The arrival of Mrs. Raynor and the General upon the scene, with Harry Raynor in their wake, gave a different atmosphere, so to speak, to Cleek's thoughts, and he threw himself, heart and soul, into getting into the good graces of the family. He did not much fancy Mr. Harry Raynor, who was too self-assertive to be pleasant company to a matured man of the world, and just at the age which may be best described in the quotation, "young enough to know everything."

Nevertheless, he had made up his mind to secure an invitation to stay overnight at Wuthering Grange, in order that he might have a peep at Lord St. Ulmer, and he knew that it was only by making himself a boon companion of the young man that he could hope to secure it. About three and twenty, the idol of an adoring mother, if not of his father, that gentleman was of the type that favour the ladies of the ballet with their attentions, and prefer chorus girls, stage doors, and late suppers to home amusements and the like; and it was not long before Cleek had him nicely "managed" and in the desired frame of mind.

A casual remark about a certain dashing musical-comedy actress who had sprung into sudden prominence set the ball rolling; then Cleek expressed in confidence a burning desire to know the lady and deep disappointment over the fact that he knew no one who was in a position to introduce him; and in ten minutes' time he had his fish hooked.

"I say, you know, I'll give you an introduction to her like a shot, old chap, if you really do want to know her," young Raynor imparted to him in deep confidence as he led him outside and got him away from the ladies. "Know her like a book! Rippin' sort! Introduce you any time you like. My hat! yes!"

"Really?" said Cleek with every appearance of boundless delight. "You know her—you actually know her?"

"Yes, rather! Know the whole blessed shoot of 'em from Flossie Twinkletoes down. Get reams of letters from 'em and bushels of photos—all autographed. I say, come up to my den and have a peep. You never saw such a gallery!"

Cleek admitted to himself when he saw them that he never had, for the room was literally smothered under photographs of actresses, gymnasts, ladies of the music-hall persuasion, and public characters in general.

"Always sport my oak, you know," said the young man with a laugh and a wink, as he locked the door behind him. "Pater might see 'em, and then there would be a time of it. Awful old muff, the pater; good sort, you know, but he'd have this lot in the fire in less than no time if he knew. Fearful old fossil. Flowers, fruits, rubber at whist, pipe, and an old army friend—that's his idea of life."

Cleek felt like taking him by the back of the neck and kicking him. He didn't, however. He had other fish to fry; and he succeeded so well that before he left that room he had an invitation to stop the night, and as he had brought no evening clothes with him, the offer of a suit to meet the emergency.

"Look here, I'll tell you what, Barch," said Raynor when this invitation and this offer were accepted, turning round as he spoke—he was at a window which overlooked the drive up from the gates of the Grange "chaps like us don't want to sit in a drawing-room and waste time with a pair of prunes and prisms like Lady Katharine Fordham and that prig of a Lorne girl. If you're in for a lark, we'll slip out and I'll show you a bit of life on the sly. I like you— I'm blest if I don't; so if you're game for a kick up, I'll let you into a secret and give you the time of your life. Now, then, listen here, old chap."

He stopped abruptly as a sudden grating sound of wheels rose from the drive, and looking down, he saw that a vehicle had swung in through the gates and was advancing toward the house.

"Oh Lord! that settles it; now we're in for a visitation!" he said with an expression of deep disgust. "There's that prig of a chap, Geoff Clavering, driving in. Can't stick that fellow at any price!"

Geoff Clavering! Cleek rose as he heard the name, walked to the window, and looked out. So, then, he had not been so far out in his reckoning after all. Geoff Clavering had come at last to seek an interview with the girl of his heart.

Why the boy had delayed until now Cleek could not guess, unless it was because of a shrinking dread of going abroad anywhere at such a time; but that he had nerved himself to come at last for something more than a mere call was apparent at first glance; for his face was white and strained, and it was evident, even from this distance, that he was labouring under strong excitement.

Undoubtedly there would be, as he had surmised, a private interview arranged between those two people, and undoubtedly he must manage to overhear it. What a pity that this should have happened at this particular time, that young Clavering should have arrived while he was up here, out of the way of seeing what happened when Geoff and Lady Katharine first met!

A glance, a movement, a hundred different things, might tell him what he wanted to know if he were there at that moment of first meeting. But perhaps it was not yet too late. The carriage hadn't reached the entrance of the house as yet; perhaps, if he hurried, if he went at once——

"I say, let's go down, Raynor," he said desperately. "I don't know what's come over me, but my head's suddenly begun to swim, and I'm afraid I shall keel over if I don't get out in the air. We can let the lark you were speaking of rest until afterward. Come on, will you? By Jove! you know, I'm in a fearful way."

And from the effort to carry out the impression of extreme giddiness a curious thing came:

Clapping his hand to his head, and wheeling staggeringly round to make his way to the door, he had the good or ill fortune to blunder against a little table, upon which stood what was undoubtedly an earthenware tobacco jar, and to send it crashing to the ground. Instantly and out of it there rolled, on top of the quantity of spilled tobacco which had originally been used to cover it, a little silver box, which flew open as it fell and disgorged a photograph, a couple of letters in a woman's hand, and a fragment of pink gauze.

Cleek had just stooped to pick these things up and to lay them back upon the table, when a yet more curious thing happened.

"I say! You let those things alone!" snapped young Raynor excitedly; and springing forward, whisked them out of his hand. But not before Cleek had made a rather startling discovery: the letters were written in a woman's hand—a hand he recognized the instant he saw it—and the picture which accompanied them was a photograph of Margot. He had no longer a desire to hurry downstairs.

The rudeness of his act and of his manner of speaking seemed to dawn upon young Raynor almost as he snatched the photograph and letters, and he hastened to apologize.

"I say, don't think me stable-bred, Barch," he said, a flush of mortification reddening his face. "Didn't mean to rip out at you like that, b'gad! Fact is, I was a bit excited; forgot for a moment that you're a pal. So don't get your back up, please."

"I haven't the slightest intention of doing so, dear chap," replied Cleek, who, it must be confessed, was a little shaken by the discovery. "Every man has a right to cut up a bit rough when he thinks some other fellow is going to pry into his secrets. And I reckon this is one of your pet mashes—eh, what?"

"Yes, something like that. The latest—and a ripper. French, you know. That's what rattled me for the moment. The dad loathes French women. I'm extra careful to keep this one's picture out of sight. I say! Don't know what you'll think about my manners, but I forgot all about your asking to go down and get out into the air. Sorry, old chap! Come along! Take my arm, and I'll help you."

As the breaking of the tobacco jar had deprived Raynor of again making use of that as a means of hiding the little silver box and its contents, he had, while speaking, crammed the letters, the photograph, and the scrap of pink gauze into an inside pocket of his coat, and now came forward and took Cleek's arm with the amiable intention of leading him from the room.

There was, of course, in the circumstances nothing for it but to go, much as Cleek would have preferred to stop and trace the connection between young Raynor and Margot; but he was far too careful in his methods to cast any doubt regarding the genuineness of that sudden attack of a moment before by pretending that it had begun to abate, and therefore yielded himself to the inevitable.

But he had this consolation in doing it: not only would he now be enabled to witness the meeting between Geoff Clavering and Lady Katharine Fordham after all, but as a man who is ill is always more or less an object of sympathy and attention upon the part of women, he foresaw that he might induce Lady Katharine to hover round him, and thus bring Geoff Clavering within close range for easy and careful studying. Nor did he fear that he had lost all opportunity for pursuing the subject of Harry Raynor's acquaintance with Margot. The mere fact that that young man had the contents of the little silver box upon his person might easily cause an apprehensive inquiry regarding the risk of carrying them about where they might be dropped, and so brought to his father's attention; and from that inquiry it would be simple work getting back to the subject itself without exciting any suspicion regarding his keen interest in it. He therefore allowed young Raynor to lead him from the room.

"Fearfully groggy, old chap, fearfully," he said in answer to young Raynor's inquiry regarding how he felt as they went down the dim passage toward the staircase; "head going round like a teetotum; hope I don't keel over and spoil the evening's sport by having to be put to bed like a kid. Don't want two sick men on one floor, do you, eh? Or is it on this floor that Lord St. Ulmer's room is situated?"

"Yes, that one over there—second door from the wing staircase. Speak low, old chap, or you may disturb him. Sleeps like a cat, they say—one eye and both ears always open. Doesn't do anything but sleep, I imagine, day and night, from the way he keeps to his room. Hullo! I say! What's it? Aren't going to crumple up, Barch, are you?"

This, because Cleek had suddenly lurched against the bannister at the head of the stairs, and swung clean round until his back was resting against it.

"No—that is, I hope not; but I do feel rotten, old chap," replied he. "Just half a second, will you?"

He lolled back his head, gave a sort of groan, and rapidly and silently began to count the doors and to make sure of the location of Lord St. Ulmer's room. "All right; only a passing spasm, I reckon, old chap," he went on as soon as he had discovered that his lordship's door was the third from the end of the passage, and that his window would, therefore, be the second from the angle of the wing in the outer wall of the house. "Come on—let's go down." And leaning heavily upon young Raynor, he descended to the dining-room.