CASSIOBURY, or Cashiobury, as it is sometimes spelt, lies about a mile distant from Watford, in Hertfordshire. It is, therefore, within easy distance—sixteen miles—from London, and may be considered as one of the breathing places of denizens of the Metropolis. The name of Cassiobury is said, and with reason to be derived from the Casii, a tribe of the Britons who occupied the district, and whose stronghold, Verulamium, lies only a few miles away. The Casii were, at the time of the landing of Julius CÆsar, commanded by Cassivelanus, under whom they fought many battles with the invaders. The hundred is still called the hundred of Cassio, and the affix of bury evidently signifies an assemblage of dwellings surrounded by walls, or a burgh or borough. “Being as its name implies, the only bury within the manor of Cassio during the Saxon era, it might have been either the seat of justice for the hundred (for the name bury will admit of this construction), or an occasional retreat of some of the British princes residing at Verulamium, of whom Cassivelanus was one,” and by some writers it is stated to have been “the actual seat or home of Cassivelanus.” Under the Saxons the manor of Cassio was, it has been stated, among the numerous possessions of Offa with which he endowed the Abbey of St. Albans, and it remained attached to that abbey until the dissolution of the religious Back View. Of the house and its gardens, Evelyn, on the 16th April, 1680, thus wrote:—“On the earnest invitation of the Earl of Essex, I went with him to his house at Cassioberie in Hartfordshire. It was on Sunday, but going early from his house in the square of St. James’s, we arrived by ten o’clock; this we thought too late to go to church, and we had prayers in his chapell. The house is new, a plaine fabric built by my friend Mr. Hugh May. There are divers faire and good roomes, and excellent carving by Gibbons, especially the chimney-piece of ye library. There is in the porch or entrance a painting by Verrio, of ‘Apollo and the Liberal Arts.’ One room parquetted with yew which I lik’d well. Some of the chimney-mantles are of Irish marble, brought by my lord from Ireland, when he was Lord-Lieutenant, and not much inferior to Italian. The tympanum or gable at the front is a basso-relievo of Diana hunting, cut in Portland stone handsomely enough. I did not approve of the middle dores being round, but when the Hall is finished as design’d, it being an oval with a cupola, together with the other wing, it will be a very noble palace. The library is large, and very nobly finished, and all the books are richly bound and gilded; but there are no MSS. except the parliament rolls and journals, the transcribing and binding of which cost him, as he assured me, £500. No By the second Earl of Essex the gardens were altered and improved; and it is said that those of the old mansion of the Morrisons which had not been reconstructed by the first earl, were restored or rebuilt by him. With the exception of these alterations and a few other occasional repairs, the house remained as it was left by the first Earl of Essex, until the beginning of the nineteenth century, when the greater part was again rebuilt by the late earl, from the designs of James Wyatt. We now proceed to speak of the families of Morrison and Capel, to whom Cassiobury has successively belonged. William Morrison, or Morysine, in the reign of Henry VI. resided at Chardwell, Yorkshire, and it was his grandson, Thomas Morrison, of Chardwell, son of William Morrison by a daughter of Roger Leigh, of Preston, who removed into Hertfordshire. He married a daughter of Thomas Merry, of Hatfield, by whom he had a son, Sir Richard Morrison, who, in 1537, succeeded Cardinal Pole in the prebend of Yatsminster-Seconda in Salisbury Cathedral. In 1539 he was appointed by Henry VIII. ambassador to Charles V., Emperor of Germany, in which he was accompanied by Roger Ascham, and, in 1546, had a grant of the manor of Cashiobury, and soon after commenced building there a mansion of considerable size. Besides Cashiobury he had grants, and acquired much property, in London, Wiltshire, Hampshire, and Somersetshire. Under Queen Mary and her persecutions From the Wood Walks. The noble family of Capel to whom Cassiobury, as has been stated, passed by marriage with the heiress of Morrison, and to whom it still belongs, is of considerable antiquity, and few families have been enriched by so many scions of brilliant intellect. The family appears to have been originally of Capel’s Moan, hear Stoke Neyland, in Suffolk, and here, in 1261, resided Sir Richard de Capel, Lord Justice of Ireland: in 1368, Lionel, Duke of Clarence, son of Edward III., left by will “to John de Capell, my chaplain, a girdle of gold, to make a chalice in memory of my soul.” Later on another John Capel, who died in 1441, left, by his wife, Joan, besides a son, John, a second son, William Capel, who was a draper and citizen of London, “and successively alderman, sheriff, representative of the city in Parliament, and lord mayor, and had the honour of knighthood conferred on him by Henry VII.” He was twice lord mayor, and several times M.P. of the city. He died in 1515, and “was buried in a chapel founded by himself on the south side of the church of St. Bartholomew, near the Royal Exchange, London.” He also gave his name to Capel Court. He married Margaret, daughter of Sir Thomas Arundell, of Lanhorne, by whom, besides two daughters, he had a son, Sir Giles Capel, Knight, who succeeded him, and married, first, Mary, daughter of Richard Roos, son of Lord Roos, and, secondly, Isabel, daughter of Sir Thomas Newton, by whom he had issue a daughter, and two sons, Sir Henry and Sir Edward. Sir Henry Capel married Anne, daughter of Lord Roos, and granddaughter of the Duchess of Exeter, sister to King Edward IV.: he died without surviving issue, and was succeeded by his brother, Sir Edward Capel, whose wife was Anne, daughter of Sir William Pelham, ancestor of the Dukes of Newcastle; he, dying in 1577, was succeeded by his eldest son. Sir Henry Capel, Knight, who, by his second wife, Catherine, daughter of Thomas, Earl of Rutland, had, besides Arthur Capel was born about the year 1614, and, both his parents dying when he was young, he was brought up by his grandfather, Sir Arthur. He espoused the royal cause in the troublous times of Charles I., and became one of his most valued and zealous adherents. He was rewarded with a peerage, being created Baron Capel of Hadham, the king in desiring this reward having written to the Queen, “there is one that doth not yet pretend, that deserves as well as any; I mean Capel; therefore I desire thy assistance to find out something for him before he ask.” After taking an active part in support and defence of the king, Lord Capel was imprisoned in the Tower, and on the 9th of March, 1649, he was beheaded before the great gate of Westminster Hall. “His body was buried at Little Hadham, with an inscription stating him to have been murdered for his loyalty to King Charles I.; and his heart, according to a wish he had expressed to Bishop Morley, was enclosed in a silver cup and cover, to be eventually buried at the feet of the master whom he had so zealously served. But no funeral rites being performed to the memory of Charles I., the cup was kept in a press at Hadham, where it was discovered in 1703, and its contents placed in the family vault.” It was this Lord Capel who, before his elevation to the peerage, had married Elizabeth Morrison, and so acquired Cassiobury and the rest of the large possessions of the Morrison family. The issue of this marriage was four sons and four daughters, viz., Arthur, who succeeded his father; Sir Henry Capel, created Baron Capel of Tewkesbury; Charles and Edward, who died unmarried; Mary, married, first, to Lord Beauchamp, and, secondly, to Henry, Duke of Beaufort; Elizabeth, married to the Earl of Carnarvon; Theodosia, wife of the Earl of Clarendon; and Anne, of John Strangeways. Arthur, second Baron Capel, was, in 1601, created Viscount Maiden and Earl of Essex, and in 1670 was appointed ambassador to the court of Denmark. He it was who, as has already been stated, rebuilt Cassiobury, and formed its beautiful gardens. In 1683 his lordship was apprehended at Cassiobury on a charge of being concerned in the famous “Rye House Plot,” and was committed to the Tower, where he was, as is believed, foully murdered, or at all events, where he was found dead with his throat cut. The From the South West. Algernon, second Earl of Essex, was Gentleman of the Bed-chamber to King William III., and held important offices under Queen Anne. He married Mary, daughter of the Earl of Portland, by whom he had issue two daughters and one son, William Capel, who succeeded him as third Earl of Essex. This Earl married twice, and had, by his first wife, Jane, daughter of the Earl of Clarendon, four daughters; and by his second wife, Elizabeth, daughter of the Duke of Bedford, four daughters, and one son, by whom he was succeeded. This was— William Anne Holles Capel, fourth Earl of Essex, one of the Lords of the Bed-chamber to George II. and George III., and Lord-Lieutenant of Hertfordshire. He married Frances, daughter of Sir Charles Hanbury Williams, Bart., by whom he acquired the estate of Hampton Court, Herefordshire, which was afterwards sold to Richard Arkwright, Esq., of Cromford, Derbyshire, Arthur Algernon Capel, sixth Earl of Essex and Viscount Malden, and seventh Baron Capel of Hadham, was born January 28th, 1803. In 1825 he married the Lady Caroline Jeanetta Beauclerk, third daughter of the eighth Duke of St. Albans, and by her, who died in 1862, had issue: Arthur De Vere Capel, Viscount Malden, born 1826 (heir to the title and estate, who married, in 1853, Emma Martha, daughter of Sir Henry Meux, Bart., and has issue), the Hon. Adela Caroline Harriet Capel, now deceased, married to the Earl of Eglintoun; the Hon. Reginald Algernon Capel, married to Mary, daughter of John Nicholas Fazkerly, Esq., and niece of the Earl of Rokeby; and the Hon. Randolph Capel. In 1863, his lordship married, secondly, the Lady Louisa Caroline Elizabeth Boyle, daughter of Viscountess Dungarvon, and sister to the Earl of Cork, and by her has issue living, the Hon. Arthur Algernon Capel, born 1864, and the Hon. Beatrice Mary, born 1870. His lordship is patron of the livings of Watford, in Hertfordshire, Rayne, in Essex, and Shuttington, in Warwickshire. The arms of the Earl of Essex are—Gules, a lion rampant between three cross-crosslets fitchÉe, or; crest, a demi-lion rampant supporting a cross-crosslet fitchÉe, or; supporters, two lions, or, ducally crowned, gules; motto, “Fide et Fortitudine.” The park of Cassiobury embraces an area of nearly seven hundred acres, of which more than three hundred and fifty are called “the Home Park, The Swiss Cottage. The present mansion was built from the designs of Mr. James Wyatt, at that time the fashionable architect of Fonthill Abbey, of parts of Windsor Castle, and other places: it is of that peculiar style of Gothic architecture which characterizes most buildings erected by him. The general plan is a square; the building surrounding a court-yard or quadrangle, with a cloister The Lodge. Branching off from the cloisters is the Saloon, placed between the dining and drawing-rooms. “Its ceiling is adorned with the painting Evelyn mentions as belonging to the hall of the old mansion, and to have been the work of Verrio, the subject being composed chiefly of allegorical figures—Painting, Sculpture, Music, and War. In this apartment are two cabinets, containing numerous miniatures painted by the Countess of Essex,” and many family and other portraits. In the Dining-Room, which is a noble apartment, with wainscoted walls, also hang several remarkably fine family and other portraits, by Vandyke, Hoppner, and other painters; and several fine pictures,—notably, “The Cat’s Paw,” by Landseer, and “The Highlander’s Home,” by Wilkie. The Grand Drawing-Room, which is filled with all the elegancies and luxuries of the most refined taste, and with the choicest cabinets, is adorned with paintings by Turner, Callcott, Collins, and others. These are of the highest order—rare and beautiful examples of the great English masters in art. Adjoining the drawing-room is the conservatory cloister, which is entered both from it and from the library. The Library, which occupies four rooms,—respectively known as the Great Library, the Inner Library, the Dramatists’ Library, and the Small Library,—is remarkably extensive; and contains, as such a library ought, a rare collection of valuable books in every class of literature. In these various rooms is preserved a fine collection of family paintings; and here, too, will be seen some of Grinling Gibbon’s matchless carvings, which are noticed by Evelyn as being there in his day. Among the historical relics preserved in the Library is the handkerchief which Lord Coningsby applied to the shoulder of King William III., when that monarch was wounded, in 1690, at the battle of the Boyne. It is stained with the blood of the king. There is also here a piece of the velvet pall of Charles I., taken from the tomb at Windsor, when it was opened in 1813, with a fragment of the Garter worn by the king at his execution. Like these, the other apartments at Cassiobury are filled with choice paintings and with everything that good taste and a lavish hand can suggest. The family portraits are, as might be expected, numerous, and of the highest order of art, several are by Vandyke, Cornelius Jansen, Sir Peter Lely, Sir Joshua Reynolds, and other famous artists. Throughout the rooms are scattered admirable works by Rembrandt, Cuyp, Teniers, &c., &c. We have made but brief reference to the gardens and grounds, and scarcely noticed the spacious and very beautiful Park. They are charms that neither lofty descent nor large wealth could purchase—the bequests only of Time. Centuries have passed since some of these magnificent trees were planted. The house is best seen from one of the high steeps on the opposite side of the river that runs through the demesne; lines of venerable chestnuts border a greensward that extends miles. Here and there glimpses are caught of the mansion, made by distance In the Church at Watford. The family burial-place of the Morrison and Capel families of Cassiobury is at Watford, where a fine monumental chapel exists in the parish church. This chapel “contains sepulchral memorials to the Morrison and Capel families, from that of Lady Morrison, wife of Sir Richard Morrison, who directed the chapel to be built in 1595.” In the centre is an altar-tomb, On the south side “is a large and gorgeous monument to Sir Charles Morrison the elder, whose effigy, in armour, in a reclining posture, is placed under the canopy.” On either side of the tomb, in kneeling positions upon pedestals, are figures of the son and daughter of Sir Charles Morrison, and Bridget Morrison, Countess of Sussex. This work was executed by Nicholas Stone, in 1619, who agreed with Sir Charles to make “a tomb of alabaster and touchstone,” and whose entry in his note-book as to price is very curious. He says he made it with “one pictor of white marble for his father, and his own, and his sister, the Countess of Sesex, as great as the life, of alabaster, for the which I had well payed £260, and four pieces given to drinke.” On the opposite side of the chapel is another large monument to the second Sir Charles Morrison, designed and executed by the same “carver and tomb-maker,” as he is termed in the contract, and for which he agreed with the widow to receive £400. There are also several other interesting monuments and monumental slabs; the chapel is hung with banners and hatchments. At this time, the church is undergoing thorough repair and restoration. |