1850.

My elder uncle.—We go to live at Hollins.—Description of the place.—
My strong attachment to it.—My first experiment in art-criticism.—The
stream at Hollins.—My first catamaran.—Similarity of my life at
Hollins to my life in France thirty-six years later.

My elder uncle, the owner of my grandfather's house and estate at Hollins, had been educated to the law, as the income of our branch of the family was insufficient, and he had begun to practise as a solicitor in Burnley, where at that time there was an excellent opening; but he had not the kind of tact which enables lawyers to get on in the world, so his professional income diminished, and he went to live in Halifax, and let the house at Hollins.

His family was large, and for some years he did all in his power to live according to his rank in society, for he had married a lady of good family (they had thirty-six quarterings between them), and, like most men in a similar position, he was unwilling to adopt the only safe plan, which is to take boldly a lower place on the ladder. At Halifax he lived in a large house (Hopwood Hall), which belonged to his father-in-law, and there his wife and he received the Halifax society of those days, at what, I believe, were very pleasant entertainments, for they had the natural gift of hospitality, and lacked nothing but a large fortune to be perfect in the eyes of the world.

My uncle's father-in-law was living in retirement at Scarborough when Hollins happened to fall vacant, so he became the tenant; but as the house was too large for him, my uncle divided it into two, and proposed to let the other half to my guardian and her sister.

They accepted, and the consequence was that we went to live in the country,—a most important change for me, as I soon acquired that passion for a country life which afterwards became a second nature, and which, though it may have been beneficial to my health, and perhaps in some degree to the quality of my work, has been in many ways an all but fatal hindrance to my success.

There are, or were, a great many old halls in Lancashire that belonged to the old families, which have now for the most part disappeared. They were of all sizes, some large enough to accommodate a wealthy modern country gentleman (though not arranged according to modern ideas), and others of quite small dimensions, though generally interesting for their architecture,—much more interesting, indeed, than the houses which have succeeded them. Hollins was between the two extremes, and when in its perfection, must have been rather a good specimen, with its mullioned windows, its numerous gables, and its formal front garden, with a straight avenue beyond. Unfortunately, my grandfather found it necessary to rebuild the front, and in doing so altered the character by introducing modern sash windows in the upper story; and though he retained mullioned windows on the ground floor, they were not strictly of the old type. My uncle also carried out other alterations, external and internal, which ended by depriving the house of much of its old character, and still more recent changes have gone farther in the same direction.

However, such as it was in my youth, the place inspired in me one of those intensely strong local attachments which take root in some natures, and in none, I really believe, more powerfully than in mine. Like all strong passions, these local attachments are extremely inconvenient, and it would be better for a man to be without them; but all reasoning on such subjects is superfluous.

Hollins is situated in the middle of a small but very pretty estate, almost entirely bounded by a rocky and picturesque trout-stream, and so pleasantly varied by hill and dale, wood, meadow, and pasture, that it appears much larger than it really is. In my boyhood it seemed an immensity. My cousins and I used to roam about it and play at Robin Hood and his merry men with great satisfaction to ourselves. We fished and bathed in one of the pools, where our ships delivered real broadsides of lead from their little cannons. These boyish recollections, and an early passion for landscape beauty, made Hollins seem a kind of earthly Paradise to me, and the idea of going to live there, instead of in a row of houses in a manufacturing town, filled me with the most delightful anticipations. My uncle put workmen in the house to prepare it, and on every opportunity I walked there to see what they were doing. Even at that age I knew much more about architecture than my elders, being perfectly familiar with the details of the old halls, and so I was constantly losing temper at what seemed to me the evident stupidity of the masons. There was an old master-mason, who did not like me and my criticisms, and he swore at me freely enough, in an explicit Lancashire manner. One day, simply by the eye, I perceived that he was four inches out in a measurement, and told him of it, when he swore frightfully. He then took his two-foot rule, and finding himself in the wrong, swore more frightfully than ever. This was my first experience in the thankless business of art-criticism, and it was the beginning of a false position, in which I often found myself in youth, from knowing more about some subjects than is usual with boys.

The small estate on which Hollins is situated is divided from Towneley Park by a road and a wall, and on the opposite side its boundary, for most of the distance, is the rocky stream that has been already mentioned. The stream had a great influence on my whole life, by giving me a taste for the beauty of wild streams in Scotland and elsewhere. It is called the Brun, and gives its name to Burnley. The rocks are a sandstone sufficiently warm in color to give a very pleasant contrast to the green foliage, and the forms of them are so broken that in sunshine there are plenty of fine accidental lights and shadows. It was one of my greatest pleasures to follow the course of this stream, with a leaping-pole, up to the moors, where it flowed through a wide and desolate valley or hollow in the hills. As the aspect of a stream is continually changing with the seasons and the quantity of water, it is always new. The only regret I have about my residence near the Brun is that I did not learn at the right time to make the most of it in the way of artistic study; but I did as much, perhaps, as was to be expected from a boy who was receiving a literary and not an artistic education.

The defect of the Brun was the absence of pools big enough for swimming and boating, but it gave a tantalizing desire for these pleasures, and I was as aquatic as my opportunities would allow. In June, 1850, my first catamaran was launched on a fish-pond. I built it myself, with an outlay of one pound for the materials. It was composed of two floats or tubes, consisting of a light framework of deal covered with waterproofed canvas. These were kept apart in the water, but joined above by a light open framework that served as a deck, and on which the passengers sat. The thing would carry five people, and was propelled by short oars. Being extremely light, it was easily drawn on a road, and was provided with small wheels for that purpose. This boyish attempt would not have been mentioned had it not been the first of a long series of practical experiments in the construction of catamarans which have continued down to the date of the present writing, and of which the reader will hear more in the sequel. I promise to endeavor not to weary him with the subject.

It is astonishing how very far-reaching in their effects are the tastes and habits that we acquire in early life! The sort of existence that I am leading here at PrÉ Charmoy, near Autun, in this year 1886, bears a wonderfully close resemblance to my existence at Hollins in 1850. I am living, as I was then, on a pretty estate with woods, meadows, pastures, and a beautiful stream, with hills visible from it in all directions. There is a fish-pond too, about a mile from the house, and I am even now trying catamaran experiments on this pond, as I did on the other in Lancashire. My occupations are exactly the same, and to complete the resemblance it so happens that just now I am reading Latin. The chief difference is that writing has become lucrative and professional, whereas in those earlier days it was a study only.

It is very difficult for me to believe that thirty-six years separate me from a time so like the present in many ways—like and yet unlike,—for I was then in Lancashire and am now in France; but this is a fact that I only realize when I think about it. The real exile for me would be to live in a large town.