I. Fanny was younger once than she is now, And prettier of course: I do not mean To say that there are wrinkles on her brow; Yet, to be candid, she is past eighteen— Perhaps past twenty—but the girl is shy About her age, and Heaven forbid that I II. Should get myself in trouble by revealing A secret of this sort; I have too long Loved pretty women with a poet's feeling, And when a boy, in day dream and in song, Have knelt me down and worshipp'd them: alas! They never thank'd me for't—but let that pass. III. I've felt full many a heart-ache in my day, At the mere rustling of a muslin gown, And caught some dreadful colds, I blush to say, While shivering in the shade of beauty's frown. They say her smiles are sunbeams—it may be— But never a sunbeam would she throw on me. IV. But Fanny's is an eye that you may gaze on For half an hour, without the slightest harm; E'en when she wore her smiling summer face on There was but little danger, and the charm That youth and wealth once gave, has bade farewell. Hers is a sad, sad tale—'tis mine its woes to tell. V. Her father kept, some fifteen years ago, A retail dry-good shop in Chatham-street, And nursed his little earnings, sure though slow, Till, having muster'd wherewithal to meet The gaze of the great world, he breathed the air Of Pearl-street—and "set up" in Hanover-square. VI. Money is power, 'tis said—I never tried; I'm but a poet—and bank-notes to me Are curiosities, as closely eyed, Whene'er I get them, as a stone would be, Toss'd from the moon on Doctor Mitchill's table, Or classic brickbat from the tower of Babel. VII. But he I sing of well has known and felt That money hath a power and a dominion; For when in Chatham-street the good man dwelt, No one would give a sous for his opinion. And though his neighbours were extremely civil, Yet, on the whole, they thought him—a poor devil, VIII. A decent kind of person; one whose head Was not of brains particularly full; It was not known that he had ever said Any thing worth repeating—'twas a dull, Good, honest man—what Paulding's muse would call A "cabbage head"—but he excelled them all IX. In that most noble of the sciences, The art of making money; and he found The zeal for quizzing him grew less and less, As he grew richer; till upon the ground Of Pearl-street, treading proudly in the might And majesty of wealth, a sudden light X. Flash'd like the midnight lightning on the eyes Of all who knew him; brilliant traits of mind, And genius, clear and countless as the dies Upon the peacock's plumage; taste refined, Wisdom and wit, were his—perhaps much more. 'Twas strange they had not found it out before. XI. In this quick transformation, it is true That cash had no small share; but there were still Some other causes, which then gave a new Impulse to head and heart, and join'd to fill His brain with knowledge; for there first he met The editor of the New-York Gazette, XII. The sapient Mr. L**g. The world of him Knows much, yet not one half so much as he Knows of the world. Up to its very brim The goblet of his mind is sparkling free With lore and learning. Had proud Sheba's queen, In all her bloom and beauty, but have seen XIII. This modern Solomon, the Israelite, Earth's monarch as he was, had never won her. He would have hang'd himself for very spite, And she, bless'd woman, might have had the honour Of some neat "paragraphs"—worth all the lays That Judah's minstrel warbled in her praise. XIV. Her star arose too soon; but that which sway'd Th' ascendant at our merchant's natal hour Was bright with better destiny—its aid Led him to pluck within the classic bower Of bulletins, the blossoms of true knowledge; And L**g supplied the loss of school and college. XV. For there he learn'd the news some minutes sooner Than others could; and to distinguish well The different signals, whether ship or schooner, Hoisted at Staten Island; and to tell The change of wind, and of his neighbour's fortunes, And, best of all—he there learn'd self-importance. XVI. Nor were these all the advantages derived From change of scene; for near his domicil, He of the pair of polish'd lamps then lived, And in my hero's promenades, at will, Could he behold them burning—and their flame Kindled within his breast the love of fame, XVII. And politics, and country; the pure glow Of patriot ardour, and the consciousness That talents such as his might well bestow A lustre on the city; she would bless His name; and that some service should be done her, He pledged "life, fortune, and his sacred honour." XVIII. And when the sounds of music and of mirth, Bursting from Fashion's groups assembled there, Were heard, as round their lone plebeian hearth Fanny and he were seated—he would dare To whisper fondly, that the time might come When he and his could give as brilliant routs at home. XIX. And oft would Fanny near that mansion linger, When the cold winter moon was high in heaven, And trace out, by the aid of Fancy's finger, Cards for some future party, to be given When she, in turn, should be a belle, and they Had lived their little hour, and pass'd away. XX. There are some happy moments in this lone And desolate world of ours, that well repay The toil of struggling through it, and atone For many a long, sad night and weary day. They come upon the mind like some wild air Of distant music, when we know not where, XXI. Or whence, the sounds are brought from, and their power, Though brief, is boundless. That far, future home, Oft dream'd of, beckons near—it's rose-wreathed bower, And cloudless skies before us: we become Changed on the instant—all gold leaf and gilding: This is, in vulgar phrase, call'd "castle building." XXII. But these, like sunset clouds, fade soon; 'tis vain To bid them linger longer, or to ask On what day they intend to call again; And, surely, 'twere a philosophic task, Worthy a Mitchill, in his hours of leisure, To find some means to summon them at pleasure. XXIII. There certainly are powers of doing this, In some degree at least—for instance, drinking. Champagne will bathe the heart a while in bliss, And keep the head a little time from thinking Of cares or creditors—the best wine in town You'll get from Lynch—the cash must be paid down. XXIV. But if you are a bachelor, like me, And spurn all chains, even though made of roses, I'd recommend segars—there is a free And happy spirit, that, unseen, reposes On the dim shadowy clouds that hover o'er you, When smoking quietly with a warm fire before you. XXV. Dear to the exile is his native land, In memory's twilight beauty seen afar: Dear to the broker is a note of hand, Collaterally secured—the polar star Is dear at midnight to the sailor's eyes, And dear are Bristed's volumes at "half price;" XXVI. But dearer far to me each fairy minute Spent in that fond forgetfulness of grief; There is an airy web of magic in it, As in Othello's pocket-handkerchief, Veiling the wrinkles on the brow of sorrow, The gathering gloom to-day, the thunder cloud to-morrow XXVII. And these are innocent thoughts—a man may sit Upon a bright throne of his own creation; Untortured by the ghastly sprites that flit Around the many, whose exalted station Has been attained by means 'twere pain to hint on, Just for the rhyme's sake—instance Mr. Cl*n*on. XXVIII. He struggled hard, but not in vain, and breathes The mountain air at last; but there are others Who strove, like him, to win the glittering wreaths Of power, his early partisans and brothers, That linger yet in dust from whence they sprung, Unhonour'd and unpaid, though, luckily, unhung. XXIX. 'Twas theirs to fill with gas the huge balloon Of party; and they hoped, when it arose, To soar like eagles in the blaze of noon, Above the gaping crowd of friends and foes. Alas! like GuillÉ's car, it soar'd without them, And left them with a mob to jeer and flout them. XXX. Though Fanny's moonlight dreams were sweet as those I've dwelt so long upon—they were more stable; Hers were not "castles in the air" that rose Based upon nothing; for her sire was able, As well she knew, to "buy out" the one half Of Fashion's glittering train, that nightly quaff XXXI. Wine, wit, and wisdom, at a midnight rout, From dandy coachmen, whose "exquisite" grin And "ruffian" lounge flash brilliantly without, Down to their brother dandies ranged within, Gay as the Brussels carpeting they tread on, And sapient as the oysters they are fed on. XXXII. And Rumour (she's a famous liar, yet 'Tis wonderful how easy we believe her) Had whisper'd he was rich, and all he met In Wall-street, nodded, smiled, and "tipp'd the beaver;" All, from Mr. Gelston, the collector, Down to the broker, and the bank director. XXXIII. A few brief years pass'd over, and his rank Among the worthies of that street was fix'd; He had become director of a bank, And six insurance offices, and mix'd Familiarly, as one among his peers, With grocers, dry-good merchants, auctioneers, XXXIV. Brokers of all grades—stock and pawn—and Jews Of all religions, who at noonday form, On 'Change, that brotherhood the moral muse Delights in, where the heart is pure and warm, And each exerts his intellectual force To cheat his neighbour—legally, of course. XXXV. And there he shone a planetary star, Circled around by lesser orbs, whose beams From his were borrow'd. The simile is not far From truth—for many bosom friends, it seems, Did borrow of him, and sometimes forget To pay—indeed, they have not paid him yet. XXXVI. But these he deem'd as trifles, when each mouth Was open in his praise, and plaudits rose Upon his willing ear, "like the sweet south Upon a bank of violets," from those Who knew his talents, virtues, and so forth; That is—knew how much money he was worth. XXXVII. Alas! poor human nature; had he been But satisfied with this, his golden days Their setting hour of darkness had not seen, And he might still (in the mercantile phrase) Be living "in good order and condition;" But he was ruined by that jade Ambition, XXXVIII. "That last infirmity of noble minds," Whose spell, like whiskey, your true patriot liquor, To politics the lofty hearts inclines Of all, from Clinton down to the bill-sticker Of a ward-meeting. She came slyly creeping To his bedside, where he lay snug and sleeping. XXXIX. Her brow was turban'd with a bucktail wreath, A broach of terrapin her bosom wore, Tompkins' letter was just seen beneath Her arm, and in her hand on high she bore A National Advocate—Pell's polite Review Lay at her feet—'twas pommell'd black and blue. XL. She was in fashion's elegant undress, Muffled from throat to ankle; and her hair Was all "en papillotes," each auburn tress Prettily pinn'd apart. You well might swear She was no beauty; yet, when "made up," ready For visiters, 'twas quite another lady. XLI. Since that wise pedant, Johnson, was in fashion, Manners have changed as well as moons; and he Would fret himself once more into a passion, Should he return (which heaven forbid!), and see, How strangely from his standard dictionary, The meaning of some words is made to vary. XLII. For instance, an undress at present means The wearing a pelisse, a shawl, or so; Or any thing you please, in short, that screens The face, and hides the form from top to toe; Of power to brave a quizzing-glass, or storm— 'Tis worn in summer, when the weather's warm. XLIII. But a full dress is for a winter's night. The most genteel is made of "woven air;" That kind of classic cobweb, soft and light, Which Lady Morgan's Ida used to wear. And ladies, this aËrial manner dress'd in, Look Eve-like, angel-like, and interesting. XLIV. But Miss Ambition was, as I was saying, "DÈshabillÉe"—his bedside tripping near, And, gently on his nose her fingers laying, She roar'd out Tammany! in his frighted ear. The potent word awoke him from his nap, And then she vanish'd, whisp'ring verbum sap. XLV. The last words were beyond his comprehension, For he had left off schooling, ere the Greek Or Latin classics claim'd his mind's attention: Besides, he often had been heard to speak Contemptuously of all that sort of knowledge, Taught so profoundly in Columbia College. XLVI. We owe the ancients something. You have read Their works, no doubt—at least in a translation; Yet there was argument in what he said, I scorn equivocation or evasion, And own it must, in candour, be confess'd, They were an ignorant set of men at best. XLVII. 'Twas their misfortune to be born too soon By centuries, and in the wrong place too; They never saw a steamboat, or balloon, Velocipede, or Quarterly Review; Or wore a pair of Baehr's black satin breeches, Or read an Almanac, or Clinton's Speeches. XLVIII. In short, in every thing we far outshine them,— Art, science, taste, and talent; and a stroll Through this enlighten'd city would refine them More than ten years hard study of the whole Their genius has produced of rich and rare— God bless the Corporation and the Mayor! XLIX. In sculpture, we've a grace the Grecian master, Blushing, had own'd his purest model lacks; We've Mr. Bogart in the best of plaster, The Witch of Endor in the best of wax, Besides the head of Franklin on the roof Of Mr. Lang, both jest and weather proof. L. And on our City Hall a Justice stands; A neater form was never made of board, Holding majestically in her hands A pair of steelyards and a wooden sword; And looking down with complaisant civility— Emblem of dignity and durability. LI. In painting, we have Trumbull's proud chef d'oeuvre, Blending in one the funny and the fine: His "Independence" will endure for ever, And so will Mr. Allen's lottery sign; And all that grace the Academy of Arts, From Dr. Hosack's face to Bonaparte's. LII. In architecture, our unrivall'd skill Cullen's magnesian shop has loudly spoken To an admiring world; and better still Is Gautier's fairy palace at Hoboken. In music, we've the Euterpian Society, And amateurs, a wonderful variety. LIII. In physic, we have Francis and M'Neven, Famed for long heads, short lectures, and long bills; And Quackenboss and others, who from heaven Were rain'd upon us in a shower of pills; They'd beat the deathless Esculapius hollow, And make a starveling druggist of Apollo. LIV. And who, that ever slumber'd at the Forum, But owns the first of orators we claim; Cicero would have bow'd the knee before 'em— And for law eloquence, we've Doctor Graham. Compared with him, their Justins and Quintillians Had dwindled into second-rate civilians. LV. For purity and chastity of style, There's Pell's preface, and puffs by Horne and Waite. For penetration deep, and learned toil, And all that stamps an author truly great, Have we not Bristed's ponderous tomes? a treasure For any man of patience and of leisure. LVI. Oxonian Bristed! many a foolscap page He, in his time, hath written, and moreover (What few will do in this degenerate age) Hath read his own works, as you may discover By counting his quotations from himself— You'll find the books on any auction shelf. LVII. I beg Great Britain's pardon; 'tis not meant To claim this Oxford scholar as our own: That he was shipp'd off here to represent Her literature among us, is well known; And none could better fill the lofty station Of Learning's envoy from the British nation. LVIII. We fondly hope that he will be respected At home, and soon obtain a place or pension. We should regret to see him live neglected, Like Fearon, Ashe, and others we could mention; Who paid us friendly visits to abuse Our country, and find food for the reviews. LIX. But to return.—The Heliconian waters Are sparkling in their native fount no more, And after years of wandering, the nine daughters Of poetry have found upon our shore A happier home, and on their sacred shrines Glow in immortal ink, the polish'd lines LX. Of Woodworth, Doctor Farmer, Moses Scott— Names hallow'd by their reader's sweetest smile; And who that reads at all has read them not? "That blind old man of Scio's rocky isle," Homer, was well enough; but would he ever Have written, think ye, the Backwoodsman? never. LXI. Alas! for Paulding—I regret to see In such a stanza one whose giant powers, Seen in their native element, will be Known to a future age, the pride of ours. There is none breathing who can better wield The battle-axe of satire. On its field LXII. The wreath he fought for he has bravely won, Long be its laurel green around his brow! It is too true, I'm somewhat fond of fun And jesting; but for once I'm serious now. Why is he sipping weak Castalian dews? The muse has damn'd him—let him damn the muse LXIII. But to return once more: the ancients fought Some tolerable battles. Marathon Is still a theme for high and holy thought, And many a poet's lay. We linger on The page that tells us of the brave and free, And reverence thy name, unmatch'd ThermopylÆ. LXIV. And there were spirited troops in other days— The Roman legion and the Sp
artan band, And Swartwout's gallant corps, the Iron Grays— Soldiers who met their foemen hand to hand, Or swore, at least, to meet them undismay'd; Yet what were these to General Laight's brigade LXV. Of veterans? nursed in that Free School of glory, The New-York State Militia. From Bellevue, E'en to the Battery flagstaff, the proud story Of their manoeuvres at the last review Has rang; and Clinton's "order" told afar He never led a better corps to war. LXVI. What, Egypt, was thy magic, to the tricks Of Mr. Charles, Judge Spencer, or Van Buren? The first with cards, the last in politics, A conjuror's fame for years have been securing. And who would now the Athenian dramas read When he can get "Wall-street," by Mr. Mead. LXVII. I might say much about our letter'd men, Those "grave and reverend seigniors," who compose Our learn'd societies—but here my pen Stops short; for they themselves, the rumour goes, The exclusive privilege by patent claim, Of trumpeting (as the phrase is) their own fame. LXVIII. And, therefore, I am silent. It remains To bless the hour the Corporation took it Into their heads to give the rich in brains, The worn-out mansion of the poor in pocket, Once "the old almshouse," now a school of wisdom, Sacred to Scudder's shells and Dr. Griscom. LXIX. But whither am I wandering? The esteem I bear "this fair city of the heart," To me a dear enthusiastic theme, Has forced me, all unconsciously, to part Too long from him, the hero of my story. Where was he?—waking from his dream of glory. LXX. And she, the lady of his dream, had fled, And left him somewhat puzzled and confused. He understood, however, half she said; And that is quite as much as we are used To comprehend, or fancy worth repeating, In speeches heard at any public meeting. LXXI. And the next evening found him at the Hall; There he was welcomed by the cordial hand, And met the warm and friendly grasp of all Who take, like watchmen, there, their nightly stand, A ring, as in a boxing match, procuring, To bet on Clinton, Tompkins, or Van Buren. LXXII. 'Twas a propitious moment; for a while The waves of party were at rest. Upon Each complacent brow was gay good humour's smile; And there was much of wit, and jest, and pun, And high amid the circle, in great glee, Sat Croaker's old acquaintance, John Targee. LXXIII. His jokes excell'd the rest, and oft he sang Songs, patriotic, as in duty bound. He had a little of the "nasal twang Heard at conventicle;" but yet you found In him a dash of purity and brightness, That spoke the man of taste and of politeness. LXXIV. For he had been, it seems, the bosom friend Of England's prettiest bard, Anacreon Moore. They met when he, the bard, came here to lend His mirth and music to this favourite shore; For, as the proverb saith, "birds of a feather Instinctively will flock and fly together." LXXV. The winds that wave thy cedar boughs are breathing, "Lake of the Dismal Swamp!" that poet's name; And the spray-showers their noonday halos wreathing Around "Cohoes," are brighten'd by his fame. And bright its sunbeam o'er St. Lawrence smiles, Her million lilies, and her thousand isles. LXXVI. We hear his music in her oarsmen's lay, And where her church-bells "toll the evening chime;" Yet when to him the grateful heart would pay Its homage, now, and in all coming time, Up springs a doubtful question whether we Owe it to Tara's minstrel or Targee. LXXVII. Together oft they wander'd—many a spot Now consecrated, as the minstrel's theme, By words of beauty ne'er to be forgot, Their mutual feet have trod; and when the stream Of thought and feeling flow'd in mutual speech, 'Twere vain to tell how much each taught to each. LXXVIII. But, from the following song, it would appear That he of Erin from the sachem took The model of his "Bower of Bendemeer," One of the sweetest airs in Lalla Rookh; 'Tis to be hoped that in his next edition, This, the original, will find admission. SONG. There's a barrel of porter at Tammany Hall, And the bucktails are swigging it all the night long; In the time of my boyhood 'twas pleasant to call For a seat and segar, mid the jovial throng. That beer and those bucktails I never forget; But oft, when alone, and unnoticed by all, I think, is the porter cask foaming there yet? Are the bucktails still swigging at Tammany Hall? No! the porter was out long before it was stale, But some blossoms on many a nose brightly shone; And the speeches inspired by the fumes of the ale, Had the fragrance of porter when porter was gone. How much Cozzens will draw of such beer ere he dies, Is a question of moment to me and to all; For still dear to my soul, as 'twas then to my eyes, Is that barrel of porter at Tammany Hall. SONG. There's a bower of roses by Bendemeer's stream, And the nightingale sings round it all the night long, In the time of my childhood 'twas like a sweet dream To sit in the roses and hear the bird's song. That bower and its music I never forget; But oft, when alone, in the bloom of the year, I think, is the nightingale singing there yet? Are the roses still bright by the calm Bendemeer? No! the roses soon wither'd that hung o'er the wave, But some blossoms were gather'd while freshly they shone; And a dew was distill'd from their flowers, that gave All the fragrance of summer when summer was gone. Thus memory draws from delight ere it dies, An essence that breathes of it many a year; Thus bright to my soul, as 'twas then to my eyes, Is that bower on the banks of the calm Bendemeer. LXXIX. For many months my hero ne'er neglected To take his ramble there, and soon found out, In much less time than one could have expected, What 'twas they all were quarrelling about. He learn'd the party countersigns by rote, And when to clap his hands, and how to vote. LXXX. He learn'd that Clinton became Governor Somehow by chance, when we were all asleep; That he had neither sense, nor talent, nor Any good quality, and would not keep His place an hour after the next election— So powerful was the voice of disaffection. LXXXI. That he was a mere puppet made to play A thousand tricks, while Spencer touch'd the springs— Spencer, the mighty Warwick of his day, "That setter up, and puller down of kings," Aided by Miller, Pell, and Doctor Graham, And other men of equal worth and fame. LXXXII. And that he'd set the people at defiance, By placing knaves and fools in public stations; And that his works in literature and science Were but a schoolboy's web of misquotations; And that he'd quoted from the devil even— "Better to reign in hell than serve in heaven." LXXXIII. To these authentic facts each bucktail swore; But Clinton's friends averr'd, in contradiction, They were but fables, told by Mr. Noah, Who had a privilege to deal in fiction, Because he'd written travels, and a melo- Drama; and was, withal, a pleasant fellow. LXXXIV. And they declared that Tompkins was no better Than he should be; that he had borrow'd money, And paid it—not in cash—but with a letter; And though some trifling service he had done, he Still wanted spirit, energy, and fire; And was disliked by—Mr. M'Intyre. LXXXV. In short, each one with whom in conversation He join'd, contrived to give him different views Of men and measures; and the information Which he obtain'd, but aided to confuse His brain. At best, 'twas never very clear; And now 'twas turn'd with politics and beer. LXXXVI. And he was puff'd, and flatter'd, and caress'd By all, till he sincerely thought that nature Had form'd him for an alderman at least— Perhaps, a member of the legislature; And that he had the talents, ten times over, Of H*n*y M**gs, or P*t*r H. W*nd*ver. LXXXVII. The man was mad, 'tis plain, and merits pity, Or he had never dared, in such a tone, To speak of two great persons, whom the city, With pride and pleasure, points to as her own. Men, wise in council, brilliant in debate, "The expectancy and rose of the fair state." LXXXVIII. The one—for a pure style and classic manner, Is—Mr. Sachem Mooney far before. The other, in his speech about the banner, Spell-bound his audience until they swore That such a speech was never heard till then, And never would be—till he spoke again. LXXXIX. Though 'twas presumptuous in this friend of ours To think of rivalling these, I must allow That still the man had talents; and the powers Of his capacious intellect were now Improved by foreign travel, and by reading, And at the Hall he'd learn'd, of course, good breeding. XC. He had read the newspapers with great attention, Advertisements and all; and Riley's book Of travels—valued for its rich invention; And Day and Turner's Price Current; and took The Edinburgh and Quarterly Reviews; And also Colonel Pell's; and, to amuse XCI. His leisure hours with classic tale and story, Longworth's Directory, and Mead's Wall-street, And Mr. Delaplaine's Repository; And Mitchill's scientific works complete, With other standard books of modern days, Lay on his table, cover'd with green baize. XCII. His travels had extended to Bath races; And Bloomingdale and Bergen he had seen, And HarlÆm Heights; and many other places, By sea and land, had visited; and been, In a steamboat of the Vice President's, To Staten-Island once—for fifty cents. XCIII. And he had dined, by special invitation, On turtle, with "the party" at Hoboken; And thank'd them for his card in an oration, Declared to be the shortest ever spoken. And he had stroll'd one day o'er Weehawk hill: A day worth all the rest—he recollects it still. XCIV. Weehawken! In thy mountain scenery yet, All we adore of nature in her wild And frolic hour of infancy, is met; And never has a summer's morning smiled Upon a lovelier scene, than the full eye Of the enthusiast revels on—when high XCV. Amid thy forest solitudes, he climbs O'er crags, that proudly tower above the deep, And knows that sense of danger which sublimes The breathless moment—when his daring step Is on the verge of the cliff, and he can hear The low dash of the wave with startled ear, XCVI. Like the death-music of his coming doom, And clings to the green turf with desperate force, As the heart clings to life; and when resume The currents in his veins their wonted course, There lingers a deep feeling—like the moan Of wearied ocean, when the storm is gone. XCVII. In such an hour he turns, and on his view, Ocean, and earth, and heaven, burst before him; Clouds slumbering at his feet, and the clear blue Of summer's sky in beauty bending o'er him— The city bright below; and far away, Sparkling in golden light, his own romantic bay. XCVIII. Tall spire, and glittering roof, and battlement, And banners floating in the sunny air; And white sails o'er the calm blue waters bent, Green isle, and circling shore, are blended there In wild reality. When life is old, And many a scene forgot, the heart will hold XCIX. Its memory of this; nor lives there one Whose infant breath was drawn, or boyhood's days Of happiness were pass'd beneath that sun, That in his manhood's prime can calmly gaze Upon that bay, or on that mountain stand, Nor feel the prouder of his native land. C. "This may be poetry, for aught I know," Said an old, worthy friend of mine, while leaning Over my shoulder as I wrote, "although I can't exactly comprehend its meaning. For my part, I have long been a petitioner To Mr. John M'Comb, the street-commissioner, CI. "That he would think of Weehawk, and would lay it Handsomely out in avenue and square; Then tax the land, and make its owners pay it (As is the usual plan pursued elsewhere); Blow up the rocks, and sell the wood for fuel— 'Twould save us many a dollar, and a duel." CII. The devil take you and John M'Comb, said I; Lang, in its praise, has penn'd one paragraph, And promised me another. I defy, With such assistance, yours and the world's laugh; And half believe that Paulding, on this theme, Might be a poet—strange as it may seem. CIII. For even our traveller felt, when home returning From that day's tour, as on the deck he stood, The fire of poetry within him burning; "Albeit unused to the rhyming mood;" And with a pencil on his knee he wrote The following flaming lines TO THE HORSEBOAT. 1 Away—o'er the wave to the home we are seeking, Bark of my hope! ere the evening be gone; There's a wild, wild note in the curlew's shrieking; There's a whisper of death in the wind's low moan. 2 Though blue and bright are the heavens above me, And the stars are asleep on the quiet sea; And hearts I love, and hearts that love me, Are beating beside me merrily, 3 Yet, far in the west, where the day's faded roses, Touch'd by the moonbeam, are withering fast; Where the half-seen spirit of twilight reposes, Hymning the dirge of the hours that are past, 4 There, where the ocean-wave sparkles at meeting (As sunset dreams tell us) the kiss of the sky, On his dim, dark cloud is the infant storm sitting, And beneath the horizon his lightnings are nigh. 5 Another hour—and the death-word is given, Another hour—and his lightnings are here; Speed! speed thee, my bark; ere the breeze of even Is lost in the tempest, our home will be near. 6 Then away o'er the wave, while thy pennant is streaming In the shadowy light, like a shooting star; Be swift as the thought of the wanderer, dreaming, In a stranger land, of his fireside afar. 7 And while memory lingers I'll fondly believe thee A being with life and its best feelings warm; And freely the wild song of gratitude weave thee, Bless'd spirit! that bore me and mine from the storm. CIV. But where is Fanny? She has long been thrown Where cheeks and roses wither—in the shade. The age of chivalry, you know, is gone; And although, as I once before have said, I love a pretty face to adoration, Yet, still, I must preserve my reputation, CV. As a true dandy of the modern schools. One hates to be oldfashion'd; it would be A violation of the latest rules, To treat the sex with too much courtesy. 'Tis not to worship beauty, as she glows In all her diamond lustre, that the beaux CVI. Of these enlighten'd days at evening crowd, Where fashion welcomes in her rooms of light, That "dignified obedience; that proud Submission," which, in times of yore, the knight Gave to his "ladye-love," is now a scandal, And practised only by your Goth or Vandal. CVII. To lounge in graceful attitudes—be stared Upon, the while, by every fair one's eye, And stare one's self, in turn; to be prepared To dart upon the trays, as swiftly by The dexterous Simon bears them, and to take One's share, at least, of coffee, cream, and cake, CVIII. Is now to be "the ton." The pouting lip, And sad, upbraiding eye of the poor girl, Who hardly of joy's cup one drop can sip, Ere in the wild confusion, and the whirl, And tumult of the hour, its bubbles vanish, Must now be disregarded. One must banish CIX. Those antiquated feelings, that belong To feudal manners and a barbarous age. Time was—when woman "pour'd her soul" in song, That all was hush'd around. 'Tis now "the rage" To deem a song, like bugle-tones in battle, A signal note, that bids each tongue's artillery rattle. CX. And, therefore, I have made Miss Fanny wait My leisure. She had changed, as you will see, as Much as her worthy sire, and made as great Proficiency in taste and high ideas. The careless smile of other days was gone, And every gesture spoke "q'en dira-t' on?" CXI. She long had known that in her father's coffers, And also to his credit in the banks, There was some cash; and therefore all the offers Made her, by gentlemen of the middle ranks, Of heart and hand, had spurn'd, as far beneath One whose high destiny it was to breathe, CXII. Ere long, the air of Broadway or Park Place, And reign a fairy queen in fairy land; Display in the gay dance her form of grace, Or touch with rounded arm and gloveless hand, Harp or piano.—Madame Catilani Forgot a while, and every eye on Fanny. CXIII. And in anticipation of that hour, Her star of hope—her paradise of thought, She'd had as many masters as the power Of riches could bestow; and had been taught The thousand nameless graces that adorn The daughters of the wealthy and high born. CXIV. She had been noticed at some public places (The Battery, and the balls of Mr. Whale), For hers was one of those attractive faces, That when you gaze upon them, never fail To bid you look again; there was a beam, A lustre in her eye, that oft would seem CXV. A little like effrontery; and yet The lady meant no harm; her only aim Was but to be admired by all she met, And the free homage of the heart to claim; And if she show'd too plainly this intention, Others have done the same—'twas not of her invention. CXVI. She shone at every concert; where are bought Tickets, by all who wish them, for a dollar; She patronised the Theatre, and thought That Wallack look'd extremely well in Rolla; She fell in love, as all the ladies do, With Mr. Simpson—talked as loudly, too, CXVII. As any beauty of the highest grade, To the gay circle in the box beside her; And when the pit—half vex'd and half afraid, With looks of smother'd indignation eyed her, She calmly met their gaze, and stood before 'em, Smiling at vulgar taste and mock decorum. CXVIII. And though by no means a bas bleu, she had For literature a most becoming passion; Had skimm'd the latest novels, good and bad, And read the Croakers, when they were in fashion; And Doctor Chalmers' sermons, of a Sunday; And Woodworth's Cabinet, and the new Salmagundi. CXIX. She was among the first and warmest patrons Of Griscom's conversaziÓnes where In rainbow groups, our bright-eyed maids and matrons, On science bent, assemble; to prepare Themselves for acting well, in life, their part As wives and mothers. There she learn'd by heart CXX. Words, to the witches in Macbeth unknown. Hydraulics, hydrostatics, and pneumatics, Dioptrics, optics, katoptrics, carbon, Chlorine, and iodine, and aËrostatics; Also,—why frogs, for want of air, expire; And how to set the Tappan sea on fire! CXXI. In all the modern languages she was Exceedingly well versed; and had devoted, To their attainment, far more time than has, By the best teachers lately, been allotted; For she had taken lessons, twice a week, For a full month in each; and she could speak CXXII. French and Italian, equally as well As Chinese, Portuguese, or German; and, What is still more surprising, she could spell Most of our longest English words off hand; Was quite familiar in Low Dutch and Spanish, And thought of studying modern Greek and Danish. CXXIII. She sang divinely: and in "Love's young dream," And "Fanny dearest," and "The soldier's bride;" And every song, whose dear delightful theme, Is "Love, still love," had oft till midnight tried Her finest, loftiest "pigeon-wings" of sound, Waking the very watchmen far around. CXXIV. For her pure taste in dress, I can appeal to Madame Bouquet, and Monsieur Pardessus; She was, in short, a woman you might kneel to, If kneeling were in fashion; or if you Were wearied of your duns and single life, And wanted a few thousands and a wife. 1819. CXXV. * * * * * * * * * * * * * * * * * * * * * * * * CXXVI. "There was a sound of revelry by night;" Broadway was throng'd with coaches, and within A mansion of the best of brick, the bright And eloquent eyes of beauty bade begin The dance; and music's tones swell'd wild and high, And hearts and heels kept tune in tremulous ecstasy. CXXVII. For many a week, the note of preparation Had sounded through all circles far and near; And some five hundred cards of invitation Bade beau and belle in full costume appear; There was a most magnificent variety, All quite select, and of the first society. CXXVIII. That is to say—the rich and the well-bred, The arbiters of fashion and gentility, In different grades of splendour, from the head Down to the very toe of our nobility: Ladies, remarkable for handsome eyes Or handsome fortunes—learned men, and wise: CXXIX. Statesmen, and officers of the militia— In short, the "first society"—a phrase, Which you may understand as best may fit you Besides the blackest fiddlers of those days, Placed like their sire, Timotheus, on high, With horsehair fiddle-bows and teeth of ivory. CXXX. The carpets were roll'd up the day before, And, with a breath, two rooms became but one, Like man and wife—and, on the polish'd floor, Chalk in the artists' plastic hand had done All that chalk could do—in young Eden's bowers They seemed to tread, and their feet press'd on flowers. CXXXI. And when the thousand lights of spermaceti Stream'd like a shower of sunbeams—and free tresses Wild as the heads that waved them—and a pretty Collection of the latest Paris dresses Wander'd about the rooms like things divine, It was, as I was told, extremely fine. CXXXII. The love of fun, fine faces, and good eating, Brought many who were tired of self and home; And some were there in the high hope of meeting The lady of their bosom's love—and some To study that deep science, how to please, And manners in high life, and high-soul'd courtesies. CXXXIII. And he, the hero of the night, was there, In breeches of light drab, and coat of blue. Taste was conspicuous in his powder'd hair, And in his frequent jeux de mots, that drew Peals of applauses from the listeners round, Who were delighted—as in duty bound. CXXXIV. 'Twas Fanny's father—Fanny near him stood, Her power, resistless—and her wish, command; And Hope's young promises were all made good; "She reign'd a fairy queen in fairy land;" Her dream of infancy a dream no more, And then how beautiful the dress she wore! CXXXV. Ambition with the sire had kept her word. He had the rose, no matter for its thorn, And he seem'd happy as a summer bird, Careering on wet wing to meet the morn. Some said there was a cloud upon his brow; It might be—but we'll not discuss that now. CXXXVI. I left him making rhymes while crossing o'er The broad and perilous wave of the North River. He bade adieu, when safely on the shore, To poetry—and, as he thought, for ever. That night his dream (if after deeds make known Our plans in sleep) was an enchanting one. CXXXVII. He woke, in strength, like Samson from his slumber, And walk'd Broadway, enraptured the next day; Purchased a house there—I've forgot the number— And sign'd a mortgage and a bond, for pay. Gave, in the slang phrase, Pearl-street the go-by, And cut, for several months, St. Tammany. CXXXVIII. Bond, mortgage, title-deeds, and all completed, He bought a coach and half a dozen horses (The bill's at Lawrence's—not yet receipted— You'll find the amount upon his list of losses), Then fill'd his rooms with servants, and whatever Is necessary for a "genteel liver." CXXXIX. This last removal fix'd him: every stain Was blotted from his "household coat," and he Now "show'd the world he was a gentleman," And, what is better, could afford to be; His step was loftier than it was of old, His laugh less frequent, and his manner told CXL. What lovers call "unutterable things"— That sort of dignity was in his mien Which awes the gazer into ice, and brings To recollection some great man we've seen, The Governor, perchance, whose eye and frown, 'Twas shrewdly guess'd, would knock Judge Skinner down. CXLI. And for "Resources," both of purse and head, He was a subject worthy Bristed's pen; Believed devoutly all his flatterers said, And deem'd himself a Croesus among men; Spread to the liberal air his silken sails, And lavish'd guineas like a Prince of Wales. CXLII. He mingled now with those within whose veins The blood ran pure—the magnates of the land— Hail'd them as his companions and his friends, And lent them money and his note of hand. In every institution, whose proud aim Is public good alone, he soon became CXLIII. A man of consequence and notoriety; His name, with the addition of esquire, Stood high upon the list of each society, Whose zeal and watchfulness the sacred fire Of science, agriculture, art, and learning, Keep on our country's altars bright and burning. CXLIV. At Eastburn's Rooms he met, at two each day, With men of taste and judgment like his own, And play'd "first fiddle" in that orchestra Of literary worthies—and the tone Of his mind's music, by the listeners caught, Is traced among them still in language and in thought. CXLV. He once made the Lyceum a choice present Of muscle shells pick'd up at Rockaway; And Mitchill gave a classical and pleasant Discourse about them in the streets that day, Naming the shells, and hard to put in verse 'twas, "Testaceous coverings of bivalve moluscas." CXLVI. He was a trustee of a Savings Bank, And lectured soundly every evil doer, Gave dinners daily to wealth, power, and rank, And sixpence every Sunday to the poor; He was a wit, in the pun-making line— Past fifty years of age, and five feet nine. CXLVII. But as he trod to grandeur's pinnacle, With eagle eye and step that never falter'd, The busy tongue of scandal dared to tell That cash was scarce with him, and credit alter'd; And while he stood the envy of beholders, The Bank Directors grinn'd, and shrugg'd their shoulders. CXLVIII. And when these, the Lord Burleighs of the minute, Shake their sage heads, and look demure and holy, Depend upon it there is something in it; For whether born of wisdom or of folly, Suspicion is a being whose fell power Blights every thing it touches, fruit and flower. CXLIX. Some friends (they were his creditors) once hinted About retrenchment and a day of doom; He thank'd them, as no doubt they kindly meant it, And made this speech, when they had left the room: "Of all the curses upon mortals sent, One's creditors are the most impudent; CL. "Now I am one who knows what he is doing, And suits exactly to his means his ends; How can a man be in the path to ruin, When all the brokers are his bosom friends? Yet, on my hopes, and those of my dear daughter, These rascals throw a bucket of cold water! CLI. "They'd wrinkle with deep cares the prettiest face, Pour gall and wormwood in the sweetest cup, Poison the very wells of life—and place Whitechapel needles, with their sharp points up, Even in the softest feather bed that e'er Was manufactured by upholsterer." CLII. This said—he journey'd "at his own sweet will," Like one of Wordsworth's rivers, calmly on; But yet, at times, Reflection, "in her still Small voice," would whisper, something must be done; He ask'd advice of Fanny, and the maid Promptly and duteously lent her aid. CLIII. She told him, with that readiness of mind And quickness of perception which belong Exclusively to gentle womankind, That to submit to slanderers was wrong, And the best plan to silence and admonish them, Would be to give "a party"—and astonish them. CLIV. The hint was taken—and the party given; And Fanny, as I said some pages since, Was there in power and loveliness that even, And he, her sire, demean'd him like a prince, And all was joy—it look'd a festival, Where pain might smooth his brow, and grief her smiles recall. CLV. But Fortune, like some others of her sex, Delights in tantalizing and tormenting; One day we feed upon their smiles—the next Is spent in swearing, sorrowing, and repenting. (If in the last four lines the author lies, He's always ready to apologize.) CLVI. Eve never walk'd in Paradise more pure Than on that morn when Satan play'd the devil With her and all her race. A love-sick wooer Ne'er ask'd a kinder maiden, or more civil, Than Cleopatra was to Antony The day she left him on the Ionian sea. CLVII. The serpent—loveliest in his coiled ring, With eye that charms, and beauty that outvies The tints of the rainbow—bears upon his sting The deadliest venom. Ere the dolphin dies Its hues are brightest. Like an infant's breath Are tropic winds, before the voice of death CLVIII. Is heard upon the waters, summoning The midnight earthquake from its sleep of years To do its task of wo. The clouds that fling The lightning, brighten ere the bolt appears; The pantings of the warrior's heart are proud Upon that battle morn whose night-dews wet his shroud; CLIX. The sun is loveliest as he sinks to rest; The leaves of autumn smile when fading fast; The swan's last song is sweetest—and the best Of Meigs's speeches, doubtless, was his last. And thus the happiest scene, in these my rhymes, Closed with a crash, and usher'd in—hard times. CLX. St. Paul's toll'd one—and fifteen minutes after Down came, by accident, a chandelier; The mansion totter'd from the floor to rafter! Up rose the cry of agony and fear! And there was shrieking, screaming, bustling, fluttering, Beyond the power of writing or of uttering. CLXI. The company departed, and neglected To say good-by—the father storm'd and swore— The fiddlers grinn'd—the daughter look'd dejected— The flowers had vanish'd from the polish'd floor, And both betook them to their sleepless beds, With hearts and prospects broken, but no heads. CLXII. The desolate relief of free complaining Came with the morn, and with it came bad weather; The wind was east-northeast, and it was raining Throughout that day, which, take it altogether, Was one whose memory clings to us through life, Just like a suit in Chancery, or a wife. CLXIII. That evening, with a most important face And dreadful knock, and tidings still more dreadful, A notary came—sad things had taken place; My hero had forgot to "do the needful;" A note (amount not stated), with his name on't, Was left unpaid—in short, he had "stopp'd payment." CLXIV. I hate your tragedies, both long and short ones (Except Tom Thumb, and Juan's Pantomime); And stories woven of sorrows and misfortunes Are bad enough in prose, and worse in rhyme; Mine, therefore, must be brief. Under protest His notes remain—the wise can guess the rest. CLXV. * * * * * * * * * * * * * * * * * * * * * * * * CLXVI. For two whole days they were the common talk; The party, and the failure, and all that, The theme of loungers in their morning walk, Porter-house reasoning, and tea-table chat. The third, some newer wonder came to blot them, And on the fourth, the "meddling world" forgot them. CLXVII. Anxious, however, something to discover, I pass'd their house—the shutters were all closed; The song of knocker and of bell was over; Upon the steps two chimney sweeps reposed; And on the door my dazzled eyebeam met These cabalistic words—"this house to let." CLXVIII. They
live now, like chameleons, upon air And hope, and such cold, unsubstantial dishes; That they removed, is clear, but when or where None knew. The curious reader, if he wishes, May ask them, but in vain. Where grandeur dwells, The marble dome—the popular rumour tells; CLXIX. But of the dwelling of the proud and poor From their own lips the world will never know When better days are gone—it is secure Beyond all other mysteries here below, Except, perhaps, a maiden lady's age, When past the noonday of life's pilgrimage. CLXX. Fanny! 'twas with her name my song began; 'Tis proper and polite her name should end it; If in my story of her woes, or plan Or moral can be traced, 'twas not intended; And if I've wrong'd her, I can only tell her I'm sorry for it—so is my bookseller. CLXXI. I met her yesterday—her eyes were wet— She faintly smiled, and said she had been reading The Treasurer's Report in the Gazette, M'Intyre's speech, and Campbell's "Love lies bleeding;" She had a shawl on, 'twas not a Cashmere one, And if it cost five dollars, 'twas a dear one. CLXXII. Her father sent to Albany a prayer For office, told how fortune had abused him, And modestly requested to be Mayor— The Council very civilly refused him; Because, however much they might desire it, The "public good," it seems, did not require it. CLXXIII. Some evenings since, he took a lonely stroll Along Broadway, scene of past joys and evils; He felt that withering bitterness of soul, Quaintly denominated the "blue devils;" And thought of Bonaparte and Belisarius, Pompey, and Colonel Burr, and Caius Marius, CLXXIV. And envying the loud playfulness and mirth Of those who pass'd him, gay in youth and hope, He took at Jupiter a shilling's worth Of gazing, through the showman's telescope; Sounds as of far-off bells came on his ears, He fancied 'twas the music of the spheres. CLXXV. He was mistaken, it was no such thing, 'Twas Yankee Doodle play'd by Scudder's band; He mutter'd, as he linger'd listening, Something of freedom and our happy land; Then sketch'd, as to his home he hurried fast, This sentimental song—his saddest, and his last. I. Young thoughts have music in them, love And happiness their theme; And music wanders in the wind That lulls a morning dream. And there are angel voices heard, In childhood's frolic hours, When life is but an April day Of sunshine and of showers. II. There's music in the forest leaves When summer winds are there, And in the laugh of forest girls That braid their sunny hair. The first wild bird that drinks the dew, From violets of the spring, Has music in his song, and in The fluttering of his wing. III. There's music in the dash of waves When the swift bark cleaves their foam; There's music heard upon her deck, The mariner's song of home, When moon and star beams smiling meet At midnight on the sea— And there is music—once a week In Scudder's balcony. IV. But the music of young thoughts too soon Is faint, and dies away, And from our morning dreams we wake To curse the coming day. And childhood's frolic hours are brief, And oft in after years Their memory comes to chill the heart, And dim the eye with tears. V. To-day, the forest leaves are green, They'll wither on the morrow, And the maiden's laugh be changed ere long To the widow's wail of sorrow. Come with the winter snows, and ask Where are the forest birds? The answer is a silent one, More eloquent than words. VI. The moonlight music of the waves In storms is heard no more, When the living lightning mocks the wreck At midnight on the shore, And the mariner's song of home has ceased, His corse is on the sea— And music ceases when it rains In Scudder's balcony.
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