MR. PUNCH'S AGRICULTURAL NOVEL

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Bo and the Blacksheep.
A Story of the Sex.

(By Thomas of Wessex, Author of "Guess how a Murder feels," "The Cornet Minor," "The Horse that Cast a Shoe," "One in a Turret," "The Foot of Ethel hurt her," "The Flight of the Bivalve," "Hard on the Gadding Crowd," "A Lay o' Deceivers," &c.)

["I am going to give you," writes the Author of this book, "one of my powerful and fascinating stories of life in modern Wessex. It is well known, of course, that although I often write agricultural novels, I invariably call a spade a spade, and not an agricultural implement. Thus I am led to speak in plain language of women, their misdoings, and their undoings. Unstrained dialect is a speciality. If you want to know the extent of Wessex, consult histories of the Heptarchy with maps."]

Chapter I.

In our beautiful Blackmoor or Blakemore Vale not far from the point where the Melchester Road turns sharply towards Icenhurst on its way to Wintoncester, having on one side the hamlet of Batton, on the other the larger town of Casterbridge, stands the farmhouse wherewith in this narrative we have to deal. There for generations have dwelt the rustic family of the Peeps, handing down from father to son a well-stocked cow-shed and a tradition of rural virtues which yet excluded not an overgreat affection on the male side for the home-brewed ale and the home-made language in which, as is known, the Wessex peasantry delights. On this winter morning the smoke rose thinly into the still atmosphere, and faded there as though ashamed of bringing a touch of Thermidorean warmth into a degree of temperature not far removed from the zero-mark of the local Fahrenheit. Within, a fire of good Wessex logs crackled cheerily upon the hearth. Old Abraham Peep sat on one side of the fireplace, his figure yet telling a tale of former vigour. On the other sat Polly, his wife, an aimless, neutral, slatternly peasant woman, such as in these parts a man may find with the profusion of Wessex blackberries. An empty chair between them spoke with all an empty chair's eloquence of an absent inmate. A butter-churn stood in a corner next to an ancient clock that had ticked away the mortality of many a past and gone Peep.

Chapter II.

"Where be Bonduca?" said Abraham, shifting his body upon his chair so as to bring his wife's faded tints better into view. "Like enough she's met in with that slack-twisted 'hor's bird of a feller, Tom Tatters. And she'll let the sheep draggle round the hills. My soul, but I'd like to baste 'en for a poor slammick of a chap."

Mrs. Peep smiled feebly. She had had her troubles. Like other realities, they took on themselves a metaphysical mantle of infallibility, sinking to minor cerebral phenomena for quiet contemplation. She had no notion how they did this. And, it must be added, that they might, had they felt so disposed, have stood as pressing concretions which chafe body and soul—a most disagreeable state of things, peculiar to the miserably passive existence of a Wessex peasant woman.

"Bonduca went early," she said, adding, with a weak irrelevance, "She mid 'a' had her pick to-day. A mampus o' men have bin after her—fourteen o' 'em, all the best lads round about, some of 'em wi' bags and bags of gold to their names, and all wanting Bonduca to be their lawful wedded wife."

Abraham shifted again. A cunning smile played about the hard lines of his face. "Polly," he said, bringing his closed fist down upon his knee with a sudden violence, "you pick the richest, and let him carry Bonduca to the pa'son. Good looks wear badly, and good characters be of no account; but the gold's the thing for us. Why," he continued, meditatively, "the old house could be new thatched, and you and me live like Lords and Ladies, away from the mulch o' the barton, all in silks and satins, wi' golden crowns to our heads, and silver buckles to our feet."

Polly nodded eagerly. She was a Wessex woman born, and thoroughly understood the pure and unsophisticated nature of the Wessex peasant.

Chapter III.

Meanwhile Bonduca Peep—little Bo Peep was the name by which the country-folk all knew her—sat dreaming upon the hill-side, looking out with a premature woman's eyes upon the rich valley that stretched away to the horizon. The rest of the landscape was made up of agricultural scenes and incidents which the slightest knowledge of Wessex novels can fill in amply. There were rows of swedes, legions of dairymen, maidens to milk the lowing cows that grazed soberly upon the rich pasture, farmers speaking rough words of an uncouth dialect, and gentlefolk careless of a milkmaid's honour. But nowhere, as far as the eye could reach, was there a sign of the sheep that Bo had that morning set forth to tend for her parents. Bo had a flexuous and finely-drawn figure not unreminiscent of many a vanished knight and dame, her remote progenitors, whose dust now mouldered in many churchyards. There was about her an amplitude of curve which, joined to a certain luxuriance of moulding, betrayed her sex even to a careless observer. And when she spoke, it was often with a fetishistic utterance in a monotheistic falsetto which almost had the effect of startling her relations into temporary propriety.

Chapter IV.

Thus she sat for some time in the suspended attitude of an amiable tiger-cat at pause on the edge of a spring. A rustle behind her caused her to turn her head, and she saw a strange procession advancing over the parched fields where—[Two pages of field-scenery omitted.—Ed.] One by one they toiled along, a far-stretching line of women sharply defined against the sky. All were young, and most of them haughty and full of feminine waywardness. Here and there a coronet sparkled on some noble brow where predestined suffering had set its stamp. But what most distinguished these remarkable processionists in the clear noon of this winter day was that each one carried in her arms an infant. And each one, as she reached the place where the enthralled Bonduca sat obliviscent of her sheep, stopped for a moment and laid the baby down. First came the Duchess of Hamptonshire followed at an interval by Lady Mottisfont and the Marchioness of Stonehenge. To them succeeded Barbara of the House of Grebe, Lady Icenway and Squire Petrick's lady. Next followed the Countess of Wessex, the Honourable Laura and the Lady Penelope. Anna, Lady Baxby, brought up the rear.

Bonduca shuddered at the terrible re-encounter. Was her young life to be surrounded with infants? She was not a baby-farm after all, and the audition of these squalling nurslings vexed her. What could the matter mean? No answer was given to these questionings. A man's figure, vast and terrible, appeared on the hill's brow, with a cruel look of triumph on his wicked face. It was Thomas Tatters. Bonduca cowered; the noble dames fled shrieking down the valley.

"Bo," said he, "my own sweet Bo, behold the blood-red ray in the spectrum of your young life."

"Say those words quickly," she retorted.

"Certainly," said Tatters. "Blood-red ray, Broo-red ray, Broo-re-ray, Brooray! Tush!" he broke off, vexed with Bonduca and his own imperfect tongue-power, "you are fooling me. Beware!"

"I know you, I know you!" was all she could gasp, as she bowed herself submissive before him. "I detest you, and shall therefore marry you. Trample upon me!" And he trampled upon her.

Chapter V.

Thus Bo Peep lost her sheep, leaving these fleecy tail-bearers to come home solitary to the accustomed fold. She did but humble herself before the manifestation of a Wessex necessity.

And Fate, sitting aloft in the careless expanse of ether, rolled her destined chariots thundering along the pre-ordained highways of heaven, crushing a soul here and a life there with the tragic completeness of a steam-roller, granite-smashing, steam-fed, irresistible. And butter was churned with a twang in it, and rustics danced, and sheep that had fed in clover were "blasted," like poor Bonduca's budding prospects. And, from the calm nonchalance of a Wessex hamlet, another novel was launched into a world of reviews, where the multitude of readers is not as to their external displacements, but as to their subjective experiences.

[The End.


"The Last Straw."—For further particulars apply to the gleaners.


The Weather and the Crops.Note. Always have your hair cut very short in the hottest weather.


Gardening Amusement for Colwell-Hatchney.—Spinning turnip tops.


Advice to the Farmer.—Keep your weather eye open.


HINC ILLÆ LACRYIMÆ

"HINC ILLÆ LACRYIMÆ"

Master Tommy (returning from the funeral). "Why did Uncle Jonas cry so for, Aunt? He cried more than anybody!"

Aunt (grimly). "Of course! Most of the property is left to him, my dear!"


that's for the folks as can't read

"What's that there blank space left for, Jim?"

"Why, that's for the folks as can't read!"


A YORKSHIRE GOSSIP

A YORKSHIRE GOSSIP

First Gossip. "So you was nivver axed tu t'funeral?"

Second Gossip. "Nivver as much as inside t'house. But nobbut; wait till we hev' a funeral of us own, an' we'll show 'em!"


I be too wet to work

Parson. "Why, John, what are you doing there?"

John. "I be too wet to work, zur."

Parson.. "Well, if it's too wet to work, why don't you go home?"

John. "Wull, my old 'ooman, she do jaw so!"


jump in, I'll drive yer

Young Lady. "Can you tell me the nearest way to get to Pulham from here?"

Sweep. "Well, miss, I'm going there meself. So, if yer jump in, I'll drive yer!"


No, indeed, you did not

First Village Dame. "Did I bring you back that basket you lent me last week?"

Second Dame (emphatically). "No, indeed, you did not."

First Dame. "That's a pity, for I just came round to borrow it again!"


cool grot and mossy cell

"Here in cool grot and mossy cell

We rural fays and fairies dwell!"


Mainly senility, Mrs. Wilkins"

Hard on the DoctorOld Lady. "My 'usband 'e never did 'old with doctors, and 'e wouldn't let me send for yer till 'e was real bad. What's wrong with him, doctor?" Doctor. "Mainly senility, Mrs. Wilkins." Old Lady. "Lor' now! An' I dessay 'e wouldn't 'ave 'ad it if 'e'd 'ad yer soon enough!"


more things in Heaven and Earth

"There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy."—Hamlet.

(Heard outside a Country Circus.)

Old Jarge. "Wen ye sees wot comes from furrin parts, bless yer 'eart, ye just feels like a bit o' dirt!"


Did ye see the Lord Mayor

"Did ye see the Lord Mayor when you was up to Lunnon?"

"Aye, lad, I did."

"De' 'e gang aboot wi' a chain?"

"No; 'e gangs loose!"


Yes; I'm burning it

Miss Hobbs (who dislikes tobacco). "I see you are at your idol again!"

Smoker. "Yes; I'm burning it!"


A DRY CALLING

A DRY CALLING

"Th' ole squire stop an' spoke to me this marnin'; an' Oi ast 'im 'ow Master Philip was gettin' on in Lunnon. 'Oh,' says 'e, ''e 's bin called to the Bar.' Oi dunno wot 'e meant, so Oi didn' say nothin'; but Oi says to meself, 'Ah,' Oi says, 'from what Oi remember of 'im, 'e didn' want no callin'!'"


I ain't pertickler, lady

Accommodating.Old Lady. "Now then, what do you want?" The Tramp. "I ain't pertickler, lady. What 'av' yer got?"


The Village Reprobate

The Vicar's Daughter. "Papa was very shocked, Giles, to see you standing outside the 'Green Man' this morning, after church."

The Village Reprobate. "Oi can 'sure ye, miss, it wus na fault o' moine that I wus standin' ootside!"]


you can barely keep your wife

"I'm surprised to find that you keep a dog, Tomkins! Why, you can barely keep your wife! What on earth do you feed him on?"

"Well, I gives 'im cat's-meat. And when I can't afford that, why, 'e 'as to 'ave wot we 'ave."


Yes—a pound of mutton

Mrs. A. "I've just been to see a poor soul who was almost dying of destitution." Miss B. "Did you take her anything?" Mrs. A. "Yes—a pound of mutton." Miss B. "That wasn't much, was it?" Mrs. A. (indignantly). "Quite enough to make her some beef tea!"


Tell your fortune

"Tell your fortune, pretty gentleman?"


Fond of music!

"Fond of music! Why, when I'm in town, I go to a music-hall every night!"


I hope your wife is much better to-day

A Sure Sign of Improvement.Village Doctor. "Well Scroggins, I hope your wife is much better to-day, eh? How is her pulse, eh? And how's her temperature?"

Scroggins (considering). "Well, doctor, I don't know much about her pulses, but as for her temper"—(feelingly)—"she's got a plenty of that to-day!"


THE PITY O' IT

"THE PITY O' IT!"

"Well, Simpson, how do you like the hot weather?"

"Can't stand it, sir! It's hawful! Ain't got no stomach for my victuals, sir!"


                                                                                                                                                                                                                                                                                                           

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