|
3-½ yards No. 10 Duck, 30 inches wide, 27 cents | $0.95 |
3-½ yards No. 10 Duck, 40 inches wide, 36 cents | 1.26 |
1-½ pounds 1-inch Copper Nails, 30 cents | .45 |
2 pounds ?-inch Copper Tacks, 35 cents | .70 |
2 dozen ¾-inch Brass Screws (Flat Heads), 7 cents | .14 |
6 dozen ?-inch Brass Screws (Flat Heads), 6 cents | .36 |
3 dozen ?-inch Brass Screws (Round Heads), 6 cents | .18 |
½ gallon Boiled Linseed-oil | .25 |
½ gallon Best Quality Mixed Paint | .75 |
15 Lattice-strips, 12 feet long | .90 |
1 Piece of 2-inch by 8-inch Plank 6 feet long | .20 |
Miscellaneous Strips and Pieces (see page 202) | .50 |
—— | |
Total cost | $6.64 |
Having procured the necessary material for the canoe, the first things to make are
The Bow and Stern Pieces (see Fig. 200).—The proper way of laying these out on the eight-inch plank is shown in Fig. 201. First cut the plank in half, and then place these two pieces side by side upon the floor or work-bench as shown in the drawing one piece upon which to draw the pattern, and the other upon which to locate the centre for drawing the curves. Then square the line AB across the planks, and locate the points D and E on either side of it, by means of the measurements given upon the drawing. The most satisfactory scheme for
Drawing the Curves is with a piece of cord, to one end of which a pencil has been tied (see Fig. 201). With this as your compass, hold the end of the cord at D for a centre, and with a radius of ten and one-quarter inches strike an arc cutting the line AB as at C. C is now the required centre for drawing the curves. Drive a small nail into the plank at C, and wind the end of the compass cord around it until the correct length of radius is obtained (see drawing). Describe the arc DE with a radius equal to CD, or ten and one-quarter inches.
Then with a ruler lay off along the line AB the distances for the other arcs, as shown in the drawing. FG will be two inches from DE, HI an inch and one-half from FG, and JK an inch and one-quarter from HI. Having located these points and described the arcs, draw the lines CD and CE, extending them so as to cut off the arcs, as in the drawing. At the upper end of the pattern draw the line LM one inch from and parallel to FD. With a radius of an inch and three-quarters and the centre N describe an arc as shown
With the bow and stern pieces completed, the most difficult part of your work has been accomplished.
Now pick out the eight-foot strip procured for
The Keelson.—Square off the ends so that it is exactly eight feet long, and then, commencing six inches from
In order to give the correct shape to the canoe in putting the framework together, it will be necessary to make
A Mould similar to Fig. 204. Fasten together two boards about two feet long with battens, as shown in the drawing, and with a piece of cord to which a pencil has been attached describe a semicircle upon it, using a radius of eleven and one-half inches. Saw out the mould carefully, and in the centre of the bottom cut a mortise two inches by one-half for the keelson to fit in.
Everything should now be in readiness
To put the Framework together.—In order to give the keelson the proper slope of one inch between its centre and ends, nail two blocks of wood one inch thick to the work-bench eight feet apart, and rest the ends of the keelson upon them. Then fasten the ends of the keelson
The Gunwales, and after locating the exact centre of each, screw them at this point to the ends of the mould just below the top. Drive these screws but part way in, as the mould is to be removed later on. Commencing at the bow end of the canoe, draw the end of one gunwale to the bow piece, and, after marking it the correct length cut it off so it will fit nicely in the rabbet cut in the side of the bow piece. Then screw the other end to the stern piece, after which attach the gunwale on the opposite side in the same way (see Figs. 200, 205, and 206).
Now take the barrel-hoops which are to be used for ribs, and fasten them in the mortises cut for them in the keelson, bending their ends until they come inside of the gunwales. Then fasten them to the gunwales and trim their ends so as to be even with the top of the canoe (see Figs. 205 and 206).
After fastening the ribs in place,
The Ribbands should be put on. Pick out eight of the soundest lattice-strips you have, and fasten these at their centre to the sides of the mould, placing four on each side of the keelson and spacing them at equal distances. As the mould is only temporary, do not fasten the ribbands to it securely, but drive in the nails part way.
Then, beginning at the bow, draw the ends of the ribbands to the bow piece one at a time, and cut them off so they will fit neatly into the rabbet. Screw them in place, being careful to space them as equally as possible, after which attach the stern ends in the same way. Figure 205 shows the top view of the canoe at this stage of its construction.
The Deck Beams should now be made and put in place, one each side of the cockpit, or fourteen inches from the centre of the canoe (see Fig. 207). At this point measure the exact distance between the gunwales, and lay it off upon a four-inch board (see Fig. 208). The top of this piece should be curved as shown in the drawing, and a mortise two inches wide by five-eighths of an inch deep should be cut in the edge for the deck ridge pieces to fit in. As a means of preventing the gunwales from spreading, it is best to
The Ridge Pieces are strips running from the deck beams to the bow and stern pieces (see Figs. 206 and 207). For this canoe, they should be made out of a strip two inches wide by five-eighths of an inch thick. Cut them of correct length to reach from the mortises in the tops of the deck beams to the mortises cut in the tops of the bow and stern pieces. Mortises two inches wide and a quarter inch deep should be cut along the top of these ridges, as shown in Fig. 211, to receive the deck braces. Securely screw the ridges in place. Then cut twelve pieces of barrel-hoops for
The Deck Braces, and fit them in the mortises made in the ridge pieces. Screw these in place and bend their ends until they can be fastened to the inside face of the gunwales. The curve of these braces should be the same as that of the deck beams, so it will be possible to put on the deck canvas neatly (see Figs. 206 and 207).
The space between the deck beams is left for
The Cockpit, the frame for which we are now ready to prepare. First remove the mould, being careful that the framework does not spread in doing so. Then cut two two-inch strips to fit between the deck beams, and fasten one on each side of the cockpit two inches from the gunwale (see Fig. 207). When this has been done take the strip eight feet long, four inches wide, and one-quarter inch thick, procured for the cockpit frame, and bend it around the opening, fastening it to the sides of the deck beams and the side strips. The top edge of the frame should now be shaved off with a draw-knife, so that it will be on a line with the deck braces at every point (see Fig. 206). This is necessary in order to make the curve of the deck around the cockpit the same as elsewhere.
The framework of the canoe is now completed, and should be painted and left to dry before you go on with the rest of the work.
It is no easy matter to stretch
The Canvas Covering over the framework without having it wrinkle, but with the help of a boy friend it can be stretched fairly even, and with care and patience may be made to look neat.
Turn the framework bottom side up and, after finding the centre of the forty-inch strip of canvas, lay it along the keelson from bow to stern. Smooth it over the surface with your hands, and start a few tacks along the
It is most difficult to make a neat job at the bow and stern, and a few wrinkles will probably remain, no matter how much pains are taken in fitting the canvas, on account of the narrowing of the canoe at these points. Fill the outer mortise made in the bow and stern pieces with paint, and, after folding the edges of the canvas, tack it in these mortises. Place the tacks as close as their heads will permit, which, together with the paint, will make a joint that water cannot penetrate. Now examine the canoe carefully, and, if you have smoothed out the wrinkles as much as possible, drive
The Deck is much easier to cover. Spread the piece of thirty-inch canvas over it from bow to stern, with the centre of the canvas running along the centre of the deck, and place a tack in it at the bow and another at the stern. Stretch the canvas in the same manner as when covering the bottom of the framework, and lap it over the gunwales, tacking it along the outer edge. Cut through the canvas at the cockpit, and trim it off so there will be just enough to lap around the cockpit frame. Trim the canvas along the gunwales so that it does not project more than an inch.
After the deck has been covered, the canoe is ready for
Painting.—A coat of linseed-oil should first be applied to the canvas, to fill the pores and make a good foundation for the paint. Then allow the canvas to dry thoroughly, after which give it a coat of paint,—cream, or whatever color you have selected. When this has dried, rub it down with
All that now remains to complete the canoe is the attachment of the cockpit coaming, the keel, bilge-keels, and the outside gunwales. Take the strip eight feet long, four inches wide, and one-quarter inch thick, which you procured for
The Cockpit Coaming, bend it around the frame of the
For a small canoe built for paddling only, it is unnecessary to have anything more than a strip fastened to the bottom for
The Keel.—So cut a lattice-strip eight feet in length, and screw it along the bottom of the keelson (see Fig. 212).
The Bilge-keels are lattice-strips fastened along the sides of the canoe as a protection to the canvas, and should be attached directly over the ribbands. One of these on the centre ribband of each side will be sufficient (see Fig. 212).
For a finish to the upper edge of the canoe,
Outside Gunwales should be attached outside of the present ones. These will cover the joint between the canvas of the deck and the lower portion of the framework. All of these outside strips should be fastened in place with the
A Seat is desirable for the bottom of the canoe, for comfort as well as to prevent your feet from wearing out the canvas. This seat should be movable, so it may be taken out to drain the water from the bottom of the canoe, and may be made as shown in Fig. 213. Batten together two six-inch boards upon their under face and notch the two side edges to fit over the ribs of the framework (see Fig. 207).
In order to keep your canoe in good condition, do not allow it to remain in the water for any length of time when not using it, as the canvas would soon rot by doing so. After a spin, pull it out of the water, and turn it upside down to dry; then put it away under cover to remain until again wanted for use.
With the greatest of care a boy will puncture his canoe once in a while, so it is a good idea for him to know
How to mend Punctures.—There are several ways of doing this, but the best is by either sewing a piece of canvas over the puncture and then painting it with white lead, or daubing the canvas around the hole with varnish, and then laying a canvas patch over it and varnishing it.
The making of a well-shaped paddle is no easy matter
A Hand-made Single Paddle, such as can be bought for a dollar and a half. This is generally made of selected spruce, with a copper-tipped end, and is nicely finished. The length of the paddle will depend upon the size of the boy who is going to use it, but should be between four feet six inches and five feet.
It may be well to warn those who build canvas canoes about the ease with which they are overturned. As long as the boy remains seated he is perfectly safe, but the moment he attempts to change his position, he need not be surprised if he receives a ducking. Upsets are common in canoe-racing, and especially in a close finish, where one paddler after another overbalances himself in his efforts to beat out his companions. But these only add to the fun of such a race, and no harm is done if the canoeist prepares for them beforehand by putting on his bathing suit.
CHAPTER XVI
HOME-MADE TRAPS
Trapping and trap-making is, and probably always will be, a pastime which every boy enjoys. If he lives in the country or near the woods he is sure to grow fond of the wild creatures around him, and spend some time in following their tracks and watching their ways and habits. If he is a city boy he may not have these advantages, but is probably just as much interested in the study of birds and animals as his country cousin is, and when the opportunity presents itself will slip off to the nearest woods to spend the day with his little friends, and perhaps carry one or two back home to share city life with him.
When boys wish to trap animals for pets, or for eating while camping, or when they have become so numerous in a locality as to be a nuisance, it can be considered clean sport; but as soon as they begin to trap and kill them just for the fun of it, without deriving any good whatever from the act, they are guilty of a great cruelty.
The various forms and schemes for home-made traps that have been devised, and which are to be found in use
One of the oldest forms of traps, and one of which every boy should understand the construction, is
The Figure-four Trap.—It is about the simplest example, and its principle will be found in the schemes of a great many of the more complicated traps. For this the preparation of three sticks, such as are shown in Fig. 214, will be necessary. These sticks may be made
To set the trap, place the box upon the ground, cover down, and rest its upper edge upon the top of the figure-four, as shown in Fig. 216. When putting the figure-four together, it is necessary to hold the sticks until the box is set upon them, as the weight is required to hold them in position.
In Fig. 217 is shown an invention of the writer's, a simplified form of the much-used
Box Trap, having the principle of the figure-four involved in its trigger. This trap has proven exceptionally good for rabbits and squirrels.
A small box about the size of a cracker-or soap-box should be procured for the making of this trap. Remove one end, and, after nailing it to the cover boards, hinge the latter to the end of the box, as shown in the illustrations (Figs. 217 and 218). With no hinges at hand, the writer has found several nails driven through the
The trap is now ready to set, which is done by slipping the trigger into the slot at D and, after baiting it at C, catching the notch B on to the box at the top of the slot, at the same time fitting stick E into the notch at A (see cross section, Fig. 218). The weight of the cover will now hold the trigger in place until "bunny," or some one of his neighbors, attacks the inviting bait. Then the trigger will loosen its hold at B, and cause the cover to fall over the intruder. A few holes may be bored in the side of the box for ventilation, but these, as well as the slot in the back, should be protected with tin, to prevent your captive from gnawing the openings large enough to escape.
The Dead Fall is a trap commonly used for skunks, minks, muskrats, and coons, and probably cannot be excelled as a means of killing off destructive and annoying animals. Figure 220 shows a form of this trap which has been successfully employed.
First make a pen out of stakes driven well into the
Place a short log in front of the opening, and at both ends of this drive a stake against the outer face of the log, as shown in the drawing. Then procure a log of the same diameter, and about six feet long, and slip it between these stakes and the wigwam, so it falls upon the first log. Cut a forked stick about twelve inches long for the bait-stick, notching one end and tapering the other, as shown in Fig. 221, and cut another stick twenty-four inches long and flatten it at both ends.
To set the dead fall, raise an end of the upper log and slip one end of the flattened stick under it, resting it upon the top of the stake outside of the log. Place the bait-stick, point downward, inside of the pen upon a chip
The Sieve Trap.—This is a most simple form of trap, consisting of a sieve and a short stick with which to prop up one side of it. Fasten a long cord to the stick, and, after scattering grain beneath the sieve, carry the end of the cord to a place of concealment to await the appearance of some birds. As soon as these are attracted by the grain, and begin feeding under the sieve, pull the cord and they will be your prisoners.
The Coop Trap, shown in Fig. 222, can be used for trapping the larger variety of birds. This is well known
It may seem strange to the reader, but it is nevertheless a fact, that, after entering the coop, a bird will try to fly out of the top, and will remain there until starved to death, if not released, without attempting to escape by the way it entered.
A Rabbit Snare.—This can be used to the best advantage after the first snowfall, for the footprints of a rabbit are then easy to follow. Bunny can be counted
This noose is commonly attached to what is known as
A Twitch-up, or a sapling bent down and held as shown in Fig. 224. One of a number of schemes employed for holding the sapling in position is here shown. Select a spot a few feet from a sapling, and there make an enclosure about twelve inches in diameter. This should be made of twelve-inch sticks driven into the ground in a circle, leaving an opening of about six inches on one side. Drive a stake into the ground on both sides of the entrance, and cut a notch in the outer face of each about six inches above the ground (see Fig. 225). Find a twig somewhat similar to the one in Fig. 226, and, after slipping it into the notches and baiting the prong, fasten the noose and sapling to it. With the trap thus set, a slight pull on the bait dislodges the crosspiece, and the sapling springs up, jerking the animal into the air, and causing its death almost instantly.
Ranchers of the Western plains and mountains are continually experiencing severe losses from the attacks
Not long ago, a trapper was hired by a rancher in New Mexico to capture some Loboe wolves which had been making serious raids upon the cattle, and one of his experiences while working there was somewhat laughable, though probably not seen in that way by all the parties concerned. Using a dead calf for bait, the trapper dragged it to a selected spot, and there surrounded it by eight or ten traps, which he chained fast to stakes, and carefully hid from view. Setting out to visit the traps as usual, on the following morning, he mounted a knoll from which he could see the location of the bait, and there plainly made out that a number of his traps had been sprung and were occupied. But upon reaching
CHAPTER XVII
TOY GUNS, TARGETS, AND BOWS AND ARROWS
Some of the old war engines used in Europe before the introduction of gunpowder were most ingeniously contrived, and were wonderfully effective, considering that their projective force was obtained by means of springs and levers. It is hard to find many good examples, as authorities have badly confused them, but the writer has been fortunate in securing drawings of what he believes to be pure types of the most commonly used guns. These are reproduced on page 230, believing that the average boy will be interested to see the kind of weapons that were employed in warfare centuries ago. With a little study, the working of these guns will be clearly understood without further explanation than what is given upon the drawings. The catapult (Fig. 227) and the trebuchet (Fig. 228) were used for storming fortifications, and each hurled large stones. The trebuchet was a much later invented machine than the catapult, and, being built on a much larger scale, was more powerful. It is claimed that trebuchets were often built large enough to hurl carcasses of horses into an enemy's
Some ideas for the making of toy shot-guns and pistols, worked by springs and levers much the same as the ancient guns, will be appreciated by the boy who is denied the use of firearms. The schemes illustrated and described on the following pages will be found easy to carry out, and such as will furnish enjoyment for many a day in the woods or back-yard.
Figure 231 shows a new idea for
A Cross-bow.—The stock for this should be cut out of a tongued-and-grooved board, with the groove running
The cross-bow will shoot either pebbles or arrows, but the latter are the most satisfactory.
Shingle Arrows are very good, as they shoot straight, and are so quickly made as to be easily replaced by a fresh lot when lost or broken. Mark them out as shown in Fig. 234, with the head at the thick edge of the shingle and the tail at the thin edge, and cut them out with your
A Toy Pistol can also be made out of a tongued-and-grooved board. Some such shape as shown in Fig. 235 should first be drawn upon the board, with the groove extending along the top. Cut this out with your jack-knife, and make a mortise for the trigger. Cut the trigger similar to Fig. 236, fastening it in place with a brad driven through it at A. It will be noticed that the trigger is notched at both ends. These notches are for a rubber band, which should be stretched from the upper notch of the trigger, over the muzzle, and around to the lower notch, as shown in the drawing. The rubber band lies in the groove in the top of the pistol.
The Bullets for this pistol consist of pieces of cardboard cut into small squares. To load the pistol, slip one of the squares through the rubber band as shown in Fig. 237, so that it rests on top of the groove, as shown in Fig. 235. Upon pulling the trigger the bullet will shoot out of its position, and though naturally one might think the loop of the rubber band would catch
A Shot-gun can be made on the same scheme as the pistol, by cutting a stock the size of that used for the cross-bow (Fig. 231), and fastening several rubber bands together to extend around the added length.
An Elastic Sling made with a wire framework, as shown in Fig. 238, is an improvement over the one made out of a tree crotch, as it is not easily broken. About No. 12 wire, which is the thickness of eight-penny nails, should be bought for this. With a pair of pincers, bend it into the shape shown in the drawing, with loops at A and B. Wrap the handle with cord, and attach strong rubber bands to A and B, with a piece of shoe leather or kid glove set in between, at C.
A most satisfactory scheme for
A Boy's Target is shown in Fig. 239. It consists of a barrel-hoop, fastened by means of staples to a wooden
By preparing several sheets of paper, a fresh piece may be pasted over the hoop after one has been filled with holes. The earth will prevent the paper from splitting, and will be soft enough for the end of an arrow to stick into. Should the earth become too dry, it may be moistened each time a new paper is put in place.
A Simpler Target, and a scheme which will answer a boy's purpose, if he does not care to go to the trouble of making the hoop target, is shown in Fig. 240. A circular piece of cardboard, with five rings painted upon it, is tacked to the end of a broom-handle, and this is stuck into the ground.
Points are Scored in target shooting as follows: Bull's-eye
The Bow and Arrow is always popular with boys who are forbidden the use of guns. Authorities claim that the best materials from which to make bows are mulberry, sassafras, Southern cedar, black locust, black walnut, apple, and slippery elm, in the order named; but if a boy selects what appears to be a good sound piece of wood, with straight grain, he has something which will suit the purpose.
The Length of the Bow should be about the height of the person using it. Figure 241 shows a five-foot bow, with the other proportions such as are on makes to be found in the stores. Cut your piece of wood five feet long, and, after placing it in the bench-vise, shape it down with a draw-knife or plane until it is one inch wide by one-half inch thick at the handle and three-quarters of an inch wide by one-quarter inch thick at the ends. The bow can be made round on the inside or face toward the archer, and flat on the outside or face away from the archer, or the two faces may be made round. Cut a notch in the bow two inches from each end, as shown in the illustration, from which to attach
The Bow-string.—A cord with as little elasticity as possible should be used for this. If you care to spend the money for it, a good cotton string can be purchased from a dealer in archery goods for twenty-five cents. With a home-made bow-string, a loop should be made in one end and bound with thread, as shown in Fig. 242. Slip the loop over the upper notch, bend the bow until the centre of the string is about five inches away from the handle, and attach the loose end to the lower notch by means of a slip-knot similar to that shown in Fig. 243. The bow should be sand-papered until smooth, and thoroughly oiled with linseed-oil. A piece of velvet about three inches wide should be glued about the centre for a handle.
For a five-foot bow, cut
The Arrow-shafts twenty-four inches long and one-quarter inch thick. Whittle them out of straight-grained strips of wood, round them nicely, and cut a notch in the ends large enough to fit over the bow-strings.
It is not supposed that boys would care
To Prepare Arrow-heads of stone or bone as the Indians did, for there are other schemes that are simpler to carry out. If the wood is reasonably hard, the heads can be cut on the ends of the shaft, as shown in Fig. 244. For target practice, a wire nail driven into the end of the
Feathering is the next operation. Turkey or goose feathers are generally used, but the former is considered the better of the two. Strip off the broader side of the vane of three feathers, and glue them to the shaft one and one-quarter inches from the notch, spacing them equidistant from one another. One feather should be placed at right angles to the notch. This is known as the cock-feather, and should always point away from the bow when the arrow is shot.
A Quiver of some sort should be provided, large enough to carry a dozen or more arrows, and this should be three inches shorter than the arrows, so that their ends will project above the top. It may be made out of any thick cloth, as shown in Fig. 247. A circular piece of cardboard is placed in the bottom to which the cloth is sewed, and a piece of heavy wire, bent into a circle, fits in the top to keep the bag open. The quiver should hang on your right side, being suspended by means of a cloth strap long enough to pass over the left shoulder.
To Shoot with the bow, take the position shown in Fig. 248, with both feet flat upon the ground, and the heels in line with the target. Hold the handle of the bow in the left hand and place an arrow on the left side of the bow, slipping the bow-string into the notch and letting the head of the arrow rest upon your left hand. Catch the bow-string with the first three fingers of your right hand, so that the end of the arrow comes between the first and second fingers, and draw the string until the head of the arrow rests upon the left hand; then aim quickly and let go of the arrow. By always taking the same hold upon your bow and arrow, you will soon be able to know just where the arrow is going to strike.
The boy who has had the hobby of collecting Indian arrow-heads has no doubt often wondered how they were made, and also how the bows and arrows were prepared. The ways in which all uncivilized people do things is interesting, and especially when it is remembered that they had but raw materials with which to work and only such tools as they could make out of stone.
The Indian's Bow was made of different woods, and, though it varied in shape and size, was generally about forty inches in length, so as to be conveniently carried and handled on horseback. The bow-string consisted generally of a deer sinew or a strand of deer-skin rolled or twisted, and this was strung very tightly from a notch cut on one end of the bow to a notch on the opposite end. Now, while an Indian generally made the greater part of his weapons, there was always a warrior in the tribe who was skilled in the art of arrow-making, and, as the preparation required far more care than the bow, he was intrusted with this work. The arrow-shaft was made of various woods,
For the feathering of the shafts, wild turkey feathers were considered best and used when they could be had, and these were attached to the shaft with deer sinews.
A great variety of materials were used for arrow-heads, among which flint, obsidian, horn of deer, claws of eagles, and the spurs of wild turkey-cocks may be mentioned. Many of these are being picked up annually in the mountains and on the plains, which were once the battle-fields and hunting-grounds of the redmen, and in excavating for building purposes they are frequently found. A few specimens of stone heads showing a variety of the shapes and sizes used will be found in Fig. 249. The preparation of these heads was usually left to the old men who were unfit for any other work.
In making the flint head, the Indian made a loop in a piece of buckskin which had been thoroughly wet in cold water, and then taking a piece of flint, heated it, and with the strip of buckskin chipped off what was not wanted until the head was of the correct shape and size. As hornstone is more brittle than quartz, the heads made from that material were broken and shaped by striking them against the latter. The stone heads were attached to the shaft by means of sinews, generally from deer. For hunting small birds, the Indians often made wooden arrow-heads, hardening the wood by fire after shaping it.
CHAPTER XVIII
AN OUTDOOR GYMNASIUM
With a little work, and a small outlay of money chiefly for two-by-fours, and such boards as are specified in this chapter, a boy, or club of boys, can construct and set up all the necessary apparatus for an outdoor gymnasium. It is true a great many city back-yards are much too small to accommodate all of the apparatus; but there is generally a vacant lot in the neighborhood which you can obtain permission to use. Those of you boys who are fortunate enough to spend the summer months in the country have splendid opportunities for making a complete gym and should not miss the chance to fit one up.
A Horizontal Bar.—A well-made horizontal bar requires a firm standard which will not sway when swung upon. This is best attained by fastening at least one upright to the side of the barn, the fence, or some other stationary object. It is also very important to secure a strong bar free from knots and cracks. Curtain-poles are frequently used by boys, but at great risk, as there may be a dangerous knot lurking beneath the highly polished surface
A four-foot hickory or ash bar can be bought from a dealer in sporting goods for about a dollar and a half, but it will cost much less to have a bar turned to the right shape and size at a planing mill. The diameter of the pole should be an inch and one-half, and the ends should be two inches square (see Fig. 250).
For the uprights procure two two-by-sixes nine feet long. Mark off a square equal in size to the end of the bar, six inches from one end of each, and cut out the wood with an auger. With a chisel trim the holes square and large enough for the bar to slip through.
Sink the lower ends of the uprights twelve inches
It is well to have an old mattress beneath the horizontal bar as a guard against injury in case of a fall. This also makes a splendid
Tumbling Mat for practising rolls, hand-springs, and wrestling. If a mattress cannot be obtained, a few potato sacks stuffed with shavings or excelsior will answer the purpose.
The most satisfactory scheme for making a pair of
Parallel Bars is shown in Fig. 252. To acquire the necessary firmness without putting in bracing that would interfere with the performer, the base of the apparatus should be set underground, as indicated by the dotted lines in the illustration.
In height the parallel bars should be about four feet six inches, in length seven feet six inches, and in width twenty inches between the bars. This makes the uprights A, B, C, and D six feet long, allowing eighteen
When this has been done, cut four two-by-fours twenty-eight inches long. Then lay the uprights A and B on the ground twenty inches apart, and spike two of
The bars should be seven feet six inches in length, and cut out of Georgia pine two-by-fours. Figures 252
With the constructive work done, it is only necessary to bury the base to complete the apparatus. Excavate a trench eighteen inches deep, and level off the bottom. Then lower the framework and, after determining that the bars are level, fill in the earth, packing it well against the uprights and braces. Boards E and F should be laid across the top of G and I, and spiked in place.
The Punching-bag Platform, illustrated by Fig. 257, should be made thirty inches square and suspended from the shed or a wall.
Nail a thirty-inch piece of two-by-four to the wall, two feet above the height at which the platform is to be placed, as at A in the drawing, and nail another on a level with the top of the platform, as shown at B.
Fasten the platform boards together with battens, using nails long enough to clinch on top of the upper face, and nail the two boards C and D to the edges, mitring the edges as in the figure. Then lift the platform to the desired height, and fasten the ends of C and D to the ends of A. Also nail the bottom of the platform to the under side of B.
A swivel such as shown in Fig. 258 can be bought for forty or fifty cents, and one of these should be screwed to the bottom of the platform, from which to suspend the punching-bag.
A Pair of Jump Standards are made out of two two-by-fours about eight feet long. After planing them smooth on all sides, measure off two feet from one end of each, and mark off the remaining six feet in inches, as shown in Fig. 259.
After squaring these divisions across the poles with your try-square, bore holes three-eighths of an inch in diameter through the poles at each division. Then, with a small brush and black paint, mark off each foot with a band extending around the pole, each half foot with a
When both standards have been finished, bury them in the ground to a depth of thirteen inches, eight feet apart. Cut two wooden pegs similar to Fig. 261 to fit the holes, and procure a nine-foot pine or hickory pole one inch thick for a cross-bar (see Fig. 260). When the bar is placed upon the pegs, the distance from its top to the ground should correspond with the figure on the upright.
With a pair of these standards there is no danger of injury by tripping over the bar, as the latter will fall off with the slightest knock. There is one disadvantage in using a stick, however, it being easily broken if jumped upon. Because of this, a rope with a weight attached to each end, as shown in Fig. 262 is often substituted. The ends of the rope are hung over the pegs in such a way that it will slip off the pegs when struck. The weights should be just heavy enough to prevent the rope from sagging in the centre.
A Vaulting Pole should be made of a strong wood, free from knots and other defects. The regulation pole is made of selected spruce, its length varying from eight to fourteen feet. If you make your own pole, be careful to plane off all splinters and irregularities, making it round and smooth, and point one end so it will stick into the ground and prevent slipping.
Although seldom used in an outdoor gymnasium,
A Spring-board is excellent for practising the high and broad jumps, and is a piece of apparatus with which a great deal of fun may be had. Figure 263 shows a scheme for a spring-board that is easy to make. First cut three pieces of two-by-four two feet long, lay them on the ground parallel to each other eighteen inches apart, and construct a platform four feet long by two feet wide on top of them.
Cut another two-by-four two feet long, taper it as shown in Fig. 264, making it two inches thick on one edge and an inch and a quarter on the other, and nail it to one end of the platform. Secure a log two feet long (a cedar fence post will do very nicely), and fasten it across the centre of the platform parallel to the two-by-fours. The upper portion of the spring-board should be made of elastic boards, preferably ash. Construct a second platform six inches longer than the first, leaving about one-half inch between the boards, and battening the pieces together at A and B (see Fig. 263). Nail the battens securely in place, using nails of sufficient length to allow clinching on the under face of the battens. The clinching will prevent the boards from springing apart.
This platform should be fastened to the first, with the end which has not been battened secured to the two-by-four at C. The best method of fastening the ends of these boards is with bolts long enough to extend through the two platforms and project an inch or more below the bottom two-by-four (see illustration). Large washers should be placed under the heads of the bolts to prevent the latter from cutting through the boards.
The upper platform should not be nailed to the log, but merely held to it by straps passed diagonally around the outside boards and log, as shown in the illustration.
Set the spring-board upon the spot you wish to use it, and bank up the earth behind it until a gradual slope is made from the ground to the top.
If any difficulty is experienced in keeping the spring-board in place, it may be overcome by driving stakes into the ground around the sides of the lower platform.
After setting up your gymnasium apparatus, oil the bars of the horizontal bar and parallel bars with boiled linseed-oil, and paint all the rest of the wood to keep it in good condition.
Hurdles should be lightly constructed, so as to be easily knocked over should a hurdler trip upon them. They are made similar to carpenter horses, directions for the making of which are given in Chapter I. Their height will depend upon the skill of the hurdler.
If the field is large enough,
A Running Track can be made around it, by levelling
For Short Sprints the most common method of starting is upon all fours, as illustrated in Fig. 265. Make a depression in the ground for the toe of the rear foot to press against in starting off.
For Broad Jumping, a block of wood two feet long should be sunk into the ground, as a mark from which to leap.
It is a good plan to organize
An Athletic Club among the boys of the neighborhood with which to raise money necessary to buy the material for apparatus, and
Athletic Meets may be held among the members and with other clubs.
CHAPTER XIX
A BACK-YARD CIRCUS
Shortly after the founding of Rome, a large building was built within which to hold commemorations of Roman victories and anniversaries, with chariot races, bull-fights, gladiatorial contests, and athletic games; and from this building, which was called the "circus," this class of entertainment derived its name.
To keep up with the times, the circus has had to profit by every scientific discovery, adding continuously to its line of attractions, until now it is necessary for a show to produce a new, sensational, and hair-raising feat each season in order to keep in the favor of the public and compete with others in the field. The tight-rope walkers, bare-back riders, and trapeze performers were not long ago the main attractions of a circus, but these do not seem nearly as remarkable now when compared with such daring feats as looping-the-loop or looping-the-gap on a bicycle, riding down an incline on a single wheel, or diving from the peak of the tent into a small tank not more than six feet square, to be seen at the present day.
When a circus came to town, it seemed but natural for the boys of our neighborhood to club together and arrange a performance on a small scale, but as nearly like that of the professionals as possible. A back-yard was transformed into training quarters, and here we worked hard for several days before the show, imitating as best we could the stunts of the circus performers. Because one fellow could walk on his hands, and turn hand-springs, besides being the owner of a pair of tights, he naturally became the chief attraction; another had a pair of riding boots, so he was chosen ring master; a third made a bargain with his sister to cut him out a cheese-cloth costume, and was chosen to take the part of a clown,—and in this way each boy helped along the performance by contributing his best efforts.
The most successful shows were those in which a week or more was spent in rehearsing the performance and getting things in shape. Tickets and programmes were neatly printed by one of the members who owned a press, and the former were distributed among the boys and their friends to sell.
The first thing to do in preparing a yard for a circus, is to
Mark out a Ring in the centre, with a diameter as large as the yard will permit. This circle may be drawn on the same principle as that shown in Fig. 201, Chapter XV, using a rope at either end of which a stake has been attached. After describing the circle, secure
Good Circus Seats can be made out of boxes eighteen or twenty inches high, with planks laid across their tops.
To give the back-yard a real circus appearance, we always thought it necessary not only to have a ring but also a tent over it and the grandstand, so we gathered together all the old awnings, tents, and carriage covers we could scrape up, and fastening these together with pins or heavy thread made
A Large Tent.—A ten-foot pole was sunk into the ground in the centre of the ring, and ropes were run from the top of this to the fence, after which the tent was fastened to the ropes and propped with poles wherever any sagging occurred.
Bright colored cheese-cloth was used
In decorating the Tent, and for evening performances Japanese lanterns were hung about the yard.
A Ticket Office should be built at the entrance to the yard. This can be made out of two boxes, one set on top of the other, as shown in Fig. 266. Cut an opening fifteen inches square in the front for a window, round the top, and make a guard of wooden strips
A Turnstile should be made in front of the ticket office, so that all are obliged to pay their admission fee and pass through the turnstile before entering the tent (see Fig. 266; also illustration opposite page 268). The stile is made with two sticks about forty inches long fastened together at their centres, as shown in Fig. 267. This joint, known as
Halving, consists in cutting away one-half the thickness and the width of each piece so that the remaining portions fit together flush. After nailing the pieces together, bore a quarter-inch hole through the centre, and screw the crosspiece at this point to the top of a piece of two-by-four driven into the ground in front of the ticket office. The crosspiece should now revolve with the screw as an axis.
The turnstile should, of course, have a lock, and an arrangement similar to that shown in Fig. 266 answers the purpose. Cut a slot in the front of the lower box on a level with the top of the stile for the arms to run through (see illustration), and then prepare four blocks, such as A, B, C, and D in Fig. 268. Screw one end of B and C to the ends of A and fasten block D between the other ends of B and C, after which nail block A to
The Side Show should be placed in one corner of the yard. The cages can be made out of boxes with either slats or wire-mesh fastened over the front, and the top or side hinged in place for a door. The animal performers of the circus should occupy these cages before the show commences, and to make the menagerie as large as possible, a few cages may be filled with pets borrowed for the occasion. Several closed boxes should be placed alongside of the cages, and lettered "Lion," "Tiger," or the names of some such ferocious animals as these, and the public should be informed that for their safety the management thought it best not to place these specimens on exhibition.
Animated Animals generally have a place in every circus, and help out the clowns in their end of the performance. The animals are not difficult for handy boys to make, so several should be manufactured for your show. If you can get your mother or sister to do the necessary sewing, it would be well to secure her help.
The Elephant is one of the oldest forms of animated animals, and is at the same time one of the most popular. Four or five yards of gray cambric should be purchased for its covering.
The cloth should be cut out like the pattern shown in Fig. 270, the correct measurements being secured from two boys who have taken the position shown in Fig. 271. Fold the cloth along the centre and then sew the dotted lines AA and BB together. Paper cornucopiÆ
Two boys are required for the elephant. These must bend forward, as shown in Fig. 271. The rear boy places one hand upon the front boy's back and wags the tail with the other, while the front boy runs one hand through the elephant's trunk and keeps it in motion. Fasten potato sacks on to your legs to make them as large as possible.
The Giraffe is one of the rarest of animals, and very few are to be found in captivity. In fact, a large circus claims there is only one specimen in this country, outside of a herd in their possession. So if you make a giraffe, which is not difficult to do, you will have a feature in your show that none but the very largest combines can afford. The animal's head should be drawn the shape of Fig. 272 on a board, and then cut out with the aid of a saw and draw-knife. The jaw, ears, and horns should be cut out separately, the shape of Figs. 273, 274, and 275. Bore two holes in the head at A, slanting them toward one another, and fit in them the pegs cut for the horns. The jaw should be pivoted with a small nail at B on one side of the head, and an ear should be likewise fastened at C on each side of the head. When these portions of the giraffe's anatomy have been put in place, stretch a rubber band from a tack driven in the top of the jaw to another tack driven into the neck (see
Paint the head, making the features as nearly like those of a giraffe as possible, and, when the paint is dry, mount the head on the end of a six-foot pole.
The covering for the body is made out of a large piece of tan cloth with brown spots marked upon it, as shown in Fig. 276. It is not necessary to give a pattern for this, as the illustration clearly shows how it should fit over the two boys who form the body, and hang from the headpiece. The neck should be stuffed out with excelsior. A short and a long stick should be nailed together, as shown in Fig. 277, and cloth should be sewed to the end of the short stick for the animal's tail. Stuff the tail with excelsior and fasten unravelled rope to the end, as shown in the drawings. The long stick should be held by the boy who forms the rear of the animal, so that by means of it he can manipulate the tail (see Fig. 276). As shown by the dotted lines in Fig. 276, the boy in the front portion of the animal holds the end of the pole supporting the animal's head.
An animated animal very often brought into a circus ring is the two-legged
Wild Horse, owned by the Wild Man of Borneo. This breed of horse is shown in Fig. 278. A framework is necessary for the body, and this is best made as shown in Fig. 279. Cut two four-foot strips for the side-pieces, fasten them two feet apart, with a barrel-hoop at either end and arch barrel-hoops over the back, as shown in the drawing. The head (Fig. 280) is made in the same manner as that of the giraffe, the jaws and the ears (Figs. 281 and 282) being cut out separately and pivoted in place similarly to those of the giraffe. Paint
Purchase brown or black cambric for covering the framework. Tack it to the wooden strips, leaving an opening in the top for the rider to stand in, and allow it to hang to the ground as shown in the illustration, so as to conceal the feet of the rider.
The Wild Man should wear an old slouch hat and a hunting jacket, and should have a pair of false legs fastened to him, so that while his own are inside the framework, as shown by the dotted lines in Fig. 278,
A Monkey's Make-up is shown in Fig. 283. The boy who is most apt at making a monkey of himself should be selected to take the part of this animal. In the first place he requires a red suit, which may be made quickly by sewing red cloth over an old coat and a pair of trousers. Cover the legs with a pair of tan stockings, and slip the feet into a pair of large gloves. The face and hands should be colored, and for this purpose buy some brown grease paint. In rubbing the paint over the face, leave a circle of white around the eyes and mouth, and make a brown mark each side of the mouth to give it a broadened effect. A tight-fitting cap should be made of cloth as nearly the shade of the brown paint as possible, to hide the hair. Figure 284 shows the monkey's hat, consisting of a tomato-can covered with red cloth, which is fastened around the monkey's chin by means of an elastic cord.
The Ring Master should wear a high silk hat, a stand-up collar, and a pair of boots, besides being supplied with a long whip.
The Clown's Suit is best made out of red and yellow cheese-cloth, this material being about as cheap as can be bought for the purpose. The suit consists of a pair of baggy trousers or bloomers, with elastic around the waist and ankles, a loose coat with large buttons, a collar, a skullcap, and a hat. Make the buttons out of red cheese-cloth and stuff them with cotton. The coat may be made of red and the trousers of yellow cheese-cloth, or both may be made of yellow with red polka dots sewed on to them, as shown in the illustration of his costume (Fig. 285). The collar is made of white cloth, lined with paper to make it stiff, and should be pleated around the neck to form a ruffle. A skull cap should be made out of white cloth to hide the hair. Make a peaked hat of stiff paper, and cover it with red cheese-cloth.
When making up for a performance, the clown should powder his face, neck, and hands with magnesia, and draw expression marks upon his face with burnt cork, as shown in Fig. 285.
The Attendants for the elephant and giraffe should wear old bath robes or gowns, and have turbans made by twisting a piece of red cheese-cloth about the head.
By visiting any circus and closely watching how things are managed, it ought to be a simple matter to get enough
Ideas for a Performance that can be carried out with the animals and performers described in this chapter. The clown should, of course, have his usual supply of jokes, which he can get out of the comic papers, and should do his best to annoy the other performers. He should make himself
A Slapper, consisting of two sticks with a block slipped between at one end. This will produce a great deal of laughter among the audience, for when the slapper is struck against a performer the ends of the sticks strike together, making a loud, cracking noise, and one would hardly believe that a stinging blow had not been dealt. The clown attempts the tricks of the other performers, but always fails or gets them very badly mixed.
A startling feat to be announced upon the programme will be
Looping the Hoop on a Giraffe.—This stunt is performed by the elephant, who is given a number of barrel-hoops,
The monkey may do almost anything and be amusing. Swinging upon a turning-pole, teasing the animals, boxing with the clown, and climbing a rope, are all his specialties. Then he should have
A Chariot within which to ride around the ring. This can be made out of a soap-box, as shown in Fig. 286. Cut down the sides, as in the illustration, attach two shafts to the bottom, and mount it upon a couple of small wagon wheels. When this has been done paint the wood a bright red, and cut stars of different sizes out of gilt paper and glue them all over the outside.
The ring master acts as manager of the performance,
If a boy can turn upon a turning-pole, an apparatus such as is described in Chapter XVIII may be set up outside of the ring.
Before performances, the entire circus—animals, acrobats, and showmen—should parade about the neighborhood in circus attire. We always made the
Parades a feature of our circuses, and found them not only great sport, but the best kind of advertising. The animal cages should be placed upon wagons decorated with flags. Head the procession with a couple of drummers, and have two boys march in the rear carrying signs advertising the show.
The Advertising Signs may be painted with bluing upon large pieces of manila wrapping-paper, and should be tacked on wooden stretchers mounted on poles.
CHAPTER XX
SUGGESTIONS FOR FOURTH OF JULY
As most boys probably know, the first Fourth of July celebration took place in 1775, following the signing of the Declaration of Independence in Independence Hall, Philadelphia. When the old bell rang forth the result of the meeting of the Continental Congress, citizens gathered in the streets and displayed their great joy by shouting, beating drums, and firing muskets. The news spread very rapidly, and great rejoicing reigned everywhere. It soon became a custom to celebrate annually this famous event, and it should be every boy's privilege to have a rollicking good time upon this day, making as much noise as he pleases.
When the average boy has bought a few sky-rockets, Roman-candles, and cannon-crackers, for the Fourth, he generally finds, to his sorrow, that he has run out of pocket money. It is then that he is very apt to want to try his hand at making pyrotechnics. There are many publications which describe how amateurs may manufacture Roman-candles, sky-rockets, nigger-chasers, and such pieces, but it is hoped that no boy will venture to
There are, however, many things a boy can make for the Fourth that are perfectly harmless, such as fire-cracker cannons and home-made set-pieces, besides different schemes for firing crackers and fireworks that he can carry out. The suggestions offered on the following pages will be found interesting, and they will probably suggest other ideas to the inventive boy.
The store toy cannon and cap-pistol are exceedingly dangerous for boys to use, and were all cities to pass laws forbidding their sale, as in the case of a great many of the larger cities, thousands of young lives would be saved from the terrible accidents resulting annually from celebrating with these toys.
In Fig. 287 is shown
A Fire-cracker Cannon with which a boy can have a great deal of fun and at the same time with no danger of injury. Cut the two gun-stocks similar in shape to Fig. 288, and the two wheels four inches in diameter (Fig. 289), after which bore holes in the gun-stocks at
When the various pieces have been thus prepared, place them together as shown in Fig. 287, and slip a piece of heavy wire through the holes made in them, and bend over the ends of the wire to hold the wheels in place.
To fire the Cannon, place a cracker in the can with the fuse projecting through the hole in the bottom, and fit
A Toy Mortar may be made similarly, with the exception of the carriage or mortar-bed. Figures 292 and 293 show the details for this, which is different from a regular mortar, one end being enclosed for an ammunition box. Make a cover for the ammunition box to prevent sparks from igniting the packages of crackers, using pieces of leather for hinges. As shown in the section drawing (Fig. 293), the mortar-bed is mounted upon a small board, being held in place by means of a short screw, which makes it possible to swing the mortar around in any position desired.
These cannons and mortars will furnish sport not only
Mimic Battles, with paper soldiers. The boys should divide into armies, and construct their fortifications about twenty feet apart, planting the guns upon the works and placing the paper soldiers behind. All paper soldiers knocked over are out of the game, and the side first completely killing the enemy's garrison is, of course, the winner of the day. These battles are always very exciting, especially toward the end, when there are but a few warriors remaining. In order that the projectiles may fit all the cans, it is necessary to have them all of the same size.
Another Toy Cannon that is simple to make is shown in Fig. 294. For this, buy a short piece of glass tubing at a drug-store and have the druggist seal one end of it. Then secure a good-sized cork and cut a hole through the side large enough for the tube to run through (see A in Fig. 294). Cut out a pair of wooden wheels about three inches in diameter, and fasten them to the ends of the cork with a pin or small nail. Make the cannon shafts four inches long, point one end of each and stick
To fire the Cannon, slip a match into the open end of the tube with the head toward E, and hold a lighted match at the closed end. As soon as the heat ignites the phosphorus, the match will shoot out of the open end of the tube.
Firing Fireworks from Kites presents a novel feature for a Fourth of July celebration, the aËrial display making a very pretty spectacle, and the boy who sets off his fireworks in this manner will have something different from the rest of the neighborhood.
Figure 295 shows the manner in which a Roman-candle can be attached to a kite-string. A piece of punk about an inch and one-half long should be bound to the fuse of the candle, and as the fuse is rather short it is necessary to cut through the paper bound around it, and set the punk into the end of the candle, as shown in the drawing. Attach a piece of twine two feet long to the other end of the candle, and then, after getting your kite up, attach the end of this string to the kite-string and light the punk, being very careful in doing so not to ignite the fuse of the Roman-candle. After attaching the candle and lighting the punk, let out the kite-string as rapidly as possible, so that by the time the punk has burned down to the fuse end, the Roman-candle
A Pack of Fire-crackers with a piece of punk attached to the fuses may also be suspended from a kite-string and fired in mid-air.
Other fireworks may be set off similarly, and colored lights produce a fine effect.
Nigger-chasers shot into the air by means of a cross-bow, such as is described in Chapter XVII, present another novelty.
Japanese Lanterns hung from kite-strings are also a pretty sight, and, while they give somewhat the same
After procuring a number of lanterns of different shapes and sizes, fasten candles securely in them so that there is no possibility of them igniting the paper. Figures 296 and 297 show two ways in which the lanterns may be attached one below the other. The first method (Fig. 296) consists of pins stuck through the bottoms of the lanterns and bent over into hooks, while in the second (Fig. 297) a small hole is made in the bottom of one lantern and the wire handle of another is slipped through this hole and looped over a burnt match.
Before sending up the kite with these lanterns, make a number of small loops in the kite-string where you wish to hang the lanterns, and provide the handle of each series of lanterns with a pin-hook, as shown in Fig. 297. Then, when everything is in readiness, have one of your friends hook the lanterns to the loops while you attend to letting out the kite-string. Of course the smaller the lanterns are the greater number you can hitch in place, and if you use a team of kites you will find that they will carry a number of strings of lanterns.
A Shooting-torch, such as is shown in Fig. 298, is a scheme that is simple to carry out. It consists of a stick about eighteen inches long, with fire-crackers bound
After firing all of your fireworks, you should have
A Final Set-piece with which to close the exhibition. A good scheme for such a piece is shown in Fig. 299. Mark out the letters upon a board, and, with a quarter-inch bit, bore holes about one half-inch apart along the outlines of each letter. Then cut enough sticks of punk two inches long to fit all of the holes, and put them to soak in kerosene. The oil makes the punk burn much brighter than it would in its dry state. When the punk is thoroughly soaked, stick the pieces in the holes. A candle will be found most convenient for lighting the punk.
Nail the board to a tree or post, and place several cannon-crackers in holes bored near the bottom of the board. After allowing the punk to burn for a short time, light the cannon-crackers and blow up the set-piece as a grand finish.
CHAPTER XXI
HALLOWEEN
Halloween, or the eve of All Saints' Day, has been observed since the beginning of the Christian era. In very early times, ghosts, demons, and spirits were believed to rule the universe on this evening, and any one who ventured upon the streets after dark was doing so at the risk of his life. For companionship, as well as protection, it was customary for large numbers of friends to spend the evening together; and these gathered around the fire-place, and passed away the time drinking cider, cracking nuts, eating apples, and telling ghost stories.
While the superstitious fears of Halloween have almost entirely disappeared, the evening is generally celebrated in the same manner as in the past. This is the only evening on which a boy can feel free to play pranks outdoors without danger of being "pinched," and it is his delight to scare passing pedestrians, ring door-bells, and carry off the neighbors' gates (after seeing that his own is unhinged and safely placed in the barn). Even if he is suspected, and the next day made to remove the rubbish barricading the doors, lug back the stone carriage
Every boy who has used a bean-blower knows that the beans swell when held in the mouth, often to such an extent that they will not go through the opening, and clog the tube. Figure 300 shows a scheme for a
Magazine Bean-blower, which does away with this difficulty, inasmuch as with it the beans are not put in the mouth. The drawing shows a section taken through the centre of one the writer has before him, which works admirably. This bean-blower will cost you just two
The loud drumming noise of a tick-tack rattled upon a window is enough to give any one the cold shivers, and if the guests of a Halloween party are gathered about the fire-place, telling weird ghost stories, this unearthly noise is sufficient to give even the bravest heart a conviction that the house is haunted by supernatural beings. The writer and his friends used to make
A New Style of Tick-tack, such as illustrated in Fig. 302, which claims several advantages over the ordinary kind. In the first place it has a crank arrangement which does away with the long string that is everlastingly becoming entangled, and only one boy is necessary to operate it where two are required with the old-style affair. Again, by having the tick-tack
A Clockwork Tick-tack, such as is illustrated in Fig. 305, is another good idea, and one that can be carried out with a few minutes' work. Remove the works from an old alarm clock, and fasten them with wire or cord to the end of a pole, as shown. Attach a cord to the striker, and make it long enough to reach to the other end of the pole. Make a loop in the end of the cord, and drive a nail into the pole over which to loop the cord to keep the striker in check. This tick-tack is worked by placing the end of the pole close to the window-glass, with the striker toward the glass, and slipping the cord off its nail. The striker is controlled entirely by the cord.
The Goblin-man (Fig. 306) is easily made out of such material as you can most generally find about the house. The framework for the body of this ghostly creature is shown in Fig. 307, and consists of a pole about four feet
The head of the goblin is a jack-o'-lantern made out of a piece of cardboard, bent as shown in Fig. 308, and held in this shape by means of broom-wire laced back
A white suit of clothes is, of course, the correct style for the goblin to wear. This can be found in an old nightshirt, lengthened with white cloth, if necessary, to make it reach the ground when it is placed upon him. The shoulders should be padded out to hide the framework.
When the goblin-man is finished, strap the shoulder-stick
As this weird-looking creature passes along the streets, with glaring eyes and other features equally brilliant, people will have to stop to reassure themselves that they are not face to face with some unearthly demon.
A trick that will furnish amusement for at least a portion of the evening is
The Disappearing Rope, which is not an entirely new idea, but one which is always popular. Procure a number of rubber bands and tie them together, end to end. Then attach one end of these to a front fence, and to the other end fasten several yards of string. After doing this, cross over the sidewalk with the string, pulling it tightly so the rubber bands will stretch, and hang a sign with the word "DANGER" printed upon it in large letters over the string where it crosses the sidewalk.
It is only natural that the person who sees this sign will make a grab for it, thinking you are blocking the sidewalk to make him walk around it. This is your opportunity to act quickly and let go of the string, which will snap back to the fence upon the contraction of the rubber bands, and disappear from view, leaving your much-astonished friend to pass on, knowing that the joke is upon him.
CHAPTER XXII
A BACK-YARD TOBOGGAN-SLIDE
It is the misfortune of a great many boys to be deprived of one of winter's greatest sports, by living in a flat country where there are no hills upon which to coast. These boys have little use for sleds aside from "hitching," unless they can make an artificial slide. In a number of large cities, toboggan-slides on a large scale are erected in the parks each year, and thrown open to the use of the public. Although this coasting cannot equal that to be had on natural hills, it affords a great pastime to thousands of boys and girls, and is a luxurious treat to many who have never seen hills larger than the artificial park variety.
The construction of a toboggan-slide is not difficult for a boy or several boys, and though it must be limited in size, a small slide has an advantage in that there is not a long walk from the end of the run back to the starting-point.
It is a good idea to locate the toboggan-slide in a back-yard or an enclosed lot, so that the outside fellows cannot monopolize it; and it is well to have some firm
The Length will be determined by the size of the yard. If the yard is short, the slide should be proportioned accordingly, to allow the sled its full run before reaching the end of the lot.
A Platform should be built in the corner, six feet square, and about seven feet above the ground. For this, cut four two-by-fours six feet nine inches long, fasten one in the angle formed by the two fences, and another five feet four inches to the right of it (A and B in Fig. 312). The third upright (C) should be nailed to the fence five feet eight inches from A, and the fourth (D) should be fastened at an equal distance from B. Then cut two pieces of two-by-four each six feet long, and nail them across the tops of A and C, and B and D, respectively, as shown at E and F in Fig. 312. The uprights should now be braced with horizontal and diagonal bracing, as shown in Fig. 312, to give the platform the necessary stiffness.
After deciding upon the length of the slide, lay off the distance upon the ground from the bottom of upright B, and drive a stake into the ground at the farther end. Then attach a cord to the stake and run it along the
If you are going to buy boards with which to cover the platform and slide, get twelve-foot lengths, eight or ten inches wide. By using these you will have no waste, and but little cutting to do. If, however, you have material of other dimensions on hand which you can use, the supports of the slide should be so spaced that the boards will reach from one to another. The boards should run lengthwise upon the slide, and be
In order to prevent sleds from running off the slide, a guide should be nailed to the edge farthest from the fence, from the top to the bottom, and on the opposite side where it extends above the fence top (see Fig. 310).
After nailing the platform boards in place,
Build a Railing out of boards around three sides of it, to prevent any one from slipping off (see Fig. 310).
A Ladder, made out of two two-by-fours, with two-inch strips nailed across them, should be set against the front of the platform and spiked in place, as shown in the illustration of the completed slide (Fig. 310). This will make it easier to reach the platform than by the way of the icy slide, and also prevents those coasting from colliding with those who are returning.
Any ingenious boy will know how to make a swift slide by turning the hose upon it, and allowing the water to run over the surface until every portion is well covered.
A toboggan-sled is out of proportion for a slide of this size, and will not be found as satisfactory as a sled with runners, as the steepness of the slide will not be sufficient to make it go.
A Home-made Sled, such as that shown in Fig. 314, requires but little material, and if carefully made will prove stronger than the variety commonly sold in the shops.
Figure 315 shows the pattern for the runners, which should be cut out of four-inch boards, seven-eighths of an inch thick. Round the top edges, and cut the front and rear ends as shown in the drawing. Make a slot in the place indicated for a handle, and bore a hole near the front end for the crosspiece to run through. The seat consists of a board cut twenty-two inches long and nine inches wide. This will not be nailed to the runners but to cleats, as shown in Fig. 316. Cut three cleats nine and one-quarter inches long, two inches wide, and seven-eighths of an inch thick, and fasten these between the runners, five-eighths of an inch from their tops, placing one near the end of the seat, one at the centre, and one at the front. Four two-inch iron braces should be procured, and two of these
The Best Kind of Iron Runners for a home-made sled are those that a boy can put on without the aid of a blacksmith, and such a pair of runners is shown in the drawing of this sled. They consist of what are known as half-oval iron strips, and can be had usually at a hardware store or blacksmith shop. A pair forty inches long and three-quarters of an inch wide, with five holes for countersunk screws drilled in each, can be bought for fifty cents. When they have been procured, screw them to the bottom of the runners, using one inch or one and one-quarter inch screws for the purpose.
Although these runners are plenty heavy enough for light coasting, they would probably prove weak for coasting upon hills of any great size. To withstand the strain brought to bear upon the runners when hill coasting, boys generally find it necessary to make them out of two-inch stuff. This, however, makes the sled heavy and clumsy, and can be done away with by following a
ReËnforcing the Runners with steel bars driven into holes bored vertically in them. The holes were bored while the runners were held in a vise, and the steel bars were a little larger than the holes, so that they would fit them tightly. This scheme allows the use of seven-eighths inch stuff for the runners, and sixty-penny wire nails can be filed off to the proper length and substituted for steel bars if the latter cannot be obtained.
When the sled has been completed, it should be given a good coat of paint.