In 1724, when Voltaire was thirty years old and in Paris, Theriot had introduced to him Desfontaines, then a journalist, and an ex-abbÉ. Their acquaintance was of the slightest. It had lasted only a few weeks when Desfontaines was accused of an abominable crime (then punished by burning), arrested, and cast into the BicÊtre. The impulsive Voltaire must needs get up off a sick bed, travel to Fontainebleau, and throw himself at the feet of the influential Madame de Prie and obtain Desfontaines’s discharge—on the sole condition that he should not live in Paris. Not content with this good office, he obtained from his friend Madame de BerniÈres the permission for Desfontaines to reside on her estates. Finally, he procured the revocation of the edict of banishment. Desfontaines could live in Paris and pursue his calling as before. All this for a man he hardly knew, who was an ex-priest, and a very bad writer, if not a very bad man. It was generous, unnecessary and imprudent. In brief, it was Voltaire. He might have expected gratitude. He did expect it. Desfontaines wrote him a letter of warm thanks. Eleven years later he was scoffing in a weekly Parisian paper at Newtonianism, as revealed to the French in Voltaire’s “English Letters.” Then he must translate the “Essay on Epic Poetry,” which Voltaire had written in English, into French, very badly, so that the tireless author felt the necessity of re-translating it himself. Then, forsooth, M. l’AbbÉ must damn with faint praise “Charles XII.” and the “Henriade.” Even a sensitive Voltaire could only laugh at bites from such a miserable gnat. “I am sorry I saved him,” he wrote lightly When Algarotti was at Cirey in the November of 1735, Voltaire had addressed to him a few gay and graceful lines, meant only for his own eye, and in which the real nature of the relationship between the poet and Madame du ChÂtelet was plainly acknowledged. The verses fell into the hands of Desfontaines. He wrote to ask permission to publish them in his journal. Publish them! If all the world knew that Voltaire was Émilie’s lover, all the world had at least the decency of feeling to pretend that it knew nothing of the kind. Publish them! Voltaire, Émilie—nay, the dull bonhomme himself—protested passionately. Publish them! Not for a kingdom! But they were published. And Voltaire woke to revenge. He would have been a worse man than he was if every bitter feeling in his soul had not been stirred now. He was always acutely sensitive to any slight put on his mistress’s name, honour, intellect—on anything that belonged to her. If he was a good fighter when he was roused on his own account, It begins by a collection of all the slips, mistakes, misstatements, printers’ errors and illiteracies which he was able to find in two hundred numbers of Desfontaines’s weekly paper which was called “Observations on New Books.” They were grouped together with all a Voltaire’s ability—never a point missed, and so arranged as to make M. l’AbbÉ supremely ridiculous. The “PrÉservatif” purported to be by a Chevalier de Mouhy, a real person. At the end, the Chevalier presents to the public a letter he has received from M. de Voltaire giving the whole history of the Desfontaines affair in 1724—only not mentioning the nature of the crime of which the abbÉ had been accused. The “PrÉservatif” ran through Paris at the end of 1738 as such a pamphlet would. With it, there ran a deadly epigram, and then a caricature, with another epigram beneath. Neither epigrams nor caricature would be tolerated by a decent age. They were all from the pen of M. de Voltaire. They told the nature of the abbe’s crime. They were a shameful weapon, shamefully used: and most deadly. Voltaire gave Madame de Graffigny the “PrÉservatif” to read. To mention the name of Desfontaines to him had soon the same effect as a red flag on a bull. He was beside himself when he thought of the man’s base treachery and ingratitude. He was beside himself when he wrote the epigrams and drew the caricature. It is their only excuse. They need one. He also wrote against Desfontaines, anonymously, a little comedy called “L’Envieux”: but it was never played. On that Christmas Day of 1738, Madame du ChÂtelet received a document by the post. She read it alone and said nothing about it to Voltaire. Whatever else she was, she was a woman of very strong sense and very just judgment. The document she had received was the “Voltairomanie” by Desfontaines—the retort to the “PrÉservatif”—the blasphemous shriek of a lunatic—“the howl of a mad dog.” She herself wrote a reply to it—still preserved. Voltaire must not see it! His health was wretched as ever. He had just had an The “Voltairomanie” is too savage to be sane. It brought that old accusation against Voltaire—a lack of personal courage. It recalled the affair of the Bridge of SÈvres and the affair of Rohan in terms which practice had made perfect in falsehood and offensiveness. It declared Voltaire liar as well as coward. In the “PrÉservatif” he had said that Theriot had shown him a libel Desfontaines had written against his benefactor, while Desfontaines was staying with the BerniÈres at RiviÈre Bourdet and only just released, by that benefactor’s efforts, from BicÊtre. “And behold!” says Desfontaines in the “Voltairomanie,” “M. Theriot has been obliged to deny all knowledge of the affair.” Cirey at first was pretty calm, even under the matchless audacity of this last statement. Theriot had been staying at Cirey last October and had told with his own lips that very story just as Voltaire had told it in the “PrÉservatif.” Voltaire did not take the matter so much to heart as Madame du ChÂtelet had feared. He decided at once to treat Desfontaines’s attack as a criminal libel, and to take legal proceedings against him. He had witnesses as to the truth of his story. Madame de BerniÈres herself was one of them and prepared to write the most violent letters on behalf of a friend. And Theriot—Theriot whom Voltaire had made, loved, and trusted—why, Theriot had nothing to do but tell his tale as he had told it in letters to Voltaire and over the Cirey supper-table last autumn. And Theriot never uttered a word. How hardly and slowly the conviction of his treachery took possession of Vol And Voltaire wrote pleading, persuading, imploring: counselling repentance, eager to forgive: as a woman might have written to a scapegrace son whose sin she knows, whose reformation she hopes, and whom she must needs love for ever. “Will you not have the courage to avow publicly what you have written to me so many times?... My honour, your honour, the public interest demand ... that you should own that this miserable Desfontaines did write an abominable libel called the “Apology of Sieur Voltaire” and had it printed at Rouen, and that you showed it me at RiviÈre Bourdet.” “I am your friend of twenty years.... Will it be to your honour to have renounced me and the truth for a Desfontaines?” “Once again, do not listen to anyone who will counsel you to drink your champagne gaily and forget all else. Drink, but fulfil the sacred duties of friendship.” “Make reparation, there is still time.” “Everybody helps me but you. Everyone has done his duty, save you only.” And at last, “All is forgotten, if you know how to love.” There are many such letters of the early days of this year 1739—generous and pathetic enough. It was certainly Voltaire’s interest to make Theriot speak the truth. But it may be believed that it was Voltaire’s heart that was hurt by his silence. Émilie wrote to the false friend, imploring: so did the easy-going Marquis, and the fat lady watered her letter with her tears. The affair would not have been Voltaire’s if he had left a single stone unturned. Madame du ChÂtelet wrote for him to obtain the influence of his prince—Frederick of And now Voltaire, having won his Theriot, must move heaven and earth that in all points his libel suit may be carried to a successful issue. It was the custom of that day for as many of the complainant’s friends as possible to appear before the magistrate when the suit was brought—just to see how they could influence impartial justice. “Nothing produces so great an effect on a judge’s mind,” the plaintiff in the present case wrote off plainly to Moussinot, “as the attendance of a large number of relatives.... Justice is like the kingdom of Heaven. The violent take it by force.” Voltaire had, then, not a friendly acquaintance in Paris who was not to be roused to help him. It was judged best that he himself should remain at Cirey. So Moussinot became his agent, and a very active agent he had to be. He was to hire carriages for the friends. He was to pay their expenses. All other business was to go to the winds. He was to search out nephew Mignot—Madame Denis’s brother—so that he might be useful in stirring up his relatives. He was conjured to pursue the affair “avec la derniÈre vivacitÉ.” “No ifs, no buts: nothing is difficult to friendship,” the energetic Voltaire wrote cheer The vigour of the man seems to have worn out at last even the malice of his enemies. Desfontaines was told that he must disavow his “Voltairomanie”—or go to prison. So the honourable magistrate drew out a formula in which the honourable Desfontaines repudiated with horror, and in sufficiently servile terms, all idea of his being the author of that blasphemy and expressed “sentiments of esteem” for M. de Voltaire! The whole case may be said to have rained lies. Everybody lied. Desfontaines’s final lie was “done in Paris, this 4th of April, 1739.” Moussinot was commissioned to give Madame de Champbonin two hundred francs—which, to be sure, she deserved—and one hundred to the needy and complaisant Mouhy, who had been dubbed the author of the “PrÉservatif,” “telling him you have no more.” The buffeting of that storm left Voltaire panting, feeble, and exhausted. “There are some men by whom it is glorious to be hated,” was an axiom of his own. Desfontaines was certainly one of them. But Desfontaines’s hatred had power to the end of his life to rouse him to a frenzy of indignation. “Take On May 8, 1739, the two du ChÂtelets, Koenig (Madame’s mathematical professor—a very good mathematician and a very dull man), M. de Voltaire and suite left Cirey for Brussels. Voltaire had been at Cirey nearly five years. He had learnt to love its solitude, its calm, its facilities for hard work. He had learnt to dread towns if he had not learnt to love Nature. But Émilie wanted a change, so was quite sure that a journey and a different air were the very things for her lover’s deplorable health. The process of reasoning is not unusual. Was there not too a certain du ChÂtelet lawsuit, of which they were always talking, which was already eighty years old and could only be settled in Brussels? So to Brussels they went. Voltaire had to be dragged away from a tragedy, from “Louis XIV.,” from elaborate corrections which he was making to the “Henriade,” and from the study of Demosthenes and Euclid. Madame had an iron constitution herself, and could be at a dance all night and up at six the next morning studying mathematics—for fear Koenig should find her a dunce. En route for Brussels, they stopped at Valenciennes, where they were entertained with a ball, a ballet, and a comedy. They had no sooner reached their quiet house in the Rue de la Grosse Tour, Brussels, than they left it to visit some du ChÂtelet relations, at Beringen, ten miles distant, and at Hain. They were back in Brussels by June 17th. The city put herself en fÊte for them. J. B. Rousseau, who lived there, was “no more spoken of than if he were dead.” Anyone with a human nature must have been pleased at that. Voltaire exerted himself and had a beautiful garden-party with fireworks one of those fine days to the Duc d’Aremberg and all the other polite society in Brussels. Of course he must needs superintend the firework preparations himself. Two of his unfortunate workmen fell from the scaffolding on to him, Then the Duc d’Aremberg invited his entertainers to stay with him at Enghien. The gardens were so exquisite that they almost reconciled even a Voltaire and a Marquise du ChÂtelet to a house where there was not a single book except those they had brought themselves. They played brelan: they played comedy: and the author of the “Century of Louis XIV.” listened to the Duke’s anecdotes of the days when he had served under Prince Eugene. They were back in Brussels by July 18th. Useful Moussinot was there too. On September 4, 1739, and after an absence from it of more than three years, Voltaire found himself again in Paris. If he had not wished to move to Brussels, he had much less wished to move to Paris. But “the divine Émilie found it necessary for her to start for Paris, et me voilÀ.” That was the situation. They were both immediately engulfed in a social whirlpool—suppers, operas and theatres, endless visitors and calls—“not an instant to oneself, neither time to write, to think, or to sleep.” Voltaire wrote rather sorrowfully of the dreadful ennui of these perpetual amusements to placid old Champbonin, at Cirey. As for Madame du ChÂtelet— her lover had written of her to Sade in 1733, in perhaps the most apt and descriptive couplet ever made. She was enjoying the pompons now. Paris was en fÊte for the marriage of Louis XV.’s eldest daughter to a prince of Spain. Madame was as energetic in her amusements as she was energetic in acquiring knowledge. She gratified her tastes for dress, talk, and gaiety and her taste for mathematics all together. Koenig had come to Paris with them. Poor Voltaire wrote of her, not a little dolorously and enviously, “Madame du ChÂtelet is quite different; she can always think—has always power over her mind.” But to compose plays in this tumult!—it was impossible to the man at this time at any rate. His health was really as wretched as Madame said. It is not a little |