A Text-Book of the History of Architecture / Seventh Edition, revised |
HISTORY OF ARCHITECTURE. INTRODUCTION. A HISTORY OF PAINTING. BY JOHN C. VAN DYKE, L.H.D. A History of Sculpture. BY ALLAN MARQUAND, Ph.D., L.H.D. AND ARTHUR L. FROTHINGHAM, Jr., Ph.D. HISTORY OF ARCHITECTURE. INTRODUCTION. (2) A HISTORY OF PAINTING. BY JOHN C. VAN DYKE, L.H.D. (2) A History of Sculpture. BY ALLAN MARQUAND, Ph.D., L.H.D. AND ARTHUR L. FROTHINGHAM, Jr., Ph.D. (2)
vii | PAGE | Preliminary Material (separate file) | | Medieval and Earlier Architecture: Chapters I–XIX, with Figures 1–157 (separate file) | | List of Illustrations (Figures 158–229) | xi | CHAPTER XX. | Early Renaissance Architecture in Italy | 270 | CHAPTER XXI. | Renaissance Architecture in Italy—The Advanced Renaissance and Decline | 288 | CHAPTER XXII. | Renaissance Architecture in France | 308 | CHAPTER XXIII. | Renaissance Architecture in Great Britain and the Netherlands | 326 | CHAPTER XXIV. | Renaissance Architecture in Germany, Spain, and Portugal | 338 | CHAPTER XXV. | The Classic Revivals in Europe | 354 | x CHAPTER XXVI. | Recent Architecture in Europe | 368 | CHAPTER XXVII. | Architecture in the United States | 383 | CHAPTER XXVIII. | Oriental Architecture—India, China, and Japan | 401 | Appendix | 417 | Glossary | 429 | Index of Architects | 431 | Index | 435 | xi A few illustrations include links to larger versions. In the printed book, Figures 182, 222, 223 and 229 were cropped to L- or J-shapes. The background (plain sky) has been artificially restored for symmetry. The border around Figure 224 is in the original. The authorship of the original drawings is indicated by the initials affixed: A. = drawings by the author; B. = H. W. Buemming; Bn. = H. D. Bultman; Ch. = ChÂteau, L’Architecture en France; G. = drawings adapted from Gwilt’s EncyclopÆdia of Architecture; L. = LÜbke’s Geschichte der Architektur; W. = A. E. Weidinger. All other illustrations are from photographs. | PAGE | Frontispiece. The Parthenon Restored (from model in Metropolitan Museum, New York) | | | Figures 1–157 (separate file) | | 158 | Capital, Palazzo Zorzi, Venice | 275 | 159 | Section of Dome, Duomo of Florence (Bn.) | 276 | 160 | Exterior of Dome, Duomo of Florence | 277 | 161 | Interior of S. Spirito, Florence | 278 | 162 | Court of Riccardi Palace, Florence | 279 | 163 | FaÇade of Strozzi Palace, Florence | 280 | 164 | Tomb of Pietro di Noceto, Lucca | 282 | 165 | Vendramini Palace, Venice | 285 | 166 | FaÇade of Giraud Palace, Rome (L.) | 290 | 167 | Plan of Farnese Palace, Rome (L.) | 292 | 168 | Court of Farnese Palace, Rome | 293 | 169 | Bramante’s Plan for St. Peter’s, Rome (L.) | 294 | 170 | Plan of St. Peter’s, Rome, as now standing (Bn. after G.) | 295 | 171 | Interior of St. Peter’s (full page) | 297 | 172 | Library of St. Mark, Venice | 301 | 173 | Interior of San Severo, Naples | 302 | 174 | Church of Santa Maria della Salute, Naples | 303 | 175 | Court FaÇade, East Wing of Blois | 311 | 176 | Staircase Tower, Blois | 313 | xvi 177 | Plan of ChÂteau of Chambord (A.) | 314 | 178 | Upper Part of ChÂteau of Chambord | 314 | 179 | Detail of Court of Louvre, southwest portion | 315 | 180 | The Luxemburg Palace, Paris | 318 | 181 | Colonnade of the Louvre | 321 | 182 | Dome of the Invalides, Paris | 322 | 183 | FaÇade of St. Sulpice, Paris | 323 | 184 | Burghley House | 327 | 185 | Whitehall Palace. The Banqueting Hall | 329 | 186 | Plan of St. Paul’s Cathedral, London (G.) | 330 | 187 | Exterior of St. Paul’s Cathedral | 331 | 188 | Plan of Blenheim (G.) | 332 | 189 | St. Martin’s-in-the-Fields, London | 333 | 190 | Renaissance Houses, Brussels | 335 | 191 | The Castle, HÄmelschenburg | 341 | 192 | The Friedrichsbau, Heidelberg Castle | 344 | 193 | Pavilion of Zwinger Palace, Dresden | 345 | 194 | Marienkirche, Dresden | 346 | 195 | Portal of University, Salamanca | 349 | 196 | Court (Patio) of Casa de Zaporta | 350 | 197 | Palace of Charles V., Granada | 351 | 198 | FaÇade of British Museum, London | 357 | 199 | St. George’s Hall, Liverpool | 358 | 200 | The Old Museum, Berlin | 359 | 201 | The PropylÆa, Munich | 360 | 202 | Plan of the PanthÉon, Paris (G.) | 361 | 203 | Exterior of the PanthÉon | 362 | 204 | Arch of Triumph of l’Étoile, Paris | 363 | 205 | The Madeleine, Paris | 364 | 206 | Door of École des Beaux-Arts, Paris | 365 | 207 | St. Isaac’s Cathedral, St. Petersburg | 366 | 208 | Plan of Louvre and Tuileries (A.) | 371 | 209 | Pavilion Richelieu, Louvre | 372 | 210 | Grand Staircase, Paris Opera House | 373 | 211 | Fountain of Longchamps, Marseilles | 374 | 212 | GalliÉra Museum, Paris | 375 | 213 | Royal Theatre, Dresden | 376 | 214 | Maria-Theresienhof, Vienna | 377 | 215 | Houses of Parliament, London | 379 | 216 | Assize Courts, Manchester | 380 | xvii 217 | Natural History Museum, South Kensington | 381 | 218 | Christ Church, Philadelphia | 386 | 219 | Craigie House, Cambridge (Mass.) | 387 | 220 | National Capitol, Washington | 389 | 221 | Custom House, New York | 390 | 222 | Trinity Church, Boston | 394 | 223 | Public Library, Woburn (Mass.) | 395 | 224 | Times Building, New York | 396 | 225 | Country House (Mass.) | 398 | 226 | Porch of Temple of Vimalah Sah, Mount Abu. | 406 | 227 | Tower of Victory, Chittore | 407 | 228 | Double Temple at HullabÎd: Detail | 410 | 229 | Shrine of Soubramanya, Tanjore | 412 |
This text uses utf-8 (unicode) file encoding. If the apostrophes and quotation marks in this paragraph appear as garbage, you may have an incompatible browser or unavailable fonts. First, make sure that your browser’s “character set” or “file encoding” is set to Unicode (UTF-8). You may also need to change the default font. Technical Note: The illustrations were scanned at 500dpi and resized to 25% (125dpi). They will therefore display slightly larger than their original size; the exact value depends on your monitor settings. The Frontispiece and Figures 78 and 171 were printed as full-page plates and resized to 1/6, so they will be a little smaller proportionally. The quality of the photographs reflects the quality of the printed book. Errors are shown with mouse-hover popups. Spelling variations are generally unchanged. Details about some types of inconsistencies, including names, are given at the end of this file. Contents COLLEGE HISTORIES OF ART EDITED BY JOHN C. VAN DYKE, L.H.D. HISTORY OF ARCHITECTURE A. D. F. HAMLIN COLLEGE HISTORIES OF ART EDITED BY JOHN C. VAN DYKE, L.H.D. Professor of the History of Art in Rutgers College HISTORY OF PAINTING By John C. Van Dyke, the Editor of the Series. With Frontispiece and 110 Illustrations, Bibliographies, and Index. Crown 8vo, $1.50. HISTORY OF ARCHITECTURE By Alfred D. F. Hamlin, A.M. Adjunct Professor of Architecture, Columbia College, New York. With Frontispiece and 229 Illustrations and Diagrams, Bibliographies, Glossary, Index of Architects, and a General Index. Crown 8vo, $2.00. HISTORY OF SCULPTURE By Allan Marquand, Ph.D., L.H.D. and Arthur L. Frothingham, Jr., Ph.D., Professors of ArchÆology and the History of Art in Princeton University. With Frontispiece and 112 Illustrations. Crown 8vo, $1.50. see caption THE PARTHENON, ATHENS, AS RESTORED BY CH. CHIPIEZ. (From model in Metropolitan Museum, New York.) Copyright, 1895, by LONGMANS, GREEN, AND CO. All rights reserved. First Edition, March, 1896 Printed and Revised, December, 1896. December, 1898 (Revised) October, 1900 (Revised) October, 1902 (Revised) September, 1904, June, 1906 (Revised). November, 1907 (Revised) January, 1909 Press of J. J. Little & Ives Co. 425–435 East 24th Street, New York v The aim of this work has been to sketch the various periods and styles of architecture with the broadest possible strokes, and to mention, with such brief characterization as seemed permissible or necessary, the most important works of each period or style. Extreme condensation in presenting the leading facts of architectural history has been necessary, and much that would rightly claim place in a larger work has been omitted here. The danger was felt to be rather in the direction of too much detail than of too little. While the book is intended primarily to meet the special requirements of the college student, those of the general reader have not been lost sight of. The majority of the technical terms used are defined or explained in the context, and the small remainder in a glossary at the end of the work. Extended criticism and minute description were out of the question, and discussion of controverted points has been in consequence as far as possible avoided. The illustrations have been carefully prepared with a view to elucidating the text, rather than for pictorial effect. With the exception of some fifteen cuts reproduced from LÜbke’s Geschichte der Architektur (by kind permission of Messrs. Seemann, of Leipzig), the illustrations are almost all entirely new. A large number are from vi original drawings made by myself, or under my direction, and the remainder are, with a few exceptions, half-tone reproductions prepared specially for this work from photographs in my possession. Acknowledgments are due to Messrs. H. W. Buemming, H. D. Bultman, and A. E. Weidinger for valued assistance in preparing original drawings; and to Professor W. R. Ware, to Professor W. H. Thomson, M.D., and to the Editor of the Series for much helpful criticism and suggestion. It is hoped that the lists of monuments appended to the history of each period down to the present century may prove useful for reference, both to the student and the general reader, as a supplement to the body of the text. A. D. F. Hamlin. Columbia College, New York, January 20, 1896. The author desires to express his further acknowledgments to the friends who have at various times since the first appearance of this book called his attention to errors in the text or illustrations, and to recent advances in the art or in its archÆology deserving of mention in subsequent editions. As far as possible these suggestions have been incorporated in the various revisions and reprints which have appeared since the first publication. A. D. F. H. Columbia University, October 28, 1907. xix (This includes the leading architectural works treating of more than one period or style. The reader should consult also the special references at the head of each chapter. Valuable material is also contained in the leading architectural periodicals and in monographs too numerous to mention.) Dictionaries and Encyclopedias. Agincourt, History of Art by its Monuments; London. Architectural Publication Society, Dictionary of Architecture; London. Bosc, Dictionnaire raisonnÉ d’architecture; Paris. Durm and others, Handbuch der Architektur; Stuttgart. (This is an encyclopedic compendium of architectural knowledge in many volumes; the series not yet complete. It is referred to as the Hdbuch. d. Arch.) Gwilt, Encyclopedia of Architecture; London. Longfellow and Frothingham, Cyclopedia of Architecture in Italy and the Levant; New York. Planat, EncyclopÉdie d’architecture; Paris. Sturgis, Dictionary of Architecture and Building; New York. General Handbooks and Histories. BÜhlmann, Die Architektur des klassischen Alterthums und der Renaissance; Stuttgart. (Also in English, published in New York.) Choisy, Histoire de l’architecture; Paris. Durand, Recueil et parallÈle d’Édifices de tous genres; Paris. Fergusson, History of Architecture in All Countries; London. Fletcher and Fletcher, A History of Architecture; London. xx Gailhabaud, L’Architecture du Vme. au XVIIIme. siÈcle; Paris.—Monuments anciens et modernes; Paris. Kugler, Geschichte der Baukunst; Stuttgart. Longfellow, The Column and the Arch; New York. LÜbke, Geschichte der Architektur; Leipzig.—History of Art, tr. and rev. by R. Sturgis; New York. Perry, Chronology of MediÆval and Renaissance Architecture; London. Reynaud, TraitÉ d’architecture; Paris. Rosengarten, Handbook of Architectural Styles; London and New York. Simpson, A History of Architectural Development; London. Spiers, Architecture East and West; London. Stratham, Architecture for General Readers; London. Sturgis, European Architecture; New York. Transactions of the Royal Institute of British Architects; London. Viollet-le-Duc, Discourses on Architecture; Boston. Theory, the Orders, etc. Chambers, A Treatise on Civil Architecture; London. Daviler, Cours d’architecture de Vignole; Paris. EsquiÉ, TraitÉ ÉlÉmentaire d’architecture; Paris. Guadet, ThÉorie de l’architecture; Paris. Robinson, Principles of Architectural Composition; New York. Ruskin, The Seven Lamps of Architecture; London. Sturgis, How to Judge Architecture; New York. Tuckerman, Vignola, the Five Orders of Architecture; New York. Van Brunt, Greek Lines and Other Essays; Boston. Van Pelt, A Discussion of Composition. Ware, The American Vignola; Scranton. xxi
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