VOCES POPULI II. On the Platform

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A Lady of Family. Oh, yes, I do travel third-class sometimes, my dear. I consider it a duty to try to know something of the lower orders.

[Looks out for an empty third-class compartment.

En Route

The seats are now all occupied: the Lady of Family is in one corner, next to a Chatty Woman with a basket, and opposite to an Eccentric-looking Man with a flighty manner.

The Eccentric Man (to the Lady of Family). Sorry to disturb you, mum, but you're a-setting on one o' my 'am sandwiches.

The L. of F.???!!!

The E. M. (considerately). Don't trouble yourself, mum, it's of no intrinsic value. I on'y put it there to keep my seat.

The Chatty W. (to the L. of F.). I think I've seen you about Shinglebeach, 'ave I not?

The L. of F. It is very possible. I have been staying with some friends in the neighbourhood.

The C. W. It's a nice cheerful place is Shinglebeach; but (confidentially) don't you think it's a very sing'ler thing that in a place like that—a fash'nable place, too—there shouldn't be a single 'am an' beef shop?

The L. of F. (making a desperate effort to throw herself into the question). What a very extraordinary thing, to be sure! Dear, dear me! No ham and beef shop!

The C. W. It's so indeed, mum; and what's more, as I dare say you've noticed for yourself, if you 'appen to want a snack o' fried fish ever so, there isn't a place you could go to—leastways, at a moment's notice. Now, 'ow do you explain such a thing as that?

The L. of F. (faintly). I'm afraid I can't suggest any explanation.

A Sententious Man. Fried fish is very sustaining.

[Relapses into silence for the remainder of journey.

The Eccentric Man. Talking of sustaining, I remember, when we was kids, my father ud bring us home two pennorth o' ches'nuts, and we 'ad 'em boiled, and they'd last us days. (Sentimentally.) He was a kind man, my father (to the L. of F., who bows constrainedly), though you wouldn't ha' thought it, to look at him. I don't say, mind yer, that he wasn't fond of his bit o' booze—(the L. of F. looks out of window)—like the best of us. I'm goin' up to prove his will now, I am—if you don't believe me, 'ere's the probate. (Hands that document round for inspection.) That's all reg'lar enough, I 'ope. (To the L. of F.) Don't give it back before you've done with it—I'm in no 'urry, and there's good reading in it. (Points out certain favourite passages with a very dirty forefinger.) Begin there—that's my name.

[The L. of F. peruses the will with as great a show of interest as she can bring herself to assume.

The Eccentric Man. D'ye see that big 'andsome building over there? That's the County Lunatic Asylum—where my poor wife is shut up. I went to see her last week, I did. (Relates his visit in detail to the L. of F., who listens unwillingly.) It's wonderful how many of our family have been in that asylum from first to last. I 'ad a aunt who died cracky; and my old mother, she's very peculiar at times. There's days when I feel as if I was a little orf my own 'ed, so if I say anything at all out of the way, you'll know what it is.

[L. of F. changes carriages at the next station. In the second carriage are two Men of seafaring appearance, and a young Man who is parting from his FiancÉe as the L. of F. takes her seat.

The FiancÉ. Excuse me one moment, ma'am.

(Leans across the L. of F. and out of the window.) Well, goodbye, my girl; take care of yourself.

The FiancÉe (with a hysterical giggle). Oh, I'll take care o' my self.

[Looks at the roof of the carriage.

He (with meaning). No more pickled onions, eh?

She. What a one you are to remember things! (After a pause.) Give my love to Joe.

He. All right. Well, Jenny, just one, for the last (they embrace loudly, after which the F. resumes his seat with an expression of mingled sentiment and complacency). Oh, (to L. of F.) if you don't mind my stepping across you again, mum. Jenny, if you see Dick between this and Friday, just tell him as——

[Prolonged whispers; sounds of renewed kisses; final parting as train starts with a jerk which throws the FiancÉ upon the L. of F.'s lap. After the train is started a gleam of peculiar significance is observable in the eyes of one of the Seafaring Men, who is reclining in an easy attitude on the seat. His companion responds with a grin of intelligence, and produces a large black bottle from the rack. They drink, and hand the bottle to the FiancÉ.

The F. Thankee I don't mind if I do. Here's wishing you——

[Remainder of sentiment drowned in sound of glug-glug-glug; is about to hand back bottle when the first Seafarer intimates that he is to pass it on. The L. of F. recoils in horror.

Both Seafarers (reassuringly). It's wine, mum!

[Tableau. The Lady of Family realises that the study of third-class humanity has its drawbacks.


Panic!

Our Artist (who has strolled into a London terminus). "What's the matter with all these people? Is there a panic?"

Porter. "Panic! No, this ain't no panic. These is excursionists. Their train leaves in two hours, so they want to get a seat!"


THE BRANCH STATION

THE BRANCH STATION

Miss Tremmles (who is nervous about railways generally, and especially since the late outrages). "Oh, porter, put me into a carriage where there are ladies, or respectable people, or——"

Porter. "Oh, you're all safe this mornin', miss; you're th' only passenger in the whol' tr'ine, except another old woman."


A COOL CARD

A COOL CARD

Swell (handing "Sporting Life" to Clerical Party). "Aw—would you—aw—do me the favour to wead the list of the waces to me while we're wunning down?—I've—aw—forgotten my eyeglass. Don't mind waising your voice—I'm pwecious deaf!"


THAT IT SHOULD COME TO THIS

THAT IT SHOULD COME TO THIS!

Boy. "Second-class, sir?"

Captain. "I nevah travel second-class!"

Boy. "This way third, sir!"


ART

ART!

Chatty Passenger. "To show yer what cheats they are, sir, friend o' mine,—lots o' money, and fust-rate taste,—give the horder to one of 'em to decorate his new 'ouse in reg'lar slap-up style!—'spare no expense!—with all the finest 'chromios' that could be 'ad! You know what lovely things they are, sir! Well, sir, would you believe it!—after they was sent, they turned out not to be 'chromios' at all!—but done by 'and!"—(with withering contempt)—"done by 'and, sir!!"


PERMISSIVE SLAUGHTER

PERMISSIVE SLAUGHTER

(Five Thousand Shunting Accidents in Five Years!)

First Shunter (with coupling-link, awaiting engine backing). "I saw poor Jack's wife and kids last night, after the funeral. Poor things, what will be done for 'em?" Second Shunter (at points). "Oh, the usual thing, I s'ppose—company's blessin', and a charity mangle!—--Look out, mate! She's backin'!"


BEHIND TIME

BEHIND TIME

Ticket Collector. "This your boy, mum? He's too big for a 'alf ticket!" Mother (down upon him). "Oh, is he? Well, p'rhaps he is now, mister; but he wasn't when we started. This 'xcursion's ever so many hours be'ind time, an' he's a growin' lad! So now!"

[Exit in triumph.


FORCE OF HABIT

"FORCE OF HABIT"

Our Railway Porter (the first time he acted as deputy in the absence of the beadle). "T'kets r'dy! All tick-ets ready!"


WHY TAKE A CHILL

WHY TAKE A CHILL?

If your train is not heated by pipes, get plenty of foot-warmers, as Algy and Betty did. Sit on one, put your feet on another, a couple at your back, and one on your lap, and you'll get to your destination as they did—warm as muffins!


by your leave!
Railway Porter. "Now then, sir! by your leave!"

QUITE UNIMPORTANT

QUITE UNIMPORTANT.

Thompson (interrogatively, to beauteous but haughty damsel, whom he has just helped to alight). "I beg your pardon?"

Haughty Damsel. "I did not speak!"

Thompson. "Oh—I thought you said 'Thanks'!"


                                                                                                                                                                                                                                                                                                           

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