It was not a man's foot that made that soft noise; his trained ear recognized that fact at once. A woman, eh? What woman would be coming here at this time when all the ladies of the household would be in their rooms dressing for dinner? He crept in the darkness out of the cell in which he had been digging, through the one next and through the next again, until he came to the passage leading to the staircase, and then, dropping on his hands and knees, went soundlessly up the stone steps. Above him as he crept upward—as slow as any tortoise and with far less noise—sounded the woman's faint footfalls pacing the paved floor with that persistent restlessness which tells of extreme agitation. He had but just begun to ask himself what that agitation might portend, when something occurred which caused him to twitch up his head with a jerk and crouch there, a thing all eyes and ears. The woman's footsteps had ceased abruptly, brought to a sudden halt by the ring of others—the nervous, heavy-heeled, fast-falling steps of an excited man coming across the drawbridge and into the ruin at a pace which was almost a run; and that man It was a tryst—the lovers' meeting upon which Cleek had built such high hopes and upon which he had blundered by the merest fluke. "Geoff!" sounded that enlightening voice, with a nervous catch in it which told of a hard-hammering heart. "Thank heaven you have come. Ailsa thinks I am in my room dressing for dinner. Now tell me what it is all about, there's a dear, for my head has been in a whirl ever since I read what you wrote. Why did you want me to come here and meet you without anybody knowing? Whatever can it be that you 'have to say to me that no one on this earth must hear'? Do tell me. I'm frightened half to death!" "Are you?" His footsteps clicked sharply as he moved rapidly across the floor toward her. "You have not gone so far as I, then, for I believe I have been frightened past death, and that after this nothing on earth or in heaven or hell can appall me! Come here, into my arms, and let me hold you while I speak. How I love you! My God, how I love you!" "Geoff!" "Put your arms round me. Kiss me! I want you to know that I love you so well I'll fight all the dogs of justice and all the devils of hell but what I'll stand by you and save you from them. They can't kill my "Kill him, Geoff? Good heavens, what are you talking about? Kill whom?" "De Louvisan!" "De Louvisan? Let you kill De Louvisan— I? Oh, my God! Geoff—you—think—I—killed—killed—him?" Geoff groaned and buried his face in his hands. "There was no one in the house but you," he said hoarsely. "It was you who took me into the place; it was you who showed me his dead body spiked up there against the wall—you and you alone. My God! Kathie, what is the use of denying what we both know?" Cleek sucked in his breath, drew every muscle of his body taut as wire, and then crouching back in the darkness listened intently. Lady Katharine remained perfectly silent for a moment, as though she had been stricken dumb by the directness of the charge: as though the half-despairing, half-impatient protest of that final "What is the use of denying what we both know?" had impressed her with a realization of the utter futility of longer endeavouring to act a part. It was either that that held her silent, Cleek told himself, or she was utterly amazed, utterly overcome Then she spoke suddenly: "You mean this thing? You really and truly mean it?" Geoff bowed his head in silent assent. "That I—I—did this thing?" Still he could not answer, could not put into brutal words the conviction that had been forced upon him. "That I met you and took you into Gleer Cottage last night?" she went on. "Took you in there and showed you that man's—body? I?" "Not exactly showed it to me—that, as we both know, is an exaggeration. You showed me into the room where it was hanging, however. Or, at least, you waved me to the door and told me to go in there and wait a minute or two and you'd rejoin me and show me something that would 'light the way back to the land of happiness!' But you never did rejoin me. I waited in that dark room for fully ten minutes but you never came back. Afterward, when I struck a match to light a cigarette and saw that dead man spiked to the wall— God! I think I went mad for the moment. I know I ran out of the house, although I do not know when nor how; for when I came to my senses I was racing up and down the right-of-way "The ermine cloak I wore! You say I wore an ermine cloak?" "Yes. An ermine cloak and the same pretty white frock you had worn at the Close earlier in the evening. It was the white of the ermine that first attracted my attention in the darkness when I looked up and saw you near the gates of Gleer Cottage." "That is not the truth!" she flung back, with a sudden awakening from the sort of stupor which, up till now, had mastered her. "I never wore an ermine cloak in my life! I never was nearer to Gleer Cottage last night than I am at this minute; and if you say that I met you, that I spoke to you, that I even saw you, or that you saw me after Ailsa Lorne led me out of the drawing-room at Clavering Close when you threatened the Count de Louvisan's life, you are saying what is absolutely untrue." "Kathie!" "I repeat it, utterly and absolutely untrue." "Good God! Do you accuse me of lying?" "There must be some horrible mistake. Some one impersonated me for some awful purpose. You never saw me again after I left your father's house last night, and you know it. But, in any case, since you confess that you were there, what took you to Gleer Cottage last night at all?" |