Yes,"—her voice became explanatory,—"it's essential, you see, that my cousin Antonio should never dream who I really am. He must fancy that I 'm just anybody—till the time comes for me to cast my domino, and reveal the fairy-princess. So I travel under a nom-de-guerre. I 'm a widow, a rich, charming, dashing, not too-disconsolate widow; and my name . . . is Madame Fregi."

She brought out the last words after an instant's irresolution, and marked them by a hazardous little smile.

"What!" thundered the Commendatore. "You would dare to take my name as a cloak for your escapades? I forbid it. Understand. I peremptorily forbid it."

He stamped his foot, he nodded his outraged head, menacingly.

But Susanna was indeed incorrigible.

"Dear me," she grieved; "I hoped you would be touched by the compliment. How strange men are. Never mind, though," she said, with gay resignation. "I 'll call myself something else. Let's think. . . . Would—would Torrebianca do?" Her eyes sought counsel from his face.

Torrebianca, I need n't remind those who are familiar with Sampaolo, is the name of a mountain, a bare, white, tower-like peak of rock, that rises in the middle of the island, the apex of the ridge separating the coast of Vallanza from the coast of Orca.

"Madame Torrebianca? La Nobil Donna Susanna Torrebianca?" She tried the name on her tongue. "Yes, for an impromptu, Torrebianca is n't bad. It's picturesque, and high-sounding, and yet not—not invraisemblable. You don't think it invraisemblable? So here 's luck to that bold adventuress, that knightess-errant, the widow Torrebianca."

She raised her fluffy white fan, as if it were a goblet from which to quaff the toast, and flourished it aloft.

The poor old Commendatore was mumbling helpless imprecations in his moustache. One caught the word "atrocious" several times repeated.

"And now," said Susanna brightly, "kiss me on both cheeks, and give me your benediction."

She moved towards him, and held up her face.

But he drew away.

"My child," he began, impressively, "I have no means to constrain you, and I know by experience that when you have made up that perverse little mind of yours, one might as well attempt to reason with a Hebrew Jew. Therefore I can only beg, I can only implore. I implore you not to do this fantastic, this incredible, this unheard-of thing. I will go on my knees to you. I will entreat you, not for my sake, but for your own sake, for the sake of your dead father and mother, to put this ruinous vagary from you, to abandon this preposterous journey, and to stay quietly here in Sampaolo. Then, if you must open up the past, if you must get into communication with your distant cousin, I 'll help you to find some other, some sane and decorous method of doing so."

Still once again Susanna's eyes melted, but there was no mockery in them now.

"You are kind and patient," she said, with feeling; "and I hate to be a brute. Yet what is there to do? I can't alter my resolution. And I can't bear to refuse you when you talk to me like that. So—you must forgive me if I take a brusque way of escaping the dilemma."

She ran to the edge of the quay, and sprang lightly into her boat.

"Avanti—avanti," she cried to the rowers, who instantly pushed the boat free, and bent upon their oars.

Then she waved her disfranchised guardian a kiss.

"Addio, Commendatore. I 'll write to you from Venice."