CHAPTER II.

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THE SALTS OF SILVER EMPLOYED IN PHOTOGRAPHY.

By the term Salt of Silver we understand that the compound in question contains Silver, but not in its elementary form; the metal is in fact in a state of chemical union with other elements which disguise its physical properties, so that the Salt possesses none of the external characters of the Silver from which it was produced.

Silver is not the only metal which forms Salts; there are Salts of Lead, Copper, Iron, etc. Sugar of Lead is a familiar instance of a Salt of Lead. It is a white crystalline body, easily soluble in water, the solution possessing an intensely sweet taste; chemical tests prove that it contains Lead, although no suspicion of such a fact could be entertained from a consideration of its general properties.

Common Salt, or Chloride of Sodium, which is the type of the salts generally, is constituted in a similar manner; that is to say, it contains a metallic substance, the characters of which are masked, and lie hid in the compound.

The contents of this Chapter may be arranged in three Sections: the first describing the Chemistry of the Salts of Silver; the second, the action of Light upon them; the third, the preparation of a sensitive surface, with experiments illustrating the formation of the Photographic image.

SECTION I.

Chemistry of the Salts of Silver.

The principal Salts of Silver employed in the Photographic processes are four in number, viz. Nitrate of Silver, Chloride of Silver, Iodide of Silver, and Bromide of Silver. In addition to these, it will be necessary to describe the Oxides of Silver.

THE PREPARATION AND PROPERTIES OF THE NITRATE OF SILVER.

Nitrate of Silver is prepared by dissolving metallic Silver in Nitric Acid. Nitric Acid is a powerfully acid and corrosive substance, containing two elementary bodies united in definite proportions. These are Nitrogen and Oxygen; the latter being present in greatest quantity.

Nitric Acid is a powerful solvent for the metallic bodies generally. To illustrate its action in that particular, as contrasted with other acids, place pieces of silver-foil in two test-tubes, the one containing dilute Sulphuric, the other dilute Nitric Acid; on the application of heat a violent action soon commences in the latter, but the former is unaffected. In order to understand this, it must be borne in mind that when a metallic substance dissolves in an acid, the nature of the solution is different from that of an aqueous solution of salt or sugar. If salt water be boiled down until the whole of the water has evaporated, the salt is recovered with properties the same as at first; but if a similar experiment be made with a solution of Silver in Nitric Acid, the result is different: in that case metallic Silver is not obtained on evaporation, but Silver combined with Oxygen and Nitric Acid, both of which are strongly retained, being in fact in a state of chemical combination with the metal.

If we closely examine the effects produced by treating Silver with Nitric Acid, we find them to be of the following nature:—first, a certain amount of Oxygen is imparted to the metal, so as to form an Oxide, which Oxide dissolves in another portion of the Nitric Acid, producing Nitrate of the Oxide, or, as it is shortly termed, Nitrate of Silver.[1]

[1] The preparation of Nitrate of Silver from the standard coin of the realm is described in Part III., Art. "Silver."

It is the instability of Nitric Acid therefore—its proneness to part with Oxygen—which renders it superior to the Sulphuric and to most acids in dissolving Silver and various other substances, both organic and inorganic.

Properties of Nitrate of Silver.—In preparing Nitrate of Silver, when the metal has dissolved, the solution is boiled down and set aside to crystallize. The salt however as so obtained is still acid to test-paper, and requires either re-crystallization, or careful heating to about 300° Fahrenheit. It is this retention of small quantities of Nitric Acid, and sometimes probably of Nitrous Acid, which renders much of the commercial Nitrate of Silver useless for Photography, until rendered neutral by fusion and a second crystallization.

Pure Nitrate of Silver occurs in the form of white crystalline plates, which are very heavy and dissolve readily in an equal weight of cold water. The solubility is much lessened by the presence of free Nitric Acid, and in the concentrated Nitric Acid the crystals are almost insoluble. Boiling Alcohol takes up about one-fourth part of its weight of the crystallized Nitrate, but deposits nearly the whole on cooling. Nitrate of Silver has an intensely bitter and nauseous taste; acting as a caustic, and corroding the skin by a prolonged application. Its aqueous solution does not redden blue litmus-paper.

Heated in a crucible the salt melts, and when poured into a mould and solidified, forms the white lunar caustic of commerce. At a still higher temperature it is decomposed, and bubbles of Oxygen Gas are evolved: the melted mass cooled and dissolved in water leaving behind a black powder, and yielding a solution, which is faintly alkaline to test-paper, from the presence of minute quantities of Nitrite or basic Nitrite of Silver.[2]

[2] Nitrite of Silver differs from the Nitrate in containing less Oxygen, and is formed from it by the abstraction of two atoms of that element; it is described in the vocabulary, Part III.

THE CHEMISTRY OF THE CHLORIDES OF SILVER.

Preparation of Protochloride of Silver.—The ordinary white Chloride of Silver may be prepared in two ways,—by the direct action of Chlorine upon metallic Silver, and by double decomposition between two salts.

If a plate of polished silver be exposed to a current of Chlorine Gas,[3] it becomes after a short time coated on the surface with a superficial film of white powder. This powder is Chloride of Silver, containing the two elements Chlorine and Silver united in single equivalents.

[3] For the properties of the element "Chlorine," see the third division of the Work.

Preparation of Chloride of Silver by double decomposition.—In order to illustrate this, take a solution in water of Chloride of Sodium or "common salt," and mix it with a solution containing Nitrate of Silver; immediately a dense, curdy, white precipitate falls, which is the substance in question.

In this reaction the elements change places; the Chlorine leaves the Sodium with which it was previously combined, and crosses over to the Silver; the Oxygen and Nitric Acid are released from the Silver, and unite with the Sodium; thus

Chloride of Sodium plus Nitrate of Silver
equals Chloride of Silver plus Nitrate of Soda.

This interchange of elements is termed by chemists double decomposition; further illustrations of it, with the conditions necessary to the proper establishment of the process, are given in the first Chapter of Part III.

The essential requirements in two salts intended for the preparation of Chloride of Silver, are simply that the first should contain Chlorine, the second Silver, and that both should be soluble in water; hence the Chloride of Potassium or Ammonium may be substituted for the Chloride of Sodium, and the Sulphate or Acetate for the Nitrate of Silver.

In preparing Chloride of Silver by double decomposition, the white clotty masses which first form must be washed repeatedly with water, in order to free them from soluble Nitrate of Soda, the other product of the change. When this is done, the salt is in a pure state, and may be dried, etc., in the usual way.

Properties of Chloride of Silver.—Chloride of Silver differs in appearance from the Nitrate of Silver. It is not usually crystalline, but forms a soft white powder resembling common chalk or whiting. It is tasteless and insoluble in water; unaffected by boiling with the strongest Nitric Acid, but sparingly dissolved by concentrated Hydrochloric Acid.

Ammonia dissolves Chloride of Silver freely, as do solutions of Hyposulphite of Soda and Cyanide of Potassium. Concentrated solutions of alkaline Chlorides, Iodides, and Bromides are likewise solvents of Chloride of Silver, but to a limited extent, as will be more fully shown in Chapter IV., when treating of the modes of fixing the Photographic proofs.

Dry Chloride of Silver carefully heated to redness fuses, and concretes on cooling into a tough and semi-transparent substance, which has been termed horn silver or luna cornea.

Placed in contact with metallic Zinc or Iron acidified with dilute Sulphuric Acid, Chloride of Silver is reduced to the metallic state, the Chlorine passing to the other metal under the decomposing influence of the galvanic current which is established.

Preparation and Properties of the Subchloride of Silver.—If a plate of polished Silver be dipped in solution of Perchloride of Iron, or of Bichloride of Mercury, a black stain is produced, the Iron or Mercury Salt losing a portion of Chlorine, which passes to the Silver and converts it superficially into Subchloride of Silver. This compound differs from the white Chloride of Silver in containing less Chlorine; the composition of the latter being represented by the formula AgCl, that of the former may perhaps be written as Ag2Cl(?).

Subchloride of Silver is interesting to the Photographer as corresponding in properties and composition with the ordinary Chloride of Silver blackened by light. It is a pulverulent substance of a bluish-black colour not easily affected by Nitric Acid but decomposed by fixing agents such as Ammonia, Hyposulphite of Soda, or Cyanide of Potassium, into Chloride of Silver which dissolves, and insoluble metallic Silver.

THE CHEMISTRY OF IODIDE OF SILVER.

The properties of Iodine are described in the third division of the Work: they are analogous to those of Chlorine and Bromine, the Silver Salts formed by these elements bearing also a strong resemblance to each other.

Preparation and Properties of Iodide of Silver.—Iodide of Silver may be formed in an analogous manner to the Chloride, viz. by the direct action of the vapour of Iodine upon metallic Silver, or by double decomposition, between solutions of Iodide of Potassium and Nitrate of Silver.

When prepared by the latter mode it forms an impalpable powder, the colour of which varies slightly with the manner of precipitation. If the Iodide of Potassium be in excess, the Iodide of Silver falls to the bottom of the vessel nearly white; but with an excess of Nitrate of Silver it is of a straw-yellow tint. This point may be noticed, because the yellow salt is the one adapted for Photographic use, the other being insensible to the influence of light.

Iodide of Silver is tasteless and inodorous; insoluble in water and in dilute Nitric Acid. It is scarcely dissolved by Ammonia, which serves to distinguish it from the Chloride of Silver, freely soluble in that liquid. Hyposulphite of Soda and Cyanide of Potassium both dissolve Iodide of Silver; it is also soluble in solutions of the alkaline Bromides and Iodides, as will be further explained in Chapter IV.

Iodide of Silver is reduced by Metallic Zinc in the same manner as the Chloride of Silver, forming soluble Iodide of Zinc and leaving a black powder.

THE PREPARATION AND PROPERTIES OF BROMIDE OF SILVER.

This substance so closely resembles the corresponding salts containing Chlorine and Iodine, that a short notice of it will suffice.

Bromide of Silver is prepared by exposing a silvered plate to the vapour of Bromine, or by adding solution of Bromide of Potassium to Nitrate of Silver. It is an insoluble substance, slightly yellow in colour, and distinguished from Iodide of Silver by dissolving in strong Ammonia and in Chloride of Ammonium. It is freely soluble in Hyposulphite of Soda and in Cyanide of Potassium.

The properties of the element Bromine are described in Part III.

CHEMISTRY OF THE OXIDES OF SILVER.

The Protoxide of Silver (Ag O).—If a little Potash or Ammonia be added to solution of Nitrate of Silver, an olive-brown substance is formed, which, on standing, collects at the bottom of the vessel. This is Oxide of Silver, displaced from its previous state of combination with Nitric Acid by the stronger oxide. Potash. Oxide of Silver is soluble to a very minute extent in pure water, the solution possessing an alkaline reaction to Litmus; it is easily dissolved by Nitric or Acetic Acid, forming a neutral Nitrate or Acetate; also soluble in Ammonia (Ammonio-Nitrate of Silver), and in Nitrate of Ammonia, Hyposulphite of Soda, and Cyanide of Potassium. Long exposure to light converts it into a black substance, which is probably a Suboxide.

The Suboxide of Silver (Ag2O?)—This substance was obtained by Faraday on exposing a solution of the Ammonio-Nitrate of Silver to the action of the air. It bears a relation to the ordinary brown Protoxide of Silver similar to that which the Subchloride bears to Protochloride of Silver.

Suboxide of Silver is a black or grey powder, which assumes the metallic lustre on rubbing, and when treated with dilute Acids is resolved into Protoxide of Silver which dissolves, and metallic Silver.

SECTION II.

On the Photographic Properties of the Salts of Silver.

In addition to the Salts of Silver described in the first Section of this Chapter there are many others well known to chemists, as the Acetate of Silver, the Sulphate, the Citrate of Silver, etc. Some occur in crystals which are soluble in water, whilst others are pulverulent and insoluble.

The Salts of Silver formed by colourless Acids are white when first prepared, and remain so if kept in a dark place; but they possess the remarkable peculiarity of being darkened in colour by exposure to Light.

Action of Light upon the Nitrate of Silver.—The Nitrate of Silver is one of the most permanent of the Silver salts. It may be preserved unchanged in the crystalline form, or in solution in distilled water, for an indefinite length of time, even when constantly exposed to the diffused light of day. This is partly explained by the nature of the acid with which Oxide of Silver is associated in the Salt; Nitric Acid, possessing strong oxidizing properties, being opposed to the darkening influence of Light upon the Silver compounds.

Nitrate of Silver may, however, be rendered susceptible to the influence of Light, by adding to its solution organic matter, vegetable or animal. The phenomena produced in this case are well illustrated by dipping a pledget of cotton-wool, or a sheet of white paper, in solution of Nitrate of Silver, and exposing it to the direct rays of the sun; it slowly darkens, until it becomes nearly black. The stains upon the skin produced by handling Nitrate of Silver are caused in the same way, and are seen most evidently when the part has been exposed to light.

The varieties of organic matter which especially facilitate the blackening of Nitrate of Silver are such as tend to absorb Oxygen; hence pure vegetable fibre, free from Chlorides, such, for instance, as the Swedish filtering-paper, is not rendered very sensitive by being simply brushed with solution of the Nitrate, but a little grape sugar added soon determines the decomposition.

Decomposition of Chloride, Bromide, and Iodide of Silver by Light.—Pure moist Chloride of Silver[4] changes slowly from white to violet on exposure to light. Bromide of Silver becomes of a grey colour, but is less affected than the Chloride. Iodide of Silver (if free from excess of Nitrate of Silver) does not alter in appearance by exposure even to the sun's rays, but retains its yellow tint unchanged. Of these three compounds therefore Chloride of Silver is the most readily acted on by light, and papers prepared with this salt will become far darker on exposure than others coated with Bromide or Iodide of Silver.

[4] The Chloride here spoken of is the compound prepared by adding a soluble Chloride to a solution of Nitrate of Silver: the product of the direct action of Chlorine upon metallic Silver is sometimes insensitive to light.

There are certain conditions which accelerate the action of light upon the Chloride of Silver. These are, first, an excess of Nitrate of Silver, and second, the presence of organic matter. Pure Chloride of Silver would be useless as a Photographic agent, but a Chloride with excess of Nitrate is very sensitive. Even Iodide of Silver, ordinarily unaffected, is blackened by light when moistened with a solution of the Nitrate of Silver.[5]

[5] The reader will understand that the Acetate, Sulphate, or any other soluble Salt of Silver, might be substituted for the Nitrate in this experiment.

Organic matter combined with Chloride and Nitrate of Silver gives a still higher degree of sensibility, and in this way the Photographic papers are prepared.

The blackening of Chloride of Silver by Light explained.—This may be studied by suspending pure Chloride of Silver in distilled water, and exposing it to the sun's rays for several days. When the process of darkening has proceeded to some extent, the supernatant liquid is found to contain free Chlorine, or, in place of it. Hydrochloric Acid (H Cl), the result of a subsequent action of the Chlorine upon the water.

The luminous rays appear to loosen the affinity of the elements Chlorine and Silver for each other; hence a portion of Chlorine is separated, and the white Protochloride is converted into the violet Subchloride of Silver. If an atom of Nitrate of Silver be present, the liberated Chlorine unites with it, displacing Nitric Acid, and forming again Chloride of Silver, which is decomposed in its turn. The excess of Nitrate of Silver thus exerts an accelerating influence upon the darkening of Chloride of Silver, by rendering the chain of chemical affinities more complete, and preventing an accumulation of Chlorine in the liquid, which would be a check to the continuance of the action.

Action of Light upon organic Salts of Silver.—On adding diluted Albumen, or white of egg, to solution of Nitrate of Silver, a flocculent deposit forms which is a compound of the animal matter with Protoxide of Silver, and is known as "Albuminate of Silver." This substance is at first quite white, but on exposure to light it turns to a brick-red colour. The change which takes place is one of deoxidation, the Protoxide of Silver losing a portion of its Oxygen, and a Suboxide of Silver, the product of the reduction, remaining in union with the oxidized Albumen. The red compound may therefore be loosely designated as an Albuminate of Suboxide of Silver.

Gelatine does not precipitate Nitrate of Silver in the same manner as Albumen: but if a sheet of transparent Gelatine be allowed to imbibe a solution of the Nitrate, it becomes of a clear ruby-red tint on exposure to light, and a true chemical compound of Gelatine, or a product of its oxidation, with a low Oxide of Silver, is produced.

Caseine, the animal principle of milk, is coagulated by Nitrate of Silver, and the red substance formed on exposing the curds to light may be viewed as analogous in composition to the corresponding compounds with Albumen and Gelatine.

Many other organic salts of Silver are darkened by light. The white Citrate of Protoxide of Silver changes to a red substance, reacting with chemical tests in the same manner as WÖhler's Citrate of Suboxide of Silver, which he obtained by reducing the ordinary Citrate in Hydrogen Gas. Glycyrrhizin, the Sugar of Liquorice, also forms a white compound with Oxide of Silver which becomes brown or red in the sun's rays.[6]

[6] For further particulars on the action of light upon the Salts of Silver associated with organic matter, see the Author's paper on the composition of the photographic image, in the eighth Chapter.

SIMPLE EXPERIMENTS ILLUSTRATING THE ACTION OF LIGHT UPON A SENSITIVE LAYER OF CHLORIDE OF SILVER ON PAPER.

In the performance of the most simple experiments on the decomposition of Silver Salts by Light, the student may employ ordinary test-tubes, in which small quantities of the two liquids required for the double decomposition may be mixed together.

When however concentrated solutions are used in this way, the insoluble Silver Salt falls in dense and clotted masses, which, exposed to the sun's rays, quickly blacken on the exterior, but the inside is protected, and remains white. It is of importance therefore in Photography that the sensitive material should exist in the form of a surface, in order that the various particles of which it is composed may each one individually be brought into relation with the disturbing force.

Full directions for the preparation of sensitive Photographic paper are given in the second division of this work. The following is the theory of the process:—A sheet of paper is treated with solution of Chloride of Sodium or Ammonium, and subsequently with Nitrate of Silver; hence results a formation of Chloride of Silver in a fine state of division, with an excess of Nitrate of Silver, the Silver bath having been purposely made stronger in proportion than the salting solution.

Illustrative Experiment No. I.—Place a square of sensitive paper (prepared according to the directions given in the Second Part of the work) in the direct rays of the sun, and observe the gradual process of darkening which takes place; the surface passes through a variety of changes in colour until it becomes of a deep chocolate-brown. If the Light is tolerably intense, the brown shades are probably reached in from three to five minutes; but the sensibility of the paper, and also the nature of the tints, will vary much with the character of the organic matter present.

Experiment No. II.—Lay a device cut from black paper upon a sheet of sensitive paper, and compress the two together by means of a sheet of glass. After a proper length of exposure the figure will be exactly copied, the tint however being reversed: the black paper protecting the sensitive Chloride beneath, produces a white figure upon a dark ground.

Experiment No. III.—Repeat the last experiment, substituting a piece of lace or gauze-wire for the paper device. This is intended to show the minuteness with which objects can be copied, since the smallest filament will be distinctly represented.

Experiment No. IV.—Take an engraving in which the contrast of light and shade is tolerably well marked, and having laid it closely in contact with the sensitive paper, expose as before. This experiment shows that the surface darkens in degrees proportionate to the intensity of the light, so that the half shadows of the engraving are accurately maintained, and a pleasing gradation of tone produced.

In the darkening of Photographic papers, the action of the light is quite superficial, and although the black colour may be intense, yet the amount of reduced Silver which forms it is so small that it cannot conveniently be estimated by chemical reagents. This is well shown by the results of an analysis performed by the Author, in which the total weight of Silver obtained from a blackened sheet measuring nearly 24 by 18 inches amounted to less than half a grain. It becomes therefore of great importance in preparing sensitive paper to attend to the condition of the surface layer of particles, the action rarely extending to those beneath. The use of Albumen, Gelatine, etc., which will be explained in the eighth Chapter, has reference to this amongst other advantages, and secures a better and more sharply defined print.


                                                                                                                                                                                                                                                                                                           

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