There is no doubt that one's first impressions are always the brightest and the best; therefore I resolve to record the first impressions of a first visit to the Italian lakes.
"British Bellagio,"—
"HÔtel Victoria, Prince de Galles et des Iles Britanniques," or some such name, is usually, as Baedeker says, "frequented by the English." They are here certainly, and one hears one's native language everywhere. There are the honeymoon couples, silent and reserved, who glare fiercely at anyone who might be supposed to imagine for a moment that they are newly married; there are people who converse in low monotonous voices about the weather, which changes every hour; there is an old lady, who gives one startling information, telling one, for instance, that Paul Veronese was born at Verona; and there are two or three British menservants, gazing with superb disdain at the poor foreigners. The hotel is very quiet. The evening of a week-day is like Sunday evening, and Sunday evening is——!!! If only the weather were not also English, or even worse. On the last day of September the only warm place is by the fire in the fumoir. So let us hurry off from this wintry climate to somewhere, to anywhere. By the first boat we go.
Still English everywhere. At Bellagio a great crowd, and heaps of luggage. At Cadenabbia a greater crowd, and more heaps of luggage. Here they come, struggling along the gangway in the wind. There is a sad-faced Englishman, his hands full of packages, his pockets stuffed with others, carrying under his arm a little old picture wrapped loosely in pink tissue paper, which the wind blows here and there. He is a forgetful man, for he wanders to and fro collecting his possessions. With him is another forgetful Englishman in very shabby clothes, who also carries packages in paper, and who drags after him an immensely fat bull-dog at the end of a cord five yards long, which winds round posts and human legs and other obstacles. At last they are all on board—the forgetful Englishmen have darted back for the last time to fetch in an ice-axe and an old umbrella—and on we go over the grey water, past the grey hills, under the grey sky, towards Como. At Cernobbio the shabby Englishman lands, dragging his bull-dog at the end of the cord, and carrying in his arms two rolls of rugs, a bag, and other trifles. His sad-faced companion, still holding his tiny Old Master in the ever-diminishing pink paper, wanders in and out seeking forgotten treasures, an ice-axe, a bag, another paper parcel. Finally all are landed, the gangway is withdrawn, the steamer begins to move. Suddenly there is a shout. The shabby Englishman has forgotten something. The sympathetic passengers look round. There is a solitary umbrella on a seat No doubt that is his. A friendly stranger cries, "Is this yours?" and tosses it to him on the quay. Then there is another shout. "Ach Himmel, dat is mine!" The frantic German waves his arms, the umbrella is tossed back, he catches it and is happy. But meanwhile another English man, the most egregious ass that ever lived, has discovered yet another solitary umbrella, which he casts wildly into space. For one moment the captain, the passengers, the people on the quay, gaze breathless as it whirls through the air. It falls just short of the landing-stage, and sinks into the grey waters of that chilly lake, never more to be recovered, in any sense of the word. In those immeasurable depths its neat silk covering will decay, its slender frame will fall to pieces. It has gone for ever. Beneath this grey Italian sky some Italian gamp must keep off these Italian showers. Then the captain, the passengers, and the people smile and laugh. I, who write this, am the only one on whose face there is not a grin, for that umbrella was mine.
A First Impressionist.
