THE PROBLEM OF THE RED CRAWL

It was half-past two o'clock in the morning of July 25, when the constable on duty at the head of Clarges Street, Piccadilly, was startled to see a red limousine swing into that quiet thoroughfare from the Curzon Street end, come to an abrupt halt, and a man who had every appearance of a sailor alight therefrom, fish a key from his pocket, and admit himself to a certain house. This house for more than a year had been known to be occupied only by one Captain Burbage, a retired seaman of advanced years, his elderly housekeeper, a deaf and dumb maid-of-all-work, and a snub-nosed, ginger-haired young chap of about nineteen—as pure a specimen of the genus Cockney as you could pick up anywhere from Bow Church to the Guildhall—who acted as a sort of body servant to the aged captain, and was known by the expressive name of "Dollops."

"Don't like the goings-on at that house at all," commented the policeman in a sort of growl. "All sorts of parties coming and going at all hours of the night. Reported it more than once, I have; and yet Superintendent Narkom says there's nothing in it and it needn't be watched. I wonder why?"

He wouldn't have wondered any longer could he have looked into the hall of the house at that moment; for the man who had just entered had no sooner closed the lower door than one above flashed open, a stream of light gushed down the stairs, and a calm, well-modulated voice said serenely: "Come right up, Mr. Narkom. I knew it would be you before your motor turned the corner. I'd know the purr of your machine among a thousand."

"Fancy that!" said Narkom, as he removed the hot wig and beard he wore, and went up the stairs two at a time. "My dear Cleek, what an abnormal animal you are! Had you"—entering the room where his now famous ally (divested of the disguise which served for the rÔle of "Captain Burbage") stood leaning against the mantelpiece and calmly smoking a cigarette—"had you by any chance a fox among your forbears?"

"Oh, no. The night is very still, the back window is open, and there's a trifling irregularity in the operations of your detonator: that's all. But tell me, you've got something else for me; something important enough to bring you racing here at top speed in the middle of the night, so to speak?"

"Yes. An amazing something. It's a letter. It arrived at headquarters by the nine o'clock post to-night—or, rather, it's last night now. Merton, of course, forwarded it to my home; but I was away—did not return until after one, or I should have been here sooner. It's not an affair for 'the Yard' this time, Cleek; and I tell you frankly I do not like it."

"Why?"

"Well, it's from Paris. If you were to accept it, you—well, you know what dangers Paris would have for you above all men. There's that she-devil you broke with, that woman Margot. You know what she swore, what she wrote back when you sent her that letter telling her that you were done with her and her lot, and warning her never to set foot on English soil again? If you were to run foul of her; if she were ever to get any hint to your real identity——"

"She can't. She knows no more of my real history than you do; no more than I actually know of hers. Our knowledge of each other began when we started to 'pal' together; it ended when we split, eighteen months ago. But about this letter? What is it? Why do you say that you don't like it?"

"Well, to begin with, I'm afraid it is some trap of hers to decoy you over there, get you into some unknown place——"

"There are no 'unknown places' in Paris so far as I am concerned. I know every hole and corner of it, from the sewers on. I know it as well as I know London, as well as I know Berlin—New York—Vienna—Edinburgh—Rome. You couldn't lose me or trap me in any one of them. Is that the letter in your hand? Good—then read it, please."

Narkom, obeying the request, read:

"There, that's the lot, and there's no signature," said Narkom, laying down the letter. "What do you make of it, Cleek?"

"A very real, a very moving thing, Mr. Narkom. The cry of a human heart in deep distress; the agonized appeal of a man so wrought up by the horrors of his position that he forgets to offer a temptation in the way of reward, and speaks of outlandish things as though they must be understood of all. As witness his allusion to something which he calls 'The Red Crawl,' without attempting to explain the meaningless phrase. Whatever it is, it is so real to him that it seems as if everybody must understand."

"You think, then, that the thing is genuine?"

"So genuine that I shall answer its call, Mr. Narkom, and be alone in the dark on the top floor of No. 7, Rue Toison d'Or to-morrow night as surely as the clock strikes nine."

And that was how the few persons who happened to be in the quiet upper reaches of the Rue Bienfaisance at half-past eight o'clock the next evening came to see a fat, fussy, red-faced Englishman in a gray frock-coat, white spats, and a shining topper, followed by a liveried servant with a hat-box in one hand and a portmanteau in the other, so conspicuous, the pair of them, that they couldn't have any desire to conceal themselves, cross over the square before the Church of St. Augustine, fare forth into the darker side passages, and move in the direction of the street of the Golden Fleece.

They were, of course, Cleek and his devoted henchman Dollops—a youth he had picked up out of the streets of London and given a home, and whose especial virtues were a dog-like devotion to his employer, a facility for eating without ever seeming to get filled, and fighting without ever seeming to get tired.

"Lumme, guv'ner," whispered he, as they turned at last into the utter darkness and desertion of the narrow Rue Toison d'Or, "if this is wot yer calls Gay Paree, this precious black slit between two rows of houses, I'll take a slice of the Old Kent Road with thanks. Not even so much as a winkle-stall in sight, and me that empty my shirt-bosom's a-chafing my blessed shoulder-blades!"

"You'll see plenty of life before the game's over, I warrant you, Dollops. Now, then, my lad, here's a safe spot. Sit down on the hat-box and wait. That's No. 7, that empty house with the open door, just across the way. Keep your eye on it. I don't know how long I'll be, but if anybody comes out before I do, mind you don't let him get away."

"No fear!" said Dollops sententiously. "I'll be after him as if he was a ham sandwich, sir. Look out for my patent 'Tickle Tootsies' when you come out, guv'ner. I'll sneak over and put 'em round the door as soon as you've gone in." For Dollops, who was of an inventive turn of mind, had an especial "man-trap" of his own, which consisted of heavy brown paper, cut into squares, and thickly smeared over with a viscid, varnish-like substance that adhered to the feet of anybody incautiously stepping upon it, and so interfered with flight that it was an absolute necessity to stop and tear the papers away before running with any sort of ease and swiftness was possible. More than once this novel method of hampering for a brief period the movement of a fugitive had stood him and his master in good stead, and Dollops, who was rather proud of his achievement, never travelled without a full supply of ready-cut papers and a big collapsible tube of the viscid, ropy, varnish-like glue.

Meantime Cleek, having left the boy sitting on the hat-box in the darkness, crossed the narrow street to the open doorway of No. 7, and, without hesitation, stepped in. The place was as black as a pocket, and had that peculiar smell which belongs to houses that have long stood vacant. The house, nevertheless, was a respectable one, and, like all the others, fronted on another street. The dark Toison d'Or was merely a back passage used principally by the tradespeople for the delivery of supplies. Feeling his way to the first of the three flights of stairs which led upward into the stillness and gloom above, Cleek mounted steadily until he found himself at length in a sort of attic—quite windowless, and lit only by a skylight through which shone the ineffectual light of the stars. It was the top at last. Bracing his back against the wall, so that nobody could get behind him, and holding himself ready for any emergency, he called out in a clear, calm voice: "Cleek!"

Almost simultaneously there was a sharp metallic "snick," an electric bulb hanging from the ceiling flamed out luminously, a cupboard door flashed open, a voice cried out in joyous, perfect English: "Thank God for a man!" And, switching round with a cry of amazement, he found himself looking into the face and eyes of a woman.

And of all women in the world—Ailsa Lorne!

He sucked in his breath and his heart began to hammer.

"Miss Lorne!" he exclaimed, so carried out of himself that he scarcely knew what he did. "Good heavens above!—Miss Lorne!"

"Oh!" she ejaculated, with a little startled cry, looking up, but finding no trace of features that she knew in the round, red face of the fat gray man before her. "You know me, then? How can you? But I forget! You are English; you are that great and mysterious man Cleek; and he—ah, he must surely know everything!"

"I know you, at least," he replied, shaking with mingled embarrassment and delight at the knowledge that at last he was permitted to speak to her, to have her speak to him. "I have seen you often in London; and to find you here, like this? It fairly takes away my breath."

"The explanation is very simple, Mr. Cleek. I suppose you know that my uncle, Sir Horace Wyvern, married again last spring? The new Lady Wyvern soon let me know that I was a superfluous person in the household. I left it, of course. Sir Horace would have pensioned me off if I had let him. I couldn't bring myself to eat the bread of charity, however, and when a former schoolmate offered me a post as her companion, I gratefully accepted it. So for the past three months I have been living here in Paris with Athalie and her father, the Baron de Carjorac."

"Baron de Carjorac? Do you mean the French Minister of the Interior, the President of the Board of National Defences, Miss Lorne, that enthusiastic old patriot, that rabid old spitfire whose one dream is the wresting back of Alsace-Lorraine, the driving of the hated Germans into the sea? Do you mean that ripping old firebrand?"

"Yes. But you'd not call him that if you could see the wreck, the broken and despairing wreck, that six weeks of the ChÂteau Larouge, six weeks of that horrible 'Red Crawl' have made of him."

"'The Red Crawl'? Good heavens! then that letter, that appeal for help——"

"Came from him!" she finished excitedly. "It was he who was to have met you here to-night, Mr. Cleek. This house is one he owns; he thought he might with safety risk coming here, but—he can't! he can't! He knows now that there is danger for him everywhere; that his every step is tracked; that the snare which is about him has been about him, unsuspected, for almost a year; that he dare not, absolutely dare not, appeal to the French police, and that if it were known he had appealed to you, he would be a dead man inside of twenty-four hours, and not only dead, but—disgraced. Oh, Mr. Cleek," she stretched out two shaking hands and laid them on his arm, lifted a white, imploring face to his, "save him! save that dear broken old man! Ah, think! think! They are our friends, our dear country's friends, these French people. Their welfare is our welfare, ours is theirs! Oh, help him, save him, Mr. Cleek—for his own sake—for mine—for France! Save him, and win my gratitude forever!"

"That is a temptation that would carry me to the ends of the earth, Miss Lorne. Tell me what the work is, and I will carry it through. What is this incomprehensible thing of which both you and Baron de Carjorac have spoken, this thing you allude to as 'The Red Crawl'?"

She gave a little shuddering cry and fell back a step, covering her face with both hands.

"Oh!" she said, with a shiver of repulsion. "It is horrible—it is necromancy beyond belief! Why, oh, why were we ever driven to that horrible ChÂteau Larouge? Why could not fate have spared the Villa de Carjorac? It could not have happened then!"

"Villa de Carjorac? That was the name of the baron's residence, I believe. I remember reading in the newspapers some five or six weeks ago that it was destroyed by fire, which originated—nobody knew how—in the apartments of the late baroness in the very dead of the night. I thought at the time it read suspiciously like the work of an incendiary, although nobody hinted at such a thing. The ChÂteau Larouge I also have a distinct memory of, as an old historic property in the neighbourhood of St. Cloud. Speaking from past experience, I know that, although it is in such a state of decay, and supposed to be uninhabitable, it has, in fact, often been occupied at a period when the police and the public believed it to be quite empty. Gentlemen of the Apache persuasion have frequently made it a place of retreat. There is also an underground passage, executed by those same individuals, which connects with the Paris sewers. That, too, the police are unaware of. What can the ruined ChÂteau Larouge possibly have to do with the affairs of the Baron de Carjorac, Miss Lorne, that you connect them like this?"

"They have everything to do with them. The ChÂteau is no longer a ruin, however. It was purchased, rebuilt, refitted by the Comtesse Susanne de la Tour, Mr. Cleek, and she and her brother live there. So do we, Athalie, Baron de Carjorac, and I. So, also, does the creature—the thing—the abominable horror known as 'The Red Crawl.'"

"My dear Miss Lorne, what are you saying?"

"The truth, nothing but the truth!" she answered hysterically. "Oh, let me begin at the beginning. You'll never understand unless I do. I'll tell you in as few words as possible, as quickly as I can. It all began last winter, when Athalie and her father were at Monte Carlo. There they met Madame la Comtesse de la Tour and her brother, Monsieur Gaston Merode. The baron has position but he has not wealth, Mr. Cleek. Athalie is ambitious. She loves luxury, riches, a life of fashion, all the things that boundless money can give; and when Monsieur Merode—who is young, handsome, and said to be fabulously wealthy—showed a distinct preference for her over all the other marriageable girls he met, she was flattered out of her silly wits. Before they left Monte Carlo for Paris everybody could see that he had only to ask her hand, to have it bestowed upon him. For although the baron never has cared for the man, Athalie rules him, and her every caprice is humoured.

"But, for all he was so ardent a lover, Monsieur Merode was slow in coming to the important point. Perhaps his plans were not matured. At any rate, he did not propose to Athalie at Monte Carlo; and, although he and his sister returned to Paris at the same time as the baron and his daughter, he still deferred the proposal."

"Has he not made it yet?"

"Yes, Mr. Cleek. He made it six weeks ago, to be exact, two nights before the Villa de Carjorac was fired."

"You think it was fired, then?"

"I do now, although I had no suspicion of it at the time. Athalie received her proposal on the Saturday, the baron gave his consent on the Sunday, and on Monday night the villa was mysteriously burnt, leaving all three of us without an immediate refuge. In the meantime, Madame la Comtesse had purchased the ruin of the ChÂteau Larouge, and during the period of her brother's deferred proposal was engaged in fitting it up as an abode for herself and him. On the very day it was finished, Monsieur Merode asked for Athalie's hand."

"Oho!" said Cleek, with a strong rising inflection. "I think I begin to smell the toasting of the cheese. Of course, when the villa was burnt out, Madame la Comtesse insisted that, as the fiancÉe of her brother, Mademoiselle de Carjorac must make her home at the ChÂteau until the necessary repairs could be completed; and, of course, the baron had to go with her?"

"Yes," admitted Ailsa. "The baron accepted—Athalie would not have allowed him to decline had he wished to—so we all three went there and have been residing there ever since. On the night after our arrival an alarming, a horrifying, thing occurred. It was while we were at dinner that the conversation turned upon the supernatural, upon houses and places that were reputed to be haunted, and then Madame la Comtesse made a remarkable statement. She laughingly asserted that she had just learned that, in purchasing the ChÂteau Larouge, she had also become the possessor of a sort of family ghost. She said that she had only just heard, from an outside source, that there was a horrible legend connected with the place; in short, that for centuries it had been reputed to be under a sort of spell of evil and to be cursed by a dreadful visitant known as 'The Red Crawl'—a hideous and loathsome creature. It was neither spider nor octopus, but horribly resembled both and was supposed to 'appear' at intervals in the middle of the night and, like the fabled giants of fairy tales, carry off 'lovely maidens and devour them.'"

"Who is responsible for that ridiculous assertion, I wonder? I think I may say that I know as much about the ChÂteau Larouge and its history as anybody, Miss Lorne, but I never heard of this supposed 'legend' before in all my life."

"So the baron, too, declared, laughing as derisively as any of us over the story, although it is well known that he has a natural antipathy to all crawling things, an abhorrence inherited from his mother, and has been known to run like a frightened child from the appearance of a mere garden spider."

"Oho!" said Cleek again. "I see! I see! The toasted cheese smells stronger, and there's a distinct suggestion of the Rhine about it this time. There's something decidedly German about that fabulous 'monster' and that haunted ChÂteau, Miss Lorne. They are clever and careful schemers, those German Johnnies. Of course, this amazing 'Red Crawl' was proved to have an absolute foundation in fact, and equally, of course, it 'appeared' to the Baron de Carjorac?"

"Yes—that very night. After we had all gone to bed, the house was roused by his screams. Everybody rushed to his chamber, only to find him lying on the floor in a state of collapse. The thing had been in his room, he said. He had seen it, it had even touched him—a horrible, hideous red reptile, with squirming tentacles, a huge, glowing body, and eyes like flame. It had crept upon him out of the darkness, he knew not from where. It had seized him, resisted all his wild efforts to tear loose from it, and when he finally sank, overcome and fainting, upon the floor, his last conscious recollection was of the loathsome thing settling down upon his breast and running its squirming 'feelers' up and down his body."

"Of course! Of course! That was part of the game. It was after something. Something of the utmost importance to German interests. That's why the ChÂteau Larouge was refitted, why the Villa de Carjorac was burnt down, and why this Monsieur Gaston Merode became engaged to Mademoiselle Athalie."

"Oh, how could you know that, Mr. Cleek? Nobody ever suspected. The baron never confessed to any living soul until he did so to me, to-day, and then only because he had to tell somebody, in order that the appointment with you might be kept. How, then, could you guess?"

"By putting two and two together, Miss Lorne, and discovering that they do not make five. The inference is very clear: Baron de Carjorac is President of the Board of National Defences; Germany, in spite of its public assurances to the contrary, is known by those who are 'on the inside' to harbour a very determined intention of making a secret attack, an unwarned invasion, upon England. France is the key to the situation. If, without the warning that must come through the delay of picking a quarrel and entering into an open war with the Republic, the German army can swoop down in the night, cross the frontier, and gain immediate possession of the ports of France, in five hours' time it can be across the English Channel, and its hordes pouring down upon a sleeping people. To carry out this programme, the first step would, of course, be to secure knowledge of the number, location, manner of the secret defences of France, the plans of fortification, the maps of the 'danger zone,' the documentary evidence of her strongest and weakest points. And who so likely to be the guardian of these as the Baron de Carjorac? That is how I know that 'The Red Crawl' was after something of vital importance to German interests, Miss Lorne. That he got it, I know from the fact that the baron, while hinting at disgrace and speaking of peril to his own life, dared not confide in the French authorities and ask the assistance of the French police. Moreover, if 'The Red Crawl' had failed to secure anything, the baron, with his congenital loathing of all crawling things, would have left the ChÂteau Larouge immediately."

"Oh, to think that you guessed it so easily, and it was all such a puzzle to me. I could not think, Mr. Cleek, why he did remain; why he would not be persuaded to go, although every night was adding to the horror of the thing and it seemed clear to me that he was going mad. Of course, Madame la Comtesse and her brother tried to reason him out of what he declared, tried to make him believe that it was all fancy, that he did not really see the fearful thing; it was equally in vain that I myself tried to persuade him to leave the place before his reason became unsettled. Last night"—she paused, shuddered, put both hands over her face, and drew in a deep breath—"last night, I, too, saw 'The Red Crawl,' Mr. Cleek—I, too! I, too!"

"You, Miss Lorne?"

"Yes. I made up my mind that I would—that, if it existed, I would have absolute proof of it. The countess and her brother had scoffed so frequently, had promised the baron so often that they would set a servant on guard in the corridor to watch, and then had said so often to poor, foolish, easily persuaded Athalie that it was useless doing anything so silly, as it was absolutely certain that her father only imagined the thing, that I determined to take the step myself, unknown to any of them. After everybody had gone to bed, I threw on a loose, dark gown, crept into the corridor, and hid in a niche from which I could see the door of the baron's room. I waited until after midnight—long after—and then—and then——"

"Calm yourself, Miss Lorne. Then the thing appeared, I suppose?"

"Yes; but not before something equally terrible had happened. I saw the door of the countess's room open; I saw the countess herself come out, accompanied by the man who up till then I had believed, like everybody else, was her brother."

"And who is not her brother, after all?"

"No, he is not. Theirs is a closer tie. I saw her kiss him. I saw her go with him to an angle of the corridor, lift a rug, and raise a trap in the floor."

"Hullo! Hullo!" ejaculated Cleek. "Then she, too, knows of the passage which leads to the sewers. Clearly, then, this Countess de la Tour is not what she seems, when she knows secrets that are known only to the followers of—— Well, never mind. Go on, Miss Lorne, go on. You saw her lift that trap; and what then?"

"Then there came up out of it the most loathsome-looking creature I have ever seen: a huge, crawling, red shape that was like a blood-red spider, with the eyes, the hooked beak, and the writhing tentacles of an octopus. It made no sound, but it seemed to know her, to understand her, for when she waved her hand toward the open door of her own room, obeying that gesture, it dragged its huge bulk over the threshold, and passed from sight. Then the man she called her brother kissed her again, and as he descended into the darkness below the trap I heard her say quite distinctly: 'Tell Marise that I will come as soon as I can; but not to delay the revel. If I am compelled to forego it to-night, there shall be a wilder one to-morrow, when Clodoche arrives.'"

"Clodoche? By Jupiter!" Cleek almost jumped as he spoke. "Now I know the 'lay'! No; don't ask me anything yet. Go on with the story, please. What then, Miss Lorne, what then?"

"Then the man below said something which I could not hear and she answered in these words: 'No, no; there is no danger. I will guard it safely, and it shall go into no hands but Clodoche's. He and Count von Hetzler will be there about midnight to-morrow to complete the deal and pay over the money. Clodoche will want the fragment, of course, to show to the count as a proof that it is the right one, as "an earnest" of what the remainder is worth. And you must bring me that "remainder" without fail, Gaston—you hear me?—without fail! I shall be there, at the rendezvous, awaiting you, and the thing must be in our hands when Von Hetzler comes. The work must be finished to-morrow night, even if you and Serpice have to throw all caution to the winds and throttle the old fool.' Then, as if answering a further question, she laughingly added: 'Oh, get that fear out of your head. I'm not a bat, to be caught napping. I'll give it to no one but Clodoche, and not even to him until he gives the secret sign.' And then, Mr. Cleek, as she closed the trap I heard the man call back to her 'Good-night' and give her a name I had not heard before. We had always supposed that she had been christened 'Suzanne,' but as that man left he called her——"

"I know before you tell me—'Margot'!" interjected Cleek. "I guessed the identity of this 'Countess de la Tour' from the moment you spoke of Clodoche and that secret trap. Her knowledge of those two betrayed her to me. Clodoche is a renegade Alsatian, a spy in the pay of the German Government, and an old habituÉ of 'The Inn of the Twisted Arm,' where the Queen of the Apaches and her pals hold their frequent revels. I can guess the remainder of your story now. You carried this news to the Baron de Carjorac, and he, breaking down, confessed to you that he had lost something."

"Yes, yes—a dreadful 'something,' Mr. Cleek: the horrible thing that has been making life an agony to him ever since. On the night when that abominable 'Red Crawl' first overcame him there was upon his person a most important document. It was a rough draft of the maps of fortification and the plan of the secret defences of France, the identical document from which was afterward transcribed the parchment now deposited in the secret archives of the Republic. When Baron de Carjorac recovered his senses after his horrifying experience——"

"That document was gone?"

"Part of it, Mr. Cleek, thank God, only a part! If it had been the parchment itself, no such merciful thing could possibly have happened. But the paper was old, much folding and handling had worn the creases through, and when, in his haste, the secret robber grabbed it, whilst that loathsome creature held the old man down, it parted directly down the middle, and he got only a vertical section of each of its many pages."

"Victoria! 'And the fool hath said in his heart There is no God,'" quoted Cleek. "So, then, the hirelings of the enemy have only got half what they are after; and, as no single sentence can be complete upon a paper torn like that, nothing can be made of it until the other half is secured, and our German friends are still 'up a gum-tree.' I know now why the baron stayed on at the ChÂteau Larouge and why 'The Red Crawl' is preparing to pay him another visit to-night: He hoped, poor chap, to find a clue to the whereabouts of the fragment he had lost; and that thing is after the fragment he still retains. Well, it will be a long, long day before either of those two fragments falls into German hands."

"Oh, Mr. Cleek, you think you can get the stolen paper back? You believe you can outwit those dreadful people and save the Baron de Carjorac's honour and his life?"

"Miss Lorne"—he took her hand in his and lifted it to his lips—"Miss Lorne, I thank you for giving me the chance! If you will do what I ask you, be where I ask you in two hours' time, so surely as we two stand here this minute, I will put back the German calendar by ten years at least. They drink 'To the day,' those German Johnnies, but by to-morrow morning the English hand you are holding will have given them reason to groan over the night!"

II

It was half-past eleven o'clock. Madame la Comtesse, answering a reputed call to the bedside of a dying friend, had departed early, and was not to be expected back, she said, until to-morrow noon. The servants—given permission by the gentleman known in the house as Monsieur Gaston Merode, and who had graciously provided a huge char-À-banc for the purpose—had gone in a body to a fair over in the neighbourhood of Sevres, and darkness and stillness filled the long, broad corridor of the ChÂteau Larouge. Of a sudden, however, a mere thread of sound wavered through the silence, and from the direction of Miss Lorne's room a figure in black, with feet muffled in thick woollen stockings, padded to an angle of the passage, lifted a trap carefully hidden beneath a huge tiger-skin rug, and almost immediately Cleek's head rose up out of the gap.

"Thank God you managed to do it. I was horribly afraid you would not," said Ailsa in a palpitating whisper.

"You need not have been," he answered. "I know a dozen places besides 'The Inn of the Twisted Arm' from which one can get into the sewers. I've screwed a bolt and socket on the inner side of this trap in case of an emergency, and I've carried a few things into the passage for 'afterward.' I suppose that fellow Merode, as he calls himself, is in his room, waiting?"

"Yes; and, although he pretends to be alone to-night, he has other men with him, hideous, ruffianly looking creatures, whom I saw him admit after the servants had gone. The countess has left the house and gone I don't know where."

"I do, then. Make certain that she's at 'The Twisted Arm,' waiting, first, for the coming of Clodoche, and, second, for the arrival of this precious 'Merode' with the remaining half of the document. I've sent Dollops there to carry out his part of the programme, and when once I get the password Margot requires before she will hand over the paper, the game will be in my hands entirely. They are desperate to-night, Miss Lorne, and will stop at nothing—not even murder. There! the rug's replaced. Quick! lead me to the baron's room, there's not a minute to waste."

She took his hand and led him tiptoe through the darkness, and in another moment he was in the Baron de Carjorac's presence.

"Oh, monsieur, God forever bless you!" exclaimed the broken old man, throwing himself on his knees before Cleek.

"Out with the light—out with the light!" exclaimed he, ducking down suddenly. "Were you mad to keep it burning till I came, with that," pointing to a huge bay window opening upon a balcony, "uncurtained and the grounds, no doubt, alive with spies?"

Miss Lorne sprang to the table where the baron's reading-lamp stood, jerked the cord of the extinguisher, and darkness enveloped the room, darkness tempered only by the faint gleams of the moon streaming over the balcony and through the panes of the uncurtained window.

Cleek, on his knees beside the kneeling baron, whipped a tiny electric torch from his pocket and, shielding its flare with his scooped hands, flashed it upon the old man's face.

"Simple as rolling off a log—exactly like your pictures," he commented. "I'll 'do' you as easily as I 'do' Clodoche and I could 'do' him in the dark from memory. Quick," snicking off the light of the electric torch and rising to his feet, "into your dressing-room, baron. I want that suit of clothes; I want that ribbon, that cross—and I want them at once. You're a bit thicker set than me, but I've got my Clodoche rig on underneath this, and it will fill out your coat admirably and make us as like as two peas. Give me five minutes, Miss Lorne, and I promise you a surprise."

He flashed out of sight with the baron as he ceased speaking; and Ailsa, creeping to the window and peering cautiously out, was startled presently by a voice at her elbow saying, in a tone of extreme agitation, "Oh, mademoiselle, I fear, even yet I fear, that this Anglais monsieur attempts too moch, and that the papier he is gone forever."

"Oh, no, baron, no!" she said soothingly, as she laid a solicitous hand upon his arm. "Do believe in him; do have faith in him. Ah, if you only knew——"

"Thanks. I reckon I shall pass muster!" interposed Cleek's voice; and it was only then she realized. "You'll find the baron in the other room, Miss Lorne, looking a little grotesque in that gray suit of mine. In with you, quickly; go with him through the other door, and get below before those fellows begin to stir. Get out of the house as quietly and as expeditiously as you can. With God's help, I'll meet you at the Hotel Louvre in the morning, and put the missing fragment in the baron's hands."

"And may God give you that help!" she answered fervently, as she moved toward the dressing-room door. "Ah, what a man! What a man!"

Then in a twinkling she was gone, and Cleek stood alone in the silent room. Giving her and the baron time to get clear of the other one, he went in on tiptoe, locked the door through which they had passed, put the key in his pocket, and returned. Going to the door which led from the main room into the corridor, he took the key from the lock of that, too, replacing it upon the outer side, and leaving the door itself slightly ajar.

"Now then for you, Mr. 'The Red Crawl,'" he said, as he walked to the baron's table, and, sinking down into a deep chair beside it, leaned back with his eyes closed as if in sleep, the faint light of the moon half-revealing his face. "I want that password, and I'll get it, if I have to choke it out of your devil's throat! And she said that she would be grateful to me all the rest of her life! Only 'grateful,' I wonder? Is nothing else possible? What a good, good thing a real woman is!"

* * * * *

How long was it that he had been reclining there waiting before his strained ears caught the sound of something like the rustling of silk shivering through the stillness, and he knew that at last it was coming? It might have been ten minutes, it might have been twenty—he had no means of determining—when he caught that first movement, and, peering through the slit of a partly opened eye, saw the appalling thing drag its huge bulk along the balcony and, with tentacles writhing, slide over the low sill of the window, and settle down in a glowing red heap upon the floor. Fake though he knew it to be, Cleek could not repress a swift rush and prickle of "goose-flesh" at sight of it.

For a few seconds it lay dormant; then one red feeler shot out, then another, and another, and it began to edge its way across the carpet to the chair. Cleek lay still and waited, his heavy breathing sounding regularly, his head thrown back, his limp hands lying loosely, palms upward. Nearer and nearer crept the loathsome, red, glowing thing.

It crawled to his feet, and still he was quiet; it slid first one tentacle and then another over his knees and up toward his breast, and still he made no movement; then, as it rose until its hideous beaked countenance was close to his own, his hands flashed upward and clamped together like a vise—clamped on a palpitating human throat. In the twinkling of an eye the tentacles were wrapped about him, and he and "The Red Crawl" were rolling over and over on the floor and battling together.

"Serpice, you low-bred hound, I know you!" he whispered, as they struggled. "You can't utter a cry. You shan't utter a cry to bring help. I'll throttle you, you beastly renegade, that's willing to sell his own country—throttle you, do you hear?—before you shall bring any of your mates to the rescue. Oh, you've not got a weak old man to fight with this time! Do you know me? It's the 'Cracksman,' the 'Cracksman' who went over to the police. If you doubt it, now that we're in the moonlight, look up and see my face. Oho! you recognize me, I see. Well, you will die looking at me, you dog, if you deny me what I'm after. I'll loosen my grip enough for you to whisper, and no more. Now what's the password that Clodoche must give to Margot to-night at 'The Twisted Arm'? Tell me what it is; if you want your life, tell me what it is?"

"I'll see you dead first!" came in a whisper from beneath the hideous mask. Then, as Cleek's fingers clamped tight again, and the battle began anew, one long, thin arm shot out from amongst the writhing tentacles, one clutching hand gripped the leg of the table and, with a wrench and a twist, brought it crashing to the floor with a sound that a deaf man might have heard.

And in an instant there was pandemonium.

A door flew open, and, clashing heavily against the wall, sent an echo reeling along the corridor; then came a clatter of rustling feet, a voice cried out excitedly: "Come on! come on! He's had to kill the old fool to get it!" and Cleek had just time to tear loose from the shape with which he was battling, and dodge out of the way when the man Merode lurched into the room, with half a dozen Apaches tumbling in at his heels.

"Serpice!" he cried, rushing forward, as he saw the gasping red shape upon the floor; "Serpice! Mon Dieu! what is it?"

"The Cracksman!" he gulped. "Cleek!—the Cracksman who went against us! Catch him! stop him!"

"The Cracksman!" howled out Merode, twisting round in the darkness and reaching blindly for the haft of his dirk. "Nom de Dieu! Where?"

And almost before the last word was uttered a fist like a sledge-hammer shot out, caught him full in the face, and he went down with a whole smithy of sparks flashing and hissing before his eyes.

"There!" answered Cleek, as he bowled him over. "Gentlemen of the sewers, my compliments. You'll make no short cut to 'The Twisted Arm' to-night!"

Then, like something shot from a catapult, he sprang to the door, whisked through it, banged it behind him, turned the key, and went racing down the corridor like a hare.

"It must be sheer luck now!" he panted, as he reached the angle and, kicking aside the rug, pulled up the trap. "They'll have that door down in a brace of shakes, and be after me like a pack of ravening wolves. The race is to the swift this time, gentlemen, and you'll have to take a long way round if you mean to head me off."

Then he passed down into the darkness, closed the trap-door after him, shot into its socket the bolt he had screwed there, flashed up the light of his electric torch, and, without the password, turned toward the sewers, and ran, and ran, and ran!

III

It lacked but a minute of the stroke of twelve, and the revels at "The Twisted Arm"—wild at all times, but wilder to-night than ever—were at their noisiest and most exciting pitch. And why not? It was not often that Margot could spend a whole night with her rapscallion crew, and she had been here since early evening and was to remain here until the dawn broke gray over the housetops and the murmurs of the workaday world awoke anew in the streets of the populous city. It was not often that each man and each abandoned woman present knew to a certainty that he or she would go home through the mists of the gray morning with a fistful of gold that had been won without labour or the taking of any personal risk; and to-night the half of four hundred thousand francs was to be divided among them.

No wonder they had made a carnival of it, and tricked themselves out in gala attire; no wonder they had brought a paste tiara and crowned Margot. Margot, was in flaming red to-night, and looked a devil's daughter indeed, with her fire-like sequins and her red ankles twinkling as she threw herself into the thick of the dance and kicked, and whirled, and flung her bare arms about to the lilt of the music and the fluting of her own happy laughter.

"Per Baccho! The devil's in her to-night!" grinned old Marise, the innkeeper, from her place behind the bar, where the lid of the sewer-trap opened. "She has not been like it since the Cracksman broke with her, Toinette. But that was before your time, ma fille. Mother of the heavens! but there was a man for you! There was a king that was worthy of such a queen. Name of disaster! that she could not hold him, that the curse of virtue sapped such a splendid tree, and that she could take up with another after him!"

"Why not?" cried Toinette, as she tossed down the last half of her absinthe and twitched her flower-crowned head. "A kingdom must have a king, ma mere; and Dieu! but he is handsome, this Monsieur Gaston Merode! And if he carries out his part of the work to-night he will be worthy of the homage of all."

"'If' he carries it out—'if'!" exclaimed Marise, with a lurch of the shoulders and a flirt of her pudgy hand. "Soul of me! that's where the difference lies. Had it been the Cracksman, there would have been no 'if.' It were done as surely as he attempted it. Name of misfortune! I had gone into a nunnery had I lost such a man. But she——"

The voice of Margot shrilled out and cut into her words.

"Absinthe, Marise, absinthe for them all and set the score down to me!" she cried. "Drink up, my bonny boys; drink up, my loyal maids. Drink—drink till your skins will hold no more. No one pays to-night but me!"

They broke into a cheer, and bearing down in a body upon Marise, threw her into a fever of haste to serve them.

"To Margot!" they shouted, catching up the glasses and lifting them high. "Vive la Reine des Apache! Vive la compagnie! To Margot! to Margot!"

She swept them a merry bow, threw them a laughing salute, and drank the toast with them.

"Messieurs, my love—mesdames et mademoiselles, my admiration," she cried, with a ripple of joy-mad laughter. "To the success of the Apaches, to the glory of four hundred thousand francs, and to the quick arrival of Serpice and Gaston." Then, her upward glance catching sight of the musicians sipping their absinthe in the little gallery above, she flung her empty glass against the wall behind them, and shook with laughter as they started in alarm and spilled the green poison when they dodged aside. "Another dance, you dawdlers!" she cried. "Does Marise pay you to sit there like mourners? Strike up, you mummies, or you pay yourselves for what you drink to-night. Soul of desires!"—as the musicians grabbed up their instruments, and a leaping, lilting, quick-beating air went rollicking out over the hubbub—"a quadrille, you angels of inspiration! Partners, gentlemen! Partners, ladies! A quadrille! A quadrille!"

They set up a many-throated cheer, flocked out with her upon the floor, and in one instant feet were flying, skirts were whirling, laughter and jest mingling with waving arms and kicking toes, and the whole place was in one mad riot of delirious joy.

And in the midst of this there rolled up suddenly a voice crying, as from the bowels of the earth, "Hola! Hola! La! la! loi!" the cry of the Apache to his kind.

"Mother of delights! It is one of us, and it comes from the sewer passage!" shrilled out Marise, as the dancers halted and Margot ran, with fleet steps, toward the bar. "Listen! listen! They come to you, Margot—Serpice and Gaston. The work is done."

"And before even Clodoche or Von Hetzler have arrived!" she replied excitedly. "Give them light, give them welcome. Be quick!"

Marise ducked down, loosened the fastenings of the trap-door, flung it back, and, leaning over the gap with a light in her hand, called down into the darkness, "Hola! Hola! La! la! loi! Come on, comrades, come on!"

The caller obeyed instantly. A hand reached up and gripped the edge of the flooring, and out of the darkness into the light emerged the figure of a man in a leather cap and the blue blouse of a mechanic. He was a pale, fox-faced, fox-eyed fellow, with lank, fair hair, a brush of ragged yellow beard, and the look and air of the sneak and spy indelibly branded upon him.

It was Cleek.

"Clodoche!" exclaimed Marise, falling back in surprise.

"Clodoche!" echoed Margot. "Clodoche—and from the sewers?"

"Yes—why not?" he answered, his tongue thick-burred with the accent of Alsace, his shifting eyes flashing toward the huge window behind the bar, where, in the moonlight, the narrow passage leading down to the door of "The Twisted Arm" gaped evilly between double rows of scowling, thief-sheltering houses. "Name of the fiend! Is this the welcome you give the bringer of fortune, Margot?"

"But from the sewer?" she repeated. "It is incomprehensible, cher ami. You were to pilot Von Hetzler over from the CafÉ Dupin to the square beyond there"—pointing to the window—"to leave him waiting a moment while you came on to see if it were safe for him to enter; and now you come from the sewer, from the opposite direction entirely!"

"Mother of misfortunes! You had done the same yourself—you, Lantier; you, Clopin; you Cadarousse; any of you, had you been in my boots," he made answer. "I stole a leaf from your own book, earlier in the evening. Garrotted a fellow with jewels on him, in the Rue Noir, near the Market Place, and nearly got into 'the stone bottle' for doing it. He was a decoy, set there by the police for some of you fellows, and there was a sergeant de ville after me like a whirlwind. I was not fool enough to turn the chase in this direction, so I doubled and twisted until it was safe to dive into the tavern of Fouchard, and lay in hiding there. Fouchard let his son carry a message to the count for me, and will guide him to the square. When it grew near the time to come, Fouchard let me down into the sewer passage from there. Get on with your dance, silence is always suspicious. An absinthe, Marise! Have Gaston and Serpice arrived yet with the rest of the document, Margot la reine?"

"Not yet," she answered. "But one may expect them at any minute."

"Where is the fragment we already possess?"

"Here," tapping her bodice and laughing, "tenderly shielded, mon ami; and why not? Who would not mother a thing that is to bring one four hundred thousand francs?"

"Let me see it? It must be shown to the count, remember. He will take no risks, come not one step beyond the square, until he is certain that it is the paper his Government requires. Let me have it. Let me take it to him—quick!"

She waved aside airily the hand he stretched toward her, and danced into the thick of the resumed quadrille.

"Ah, non! non! non!" she laughed, as he came after her. "The conditions were of your own making, cher ami; we break no rules even among ourselves."

"Soul of a fool! But if the count comes to the square—he is due there now, mignonne—and I am not there to show him the thing—— Margot, for the love of God, let me have the paper!"

"Let me have the sign, the password!"

Cleek snapped at a desperate chance because there was nothing else to do, because he knew that at any moment now the end might come.

"'When the purse will not open, slit it!'" he hazarded, desperately—choosing, on the off-chance of its correctness, the password of the Apache.

"It is not the right one! It is by no means the right one!" she made reply, backing away from him suddenly, her absinthe-brightened eyes deriding him, her absinthe-sharpened laughter mocking him. "Your thoughts are in the Bois, cher ami. What is the password of the brotherhood to the cause of Germany, stupid? It is not right, non! non! It is not right!"

The cause of Germany! At the words the truth rushed like a flash of inspiration across Cleek's mind. The cause of Germany! what a dolt he was not to have thought of that before! There was but one phrase ever used for that among the Kaiser's people, and that phrase——

"'To the day!'" he said, with a burst of sudden laughter. "My wits are in the moon to-night, la reine. 'To the day,' of course—'To the day'!" And even before she replied to him, he knew that he had guessed aright.

"Bravo!" she said, with a little hiccough, for the absinthe, of which she had imbibed so freely to-night, was beginning to take hold of her. "A pretty conspirator to forget how to open the door he himself locked! It is well I know thee; it is well it was our word in the beginning, or I had been suspicious, silly! Wait but a moment"—putting her hand to her breast and beginning to unfasten her bodice—"wait but a moment, Monsieur Twitching-Fingers, and the thing shall be in your hand."

The strain, the relief, were all too great for even such nerves as Cleek's, and if he had not laughed aloud, he knew that he must have cheered.

"Oho! you grin because one's fingers blunder with eagerness," hiccoughed Margot, thinking his laughter was for the trouble she had in getting the fastenings of her bodice undone. "Peste, monsieur! may not a lady well be modestly careful when—— Name of the devil! what's that?"

It was the note of a whistle shrilling down the narrow passage without—the passage where Dollops, in Apache garb, had been set on watch; and, hearing it, Cleek clamped his jaws together and breathed hard. A single whistle, short and sharp, such as this, was the signal agreed upon that the real Clodoche was coming, and that he and Count von Hetzler had already appeared in the square beyond.

"Soul of a sloth! will not that hurry you, la reine?" he said excitedly, in reply to Margot's startled question. "It is the signal Fouchard's son was to give when he and Von Hetzler arrived at the place where I am to meet them. Give me the paper quick! Tear the fastenings, if they will not come undone else. One cannot keep a Von Hetzler waiting like a lackey for a scrap of ribbon and a bit of lace."

"Pardieu! they have kept better men than he waiting many an hour before this," she made reply. "But you shall have the thing in a twinkling now. There! but one more knot, and then it is in your hands."

And, had the fates not decreed otherwise, so, indeed, it would have been. But then, just then, when another second would have brought the paper into view, another moment seen it shut tight in the grip of his itching fingers, disaster came and blotted out his hopes!

Without hint or warning, without sign or sound to lessen the shock of it, the trap-door behind the bar flew up and backward with a crash that sent Marise and her assistants darting away from it in shrieking alarm; a babel of excited voices sounded, rushing feet scuffled and flashed along the shaking floor, and Merode and his followers tumbled helter-skelter into the room.

Cleek, counting on the bolt which kept them from entering the passage from the corridor of the ChÂteau Larouge and thus forcing them to take a long, roundabout journey to "The Twisted Arm," had not counted on their shortening that journey by entering the passage from Fouchard's tavern, doing, in fact, the very thing which he had declared to Margot he himself had done. And lo! here they were, howling and crowding about him, dirks in their hands and devils in their eyes and hearts—and the paper not his yet!

A clamour rose as they poured in; the dancers ceased to dance; the music ceased to play; and Margot, shutting a tight clutch on the loosened part of her half-unfastened bodice, swung away from Cleek's side, and flew in a panic to Merode.

"Gaston!" she cried, knowing from his wild look and the string of oaths and curses his followers were blurting out that something had gone amiss. "Gaston, mon coeur! Name of disaster! what is wrong?"

"Everything is wrong!" he flung back excitedly. "That devil, that renegade, that fury, Cleek, the Cracksman, is here. He came to the rescue out of the very skies and all but killed Serpice!"

"Cleek!" Fifty shrill voices joined Margot's in that screaming cry; fifty more dirks flashed into view. "Cleek in France? Cleek? Where is he? Which way did he go? Where's the narker—where—where?"

"Here, if anywhere!"

"Here?"

"Yes, unless you've been fooled, and let him get away! He knows about the paper, and is after it, Margot; and if any one has come up from the sewers within the past twenty minutes——"

They knew instantly and a roar of excited voices yelled out: "Clodoche! Clodoche! Clodoche!" as, snarling and howling like a pack of wolves, they bore down with a rush on the blue-bloused figure that was creeping toward the door.

But as they sprang it sprang also! It was neck or nothing now. Cleek realized it, and, throwing himself headlong over the bar, clutched frantically at the lever which he knew controlled the flow of gas, jammed it down with all his strength, shut off the light, and, grabbing up a chair, sent it crashing through the window.

The crowd surged on toward the wrecked bar with a yell, surged from all directions, and then abruptly stopped. For the sudden darkness within had made more prominent the moonlighted passage without; and there, scuttling away in alarm from this sudden uproar and the outward flying of that hurled chair, a figure which but a moment before had come skulking to the window could now be seen.

"There he goes—there! there!" shrilled out a chorus of excited voices, as the yellow-bearded, blue-bloused figure came into view. "After him! Catch him! Knife him!"

In an instant they were at the door, tumbling out into the darkness, pouring up the passage in hot pursuit. And it was at that moment the balance changed again. Those who were in the front rank of the pursuers were in time to see a lithe, thin figure, dressed as one of their own kind, spring up in the path of that other figure, jump on it, grip it, clap a huge square of sticky brown paper over the howling mouth of it, and bear it, struggling and kicking, to the ground.

In another second they, too, were upon it, swarming over it like rats, digging and hacking at it with their dirks. And so they were still hacking at it—although it had long since ceased to move or to make any sound—when Merode came up and called them to a halt.

"Drag it inside; let Margot have a thrust at it. It is her right. Pull off the dog's disguise, and bring me the plucky one that captured him. He shall have absinthe enough to swim in, the little king! Off with it all, Lanchere. First, the plaster, that's right. Now, the wig and beard, and after that—— What's that you say? The beard is real? The hair is real? They will not come off? Name of the devil! what are you saying?"

"The truth, mon roi—the truth! Mother of disasters! It is not the Cracksman—it is the real Clodoche we have killed!"

For one moment a sort of panic held them, swayed them, and befogged their brains; then of a sudden Merode howled out "Get back! Get back! The fellow's in there still!" and led a blind race down the passage to the bar where they had seen Cleek last. It was still in darkness; but an eager hand, gripping the lever, turned on the gas again and matches everywhere were lifted to the jets.

And when the light flamed out and the room was again ablaze they knew that they might as well hope to call back yesterday as dream of finding Cleek again. For there on the floor, her limp hands turned palms upward, a chloroformed cloth folded over her mouth and nose, lay the figure of Margot, her bodice torn wide open and the paper forever gone!

* * * * *

It was five minutes later when the Count von Hetzler, crouching back in the shadow of the square and waiting for the return of Clodoche, heard a dull, whirring sound that was unmistakably the purr of a motor throb through the stillness, and, leaning forward, saw a limousine whirl up out of the darkness, cut across the square, and like a flash dash off westward. Yet in the brief instant it took to go past the place where he waited there was time for him to catch the sharp click of a lowered window, see the clear outlines of a man's face looking out, and to hear a voice from within the vehicle speak.

"Herr Count," it said in clear, incisive tones. "A positively infallible recipe for the invasion of England: Wait until the Channel freezes and then skate over. Good-night!"