Scotsmen—Highlanders and Lowlanders—have furnished Mr. Punch with many of his happiest jokes. Despite the curious tradition which the Cockney imbibes with his mother's milk as to the sterility of Scotland in humour, the Scots are not only the cause of humour in others but there are occasions when they prove themselves not entirely bereft of the faculty which, with his charming egoism, the Cockney supposes to be his own exclusive birthright. Indeed, we have it on the authority of Mr. Spielmann, the author of "The History of Punch", that "of the accepted jokes from unattached contributors (to Punch), it is a notable fact that at least 75 per cent. comes from north of the Tweed." As a very considerable proportion of these Scottish jokes make fun of the national characteristics of the Scot, it is clear that Donald has the supreme gift of being able to laugh at himself. It should be noted, however, that Mr. Punch's most celebrated Scottish joke ("Bang went saxpence"), which we give on page 153, was no invention, but merely the record of an actual conversation overheard by an Englishman! In the present volume the purpose has been not so much to bring together a representative collection of Of all Mr. Punch's contributors, we may say, without risk of being invidious, that Charles Keene was by far the happiest in the portrayal of Scottish character. His Highland types are perhaps somewhat closer to the life than his Lowlanders, but all are invariably touched off with the kindliest humour, and never in any way burlesqued. If his work overshadows that of the other humorous artists past and present represented in this volume, it is for the reason stated; yet it will be found that from the days of John Leech to those of Mr. Raven-Hill, Mr. Punch's artists have seldom been more happily inspired than when they have sought to depict Highland life and the lighter side of sport and travel north of the Tweed. |